-
Schubert: Lazarus D. 689 | Stéphane Degout, Raphaël Pichon
Schubert, Lazarus D. 689, Act. II, recitativo & Aria "Wo bin ich… O könnt’ ich"
"Mein Traum" - Schubert, Weber, Schumann
Stéphane Degout, Raphaël Pichon, Pygmalion
Sortie le 7 octobre 2022 chez harmonia mundi music
💿 Ecouter/Listen: https://lnk.to/MeinTraumID
🇫🇷 Un matin de 1822, Schubert livre un texte énigmatique où tous ses fantômes semblent prendre corps : l’errance, la solitude, la consolation, l’amour déçu. Inspirés par ce récit onirique, Raphaël Pichon, Pygmalion et Stéphane Degout ont imaginé une grande fresque romantique, entre exhumation de trésors méconnus et redécouverte de chefs-d’œuvre.
🇬🇧 One morning in 1822, Schubert wrote down an enigmatic text in which all his ghosts seem to take shape: wandering, solitude, consolation, disappointed love. Inspired by this dreamlike na...
published: 07 Oct 2022
-
Franz Schubert "Lazarus" Gabriel Chmura
"Lazarus" Die Feier der Auferstehung/The Celebation
of the Resurrection D 689 by Franz Schubert
Maria.............Edith Mathis
Martha............Cornelia Wulkopf
Jemina............Hanna Schwarz
Lazarus...........Werner Hollweg
Nathanael.........Horst Laubenthal
Simon.............Hermann Prey
Südfunkchor Stuttgart
Wolfgang Isenhardt, chorus master
Radio-Sinfonieorchester Stuttgart
Gabriel Chmura, conductor
published: 25 Sep 2015
-
Franz Schubert – Lazarus, D.689
🎶 LIKE and SUBSCRIBE for more score videos! → youtube.com/StefanoPaparozzi
🎶 SUBSCRIBE to my PATREON! → patreon.com/stefanopaparozzi
🎶 PAYPAL for free donations! → paypal.me/stepaparozzi
Franz Schubert (1797-1829)
Lazarus oder Die Feier der Auferstehung [Lazarus or The Celebration of the Resurrection], D.689 (1820)
Act I
Introduction [00:00:00]
Hier laßt mich ruh'n die letzte Stunde [00:01:04]
Noch einem Augenblick? [00:03:10]
Trübe nicht mit Klagen seine Seele [00:04:28]
Steh' im letzten Kampf dem Müden [00:07:10]
Voll Friede, ja, voll Fried' ist die Seele [00:11:16]
Kalter Schweiß rinnt von der Stirn [00:15:01]
Wilkommen, mein Nathanael [00:15:49]
Wenn ich ihm nachgerungen habe [00:17:11]
Nathanael, bewundern kann ich dich [00:20:27]
O Martha, o Martha, bliebst du stiller [00:21:40]
D...
published: 31 Oct 2020
-
1.Franz Schubert - LAZARUS D.689 (Unfinished Cantata) Act I (I-IV)
"Lazarus, oder die Feier der Auferstehung"
("Lazarus, or the Celebration of the Resurrection")
D.689,
Cantata for six soloists, chorus & orchestra
(Unfinished)
composed by Franz Schubert (1820)
Act I - I. Introduktion
Act I - II. Hier lasst mich ruh'n die letzte Stunde
Act I - III. Noch einen Augenblick
Act I - IV. Trube nicht mit Klagen seine Seele
performed by Bavarian Radio Symphony Orchestra
with Helen Donath, Lucia Popp, Maria Venuti, Robert Tear, Elmar Schloter, Josef Protschka, Dietrich Fischer-Dieskau
conducted by Wolfgang Sawallisch
This large-scale, three-act dramatic work for six vocal soloists, chorus, and orchestra was never performed during his lifetime; indeed, it was apparently never completed. Only the first act and about half of the second act (...
published: 29 Dec 2009
-
Lazarus - Franz Schubert (Original vervollständigt von Reinhard Fehling )
Campus Cantat 13
Aufführung in der Konzertaula Kamen am 27.02.2013
Kantate für die vorösterliche Zeit
Für Solostimmen, Chor und Orchester
auf der Basis des Fragments von Franz Schubert
durch Einfügung von Chorpassagen in einige Arien
mit den Tönen des Originals von ihnen heraus
vervollständigt von Reinhard Fehling
Originaltitel
Lazarus
oder: Die Feier der Auferstehung
Religiöses Drama in 3 Handlungen von A. Hn Niemeyer
Für Solostimmen, Chor und Orchester
componiert von
Franz Schubert
(Fragment)
Im November 2012
published: 11 Apr 2013
-
LAZARUS ODER DIE FEIER DER AUFERSTEHUNG - D.689 - Schubert
Franz Schubert - ORATORIA `LAZARUS ODER DIE FEIER DER AUFERSTEHUNG`, UNFINISHED D 689
published: 07 Oct 2016
-
Helen Donath; Lucia Popp; Robert Tear; D.Fischer Dieskau; J. Protschka; "LAZARUS"; Franz Schubert
This channel is the re-establishment of previous channels that have been sadly terminated.
=========================
Helen Donath--Maria
Lucia Popp--Jemima
Maria Venuti--Martha
Josef Protschka--Nathanael
Robert Tear--Lazarus
Dietrich Fischer-Dieskau--Simon
Capella Bavariae
Elmar Schloter--organ
Chor des Bayerischen Rundfunks
Sinfonieorchester des Bayerischen Rundfunks
Wolfgang Sawallisch--conductor
1981-1983
==================
The work is for three sopranos, two tenors, bass, mixed choir and orchestra.
Act 1
ntroduktion
Hier laßt mich ruhn die letzte Stunde
Noch einen Augenblick?
Trübe nicht mit Klagen seine Seele
Steh' im letzten Kampf dem Müden
Voll Friede, ja, voll Fried' ist die Seele
Kalter Schweiß rinnt von der Stirn
Willkommen, mein Nathanael
Wenn ich ihm nachgerungen habe
Nathan...
published: 03 Jun 2023
-
Mirjam Tola - F. Schubert - Lazarus
Ljubjana Opera und Chor dirigent Igor Svara
published: 18 Jun 2020
-
10.Franz Schubert - LAZARUS D.689 **ENCORE** Last Aria and Chorus of I. Act
Uploading approximately 70 minutes of the whole -unfinished- cantata, this is an encore of my favorite part in particular,
I. Act - Last Aria and Chorus;
XXI. "O Barmherziger, O verlass ihn nicht"
A set of Caspar David Friedrich's paintings are in display,
"Woman before the Rising Sun" (1818-20, Oil on canvas, 22 x 30 cm)
is emphasized...
The cantata was started and abandoned by Schubert in 1820...
"Lazarus, oder die Feier der Auferstehung"
("Lazarus, or the Celebration of the Resurrection")
D.689,
Cantata for six soloists, chorus & orchestra
(Unfinished)
performed by Bavarian Radio Symphony Orchestra
with Helen Donath, Lucia Popp, Maria Venuti, Robert Tear, Elmar Schloter, Josef Protschka, Dietrich Fischer-Dieskau
conducted by Wolfgang Sawallisch
published: 30 Dec 2009
-
Franz Schubert - Lazarus, D 689 [1/3]
Franz Schubert
"Lazarus. The Celebration of the Resurrection"
Religious drama for soloists, chorus and orchestra (fragment), D 689
Text by August Hermann Niemeyer
Act One
[1.] 'Lazarus': "Hier lasst mich ruh'n"
'Maria': Edith Mathis (soprano)
'Martha': Cornelia Wulkopf (mezzo soprano)
'Jemina': Hanna Schwarz (alto)
'Lazarus': Werner Hollweg (tenor)
'Nathanael': Horst Laubenthal (tenor)
'Simon': Hermann Prey (baritone)
Südfunkchor Stuttgart: Wolfgang Isenhardt
Radio-Sinfonieorchester Stuttgart: Gabriel Chmura
Recorded in Saint Amandus-Kirche, Urach bei Stuttgart, 2-4 October 1981
Illustrated with "Lazarus" by Jacob Epstein (1947)
published: 18 Apr 2014
8:53
Schubert: Lazarus D. 689 | Stéphane Degout, Raphaël Pichon
Schubert, Lazarus D. 689, Act. II, recitativo & Aria "Wo bin ich… O könnt’ ich"
"Mein Traum" - Schubert, Weber, Schumann
Stéphane Degout, Raphaël Pichon, Pygm...
Schubert, Lazarus D. 689, Act. II, recitativo & Aria "Wo bin ich… O könnt’ ich"
"Mein Traum" - Schubert, Weber, Schumann
Stéphane Degout, Raphaël Pichon, Pygmalion
Sortie le 7 octobre 2022 chez harmonia mundi music
💿 Ecouter/Listen: https://lnk.to/MeinTraumID
🇫🇷 Un matin de 1822, Schubert livre un texte énigmatique où tous ses fantômes semblent prendre corps : l’errance, la solitude, la consolation, l’amour déçu. Inspirés par ce récit onirique, Raphaël Pichon, Pygmalion et Stéphane Degout ont imaginé une grande fresque romantique, entre exhumation de trésors méconnus et redécouverte de chefs-d’œuvre.
🇬🇧 One morning in 1822, Schubert wrote down an enigmatic text in which all his ghosts seem to take shape: wandering, solitude, consolation, disappointed love. Inspired by this dreamlike narrative, Raphaël Pichon, Pygmalion and Stéphane Degout have devised a vast Romantic fresco, combining resurrection of unknown treasures with rediscovery of established masterpieces.
🇧🇪 Eines Morgens im Jahr 1822 schrieb Schubert einen rätselhaften Text, in dem alle seine Geister Gestalt anzunehmen scheinen: Irrwege, Einsamkeit, Trost, enttäuschte Liebe. Diese traumähnliche Erzählung inspirierte Raphaël Pichon und Stéphane Degout zu einem großen romantischen Fresko, mit dem sie unbekannte Schätze heben und Meisterwerke neu entdecken.
🎥 Filmed at the Philharmonie de Paris | light: Bertrand Couderc | directing: François-René Martin | Camera Lucida, Jean-Stéphane Michaux.
https://wn.com/Schubert_Lazarus_D._689_|_Stéphane_Degout,_Raphaël_Pichon
Schubert, Lazarus D. 689, Act. II, recitativo & Aria "Wo bin ich… O könnt’ ich"
"Mein Traum" - Schubert, Weber, Schumann
Stéphane Degout, Raphaël Pichon, Pygmalion
Sortie le 7 octobre 2022 chez harmonia mundi music
💿 Ecouter/Listen: https://lnk.to/MeinTraumID
🇫🇷 Un matin de 1822, Schubert livre un texte énigmatique où tous ses fantômes semblent prendre corps : l’errance, la solitude, la consolation, l’amour déçu. Inspirés par ce récit onirique, Raphaël Pichon, Pygmalion et Stéphane Degout ont imaginé une grande fresque romantique, entre exhumation de trésors méconnus et redécouverte de chefs-d’œuvre.
🇬🇧 One morning in 1822, Schubert wrote down an enigmatic text in which all his ghosts seem to take shape: wandering, solitude, consolation, disappointed love. Inspired by this dreamlike narrative, Raphaël Pichon, Pygmalion and Stéphane Degout have devised a vast Romantic fresco, combining resurrection of unknown treasures with rediscovery of established masterpieces.
🇧🇪 Eines Morgens im Jahr 1822 schrieb Schubert einen rätselhaften Text, in dem alle seine Geister Gestalt anzunehmen scheinen: Irrwege, Einsamkeit, Trost, enttäuschte Liebe. Diese traumähnliche Erzählung inspirierte Raphaël Pichon und Stéphane Degout zu einem großen romantischen Fresko, mit dem sie unbekannte Schätze heben und Meisterwerke neu entdecken.
🎥 Filmed at the Philharmonie de Paris | light: Bertrand Couderc | directing: François-René Martin | Camera Lucida, Jean-Stéphane Michaux.
- published: 07 Oct 2022
- views: 2398
1:14:35
Franz Schubert "Lazarus" Gabriel Chmura
"Lazarus" Die Feier der Auferstehung/The Celebation
of the Resurrection D 689 by Franz Schubert
Maria.............Edith Mathis
Martha............Cornelia Wulko...
"Lazarus" Die Feier der Auferstehung/The Celebation
of the Resurrection D 689 by Franz Schubert
Maria.............Edith Mathis
Martha............Cornelia Wulkopf
Jemina............Hanna Schwarz
Lazarus...........Werner Hollweg
Nathanael.........Horst Laubenthal
Simon.............Hermann Prey
Südfunkchor Stuttgart
Wolfgang Isenhardt, chorus master
Radio-Sinfonieorchester Stuttgart
Gabriel Chmura, conductor
https://wn.com/Franz_Schubert_Lazarus_Gabriel_Chmura
"Lazarus" Die Feier der Auferstehung/The Celebation
of the Resurrection D 689 by Franz Schubert
Maria.............Edith Mathis
Martha............Cornelia Wulkopf
Jemina............Hanna Schwarz
Lazarus...........Werner Hollweg
Nathanael.........Horst Laubenthal
Simon.............Hermann Prey
Südfunkchor Stuttgart
Wolfgang Isenhardt, chorus master
Radio-Sinfonieorchester Stuttgart
Gabriel Chmura, conductor
- published: 25 Sep 2015
- views: 3988
1:18:07
Franz Schubert – Lazarus, D.689
🎶 LIKE and SUBSCRIBE for more score videos! → youtube.com/StefanoPaparozzi
🎶 SUBSCRIBE to my PATREON! → patreon.com/stefanopaparozzi
🎶 PAYPAL for free donations...
🎶 LIKE and SUBSCRIBE for more score videos! → youtube.com/StefanoPaparozzi
🎶 SUBSCRIBE to my PATREON! → patreon.com/stefanopaparozzi
🎶 PAYPAL for free donations! → paypal.me/stepaparozzi
Franz Schubert (1797-1829)
Lazarus oder Die Feier der Auferstehung [Lazarus or The Celebration of the Resurrection], D.689 (1820)
Act I
Introduction [00:00:00]
Hier laßt mich ruh'n die letzte Stunde [00:01:04]
Noch einem Augenblick? [00:03:10]
Trübe nicht mit Klagen seine Seele [00:04:28]
Steh' im letzten Kampf dem Müden [00:07:10]
Voll Friede, ja, voll Fried' ist die Seele [00:11:16]
Kalter Schweiß rinnt von der Stirn [00:15:01]
Wilkommen, mein Nathanael [00:15:49]
Wenn ich ihm nachgerungen habe [00:17:11]
Nathanael, bewundern kann ich dich [00:20:27]
O Martha, o Martha, bliebst du stiller [00:21:40]
Der Trost begleite dich hinüber [00:23:40]
Wenn nun mit tausendfachen Qualen [00:24:57]
Gottes Liebe, du bist seine Zuversicht [00:27:07]
In der Leiden bängster Nacht [00:29:21]
Ach, so find' ich ihn noch [00:32:21]
Jemina, Tochter der Auferstehung [00:33:08]
So schlummert auf Rosen [00:36:19]
Nun entflog auf schnellen Schwingen [00:41:13]
So, war mit, Lazarus [00:43:54]
O Barmherziger, O verlaß ihn nicht [00:46:37]
Act II
Introduction [00:51:33]
Wo bin ich? [00:55:44]
Schon bereitet ihn Gräber [00:58:14]
Wess ist der Klage Stimme [01:04:11]
So weile hier, mein Freund [01:05:53]
Sanft und still... Bestreut den Weg [01:07:37]
So legt ihn in die Blumen [01:13:55]
Wecke sie nicht [01:15:21]
Audio from: https://www.youtube.com/playlist?list=OLAK5uy_kUHK_PBWu5CkfLOhXqD_N6c_stsnD3cq0
Score from: https://imslp.org/wiki/Lazarus,_D.689_(Schubert,_Franz)
https://wn.com/Franz_Schubert_–_Lazarus,_D.689
🎶 LIKE and SUBSCRIBE for more score videos! → youtube.com/StefanoPaparozzi
🎶 SUBSCRIBE to my PATREON! → patreon.com/stefanopaparozzi
🎶 PAYPAL for free donations! → paypal.me/stepaparozzi
Franz Schubert (1797-1829)
Lazarus oder Die Feier der Auferstehung [Lazarus or The Celebration of the Resurrection], D.689 (1820)
Act I
Introduction [00:00:00]
Hier laßt mich ruh'n die letzte Stunde [00:01:04]
Noch einem Augenblick? [00:03:10]
Trübe nicht mit Klagen seine Seele [00:04:28]
Steh' im letzten Kampf dem Müden [00:07:10]
Voll Friede, ja, voll Fried' ist die Seele [00:11:16]
Kalter Schweiß rinnt von der Stirn [00:15:01]
Wilkommen, mein Nathanael [00:15:49]
Wenn ich ihm nachgerungen habe [00:17:11]
Nathanael, bewundern kann ich dich [00:20:27]
O Martha, o Martha, bliebst du stiller [00:21:40]
Der Trost begleite dich hinüber [00:23:40]
Wenn nun mit tausendfachen Qualen [00:24:57]
Gottes Liebe, du bist seine Zuversicht [00:27:07]
In der Leiden bängster Nacht [00:29:21]
Ach, so find' ich ihn noch [00:32:21]
Jemina, Tochter der Auferstehung [00:33:08]
So schlummert auf Rosen [00:36:19]
Nun entflog auf schnellen Schwingen [00:41:13]
So, war mit, Lazarus [00:43:54]
O Barmherziger, O verlaß ihn nicht [00:46:37]
Act II
Introduction [00:51:33]
Wo bin ich? [00:55:44]
Schon bereitet ihn Gräber [00:58:14]
Wess ist der Klage Stimme [01:04:11]
So weile hier, mein Freund [01:05:53]
Sanft und still... Bestreut den Weg [01:07:37]
So legt ihn in die Blumen [01:13:55]
Wecke sie nicht [01:15:21]
Audio from: https://www.youtube.com/playlist?list=OLAK5uy_kUHK_PBWu5CkfLOhXqD_N6c_stsnD3cq0
Score from: https://imslp.org/wiki/Lazarus,_D.689_(Schubert,_Franz)
- published: 31 Oct 2020
- views: 3477
7:12
1.Franz Schubert - LAZARUS D.689 (Unfinished Cantata) Act I (I-IV)
"Lazarus, oder die Feier der Auferstehung"
("Lazarus, or the Celebration of the Resurrection")
D.689,
Cantata for six soloists, chorus & orchestra
(Unfi...
"Lazarus, oder die Feier der Auferstehung"
("Lazarus, or the Celebration of the Resurrection")
D.689,
Cantata for six soloists, chorus & orchestra
(Unfinished)
composed by Franz Schubert (1820)
Act I - I. Introduktion
Act I - II. Hier lasst mich ruh'n die letzte Stunde
Act I - III. Noch einen Augenblick
Act I - IV. Trube nicht mit Klagen seine Seele
performed by Bavarian Radio Symphony Orchestra
with Helen Donath, Lucia Popp, Maria Venuti, Robert Tear, Elmar Schloter, Josef Protschka, Dietrich Fischer-Dieskau
conducted by Wolfgang Sawallisch
This large-scale, three-act dramatic work for six vocal soloists, chorus, and orchestra was never performed during his lifetime; indeed, it was apparently never completed. Only the first act and about half of the second act (approximately 75 minutes of music) exist in manuscripts discovered by Ferdinand Schubert, Franz's brother, after the composer's untimely death at age 31.
What were the circumstances of the work's composition, and why was it abandoned? What are its principal musical characteristics, and where does it fit in Schubert's development as a composer? Finally, what insight does it provide into Schubert's personal religious beliefs?
"A Discussion of Schubert's Lazarus, D.689"
Franz Schubert Myspace Blogs
http://blogs.myspace.com/franz_schubert
History of the Manuscript:
The extant autograph manuscripts for Acts 1 and 2 are both "fair copies," fully written out and generally free of strikeouts or corrections. No autograph sketches, drafts, or short-scores exist.
Each act's manuscript had a different fate, however.
After Schubert's death, his brother Ferdinand became the de facto executor of his estate and took possession of a considerable quantity of his manuscripts (Franz's amazing productivity surprised even Ferdinand). Among them was the score to Lazarus; it is reported by eminent Schubert researcher Otto Erich Deutsch that a performance of Lazarus occurred on Easter Sunday, 1830 at Ferdinand's church, although he does not give the source for this information and no corroboration has so far been found. It is known that Ferdinand sold the manuscript of Act 1 (as well as manuscripts for several other works) to the publisher Diabelli in 1830, and the subsequent history of this manuscript as it changed hands has been traced;[4] it now resides in the Österreichische Nationalbibliothek in Vienna. Ferdinand retained the remaining manuscript pages for Lazarus, although he may have lost track of them-in his brief biography of Franz Schubert and chronological listing of compositions that was published in Robert Schumann's music journal in 1839, Ferdinand refers to Lazarus as incomplete and mentions only Act 1.
Ferdinand Schubert died in 1859; in 1861, his nephew Eduard Schneider, as executor of the Ferdinand Schubert estate, brought some manuscripts to noted Beethoven scholar A. W. Thayer, hoping that Thayer would bring them to the attention of collectors and facilitate a sale for the benefit of Ferdinand's widow. Thayer showed them to Heinrich Kreissle von Helborn, whose Biographical Sketch of Franz Schubert had just been published; Kreissle immediately identified five consecutive page-gatherings, or sheaves of manuscript, as part of Act 2 of Lazarus. He in turn showed the score, which ended in the middle of a choral number, to Schubert advocate Johann Herbeck, a conductor and director of the Gesellschaft der Musikfreunde in Vienna.
Herbeck visited Ferdinand's widow in the hope of unearthing additional pages, he eventually ended up at a grocery store where he found a sixth sheaf of Schubert's score ready to be used as wrapping paper!
No other pages were ever found; the scenario suggests that more manuscript pages may have existed, but had been discarded and thus lost to posterity. The sixth page-gathering completes the choral number but breaks off after the beginning of an aria by the character Martha, with the music completing a strophe of text on a strong dominant cadence followed by a single quarter-note upbeat to the next strophe (with which a seventh page-gathering would begin). The fragmentary manuscript of Act 2 now resides in Vienna's Stadt- und Landesbibliothek.
Herbeck shared the Lazarus score with Johannes Brahms, who was so impressed that he revised his opinion of Schubert, personally copied out two extended sections, and sent letters to colleagues Adolf Schurbing and Joseph Joachim praising the music. Herbeck presented the first documented performance of Lazarus on Easter Sunday of 1863, and subsequently edited a vocal-piano score for publication, calling the work an "Easter Cantata." The full score to Lazarus, oder die Feier der Auferstehung was first published in 1892 (64 YEARS AFTER SCHUBERT's DEATH) as series XVII, volume 1 of the "old" complete edition of Schubert's works.
https://wn.com/1.Franz_Schubert_Lazarus_D.689_(Unfinished_Cantata)_Act_I_(I_Iv)
"Lazarus, oder die Feier der Auferstehung"
("Lazarus, or the Celebration of the Resurrection")
D.689,
Cantata for six soloists, chorus & orchestra
(Unfinished)
composed by Franz Schubert (1820)
Act I - I. Introduktion
Act I - II. Hier lasst mich ruh'n die letzte Stunde
Act I - III. Noch einen Augenblick
Act I - IV. Trube nicht mit Klagen seine Seele
performed by Bavarian Radio Symphony Orchestra
with Helen Donath, Lucia Popp, Maria Venuti, Robert Tear, Elmar Schloter, Josef Protschka, Dietrich Fischer-Dieskau
conducted by Wolfgang Sawallisch
This large-scale, three-act dramatic work for six vocal soloists, chorus, and orchestra was never performed during his lifetime; indeed, it was apparently never completed. Only the first act and about half of the second act (approximately 75 minutes of music) exist in manuscripts discovered by Ferdinand Schubert, Franz's brother, after the composer's untimely death at age 31.
What were the circumstances of the work's composition, and why was it abandoned? What are its principal musical characteristics, and where does it fit in Schubert's development as a composer? Finally, what insight does it provide into Schubert's personal religious beliefs?
"A Discussion of Schubert's Lazarus, D.689"
Franz Schubert Myspace Blogs
http://blogs.myspace.com/franz_schubert
History of the Manuscript:
The extant autograph manuscripts for Acts 1 and 2 are both "fair copies," fully written out and generally free of strikeouts or corrections. No autograph sketches, drafts, or short-scores exist.
Each act's manuscript had a different fate, however.
After Schubert's death, his brother Ferdinand became the de facto executor of his estate and took possession of a considerable quantity of his manuscripts (Franz's amazing productivity surprised even Ferdinand). Among them was the score to Lazarus; it is reported by eminent Schubert researcher Otto Erich Deutsch that a performance of Lazarus occurred on Easter Sunday, 1830 at Ferdinand's church, although he does not give the source for this information and no corroboration has so far been found. It is known that Ferdinand sold the manuscript of Act 1 (as well as manuscripts for several other works) to the publisher Diabelli in 1830, and the subsequent history of this manuscript as it changed hands has been traced;[4] it now resides in the Österreichische Nationalbibliothek in Vienna. Ferdinand retained the remaining manuscript pages for Lazarus, although he may have lost track of them-in his brief biography of Franz Schubert and chronological listing of compositions that was published in Robert Schumann's music journal in 1839, Ferdinand refers to Lazarus as incomplete and mentions only Act 1.
Ferdinand Schubert died in 1859; in 1861, his nephew Eduard Schneider, as executor of the Ferdinand Schubert estate, brought some manuscripts to noted Beethoven scholar A. W. Thayer, hoping that Thayer would bring them to the attention of collectors and facilitate a sale for the benefit of Ferdinand's widow. Thayer showed them to Heinrich Kreissle von Helborn, whose Biographical Sketch of Franz Schubert had just been published; Kreissle immediately identified five consecutive page-gatherings, or sheaves of manuscript, as part of Act 2 of Lazarus. He in turn showed the score, which ended in the middle of a choral number, to Schubert advocate Johann Herbeck, a conductor and director of the Gesellschaft der Musikfreunde in Vienna.
Herbeck visited Ferdinand's widow in the hope of unearthing additional pages, he eventually ended up at a grocery store where he found a sixth sheaf of Schubert's score ready to be used as wrapping paper!
No other pages were ever found; the scenario suggests that more manuscript pages may have existed, but had been discarded and thus lost to posterity. The sixth page-gathering completes the choral number but breaks off after the beginning of an aria by the character Martha, with the music completing a strophe of text on a strong dominant cadence followed by a single quarter-note upbeat to the next strophe (with which a seventh page-gathering would begin). The fragmentary manuscript of Act 2 now resides in Vienna's Stadt- und Landesbibliothek.
Herbeck shared the Lazarus score with Johannes Brahms, who was so impressed that he revised his opinion of Schubert, personally copied out two extended sections, and sent letters to colleagues Adolf Schurbing and Joseph Joachim praising the music. Herbeck presented the first documented performance of Lazarus on Easter Sunday of 1863, and subsequently edited a vocal-piano score for publication, calling the work an "Easter Cantata." The full score to Lazarus, oder die Feier der Auferstehung was first published in 1892 (64 YEARS AFTER SCHUBERT's DEATH) as series XVII, volume 1 of the "old" complete edition of Schubert's works.
- published: 29 Dec 2009
- views: 13502
1:23:09
Lazarus - Franz Schubert (Original vervollständigt von Reinhard Fehling )
Campus Cantat 13
Aufführung in der Konzertaula Kamen am 27.02.2013
Kantate für die vorösterliche Zeit
Für Solostimmen, Chor und Orchester
auf der Basis des Fra...
Campus Cantat 13
Aufführung in der Konzertaula Kamen am 27.02.2013
Kantate für die vorösterliche Zeit
Für Solostimmen, Chor und Orchester
auf der Basis des Fragments von Franz Schubert
durch Einfügung von Chorpassagen in einige Arien
mit den Tönen des Originals von ihnen heraus
vervollständigt von Reinhard Fehling
Originaltitel
Lazarus
oder: Die Feier der Auferstehung
Religiöses Drama in 3 Handlungen von A. Hn Niemeyer
Für Solostimmen, Chor und Orchester
componiert von
Franz Schubert
(Fragment)
Im November 2012
https://wn.com/Lazarus_Franz_Schubert_(Original_Vervollständigt_Von_Reinhard_Fehling_)
Campus Cantat 13
Aufführung in der Konzertaula Kamen am 27.02.2013
Kantate für die vorösterliche Zeit
Für Solostimmen, Chor und Orchester
auf der Basis des Fragments von Franz Schubert
durch Einfügung von Chorpassagen in einige Arien
mit den Tönen des Originals von ihnen heraus
vervollständigt von Reinhard Fehling
Originaltitel
Lazarus
oder: Die Feier der Auferstehung
Religiöses Drama in 3 Handlungen von A. Hn Niemeyer
Für Solostimmen, Chor und Orchester
componiert von
Franz Schubert
(Fragment)
Im November 2012
- published: 11 Apr 2013
- views: 5980
1:12:31
LAZARUS ODER DIE FEIER DER AUFERSTEHUNG - D.689 - Schubert
Franz Schubert - ORATORIA `LAZARUS ODER DIE FEIER DER AUFERSTEHUNG`, UNFINISHED D 689
Franz Schubert - ORATORIA `LAZARUS ODER DIE FEIER DER AUFERSTEHUNG`, UNFINISHED D 689
https://wn.com/Lazarus_Oder_Die_Feier_Der_Auferstehung_D.689_Schubert
Franz Schubert - ORATORIA `LAZARUS ODER DIE FEIER DER AUFERSTEHUNG`, UNFINISHED D 689
- published: 07 Oct 2016
- views: 2817
1:18:03
Helen Donath; Lucia Popp; Robert Tear; D.Fischer Dieskau; J. Protschka; "LAZARUS"; Franz Schubert
This channel is the re-establishment of previous channels that have been sadly terminated.
=========================
Helen Donath--Maria
Lucia Popp--Jemima
Mari...
This channel is the re-establishment of previous channels that have been sadly terminated.
=========================
Helen Donath--Maria
Lucia Popp--Jemima
Maria Venuti--Martha
Josef Protschka--Nathanael
Robert Tear--Lazarus
Dietrich Fischer-Dieskau--Simon
Capella Bavariae
Elmar Schloter--organ
Chor des Bayerischen Rundfunks
Sinfonieorchester des Bayerischen Rundfunks
Wolfgang Sawallisch--conductor
1981-1983
==================
The work is for three sopranos, two tenors, bass, mixed choir and orchestra.
Act 1
ntroduktion
Hier laßt mich ruhn die letzte Stunde
Noch einen Augenblick?
Trübe nicht mit Klagen seine Seele
Steh' im letzten Kampf dem Müden
Voll Friede, ja, voll Fried' ist die Seele
Kalter Schweiß rinnt von der Stirn
Willkommen, mein Nathanael
Wenn ich ihm nachgerungen habe
Nathanael, bewundern kann ich dich
O Martha, o Martha, bliebst du stiller
Der Trost begleite dich hinüber
Wenn nun mit tausendfachen Qualen
Gottes Liebe, du bist deine Zuversicht
In der Leiden bängster Nacht
Ach, so find' ich ihn noch
Jemina, Tochter der Auferstehung
So schlummert auf Rosen
Nun entflog auf schnellen Schwingen
So war mir, Lazarus
O Barmherziger, o verlass ihn nicht
Act 2
Introduktion
Wo bin ich?
Schon bereitet ihr Gräber
Wess ist der Klage Stimme
So weile hier, mein Freund
Sanft und still
So legt ihn in die Blumen
Wecke sie nicht
=================
Roles
Maria (soprano)
Martha (soprano)
Jemina (soprano)
Lazarus (tenor)
Nathanael (tenor)
Ein Jüngling (tenor)
Simon Peter (bass)
https://wn.com/Helen_Donath_Lucia_Popp_Robert_Tear_D.Fischer_Dieskau_J._Protschka_Lazarus_Franz_Schubert
This channel is the re-establishment of previous channels that have been sadly terminated.
=========================
Helen Donath--Maria
Lucia Popp--Jemima
Maria Venuti--Martha
Josef Protschka--Nathanael
Robert Tear--Lazarus
Dietrich Fischer-Dieskau--Simon
Capella Bavariae
Elmar Schloter--organ
Chor des Bayerischen Rundfunks
Sinfonieorchester des Bayerischen Rundfunks
Wolfgang Sawallisch--conductor
1981-1983
==================
The work is for three sopranos, two tenors, bass, mixed choir and orchestra.
Act 1
ntroduktion
Hier laßt mich ruhn die letzte Stunde
Noch einen Augenblick?
Trübe nicht mit Klagen seine Seele
Steh' im letzten Kampf dem Müden
Voll Friede, ja, voll Fried' ist die Seele
Kalter Schweiß rinnt von der Stirn
Willkommen, mein Nathanael
Wenn ich ihm nachgerungen habe
Nathanael, bewundern kann ich dich
O Martha, o Martha, bliebst du stiller
Der Trost begleite dich hinüber
Wenn nun mit tausendfachen Qualen
Gottes Liebe, du bist deine Zuversicht
In der Leiden bängster Nacht
Ach, so find' ich ihn noch
Jemina, Tochter der Auferstehung
So schlummert auf Rosen
Nun entflog auf schnellen Schwingen
So war mir, Lazarus
O Barmherziger, o verlass ihn nicht
Act 2
Introduktion
Wo bin ich?
Schon bereitet ihr Gräber
Wess ist der Klage Stimme
So weile hier, mein Freund
Sanft und still
So legt ihn in die Blumen
Wecke sie nicht
=================
Roles
Maria (soprano)
Martha (soprano)
Jemina (soprano)
Lazarus (tenor)
Nathanael (tenor)
Ein Jüngling (tenor)
Simon Peter (bass)
- published: 03 Jun 2023
- views: 330
4:30
Mirjam Tola - F. Schubert - Lazarus
Ljubjana Opera und Chor dirigent Igor Svara
Ljubjana Opera und Chor dirigent Igor Svara
https://wn.com/Mirjam_Tola_F._Schubert_Lazarus
Ljubjana Opera und Chor dirigent Igor Svara
- published: 18 Jun 2020
- views: 28
4:59
10.Franz Schubert - LAZARUS D.689 **ENCORE** Last Aria and Chorus of I. Act
Uploading approximately 70 minutes of the whole -unfinished- cantata, this is an encore of my favorite part in particular,
I. Act - Last Aria and Chorus;
...
Uploading approximately 70 minutes of the whole -unfinished- cantata, this is an encore of my favorite part in particular,
I. Act - Last Aria and Chorus;
XXI. "O Barmherziger, O verlass ihn nicht"
A set of Caspar David Friedrich's paintings are in display,
"Woman before the Rising Sun" (1818-20, Oil on canvas, 22 x 30 cm)
is emphasized...
The cantata was started and abandoned by Schubert in 1820...
"Lazarus, oder die Feier der Auferstehung"
("Lazarus, or the Celebration of the Resurrection")
D.689,
Cantata for six soloists, chorus & orchestra
(Unfinished)
performed by Bavarian Radio Symphony Orchestra
with Helen Donath, Lucia Popp, Maria Venuti, Robert Tear, Elmar Schloter, Josef Protschka, Dietrich Fischer-Dieskau
conducted by Wolfgang Sawallisch
https://wn.com/10.Franz_Schubert_Lazarus_D.689_Encore_Last_Aria_And_Chorus_Of_I._Act
Uploading approximately 70 minutes of the whole -unfinished- cantata, this is an encore of my favorite part in particular,
I. Act - Last Aria and Chorus;
XXI. "O Barmherziger, O verlass ihn nicht"
A set of Caspar David Friedrich's paintings are in display,
"Woman before the Rising Sun" (1818-20, Oil on canvas, 22 x 30 cm)
is emphasized...
The cantata was started and abandoned by Schubert in 1820...
"Lazarus, oder die Feier der Auferstehung"
("Lazarus, or the Celebration of the Resurrection")
D.689,
Cantata for six soloists, chorus & orchestra
(Unfinished)
performed by Bavarian Radio Symphony Orchestra
with Helen Donath, Lucia Popp, Maria Venuti, Robert Tear, Elmar Schloter, Josef Protschka, Dietrich Fischer-Dieskau
conducted by Wolfgang Sawallisch
- published: 30 Dec 2009
- views: 5760
22:48
Franz Schubert - Lazarus, D 689 [1/3]
Franz Schubert
"Lazarus. The Celebration of the Resurrection"
Religious drama for soloists, chorus and orchestra (fragment), D 689
Text by August Hermann Niem...
Franz Schubert
"Lazarus. The Celebration of the Resurrection"
Religious drama for soloists, chorus and orchestra (fragment), D 689
Text by August Hermann Niemeyer
Act One
[1.] 'Lazarus': "Hier lasst mich ruh'n"
'Maria': Edith Mathis (soprano)
'Martha': Cornelia Wulkopf (mezzo soprano)
'Jemina': Hanna Schwarz (alto)
'Lazarus': Werner Hollweg (tenor)
'Nathanael': Horst Laubenthal (tenor)
'Simon': Hermann Prey (baritone)
Südfunkchor Stuttgart: Wolfgang Isenhardt
Radio-Sinfonieorchester Stuttgart: Gabriel Chmura
Recorded in Saint Amandus-Kirche, Urach bei Stuttgart, 2-4 October 1981
Illustrated with "Lazarus" by Jacob Epstein (1947)
https://wn.com/Franz_Schubert_Lazarus,_D_689_1_3
Franz Schubert
"Lazarus. The Celebration of the Resurrection"
Religious drama for soloists, chorus and orchestra (fragment), D 689
Text by August Hermann Niemeyer
Act One
[1.] 'Lazarus': "Hier lasst mich ruh'n"
'Maria': Edith Mathis (soprano)
'Martha': Cornelia Wulkopf (mezzo soprano)
'Jemina': Hanna Schwarz (alto)
'Lazarus': Werner Hollweg (tenor)
'Nathanael': Horst Laubenthal (tenor)
'Simon': Hermann Prey (baritone)
Südfunkchor Stuttgart: Wolfgang Isenhardt
Radio-Sinfonieorchester Stuttgart: Gabriel Chmura
Recorded in Saint Amandus-Kirche, Urach bei Stuttgart, 2-4 October 1981
Illustrated with "Lazarus" by Jacob Epstein (1947)
- published: 18 Apr 2014
- views: 2567