- published: 08 Jun 2008
- views: 20234121
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James Lawrence Levine (/lᵻˈvaɪn/; born June 23, 1943) is an American conductor and pianist. He is primarily known for his tenure as Music Director of the Metropolitan Opera, a position he has held since 1976. He has made numerous recordings, as well as television and radio broadcasts, with the Metropolitan Opera Orchestra. Levine has also held leadership positions with the Ravinia Festival, the Munich Philharmonic, and the Boston Symphony Orchestra. In 1980, he started the Lindemann Young Artists Development Program and often works to train promising singers, conductors, and musicians for professional careers. After suffering severe health problems, Levine took a hiatus from conducting for almost two years. He returned to conducting in 2013.
James Levine was born in Cincinnati, Ohio, to a musical family: his maternal grandfather was a cantor in a synagogue, his father was a violinist who led a dance band, and his mother was an actress. He began to play the piano as a small child. At the age of 10, he made his concert debut as soloist in Felix Mendelssohn's Piano Concerto No. 2 at a youth concert of the Cincinnati Symphony Orchestra.
The Marriage of Figaro (Italian: Le nozze di Figaro, pronounced [le ˈnɔttse di ˈfiːɡaro]), K. 492, is an opera buffa (comic opera) in four acts composed in 1786 by Wolfgang Amadeus Mozart, with an Italian libretto written by Lorenzo Da Ponte. It premiered at the Burgtheater in Vienna on 1 May 1786. The opera's libretto is based on a stage comedy by Pierre Beaumarchais, La folle journée, ou le Mariage de Figaro ("The Mad Day, or The Marriage of Figaro"), which was first performed in 1784. It tells how the servants Figaro and Susanna succeed in getting married, foiling the efforts of their philandering employer Count Almaviva to seduce Susanna and teaching him a lesson in fidelity.
The Marriage of Figaro is a cornerstone of the repertoire and appears consistently among the top ten in the Operabase list of most frequently performed operas.
Beaumarchais's earlier play The Barber of Seville had already made a successful transition to opera in a version by Paisiello. Although Beaumarchais's Marriage of Figaro was at first banned in Vienna because of its licentiousness, Mozart's librettist managed to get official approval for an operatic version which eventually achieved great success.
One of Wolfgang Amadeus Mozart's most well-known pieces, "The Marriage of Figaro," is performed here by an unknown symphonic orchestra. The picture is one of Mozart himself. Enjoy and thanks for watching.
Find out more about the Royal College of Music at http://www.rcm.ac.uk Esteemed baritone and RCM alumnus Sir Thomas Allen directs a rousing performance of Mozart's much-loved comic opera, produced by the RCM Opera Studio. Composed in 1786, Mozart's classic opera has all the ingredients of a modern rom com: love, revenge and deception. Watch courtship turn to chaos for two servants, Figaro and Susanna, as their plans to wed are thwarted by the lecherous Count Almaviva. Lose yourself in Mozart's timeless melodies and witty libretto as the talented cast lead us through a myriad of mistaken identities, mishaps and misunderstandings. Will our hero finally get his bride, or will the marriage of Figaro ultimately descend into mayhem? The performance is sung in Italian. Count Almaviva: Harry ...
0:13:46 - “Se vuol ballare, signor contino, il chitarrino le suonerò”: It’s difficult to render into English the pun of the initial verses of this Cavatina: in Italian, the verb “suonare” (to play) can mean also “to beat somebody” (for example in the idiomatic expression “suonarle a qualcuno” , something like “to give someone a beating”). Besides, the word “chitarrino” (literally “little guitar”), it’s one of the ancient popular ways to say (and not to say)... the rear end. It follows that Figaro would gladly make the Count dance (or even caper) kicking his arse! At least a symbolic revenge of that “sacrilegious kick” Mozart had received up his backside from Count Arco, chief steward of the Archbishop of Salzburg, five years before, when he asked to took leave of his angry employer. L...
Figaro – Gerald Finley Susanna – Alison Hagley The Countess – Renée Fleming The Count – Andreas Schmidt Cherubino – Marie-Ange Todorovitch
Théâtre du Châtelet Direttore d'orchestra: John Eliot Gardiner Regia: Olivier Mille Scene: Rudy Sabounghy Costumi: Patrick Lebreton Il Conte di Almaviva: Rodney Gilfry La Contessa di Almaviva: Hillevi Martinpelto Susanna: Alison Hagley Figaro: Bryn Terfel Cherubino: Pamela Helen Stephen Marcellina: Susan McCulloch Bartolo: Carlos Feller Basilio/Don Curzio: Francis Egerton Antonio: Julian Clarkson Barbarina: Constanze Backes Due contadine: Lucinda Houghton, Sarah Connolly
The 1976 Jean-Pierre Ponnelle film with Hermann Prey, Mirella Freni, Dietrich Fischer-Dieskau, Kiri Te Kanawa & Maria Ewing. Conducted by Karl Böhm with the Wiener Philharmoniker · KiriOnLine is the Dame Kiri Te Kanawa Fan Site. Follow us... Facebook https://www.facebook.com/KiriOnLine-Dame-Kiri-Te-Kanawa-Fan-Site-205668582811613/?fref=nf Twitter https://twitter.com/KiriOnLine2 Tumblr http://kirionline-dame-kiri-te-kanawa.tumblr.com/ Instagram https://www.instagram.com/kirionline/ Pinterest https://uk.pinterest.com/kirionline/ Soundcoud https://soundcloud.com/kirionline Google+ https://plus.google.com/u/0/+KiriOnLineDameKiriTeKanawaFanSite
Composer: Wolfgang Amadeus Mozart Libretto: Lorenzo da Ponte Director: Jean-Pierre Ponnelle Conductor: Karl Bohm Orchestra: Vienna Philharmonic Orchestra Performers: Hermann Prey ... Figaro Mirella Freni ... Susanna Dietrich Fischer-Dieskau ... Il Conte di Almaviva Kiri Te Kanawa ... La Contessa di Almaviva Maria Ewing ... Cherubino Paolo Montarsolo ... Bartolo Heather Begg ... Marcellina John van Kesteren ... Basilio Hans Kraemer ... Antonio Janet Perry ... Barbarina Willy Caron ... Don Curzio
A live recording from the Glyndebourne Festival Opera in 1973 with Kiri Te Kanawa, Frederica Von Stade, Ilieana Contrubas, Benjamin Luxon & Knut Skram. Figaro - KNUT SKRAM Susanna - ILEANA COTRUBAS The Countess - KIRI TE KANAWA Count Almaviva - BENJAMIN LUXON Cherubino - FREDERICA VON STADE THE LONDON PHILHARMONIC ORCHESTRA THE GLYNDEBOURNE CHORUS Conductor JOHN PRITCHARD Stage Director PETER HALL KiriOnLine is the Dame Kiri Te Kanawa Fan Site. Follow us... Facebook https://www.facebook.com/KiriOnLine-Dame-Kiri-Te-Kanawa-Fan-Site-205668582811613/?fref=nf Twitter https://twitter.com/KiriOnLine2 Tumblr http://kirionline-dame-kiri-te-kanawa.tumblr.com/ Instagram https://www.instagram.com/kirionline/ Pinterest https://uk.pinterest.com/kirionline/ Soundcoud https://soundcloud.com/kirionli...
I own NO content and if you like it then please buy it! The opera song from Shawshank Redemption, "The Marriage of Figaro: Duetto-Sull Aria" I find this song beautiful, so I put astronomical "oddities" for the images. Hope you enjoy...
Mozart - The Marriage of Figaro Ouverture "Le nozze di Figaro" (K.492) Wiener Symphoniker Japan Tour 2006 Conductor : Fabio Luisi
James Lawrence Levine (/lᵻˈvaɪn/; born June 23, 1943) is an American conductor and pianist. He is primarily known for his tenure as Music Director of the Metropolitan Opera, a position he has held since 1976. He has made numerous recordings, as well as television and radio broadcasts, with the Metropolitan Opera Orchestra. Levine has also held leadership positions with the Ravinia Festival, the Munich Philharmonic, and the Boston Symphony Orchestra. In 1980, he started the Lindemann Young Artists Development Program and often works to train promising singers, conductors, and musicians for professional careers. After suffering severe health problems, Levine took a hiatus from conducting for almost two years. He returned to conducting in 2013.
James Levine was born in Cincinnati, Ohio, to a musical family: his maternal grandfather was a cantor in a synagogue, his father was a violinist who led a dance band, and his mother was an actress. He began to play the piano as a small child. At the age of 10, he made his concert debut as soloist in Felix Mendelssohn's Piano Concerto No. 2 at a youth concert of the Cincinnati Symphony Orchestra.