-
Lassus - Lamentations a 5. Lamentatio prima, primi diei (1/9).
Herreweghe, Ensemble Vocal Européen de la Chapelle Royale
published: 22 Oct 2013
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Lassus - Lamentations a 5. Lamentatio tertia, primi diei (3/9).
Herreweghe, Ensemble Vocal Européen de la Chapelle Royale
published: 22 Oct 2013
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Lassus - Lamentations a 5. Lamentatio secunda, primi diei (2/9).
Herreweghe, Ensemble Vocal Européen de la Chapelle Royale
published: 22 Oct 2013
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Lamentations (for five voices)
Provided to YouTube by NAXOS of America
Lamentations (for five voices) · Oxford Camerata
Lamentations
℗ 1992 Naxos
Released on: 1992-05-11
Conductor: Jeremy Summerly
Choir: Oxford Camerata
Composer: Robert White
Producer: Murray Khouri
Auto-generated by YouTube.
published: 11 Aug 2018
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Lassus - Lamentations a 5. Lamentatio prima, secundi diei (4/9).
Herreweghe, Ensemble Vocal Européen de la Chapelle Royale
published: 23 Oct 2013
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Roland de Lassus: Lamentationes Hieremiae feria sexta in parasceve. Huelgas Ensemble, van Nevel
Roland de Lassus (Orlando di Lasso): Lamentationes Hieremiae feria sexta in parasceve, a 5. Sung by Huelgas Ensemble, directed by Paul van Nevel
1. Lamentatio prima - 00:00
2. Lamentatio secunda - 7:35
3. Lamentatio tertia - 14:48
Buy it here: http://www.allmusic.com/album/lamentations-de-la-renaissance-mw0001409047
published: 28 Mar 2015
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Lassus - Lamentations a 5. Lamentatio tertia, secundi diei (6/9).
Herreweghe, Ensemble Vocal Européen de la Chapelle Royale
published: 25 Oct 2013
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Roland de Lassus (c1532-1594): Les Lamentations de Job
Sacrae Lectiones novem ex propheta Hiob (1565)
Leçon I (Job, 7, 16-21)
00:00 Parce mihi, Domine
03:45 Peccavi, quid faciam tibi?
Leçon II (Job, 10, 1-7)
08:03 Tædel animam meam vitæ meæ
11:15 Indica mihi, cur me ita judices
13:57 Numquid sicut dies hominis dies tui?
Leçon III (Job, 10, 8-12)
17:11 Manus tuæ, Domine fecerunt me
20:03 Nonne sicut lac mulsisti me?
Leçon IV (Job, 13, 22-28)
23:17 Responde mihi
26:49 Scribis enim contra me amaritudines
Leçon V (Job, 14, 1-6)
31:01 Homo natus de muliere
34:10 Et dignum ducis
37:19 Constituisti terminos ejus
Leçon VI (Job, 14, 13-16)
40:05 Quis mihi hoc tribuat?
43:24 Vocabis me
Leçon VII (Job, 17, 1-3; 11-16)
46:14 Spiritus meus attenuabitur
49:22 Libera me, Domine
52:44 Si sustinuero
Leçon VIII (Job, 19, 20-27)
56:15 Pelli meæ, consumpt...
published: 29 Jun 2022
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Lamentations of Jeremiah (Lassus), First Lamentation for Maundy (Holy) Thursday
The Lamentations of Jeremiah, a suite of nine astounding polyphonic works for Holy Week by Orlandus Lassus. Three Lamentations for Maundy (Holy) Thursday, First Lamentation. Performed by the incomparable Pro Cantione Antiqua, specialists of early music, under the direction of Bruno Turner. Presented by Musical Concepts, available on CD or mp3, see our website: http://bit.ly/I8AtIB
published: 05 Apr 2012
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Lamentations of Jeremiah 1:10-14 - Clamavi De Profundis
We are now on Patreon!
https://www.patreon.com/clamavideprofundis
iTunes Link: https://goo.gl/HD4qnz
Amazon Link: https://goo.gl/4JpdGL
Google Play Link: https://goo.gl/ykMTyg
Spotify Link: https://goo.gl/sLPjDQ
https://www.twitter.com/ClamaviDe
Released on Holy Thursday, 2017.
My family and I sang this piece. My brother drew the beginning art. For those who may not be Christian this text has much historical value and we are sure that everyone can relate to what is being sung in some way, as we all have dark times in our lives. When life seems darkest, often the brightest light is right around the corner, if we have the eyes to see it. Happy Easter everyone!
About the text:
This text is taken from Chapter 1 of the Lamentations of Jeremiah, verses 10-14. Jeremiah was a prophet...
published: 13 Apr 2017
21:37
Lamentations (for five voices)
Provided to YouTube by NAXOS of America
Lamentations (for five voices) · Oxford Camerata
Lamentations
℗ 1992 Naxos
Released on: 1992-05-11
Conductor: Jerem...
Provided to YouTube by NAXOS of America
Lamentations (for five voices) · Oxford Camerata
Lamentations
℗ 1992 Naxos
Released on: 1992-05-11
Conductor: Jeremy Summerly
Choir: Oxford Camerata
Composer: Robert White
Producer: Murray Khouri
Auto-generated by YouTube.
https://wn.com/Lamentations_(For_Five_Voices)
Provided to YouTube by NAXOS of America
Lamentations (for five voices) · Oxford Camerata
Lamentations
℗ 1992 Naxos
Released on: 1992-05-11
Conductor: Jeremy Summerly
Choir: Oxford Camerata
Composer: Robert White
Producer: Murray Khouri
Auto-generated by YouTube.
- published: 11 Aug 2018
- views: 5771
21:48
Roland de Lassus: Lamentationes Hieremiae feria sexta in parasceve. Huelgas Ensemble, van Nevel
Roland de Lassus (Orlando di Lasso): Lamentationes Hieremiae feria sexta in parasceve, a 5. Sung by Huelgas Ensemble, directed by Paul van Nevel
1. Lamentatio ...
Roland de Lassus (Orlando di Lasso): Lamentationes Hieremiae feria sexta in parasceve, a 5. Sung by Huelgas Ensemble, directed by Paul van Nevel
1. Lamentatio prima - 00:00
2. Lamentatio secunda - 7:35
3. Lamentatio tertia - 14:48
Buy it here: http://www.allmusic.com/album/lamentations-de-la-renaissance-mw0001409047
https://wn.com/Roland_De_Lassus_Lamentationes_Hieremiae_Feria_Sexta_In_Parasceve._Huelgas_Ensemble,_Van_Nevel
Roland de Lassus (Orlando di Lasso): Lamentationes Hieremiae feria sexta in parasceve, a 5. Sung by Huelgas Ensemble, directed by Paul van Nevel
1. Lamentatio prima - 00:00
2. Lamentatio secunda - 7:35
3. Lamentatio tertia - 14:48
Buy it here: http://www.allmusic.com/album/lamentations-de-la-renaissance-mw0001409047
- published: 28 Mar 2015
- views: 16034
1:11:28
Roland de Lassus (c1532-1594): Les Lamentations de Job
Sacrae Lectiones novem ex propheta Hiob (1565)
Leçon I (Job, 7, 16-21)
00:00 Parce mihi, Domine
03:45 Peccavi, quid faciam tibi?
Leçon II (Job, 10, 1-7)
08:03...
Sacrae Lectiones novem ex propheta Hiob (1565)
Leçon I (Job, 7, 16-21)
00:00 Parce mihi, Domine
03:45 Peccavi, quid faciam tibi?
Leçon II (Job, 10, 1-7)
08:03 Tædel animam meam vitæ meæ
11:15 Indica mihi, cur me ita judices
13:57 Numquid sicut dies hominis dies tui?
Leçon III (Job, 10, 8-12)
17:11 Manus tuæ, Domine fecerunt me
20:03 Nonne sicut lac mulsisti me?
Leçon IV (Job, 13, 22-28)
23:17 Responde mihi
26:49 Scribis enim contra me amaritudines
Leçon V (Job, 14, 1-6)
31:01 Homo natus de muliere
34:10 Et dignum ducis
37:19 Constituisti terminos ejus
Leçon VI (Job, 14, 13-16)
40:05 Quis mihi hoc tribuat?
43:24 Vocabis me
Leçon VII (Job, 17, 1-3; 11-16)
46:14 Spiritus meus attenuabitur
49:22 Libera me, Domine
52:44 Si sustinuero
Leçon VIII (Job, 19, 20-27)
56:15 Pelli meæ, consumptis carnibus
1:00:20 Quare persequimini ?
1:02:11 Scio enim quod redemptor meus vivit
Leçon IX (Job, 10, 18-22)
1:05:29 Quare de vulva eduxisti me?
1:07:51 Dimitte me ergo
Ensemble Vocal Raphaël Passaquet
Artwork: The Mocking of Job (ca. 1550), by Jan Mandijn (ca. 1500 - ca. 1560)
When the ¨Sacrae Lectiones novem ex propheta Job¨ by Roland de Lassus (or Orlando di Lasso) were printed by Gardano in Venice in 1565, barely two years had elapsed since the composer had been directing the chapel of Duke Albert V of Bavaria in Munich, which he had entered as a simple tenor in 1556. He was to remain there until his death in 1594 and during this period of nearly forty years he contributed to making the chapel at Munich - which, by 1596 numbered no fewer than sixty one musicians - one of the first in Europe. It is true that Duke Albert, who was at times severely judged on certain points by his contemporaries, was himself a musician and could only have encouraged the creative genius of his Kapellmeister. A lover of pageantry and the arts, this prince seized every occasion, sacred or profane, to instigate a new work by Lassus who, moreover, stood on terms of personal friendship with the heir to the throne, William. He was overwhelmed with honours and money and enjoyed a position of favour at the Bavarian court until the day of his death. In 1563 the Duke commissioned the court painter, Hans Mülich, to transcribe and adorn with miniatures the ¨Busspsalmen¨ - The Penitential Psalms - one of Lassus most celebrated works. The two volumes, now in the Munich Library, are, with their full-page paintings, to say nothing of the intrinsic value of the compositions, one of the most sumptuous manuscripts of the period. Hardly thirty one years of age, Lassus was already regarded as an incontestable master, so it is not surprising to learn that his contemporary, Massimo Troiano, acknowledged that he exercised an irresistible influence on the musicians he directed. The man was in full possession of his powers and everywhere encountered admiration and respect.
When he arrived at the Bavarian court, Lassus already had to his credit a body of work which was, if not considerable in quantity, extremely varied. With the French and Italian madrigals and chansons, the «Neapolitan» villanelles and the motets, it gave ample proof of the diversity and precocity of his talent, which was further asserted by the ¨Sacrae Lectiones¨. The first edition of 1565 was dedicated to his patron and benefactor, Duke Albert, but it is highly probable that it was composed at an earlier date. The most recent and authoritative commentator on Lassus, Wolfgang Bötticher, sees in it a work of his early youth dating from the Antwerp days (1555-1556) or even, perhaps, from the last years in Rome, i.e. around 1554. The composer would have been about 23 at the time and it would be surprising if, at about the same time, he had not delivered another proof of his precociousness with another no less remarkable cycle, the ¨Prophetiae Sibyllarum¨, which he copied out by hand after the Lectiones of Job into a manuscript now in the Vienna Library (Ms. 18744). This was probably intended to be shown to the Duke as representing what he considered his best work.
https://wn.com/Roland_De_Lassus_(C1532_1594)_Les_Lamentations_De_Job
Sacrae Lectiones novem ex propheta Hiob (1565)
Leçon I (Job, 7, 16-21)
00:00 Parce mihi, Domine
03:45 Peccavi, quid faciam tibi?
Leçon II (Job, 10, 1-7)
08:03 Tædel animam meam vitæ meæ
11:15 Indica mihi, cur me ita judices
13:57 Numquid sicut dies hominis dies tui?
Leçon III (Job, 10, 8-12)
17:11 Manus tuæ, Domine fecerunt me
20:03 Nonne sicut lac mulsisti me?
Leçon IV (Job, 13, 22-28)
23:17 Responde mihi
26:49 Scribis enim contra me amaritudines
Leçon V (Job, 14, 1-6)
31:01 Homo natus de muliere
34:10 Et dignum ducis
37:19 Constituisti terminos ejus
Leçon VI (Job, 14, 13-16)
40:05 Quis mihi hoc tribuat?
43:24 Vocabis me
Leçon VII (Job, 17, 1-3; 11-16)
46:14 Spiritus meus attenuabitur
49:22 Libera me, Domine
52:44 Si sustinuero
Leçon VIII (Job, 19, 20-27)
56:15 Pelli meæ, consumptis carnibus
1:00:20 Quare persequimini ?
1:02:11 Scio enim quod redemptor meus vivit
Leçon IX (Job, 10, 18-22)
1:05:29 Quare de vulva eduxisti me?
1:07:51 Dimitte me ergo
Ensemble Vocal Raphaël Passaquet
Artwork: The Mocking of Job (ca. 1550), by Jan Mandijn (ca. 1500 - ca. 1560)
When the ¨Sacrae Lectiones novem ex propheta Job¨ by Roland de Lassus (or Orlando di Lasso) were printed by Gardano in Venice in 1565, barely two years had elapsed since the composer had been directing the chapel of Duke Albert V of Bavaria in Munich, which he had entered as a simple tenor in 1556. He was to remain there until his death in 1594 and during this period of nearly forty years he contributed to making the chapel at Munich - which, by 1596 numbered no fewer than sixty one musicians - one of the first in Europe. It is true that Duke Albert, who was at times severely judged on certain points by his contemporaries, was himself a musician and could only have encouraged the creative genius of his Kapellmeister. A lover of pageantry and the arts, this prince seized every occasion, sacred or profane, to instigate a new work by Lassus who, moreover, stood on terms of personal friendship with the heir to the throne, William. He was overwhelmed with honours and money and enjoyed a position of favour at the Bavarian court until the day of his death. In 1563 the Duke commissioned the court painter, Hans Mülich, to transcribe and adorn with miniatures the ¨Busspsalmen¨ - The Penitential Psalms - one of Lassus most celebrated works. The two volumes, now in the Munich Library, are, with their full-page paintings, to say nothing of the intrinsic value of the compositions, one of the most sumptuous manuscripts of the period. Hardly thirty one years of age, Lassus was already regarded as an incontestable master, so it is not surprising to learn that his contemporary, Massimo Troiano, acknowledged that he exercised an irresistible influence on the musicians he directed. The man was in full possession of his powers and everywhere encountered admiration and respect.
When he arrived at the Bavarian court, Lassus already had to his credit a body of work which was, if not considerable in quantity, extremely varied. With the French and Italian madrigals and chansons, the «Neapolitan» villanelles and the motets, it gave ample proof of the diversity and precocity of his talent, which was further asserted by the ¨Sacrae Lectiones¨. The first edition of 1565 was dedicated to his patron and benefactor, Duke Albert, but it is highly probable that it was composed at an earlier date. The most recent and authoritative commentator on Lassus, Wolfgang Bötticher, sees in it a work of his early youth dating from the Antwerp days (1555-1556) or even, perhaps, from the last years in Rome, i.e. around 1554. The composer would have been about 23 at the time and it would be surprising if, at about the same time, he had not delivered another proof of his precociousness with another no less remarkable cycle, the ¨Prophetiae Sibyllarum¨, which he copied out by hand after the Lectiones of Job into a manuscript now in the Vienna Library (Ms. 18744). This was probably intended to be shown to the Duke as representing what he considered his best work.
- published: 29 Jun 2022
- views: 14302
7:34
Lamentations of Jeremiah (Lassus), First Lamentation for Maundy (Holy) Thursday
The Lamentations of Jeremiah, a suite of nine astounding polyphonic works for Holy Week by Orlandus Lassus. Three Lamentations for Maundy (Holy) Thursday, First...
The Lamentations of Jeremiah, a suite of nine astounding polyphonic works for Holy Week by Orlandus Lassus. Three Lamentations for Maundy (Holy) Thursday, First Lamentation. Performed by the incomparable Pro Cantione Antiqua, specialists of early music, under the direction of Bruno Turner. Presented by Musical Concepts, available on CD or mp3, see our website: http://bit.ly/I8AtIB
https://wn.com/Lamentations_Of_Jeremiah_(Lassus),_First_Lamentation_For_Maundy_(Holy)_Thursday
The Lamentations of Jeremiah, a suite of nine astounding polyphonic works for Holy Week by Orlandus Lassus. Three Lamentations for Maundy (Holy) Thursday, First Lamentation. Performed by the incomparable Pro Cantione Antiqua, specialists of early music, under the direction of Bruno Turner. Presented by Musical Concepts, available on CD or mp3, see our website: http://bit.ly/I8AtIB
- published: 05 Apr 2012
- views: 6871
5:19
Lamentations of Jeremiah 1:10-14 - Clamavi De Profundis
We are now on Patreon!
https://www.patreon.com/clamavideprofundis
iTunes Link: https://goo.gl/HD4qnz
Amazon Link: https://goo.gl/4JpdGL
Google Play Link: http...
We are now on Patreon!
https://www.patreon.com/clamavideprofundis
iTunes Link: https://goo.gl/HD4qnz
Amazon Link: https://goo.gl/4JpdGL
Google Play Link: https://goo.gl/ykMTyg
Spotify Link: https://goo.gl/sLPjDQ
https://www.twitter.com/ClamaviDe
Released on Holy Thursday, 2017.
My family and I sang this piece. My brother drew the beginning art. For those who may not be Christian this text has much historical value and we are sure that everyone can relate to what is being sung in some way, as we all have dark times in our lives. When life seems darkest, often the brightest light is right around the corner, if we have the eyes to see it. Happy Easter everyone!
About the text:
This text is taken from Chapter 1 of the Lamentations of Jeremiah, verses 10-14. Jeremiah was a prophet of the Old Testament who lived during, and wrote concerning, the Babylonian captivity of the Israelites (608-538 BC). There is a book of his writings in the Bible named after him, but there is also a separate book of his writings called "Lamentations" which contain powerful sentiments of sorrow, mourning all that Israel had lost due to their unfaithfulness to God.
Each verse is introduced by a Hebrew letter as the verses go through the Hebrew alphabet. This is because the first word of the verses in Hebrew begins with that letter. These texts are amazingly ordered. For example, Lamentations chapter 1 verse 1 begins with the letter "Aleph" which is the first letter of the Hebrew alphabet. Verse two begins with the letter "Beth" which is the second letter. Since we are doing verses 10-14, these verses begin with "Yod, Kaph, Lamed, Mem, and Nun" which are the 10-14th letters of the Hebrew alphabet. There are 22 letters in the Hebrew alphabet, and Jeremiah wrote 22 verses in this lamentation, one for each letter.
Several texts from the Lamentations, including this one, are used in the Divine Office of the Catholic liturgy on Holy Thursday, Good Friday, and Holy Saturday: the three days surrounding the Passion of Our Lord Jesus Christ. The liturgy in which these texts are used is called "Tenebrae" or "Darkness". This excerpt is sung on Holy Thursday, which is why we are releasing it today. The text is in Latin because that is the language that the western Church chose to use in its liturgies.
About the music:
The music you are hearing is a special sort of Gregorian chant, though it is not a typical selection of chant as compared to what is prescribed for most of the Catholic Church's liturgies. This is a special tone that is only used during Tenebrae, and is for optional use (meaning, there are different tones that could be used when this text is sung). This tone is from a Spanish codex, and we chose it because it seems to paint the words with a unique power, as if making them as real as upon the day they were written by the hand of Jeremiah.
Thanks to our diverse voice ranges, we arranged this piece into 3 separate octaves, pitched on a D, it follows a chiastic structure, beginning in the low octave, going to the middle octave, then to the high octave, back to the middle octave, and ending in the low octave.
We hope you enjoy listening to it as much as we enjoyed singing it!
Image Links:
https://goo.gl/ykXJIE
https://goo.gl/ZOQqds
https://goo.gl/ylAEWf
https://goo.gl/kfrZE4
https://goo.gl/vUaA4E
Lyrics:
English Translation:
[10] Jod. The enemy hath put out his hand to all her desirable things: for she hath seen the Gentiles enter into her sanctuary, of whom thou gavest commandment that they should not enter into thy church.
[11] Caph. All her people sigh, they seek bread: they have given all their precious things for food to relieve the soul: see, O Lord, and consider, for I am become vile.
[12] Lamed. O all ye that pass by the way, attend, and see if there be any sorrow like to my sorrow: for he hath made a vintage of me, as the Lord spoke in the day of his fierce anger.
[13] Mem. From above he hath sent fire into my bones, and hath chastised me: he hath spread a net for my feet, he hath turned me back: he hath made me desolate, wasted with sorrow all the day long.
[14] Nun. The yoke of my iniquities hath watched: they are folded together in his hand, and put upon my neck: my strength is weakened: the Lord hath delivered me into a hand out of which I am not able to rise.
Jerusalem, Jerusalem, be converted unto the Lord thy God.
https://wn.com/Lamentations_Of_Jeremiah_1_10_14_Clamavi_De_Profundis
We are now on Patreon!
https://www.patreon.com/clamavideprofundis
iTunes Link: https://goo.gl/HD4qnz
Amazon Link: https://goo.gl/4JpdGL
Google Play Link: https://goo.gl/ykMTyg
Spotify Link: https://goo.gl/sLPjDQ
https://www.twitter.com/ClamaviDe
Released on Holy Thursday, 2017.
My family and I sang this piece. My brother drew the beginning art. For those who may not be Christian this text has much historical value and we are sure that everyone can relate to what is being sung in some way, as we all have dark times in our lives. When life seems darkest, often the brightest light is right around the corner, if we have the eyes to see it. Happy Easter everyone!
About the text:
This text is taken from Chapter 1 of the Lamentations of Jeremiah, verses 10-14. Jeremiah was a prophet of the Old Testament who lived during, and wrote concerning, the Babylonian captivity of the Israelites (608-538 BC). There is a book of his writings in the Bible named after him, but there is also a separate book of his writings called "Lamentations" which contain powerful sentiments of sorrow, mourning all that Israel had lost due to their unfaithfulness to God.
Each verse is introduced by a Hebrew letter as the verses go through the Hebrew alphabet. This is because the first word of the verses in Hebrew begins with that letter. These texts are amazingly ordered. For example, Lamentations chapter 1 verse 1 begins with the letter "Aleph" which is the first letter of the Hebrew alphabet. Verse two begins with the letter "Beth" which is the second letter. Since we are doing verses 10-14, these verses begin with "Yod, Kaph, Lamed, Mem, and Nun" which are the 10-14th letters of the Hebrew alphabet. There are 22 letters in the Hebrew alphabet, and Jeremiah wrote 22 verses in this lamentation, one for each letter.
Several texts from the Lamentations, including this one, are used in the Divine Office of the Catholic liturgy on Holy Thursday, Good Friday, and Holy Saturday: the three days surrounding the Passion of Our Lord Jesus Christ. The liturgy in which these texts are used is called "Tenebrae" or "Darkness". This excerpt is sung on Holy Thursday, which is why we are releasing it today. The text is in Latin because that is the language that the western Church chose to use in its liturgies.
About the music:
The music you are hearing is a special sort of Gregorian chant, though it is not a typical selection of chant as compared to what is prescribed for most of the Catholic Church's liturgies. This is a special tone that is only used during Tenebrae, and is for optional use (meaning, there are different tones that could be used when this text is sung). This tone is from a Spanish codex, and we chose it because it seems to paint the words with a unique power, as if making them as real as upon the day they were written by the hand of Jeremiah.
Thanks to our diverse voice ranges, we arranged this piece into 3 separate octaves, pitched on a D, it follows a chiastic structure, beginning in the low octave, going to the middle octave, then to the high octave, back to the middle octave, and ending in the low octave.
We hope you enjoy listening to it as much as we enjoyed singing it!
Image Links:
https://goo.gl/ykXJIE
https://goo.gl/ZOQqds
https://goo.gl/ylAEWf
https://goo.gl/kfrZE4
https://goo.gl/vUaA4E
Lyrics:
English Translation:
[10] Jod. The enemy hath put out his hand to all her desirable things: for she hath seen the Gentiles enter into her sanctuary, of whom thou gavest commandment that they should not enter into thy church.
[11] Caph. All her people sigh, they seek bread: they have given all their precious things for food to relieve the soul: see, O Lord, and consider, for I am become vile.
[12] Lamed. O all ye that pass by the way, attend, and see if there be any sorrow like to my sorrow: for he hath made a vintage of me, as the Lord spoke in the day of his fierce anger.
[13] Mem. From above he hath sent fire into my bones, and hath chastised me: he hath spread a net for my feet, he hath turned me back: he hath made me desolate, wasted with sorrow all the day long.
[14] Nun. The yoke of my iniquities hath watched: they are folded together in his hand, and put upon my neck: my strength is weakened: the Lord hath delivered me into a hand out of which I am not able to rise.
Jerusalem, Jerusalem, be converted unto the Lord thy God.
- published: 13 Apr 2017
- views: 300847