-
The Men - Full Performance (Live on KEXP)
The Men perform live on KEXP from Mellow Johnny's Bike Shop during SXSW. Recorded 3/16/2012.
Audio Engineer: Kevin Suggs
Cameras: Jim Beckmann, Shelly Corbett, Scott Holpainen & Christopher Meister
Editing: Jim Beckmann
http://www.kexp.org
http://wearethemen.blogspot.com/
http://www.mellowjohnnys.com
published: 07 Apr 2012
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The Men - If You Leave...
From 'Leave Home'
https://themen.bandcamp.com/album/leave-home
https://music.apple.com/us/album/leave-home-10th-anniversary-edition/1586387005
The Men yes, "The", are a four-piece post-punk outfit from Brooklyn, NY. Their catalog which began in 2008 with a hand-dubbed self-released demo cassette has grown in 2011 to include two more LP's- We Are the Men and Immaculada-two more tapes, and a 7". Having three songwriters in the band allows them to pull from innumerable post-punk sources, referencing drone, metal, shoegaze, and even Suicide lyrics on Leave Home. They have breathed new life into the genre of hardcore and created a seminal album that is truly for punks of all ages.
The Men’s hugely influential album Leave Home came out during an exciting time in New York City. DIY lofts and sh...
published: 18 Mar 2022
-
The Men - Bataille
From 'Leave Home'
https://themen.bandcamp.com/album/leave-home
https://music.apple.com/us/album/leave-home-10th-anniversary-edition/1586387005
The Men yes, "The", are a four-piece post-punk outfit from Brooklyn, NY. Their catalog which began in 2008 with a hand-dubbed self-released demo cassette has grown in 2011 to include two more LP's- We Are the Men and Immaculada-two more tapes, and a 7". Having three songwriters in the band allows them to pull from innumerable post-punk sources, referencing drone, metal, shoegaze, and even Suicide lyrics on Leave Home. They have breathed new life into the genre of hardcore and created a seminal album that is truly for punks of all ages.
The Men’s hugely influential album Leave Home came out during an exciting time in New York City. DIY lofts and sh...
published: 18 Mar 2022
-
The Men - LADOCH
From 'Leave Home'
https://themen.bandcamp.com/album/leave-home
https://music.apple.com/us/album/leave-home-10th-anniversary-edition/1586387005
The Men yes, "The", are a four-piece post-punk outfit from Brooklyn, NY. Their catalog which began in 2008 with a hand-dubbed self-released demo cassette has grown in 2011 to include two more LP's- We Are the Men and Immaculada-two more tapes, and a 7". Having three songwriters in the band allows them to pull from innumerable post-punk sources, referencing drone, metal, shoegaze, and even Suicide lyrics on Leave Home. They have breathed new life into the genre of hardcore and created a seminal album that is truly for punks of all ages.
The Men’s hugely influential album Leave Home came out during an exciting time in New York City. DIY lofts and sh...
published: 18 Mar 2022
-
The Men - Shitting With The Shaw
From 'Leave Home'
https://themen.bandcamp.com/album/leave-home
https://music.apple.com/us/album/leave-home-10th-anniversary-edition/1586387005
The Men yes, "The", are a four-piece post-punk outfit from Brooklyn, NY. Their catalog which began in 2008 with a hand-dubbed self-released demo cassette has grown in 2011 to include two more LP's- We Are the Men and Immaculada-two more tapes, and a 7". Having three songwriters in the band allows them to pull from innumerable post-punk sources, referencing drone, metal, shoegaze, and even Suicide lyrics on Leave Home. They have breathed new life into the genre of hardcore and created a seminal album that is truly for punks of all ages.
The Men’s hugely influential album Leave Home came out during an exciting time in New York City. DIY lofts and sh...
published: 18 Mar 2022
-
The Men - Pearly Gates (All Axis)
The Men play "Pearly Gates" from their record Tomorrow's Hits live at The Wick in Brooklyn.
http://wearethemen.blogspot.com/
http://www.allaxismusic.com
Thanks for watching! Please subscribe to our channel or follow us on Facebook and Twitter to get more info!
http://www.facebook.com/allaxismusic
http://www.twitter.com/allaxismusic
published: 28 May 2014
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Punk Band Reunion At The Wedding - SNL
A father (Fred Armisen) reunites with his old punk band, Crisis of Conformity (Bill Hader, Ashton Kutcher, Dave Grohl), to play their song "Fistfight in the Parking Lot" at his daughter's wedding. [Season 35, 2010]
#SNL
Subscribe to SNL: https://goo.gl/tUsXwM
Get more SNL: http://www.nbc.com/saturday-night-live
Full Episodes: http://www.nbc.com/saturday-night-liv...
Like SNL: https://www.facebook.com/snl
Follow SNL: https://twitter.com/nbcsnl
SNL Tumblr: http://nbcsnl.tumblr.com/
SNL Instagram: http://instagram.com/nbcsnl
SNL Pinterest: http://www.pinterest.com/nbcsnl/
published: 30 Sep 2013
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Fred Armisen Impersonates Each Decade of Punk Music | The Tonight Show Starring Jimmy Fallon
Fred Armisen shows off his musical impersonations of alternative music from bands like The Velvet Underground and Sleater-Kinney.
The Tonight Show Starring Jimmy Fallon. Stream now on Peacock: https://bit.ly/3gZJaNy
Subscribe NOW to The Tonight Show Starring Jimmy Fallon: http://bit.ly/1nwT1aN
Watch The Tonight Show Starring Jimmy Fallon Weeknights 11:35/10:35c
Get more The Tonight Show Starring Jimmy Fallon: https://www.nbc.com/the-tonight-show
JIMMY FALLON ON SOCIAL
Follow Jimmy: http://Twitter.com/JimmyFallon
Like Jimmy: https://Facebook.com/JimmyFallon
Follow Jimmy: https://www.instagram.com/jimmyfallon/
THE TONIGHT SHOW ON SOCIAL
Follow The Tonight Show: http://Twitter.com/FallonTonight
Like The Tonight Show: https://Facebook.com/FallonTonight
Follow The Tonight Show: https...
published: 03 Nov 2021
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Exclusive- LA Slumlords' Journey: From 1998 to Political Punk Rock Icons
In this exclusive 1:1 interview, Patty Hearse, the powerful lead singer of the LA Slumlords, joins Scott on The Hang to share the band's incredible journey and their recent performance at Punk Rock Bowling Weekend. Hear about the formation of the LA Slumlords in 1998, their tumultuous history of breakups and reunions, and the passionate, politically charged lyrics that define their music. Patty delves into the importance of women in rock and roll, the evolving punk scene, and the band's commitment to addressing social injustice through their songs. She also emphasizes the importance of voting and staying united in the face of political challenges. Discover Patty's musical influences and get her recommendations on other bands to check out.
published: 23 Jul 2024
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Fan Throws Beer At Chad Gray Mudvayne Vocalist Noblesville, IN July 21st, 2022.
published: 22 Jul 2022
31:14
The Men - Full Performance (Live on KEXP)
The Men perform live on KEXP from Mellow Johnny's Bike Shop during SXSW. Recorded 3/16/2012.
Audio Engineer: Kevin Suggs
Cameras: Jim Beckmann, Shelly Corbett,...
The Men perform live on KEXP from Mellow Johnny's Bike Shop during SXSW. Recorded 3/16/2012.
Audio Engineer: Kevin Suggs
Cameras: Jim Beckmann, Shelly Corbett, Scott Holpainen & Christopher Meister
Editing: Jim Beckmann
http://www.kexp.org
http://wearethemen.blogspot.com/
http://www.mellowjohnnys.com
https://wn.com/The_Men_Full_Performance_(Live_On_Kexp)
The Men perform live on KEXP from Mellow Johnny's Bike Shop during SXSW. Recorded 3/16/2012.
Audio Engineer: Kevin Suggs
Cameras: Jim Beckmann, Shelly Corbett, Scott Holpainen & Christopher Meister
Editing: Jim Beckmann
http://www.kexp.org
http://wearethemen.blogspot.com/
http://www.mellowjohnnys.com
- published: 07 Apr 2012
- views: 125987
7:38
The Men - If You Leave...
From 'Leave Home'
https://themen.bandcamp.com/album/leave-home
https://music.apple.com/us/album/leave-home-10th-anniversary-edition/1586387005
The Men yes, "Th...
From 'Leave Home'
https://themen.bandcamp.com/album/leave-home
https://music.apple.com/us/album/leave-home-10th-anniversary-edition/1586387005
The Men yes, "The", are a four-piece post-punk outfit from Brooklyn, NY. Their catalog which began in 2008 with a hand-dubbed self-released demo cassette has grown in 2011 to include two more LP's- We Are the Men and Immaculada-two more tapes, and a 7". Having three songwriters in the band allows them to pull from innumerable post-punk sources, referencing drone, metal, shoegaze, and even Suicide lyrics on Leave Home. They have breathed new life into the genre of hardcore and created a seminal album that is truly for punks of all ages.
The Men’s hugely influential album Leave Home came out during an exciting time in New York City. DIY lofts and shitty bars littered downtown Manhattan and North Brooklyn. The Acheron had just opened its doors. Kill Your Idols had broken up. Toxic State Records was just getting started with Crazy Spirit, Dawn of Humans, Hank Wood, and Perdition EP’s. The city was alive with punk and noise and filth. And right at that time, The Men were the show to be at. Every gig was dripping with sweat. Hallways and sidewalks were packed between sets. Chaos reigned in the pit.
The Men hit like a bag of hard cement, a hardcore band with a familiar sound but with an aura of absolute chaos and intensity, like everything was on the brink of going off the rails at every moment of their set, a downhill freight train with no brakes. During these shows one’s focus could shoot back and forth between the intimidatingly angry-eyed, shaved-headed Chris Hansell (who went on to front Warthog) and the long-haired hippie punks Mark Perro, Nick Chiericozzi, and Rich Samis, that made up the surrounding band. Just one of the many juxtapositions the band embraced.
If The Men were a chapter in Michael Azzerad’s Our Band Could Be Your Life, the early EP’s and cassettes would obviously be Minor Threat and Black Flag, while Leave Home would likely be Sonic Youth. It was just before they made the full jump into each record being a smorgasbord of underground genres, from dream pop to folk; before they had tracks called “Country Song,” for example. This was a preview of what was to come. Leave Home was a pivot from pure hardcore punk, as the band got lost in the groove in a way one couldn’t on a straight up punk record. That groove was strong on “If You Leave…,” “(),” and “Bataille,” while they spaced out on “Shittin’ With The Shah” and stayed as fierce as ever on “LADOCH.” And of course, Leave Home had a re-recording of their hardest track to date, “Think,” making it clear that they were still the moshers we all had come to know and love. If The Men raised their flag as an important New York punk band with Immaculada, they started waving it in the freakiest way with Leave Home.
There is no doubt that Leave Home was one of the most influential records of the last decade. You can hear their mark everywhere from Ty Segall and Thee Oh Sees to Milk Music and Hank Wood. Few bands have traversed as many genres as The Men and even fewer have done it so well. It is a testament to the band’s undying authenticity and adventurism that the record sounds as timeless and urgent now as it did when it blew the doors of New York punk off its hinges ten years ago, leaving a giant hole for bands of all kinds to come racing through.
https://wn.com/The_Men_If_You_Leave...
From 'Leave Home'
https://themen.bandcamp.com/album/leave-home
https://music.apple.com/us/album/leave-home-10th-anniversary-edition/1586387005
The Men yes, "The", are a four-piece post-punk outfit from Brooklyn, NY. Their catalog which began in 2008 with a hand-dubbed self-released demo cassette has grown in 2011 to include two more LP's- We Are the Men and Immaculada-two more tapes, and a 7". Having three songwriters in the band allows them to pull from innumerable post-punk sources, referencing drone, metal, shoegaze, and even Suicide lyrics on Leave Home. They have breathed new life into the genre of hardcore and created a seminal album that is truly for punks of all ages.
The Men’s hugely influential album Leave Home came out during an exciting time in New York City. DIY lofts and shitty bars littered downtown Manhattan and North Brooklyn. The Acheron had just opened its doors. Kill Your Idols had broken up. Toxic State Records was just getting started with Crazy Spirit, Dawn of Humans, Hank Wood, and Perdition EP’s. The city was alive with punk and noise and filth. And right at that time, The Men were the show to be at. Every gig was dripping with sweat. Hallways and sidewalks were packed between sets. Chaos reigned in the pit.
The Men hit like a bag of hard cement, a hardcore band with a familiar sound but with an aura of absolute chaos and intensity, like everything was on the brink of going off the rails at every moment of their set, a downhill freight train with no brakes. During these shows one’s focus could shoot back and forth between the intimidatingly angry-eyed, shaved-headed Chris Hansell (who went on to front Warthog) and the long-haired hippie punks Mark Perro, Nick Chiericozzi, and Rich Samis, that made up the surrounding band. Just one of the many juxtapositions the band embraced.
If The Men were a chapter in Michael Azzerad’s Our Band Could Be Your Life, the early EP’s and cassettes would obviously be Minor Threat and Black Flag, while Leave Home would likely be Sonic Youth. It was just before they made the full jump into each record being a smorgasbord of underground genres, from dream pop to folk; before they had tracks called “Country Song,” for example. This was a preview of what was to come. Leave Home was a pivot from pure hardcore punk, as the band got lost in the groove in a way one couldn’t on a straight up punk record. That groove was strong on “If You Leave…,” “(),” and “Bataille,” while they spaced out on “Shittin’ With The Shah” and stayed as fierce as ever on “LADOCH.” And of course, Leave Home had a re-recording of their hardest track to date, “Think,” making it clear that they were still the moshers we all had come to know and love. If The Men raised their flag as an important New York punk band with Immaculada, they started waving it in the freakiest way with Leave Home.
There is no doubt that Leave Home was one of the most influential records of the last decade. You can hear their mark everywhere from Ty Segall and Thee Oh Sees to Milk Music and Hank Wood. Few bands have traversed as many genres as The Men and even fewer have done it so well. It is a testament to the band’s undying authenticity and adventurism that the record sounds as timeless and urgent now as it did when it blew the doors of New York punk off its hinges ten years ago, leaving a giant hole for bands of all kinds to come racing through.
- published: 18 Mar 2022
- views: 1404
4:16
The Men - Bataille
From 'Leave Home'
https://themen.bandcamp.com/album/leave-home
https://music.apple.com/us/album/leave-home-10th-anniversary-edition/1586387005
The Men yes, "Th...
From 'Leave Home'
https://themen.bandcamp.com/album/leave-home
https://music.apple.com/us/album/leave-home-10th-anniversary-edition/1586387005
The Men yes, "The", are a four-piece post-punk outfit from Brooklyn, NY. Their catalog which began in 2008 with a hand-dubbed self-released demo cassette has grown in 2011 to include two more LP's- We Are the Men and Immaculada-two more tapes, and a 7". Having three songwriters in the band allows them to pull from innumerable post-punk sources, referencing drone, metal, shoegaze, and even Suicide lyrics on Leave Home. They have breathed new life into the genre of hardcore and created a seminal album that is truly for punks of all ages.
The Men’s hugely influential album Leave Home came out during an exciting time in New York City. DIY lofts and shitty bars littered downtown Manhattan and North Brooklyn. The Acheron had just opened its doors. Kill Your Idols had broken up. Toxic State Records was just getting started with Crazy Spirit, Dawn of Humans, Hank Wood, and Perdition EP’s. The city was alive with punk and noise and filth. And right at that time, The Men were the show to be at. Every gig was dripping with sweat. Hallways and sidewalks were packed between sets. Chaos reigned in the pit.
The Men hit like a bag of hard cement, a hardcore band with a familiar sound but with an aura of absolute chaos and intensity, like everything was on the brink of going off the rails at every moment of their set, a downhill freight train with no brakes. During these shows one’s focus could shoot back and forth between the intimidatingly angry-eyed, shaved-headed Chris Hansell (who went on to front Warthog) and the long-haired hippie punks Mark Perro, Nick Chiericozzi, and Rich Samis, that made up the surrounding band. Just one of the many juxtapositions the band embraced.
If The Men were a chapter in Michael Azzerad’s Our Band Could Be Your Life, the early EP’s and cassettes would obviously be Minor Threat and Black Flag, while Leave Home would likely be Sonic Youth. It was just before they made the full jump into each record being a smorgasbord of underground genres, from dream pop to folk; before they had tracks called “Country Song,” for example. This was a preview of what was to come. Leave Home was a pivot from pure hardcore punk, as the band got lost in the groove in a way one couldn’t on a straight up punk record. That groove was strong on “If You Leave…,” “(),” and “Bataille,” while they spaced out on “Shittin’ With The Shah” and stayed as fierce as ever on “LADOCH.” And of course, Leave Home had a re-recording of their hardest track to date, “Think,” making it clear that they were still the moshers we all had come to know and love. If The Men raised their flag as an important New York punk band with Immaculada, they started waving it in the freakiest way with Leave Home.
There is no doubt that Leave Home was one of the most influential records of the last decade. You can hear their mark everywhere from Ty Segall and Thee Oh Sees to Milk Music and Hank Wood. Few bands have traversed as many genres as The Men and even fewer have done it so well. It is a testament to the band’s undying authenticity and adventurism that the record sounds as timeless and urgent now as it did when it blew the doors of New York punk off its hinges ten years ago, leaving a giant hole for bands of all kinds to come racing through.
https://wn.com/The_Men_Bataille
From 'Leave Home'
https://themen.bandcamp.com/album/leave-home
https://music.apple.com/us/album/leave-home-10th-anniversary-edition/1586387005
The Men yes, "The", are a four-piece post-punk outfit from Brooklyn, NY. Their catalog which began in 2008 with a hand-dubbed self-released demo cassette has grown in 2011 to include two more LP's- We Are the Men and Immaculada-two more tapes, and a 7". Having three songwriters in the band allows them to pull from innumerable post-punk sources, referencing drone, metal, shoegaze, and even Suicide lyrics on Leave Home. They have breathed new life into the genre of hardcore and created a seminal album that is truly for punks of all ages.
The Men’s hugely influential album Leave Home came out during an exciting time in New York City. DIY lofts and shitty bars littered downtown Manhattan and North Brooklyn. The Acheron had just opened its doors. Kill Your Idols had broken up. Toxic State Records was just getting started with Crazy Spirit, Dawn of Humans, Hank Wood, and Perdition EP’s. The city was alive with punk and noise and filth. And right at that time, The Men were the show to be at. Every gig was dripping with sweat. Hallways and sidewalks were packed between sets. Chaos reigned in the pit.
The Men hit like a bag of hard cement, a hardcore band with a familiar sound but with an aura of absolute chaos and intensity, like everything was on the brink of going off the rails at every moment of their set, a downhill freight train with no brakes. During these shows one’s focus could shoot back and forth between the intimidatingly angry-eyed, shaved-headed Chris Hansell (who went on to front Warthog) and the long-haired hippie punks Mark Perro, Nick Chiericozzi, and Rich Samis, that made up the surrounding band. Just one of the many juxtapositions the band embraced.
If The Men were a chapter in Michael Azzerad’s Our Band Could Be Your Life, the early EP’s and cassettes would obviously be Minor Threat and Black Flag, while Leave Home would likely be Sonic Youth. It was just before they made the full jump into each record being a smorgasbord of underground genres, from dream pop to folk; before they had tracks called “Country Song,” for example. This was a preview of what was to come. Leave Home was a pivot from pure hardcore punk, as the band got lost in the groove in a way one couldn’t on a straight up punk record. That groove was strong on “If You Leave…,” “(),” and “Bataille,” while they spaced out on “Shittin’ With The Shah” and stayed as fierce as ever on “LADOCH.” And of course, Leave Home had a re-recording of their hardest track to date, “Think,” making it clear that they were still the moshers we all had come to know and love. If The Men raised their flag as an important New York punk band with Immaculada, they started waving it in the freakiest way with Leave Home.
There is no doubt that Leave Home was one of the most influential records of the last decade. You can hear their mark everywhere from Ty Segall and Thee Oh Sees to Milk Music and Hank Wood. Few bands have traversed as many genres as The Men and even fewer have done it so well. It is a testament to the band’s undying authenticity and adventurism that the record sounds as timeless and urgent now as it did when it blew the doors of New York punk off its hinges ten years ago, leaving a giant hole for bands of all kinds to come racing through.
- published: 18 Mar 2022
- views: 275
6:03
The Men - LADOCH
From 'Leave Home'
https://themen.bandcamp.com/album/leave-home
https://music.apple.com/us/album/leave-home-10th-anniversary-edition/1586387005
The Men yes, "Th...
From 'Leave Home'
https://themen.bandcamp.com/album/leave-home
https://music.apple.com/us/album/leave-home-10th-anniversary-edition/1586387005
The Men yes, "The", are a four-piece post-punk outfit from Brooklyn, NY. Their catalog which began in 2008 with a hand-dubbed self-released demo cassette has grown in 2011 to include two more LP's- We Are the Men and Immaculada-two more tapes, and a 7". Having three songwriters in the band allows them to pull from innumerable post-punk sources, referencing drone, metal, shoegaze, and even Suicide lyrics on Leave Home. They have breathed new life into the genre of hardcore and created a seminal album that is truly for punks of all ages.
The Men’s hugely influential album Leave Home came out during an exciting time in New York City. DIY lofts and shitty bars littered downtown Manhattan and North Brooklyn. The Acheron had just opened its doors. Kill Your Idols had broken up. Toxic State Records was just getting started with Crazy Spirit, Dawn of Humans, Hank Wood, and Perdition EP’s. The city was alive with punk and noise and filth. And right at that time, The Men were the show to be at. Every gig was dripping with sweat. Hallways and sidewalks were packed between sets. Chaos reigned in the pit.
The Men hit like a bag of hard cement, a hardcore band with a familiar sound but with an aura of absolute chaos and intensity, like everything was on the brink of going off the rails at every moment of their set, a downhill freight train with no brakes. During these shows one’s focus could shoot back and forth between the intimidatingly angry-eyed, shaved-headed Chris Hansell (who went on to front Warthog) and the long-haired hippie punks Mark Perro, Nick Chiericozzi, and Rich Samis, that made up the surrounding band. Just one of the many juxtapositions the band embraced.
If The Men were a chapter in Michael Azzerad’s Our Band Could Be Your Life, the early EP’s and cassettes would obviously be Minor Threat and Black Flag, while Leave Home would likely be Sonic Youth. It was just before they made the full jump into each record being a smorgasbord of underground genres, from dream pop to folk; before they had tracks called “Country Song,” for example. This was a preview of what was to come. Leave Home was a pivot from pure hardcore punk, as the band got lost in the groove in a way one couldn’t on a straight up punk record. That groove was strong on “If You Leave…,” “(),” and “Bataille,” while they spaced out on “Shittin’ With The Shah” and stayed as fierce as ever on “LADOCH.” And of course, Leave Home had a re-recording of their hardest track to date, “Think,” making it clear that they were still the moshers we all had come to know and love. If The Men raised their flag as an important New York punk band with Immaculada, they started waving it in the freakiest way with Leave Home.
There is no doubt that Leave Home was one of the most influential records of the last decade. You can hear their mark everywhere from Ty Segall and Thee Oh Sees to Milk Music and Hank Wood. Few bands have traversed as many genres as The Men and even fewer have done it so well. It is a testament to the band’s undying authenticity and adventurism that the record sounds as timeless and urgent now as it did when it blew the doors of New York punk off its hinges ten years ago, leaving a giant hole for bands of all kinds to come racing through.
https://wn.com/The_Men_Ladoch
From 'Leave Home'
https://themen.bandcamp.com/album/leave-home
https://music.apple.com/us/album/leave-home-10th-anniversary-edition/1586387005
The Men yes, "The", are a four-piece post-punk outfit from Brooklyn, NY. Their catalog which began in 2008 with a hand-dubbed self-released demo cassette has grown in 2011 to include two more LP's- We Are the Men and Immaculada-two more tapes, and a 7". Having three songwriters in the band allows them to pull from innumerable post-punk sources, referencing drone, metal, shoegaze, and even Suicide lyrics on Leave Home. They have breathed new life into the genre of hardcore and created a seminal album that is truly for punks of all ages.
The Men’s hugely influential album Leave Home came out during an exciting time in New York City. DIY lofts and shitty bars littered downtown Manhattan and North Brooklyn. The Acheron had just opened its doors. Kill Your Idols had broken up. Toxic State Records was just getting started with Crazy Spirit, Dawn of Humans, Hank Wood, and Perdition EP’s. The city was alive with punk and noise and filth. And right at that time, The Men were the show to be at. Every gig was dripping with sweat. Hallways and sidewalks were packed between sets. Chaos reigned in the pit.
The Men hit like a bag of hard cement, a hardcore band with a familiar sound but with an aura of absolute chaos and intensity, like everything was on the brink of going off the rails at every moment of their set, a downhill freight train with no brakes. During these shows one’s focus could shoot back and forth between the intimidatingly angry-eyed, shaved-headed Chris Hansell (who went on to front Warthog) and the long-haired hippie punks Mark Perro, Nick Chiericozzi, and Rich Samis, that made up the surrounding band. Just one of the many juxtapositions the band embraced.
If The Men were a chapter in Michael Azzerad’s Our Band Could Be Your Life, the early EP’s and cassettes would obviously be Minor Threat and Black Flag, while Leave Home would likely be Sonic Youth. It was just before they made the full jump into each record being a smorgasbord of underground genres, from dream pop to folk; before they had tracks called “Country Song,” for example. This was a preview of what was to come. Leave Home was a pivot from pure hardcore punk, as the band got lost in the groove in a way one couldn’t on a straight up punk record. That groove was strong on “If You Leave…,” “(),” and “Bataille,” while they spaced out on “Shittin’ With The Shah” and stayed as fierce as ever on “LADOCH.” And of course, Leave Home had a re-recording of their hardest track to date, “Think,” making it clear that they were still the moshers we all had come to know and love. If The Men raised their flag as an important New York punk band with Immaculada, they started waving it in the freakiest way with Leave Home.
There is no doubt that Leave Home was one of the most influential records of the last decade. You can hear their mark everywhere from Ty Segall and Thee Oh Sees to Milk Music and Hank Wood. Few bands have traversed as many genres as The Men and even fewer have done it so well. It is a testament to the band’s undying authenticity and adventurism that the record sounds as timeless and urgent now as it did when it blew the doors of New York punk off its hinges ten years ago, leaving a giant hole for bands of all kinds to come racing through.
- published: 18 Mar 2022
- views: 477
4:53
The Men - Shitting With The Shaw
From 'Leave Home'
https://themen.bandcamp.com/album/leave-home
https://music.apple.com/us/album/leave-home-10th-anniversary-edition/1586387005
The Men yes, "Th...
From 'Leave Home'
https://themen.bandcamp.com/album/leave-home
https://music.apple.com/us/album/leave-home-10th-anniversary-edition/1586387005
The Men yes, "The", are a four-piece post-punk outfit from Brooklyn, NY. Their catalog which began in 2008 with a hand-dubbed self-released demo cassette has grown in 2011 to include two more LP's- We Are the Men and Immaculada-two more tapes, and a 7". Having three songwriters in the band allows them to pull from innumerable post-punk sources, referencing drone, metal, shoegaze, and even Suicide lyrics on Leave Home. They have breathed new life into the genre of hardcore and created a seminal album that is truly for punks of all ages.
The Men’s hugely influential album Leave Home came out during an exciting time in New York City. DIY lofts and shitty bars littered downtown Manhattan and North Brooklyn. The Acheron had just opened its doors. Kill Your Idols had broken up. Toxic State Records was just getting started with Crazy Spirit, Dawn of Humans, Hank Wood, and Perdition EP’s. The city was alive with punk and noise and filth. And right at that time, The Men were the show to be at. Every gig was dripping with sweat. Hallways and sidewalks were packed between sets. Chaos reigned in the pit.
The Men hit like a bag of hard cement, a hardcore band with a familiar sound but with an aura of absolute chaos and intensity, like everything was on the brink of going off the rails at every moment of their set, a downhill freight train with no brakes. During these shows one’s focus could shoot back and forth between the intimidatingly angry-eyed, shaved-headed Chris Hansell (who went on to front Warthog) and the long-haired hippie punks Mark Perro, Nick Chiericozzi, and Rich Samis, that made up the surrounding band. Just one of the many juxtapositions the band embraced.
If The Men were a chapter in Michael Azzerad’s Our Band Could Be Your Life, the early EP’s and cassettes would obviously be Minor Threat and Black Flag, while Leave Home would likely be Sonic Youth. It was just before they made the full jump into each record being a smorgasbord of underground genres, from dream pop to folk; before they had tracks called “Country Song,” for example. This was a preview of what was to come. Leave Home was a pivot from pure hardcore punk, as the band got lost in the groove in a way one couldn’t on a straight up punk record. That groove was strong on “If You Leave…,” “(),” and “Bataille,” while they spaced out on “Shittin’ With The Shah” and stayed as fierce as ever on “LADOCH.” And of course, Leave Home had a re-recording of their hardest track to date, “Think,” making it clear that they were still the moshers we all had come to know and love. If The Men raised their flag as an important New York punk band with Immaculada, they started waving it in the freakiest way with Leave Home.
There is no doubt that Leave Home was one of the most influential records of the last decade. You can hear their mark everywhere from Ty Segall and Thee Oh Sees to Milk Music and Hank Wood. Few bands have traversed as many genres as The Men and even fewer have done it so well. It is a testament to the band’s undying authenticity and adventurism that the record sounds as timeless and urgent now as it did when it blew the doors of New York punk off its hinges ten years ago, leaving a giant hole for bands of all kinds to come racing through.
https://wn.com/The_Men_Shitting_With_The_Shaw
From 'Leave Home'
https://themen.bandcamp.com/album/leave-home
https://music.apple.com/us/album/leave-home-10th-anniversary-edition/1586387005
The Men yes, "The", are a four-piece post-punk outfit from Brooklyn, NY. Their catalog which began in 2008 with a hand-dubbed self-released demo cassette has grown in 2011 to include two more LP's- We Are the Men and Immaculada-two more tapes, and a 7". Having three songwriters in the band allows them to pull from innumerable post-punk sources, referencing drone, metal, shoegaze, and even Suicide lyrics on Leave Home. They have breathed new life into the genre of hardcore and created a seminal album that is truly for punks of all ages.
The Men’s hugely influential album Leave Home came out during an exciting time in New York City. DIY lofts and shitty bars littered downtown Manhattan and North Brooklyn. The Acheron had just opened its doors. Kill Your Idols had broken up. Toxic State Records was just getting started with Crazy Spirit, Dawn of Humans, Hank Wood, and Perdition EP’s. The city was alive with punk and noise and filth. And right at that time, The Men were the show to be at. Every gig was dripping with sweat. Hallways and sidewalks were packed between sets. Chaos reigned in the pit.
The Men hit like a bag of hard cement, a hardcore band with a familiar sound but with an aura of absolute chaos and intensity, like everything was on the brink of going off the rails at every moment of their set, a downhill freight train with no brakes. During these shows one’s focus could shoot back and forth between the intimidatingly angry-eyed, shaved-headed Chris Hansell (who went on to front Warthog) and the long-haired hippie punks Mark Perro, Nick Chiericozzi, and Rich Samis, that made up the surrounding band. Just one of the many juxtapositions the band embraced.
If The Men were a chapter in Michael Azzerad’s Our Band Could Be Your Life, the early EP’s and cassettes would obviously be Minor Threat and Black Flag, while Leave Home would likely be Sonic Youth. It was just before they made the full jump into each record being a smorgasbord of underground genres, from dream pop to folk; before they had tracks called “Country Song,” for example. This was a preview of what was to come. Leave Home was a pivot from pure hardcore punk, as the band got lost in the groove in a way one couldn’t on a straight up punk record. That groove was strong on “If You Leave…,” “(),” and “Bataille,” while they spaced out on “Shittin’ With The Shah” and stayed as fierce as ever on “LADOCH.” And of course, Leave Home had a re-recording of their hardest track to date, “Think,” making it clear that they were still the moshers we all had come to know and love. If The Men raised their flag as an important New York punk band with Immaculada, they started waving it in the freakiest way with Leave Home.
There is no doubt that Leave Home was one of the most influential records of the last decade. You can hear their mark everywhere from Ty Segall and Thee Oh Sees to Milk Music and Hank Wood. Few bands have traversed as many genres as The Men and even fewer have done it so well. It is a testament to the band’s undying authenticity and adventurism that the record sounds as timeless and urgent now as it did when it blew the doors of New York punk off its hinges ten years ago, leaving a giant hole for bands of all kinds to come racing through.
- published: 18 Mar 2022
- views: 678
4:46
The Men - Pearly Gates (All Axis)
The Men play "Pearly Gates" from their record Tomorrow's Hits live at The Wick in Brooklyn.
http://wearethemen.blogspot.com/
http://www.allaxismusic.com
Than...
The Men play "Pearly Gates" from their record Tomorrow's Hits live at The Wick in Brooklyn.
http://wearethemen.blogspot.com/
http://www.allaxismusic.com
Thanks for watching! Please subscribe to our channel or follow us on Facebook and Twitter to get more info!
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https://wn.com/The_Men_Pearly_Gates_(All_Axis)
The Men play "Pearly Gates" from their record Tomorrow's Hits live at The Wick in Brooklyn.
http://wearethemen.blogspot.com/
http://www.allaxismusic.com
Thanks for watching! Please subscribe to our channel or follow us on Facebook and Twitter to get more info!
http://www.facebook.com/allaxismusic
http://www.twitter.com/allaxismusic
- published: 28 May 2014
- views: 1788
3:38
Punk Band Reunion At The Wedding - SNL
A father (Fred Armisen) reunites with his old punk band, Crisis of Conformity (Bill Hader, Ashton Kutcher, Dave Grohl), to play their song "Fistfight in the Par...
A father (Fred Armisen) reunites with his old punk band, Crisis of Conformity (Bill Hader, Ashton Kutcher, Dave Grohl), to play their song "Fistfight in the Parking Lot" at his daughter's wedding. [Season 35, 2010]
#SNL
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https://wn.com/Punk_Band_Reunion_At_The_Wedding_Snl
A father (Fred Armisen) reunites with his old punk band, Crisis of Conformity (Bill Hader, Ashton Kutcher, Dave Grohl), to play their song "Fistfight in the Parking Lot" at his daughter's wedding. [Season 35, 2010]
#SNL
Subscribe to SNL: https://goo.gl/tUsXwM
Get more SNL: http://www.nbc.com/saturday-night-live
Full Episodes: http://www.nbc.com/saturday-night-liv...
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- published: 30 Sep 2013
- views: 10677979
5:23
Fred Armisen Impersonates Each Decade of Punk Music | The Tonight Show Starring Jimmy Fallon
Fred Armisen shows off his musical impersonations of alternative music from bands like The Velvet Underground and Sleater-Kinney.
The Tonight Show Starring Jim...
Fred Armisen shows off his musical impersonations of alternative music from bands like The Velvet Underground and Sleater-Kinney.
The Tonight Show Starring Jimmy Fallon. Stream now on Peacock: https://bit.ly/3gZJaNy
Subscribe NOW to The Tonight Show Starring Jimmy Fallon: http://bit.ly/1nwT1aN
Watch The Tonight Show Starring Jimmy Fallon Weeknights 11:35/10:35c
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The Tonight Show Starring Jimmy Fallon features hilarious highlights from the show, including comedy sketches, music parodies, celebrity interviews, ridiculous games, and, of course, Jimmy's Thank You Notes and hashtags! You'll also find behind the scenes videos and other great web exclusives.
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Fred Armisen Impersonates Each Decade of Punk Music | The Tonight Show Starring Jimmy Fallon
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#FallonTonight
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https://wn.com/Fred_Armisen_Impersonates_Each_Decade_Of_Punk_Music_|_The_Tonight_Show_Starring_Jimmy_Fallon
Fred Armisen shows off his musical impersonations of alternative music from bands like The Velvet Underground and Sleater-Kinney.
The Tonight Show Starring Jimmy Fallon. Stream now on Peacock: https://bit.ly/3gZJaNy
Subscribe NOW to The Tonight Show Starring Jimmy Fallon: http://bit.ly/1nwT1aN
Watch The Tonight Show Starring Jimmy Fallon Weeknights 11:35/10:35c
Get more The Tonight Show Starring Jimmy Fallon: https://www.nbc.com/the-tonight-show
JIMMY FALLON ON SOCIAL
Follow Jimmy: http://Twitter.com/JimmyFallon
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THE TONIGHT SHOW ON SOCIAL
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Tonight Show Tumblr: http://fallontonight.tumblr.com
The Tonight Show Starring Jimmy Fallon features hilarious highlights from the show, including comedy sketches, music parodies, celebrity interviews, ridiculous games, and, of course, Jimmy's Thank You Notes and hashtags! You'll also find behind the scenes videos and other great web exclusives.
GET MORE NBC
NBC YouTube: http://bit.ly/1dM1qBH
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Fred Armisen Impersonates Each Decade of Punk Music | The Tonight Show Starring Jimmy Fallon
http://www.youtube.com/fallontonight
#FallonTonight
#FredArmisen
#JimmyFallon
- published: 03 Nov 2021
- views: 2370851
27:24
Exclusive- LA Slumlords' Journey: From 1998 to Political Punk Rock Icons
In this exclusive 1:1 interview, Patty Hearse, the powerful lead singer of the LA Slumlords, joins Scott on The Hang to share the band's incredible journey and ...
In this exclusive 1:1 interview, Patty Hearse, the powerful lead singer of the LA Slumlords, joins Scott on The Hang to share the band's incredible journey and their recent performance at Punk Rock Bowling Weekend. Hear about the formation of the LA Slumlords in 1998, their tumultuous history of breakups and reunions, and the passionate, politically charged lyrics that define their music. Patty delves into the importance of women in rock and roll, the evolving punk scene, and the band's commitment to addressing social injustice through their songs. She also emphasizes the importance of voting and staying united in the face of political challenges. Discover Patty's musical influences and get her recommendations on other bands to check out.
https://wn.com/Exclusive_La_Slumlords'_Journey_From_1998_To_Political_Punk_Rock_Icons
In this exclusive 1:1 interview, Patty Hearse, the powerful lead singer of the LA Slumlords, joins Scott on The Hang to share the band's incredible journey and their recent performance at Punk Rock Bowling Weekend. Hear about the formation of the LA Slumlords in 1998, their tumultuous history of breakups and reunions, and the passionate, politically charged lyrics that define their music. Patty delves into the importance of women in rock and roll, the evolving punk scene, and the band's commitment to addressing social injustice through their songs. She also emphasizes the importance of voting and staying united in the face of political challenges. Discover Patty's musical influences and get her recommendations on other bands to check out.
- published: 23 Jul 2024
- views: 29