- published: 22 Jun 2023
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Giovanni Pierluigi da Palestrina (c. 1525 – 2 February 1594) was an Italian Renaissance composer of sacred music and the best-known 16th-century representative of the Roman School of musical composition. He had a lasting influence on the development of church music, and his work has often been seen as the culmination of Renaissance polyphony.
Palestrina was born in the town of Palestrina, near Rome, then part of the Papal States. Documents suggest that he first visited Rome in 1537, when he is listed as a chorister at the Santa Maria Maggiore basilica. He studied with Robin Mallapert and Firmin Lebel. He spent most of his career in the city.
Palestrina came of age as a musician under the influence of the northern European style of polyphony, which owed its dominance in Italy primarily to two influential Netherlandish composers, Guillaume Dufay and Josquin des Prez, who had spent significant portions of their careers there. Italy itself had yet to produce anyone of comparable fame or skill in polyphony.
Palestrina (ancient Praeneste; Ancient Greek: Πραίνεστος, Prainestos) is an ancient city and comune (municipality) with a population of about 21,000, in Lazio, about 35 kilometres (22 miles) east of Rome. It is connected to the latter by the Via Prenestina.
It is the birthplace of composer Giovanni Pierluigi da Palestrina.
Palestrina is sited on a spur of the Monti Prenestini, a range in the central Apennines.
Palestrina borders the following municipalities: Artena, Castel San Pietro Romano, Cave, Gallicano nel Lazio, Labico, Rocca di Cave, Rocca Priora, Rome, San Cesareo, Valmontone, Zagarolo.
Early burials show that the site was already occupied in the 8th or 7th century BC. The ancient necropolis lay on a plateau at the foot of the hill below the ancient town. Of the objects found in the oldest graves, and supposed to date from about the 7th century BC, the cups of silver and silver-gilt and most of the gold and amber jewelry are Phoenician (possibly Carthaginian), but the bronzes and some of the ivory articles seem to be of the Etruscan civilization.
Palestrina is an opera by the German composer Hans Pfitzner, first performed in 1917. The composer referred to it as a Musikalische Legende (musical legend), and wrote the libretto himself, based on a legend about the Renaissance musician Giovanni Pierluigi da Palestrina, who saves the art of contrapuntal music (polyphony) for the Church in the sixteenth century, through his composition of the Missa Papae Marcelli. The wider context is that of the European Reformation and the role of music in relation to it. The character of Cardinal Borromeo is depicted, and a General Congress of the Council of Trent is the centrepiece of Act II.
The conductor of the premiere was Bruno Walter. On 16 February 1962, the day before he died, Walter ended his last letter with: "Despite all the dark experiences of today I am still confident that Palestrina will remain. The work has all the elements of immortality".
Claire Taylor-Jay has discussed Pfitzner's depiction of the political relationship between Palestrina and the Council of Trent, in the light of several German "artist-operas" such as Paul Hindemith's Mathis der Maler.Mosco Carner has written on Pfitzner's own expression of the role of spontaneous inspiration in composition, as expressed in Palestrina. Several scholarly articles have delved into Pfitzner's musical and ideological conservatism, as expressed in this opera. Gottfried Scholz has written of Pfitzner's depiction of the title character as a surrogate for himself. Karen Painter has discussed commentary on the opera in Nazi Germany.
Palestrina may refer to:
VOCES8 sings 'Sicut Cervus’ by Giovanni Pierluigi da Palestrina in the VOCES8 Centre in London. TEXT (Psalm 42:1) Sicut cervus desiderat ad fontes aquarum, ita desiderat anima mea ad te, Deus. TRANSLATION As the hart panteth after the water brooks, so panteth my soul after thee, O God.
VOCES8 sings the 'Magnificat Primi Toni' by Giovanni Pierluigi da Palestrina in the VOCES8 Centre in London. TEXT and TRANSLATION: 1. Magnificat, anima mea, Dominum My soul doth magnify the Lord 2. et exultavit spiritus meus in Deo, salutari meo. and my spirit hath rejoiced in God my Saviour. 3. Quia respexit humilitatem ancillæ suæ: ecce enim ex hoc beatam me dicent omnes generationes. For he hath regarded: the lowliness of his handmaiden: for behold, from henceforth: all generations shall call me blessed. 4. Quia fecit mihi magna, qui potens est, et sanctum nomen eius, For he that is mighty hath magnified me: and holy is his Name, 5. et misericordia eius a progenie in progenies timentibus eum. and his mercy is on them that fear him: throughout all generations. 6. Fecit potentiam ...
Noto per il suo contributo alla polifonia liturgica del Cinquecento, Giovanni Pierluigi da Palestrina ha raggiunto risultati eccellenti nella tecnica del contrappunto.
This was a School project that I did so it has some directly copied faces from Sam Onella’s videos. I did this to save time and I wanted to say this to make it clear why i have some of his faces in my video. But back to more positive things I guess, the video was heavenly inspired b Sam Onella’s academy and i want to give him a big shout out and that you should go sub to hi because he is why i made this video in this art style. Also I will not be making videos like this for my youtube channel because of how much time this took to make and the fact it got a little boring to work on which i don’t like for my videos. So yea. Here’s a link to Sam Onella’s Channel: https://m.youtube.com/channel/UC1DTYW241WD64ah5BFWn4JA (Give a Sub if you don’t mind because this video wouldn’t be possible wit...
Alma Redemptoris Mater | Giovanni Pierluigi da Palestrina (Louvor Perene, 26 fev. 2021) #LouvorPerene #ArautosContemplacaoMarial #ArautosCoral → Aprenda a Fé Católica com os Arautos do Evangelho: http://bit.ly/estudecomosarautos → Inscreva-se no canal e seja notificado: http://bit.ly/inscrevasearautos → Ajude a formação dos Missionários: https://ajude.arautos.org.br
*Sounds a whole tone lower than score* Missa Nigra sum Composer: Giovanni Pierluigi da Palestrina (ca. 1525 - 1594) Performers: The Tallis Scholars, dir. Peter Philips 0:00 Kyrie 4:44 Gloria 11:19 Credo 21:33 Sanctus 25:05 Benedictus 29:49 Agnus Dei _________________________ "It is rare to be able to highlight the music of Jean Lhéritier, the composer of the motet Nigra sum which Palestrina parodied. In the reverential atmosphere which has long surrounded Palestrina’s music, it has been thought that his style was born perfect, needed to change little during his lifetime, and died with him, leaving theorists with a code of mathematical perfection which they have not tired of trying to crack to this day. The idea that he owed little to anybody in his formative years is attributable to th...
"We adore Thee, O Christ, and we bless Thee, who by Thy Holy Cross hast redeemed the world. Thou, who hast suffered death for us, O Lord, O Lord, have mercy on us." Conducted by music director, John-Kevin Hilbert. Sung by Jessica Berns-Garner & Meredith Pyle, Soprano; Ariana Stulz, Alto; Kirk Garner, Tenor; Ben Greenberg, Baritone; Lewis Johnson, Bass
Quire Cleveland under guest conductor Jameson Marvin, performing the Kyrie from the Missa Papae Marcelli by Giovanni Pierluigi da Palestrina, at Historic St. Peter's Church in downtown Cleveland, Ohio, May 25, 2013. The work is from Palestrina's Missarum liber secundus (1567).
Orlando di Lasso (c. 1532 – 1594) was a composer of the late Renaissance. The chief representative of the mature polyphonic style in the Franco-Flemish school, Lassus stands with William Byrd, Giovanni Pierluigi da Palestrina, and Tomás Luis de Victoria as one of the leading composers of the later Renaissance. Immensely prolific, his music varies considerably in style and genres, which gave him unprecedented popularity throughout Europe. His name appears in many spellings, often changed depending on the place in which his music was being performed or published. In addition to Orlando di Lasso, variations include Orlande de Lassus, Roland de Lassus, Orlandus Lassus, Orlande de Lattre and Roland de Lattre. Since these various spellings or translations of the same name have been known and ac...
Dir. George Ratzinger
Giovanni Pierluigi da Palestrina (c. 1525 – 2 February 1594) was an Italian Renaissance composer of sacred music and the best-known 16th-century representative of the Roman School of musical composition. He had a lasting influence on the development of church music, and his work has often been seen as the culmination of Renaissance polyphony.
Palestrina was born in the town of Palestrina, near Rome, then part of the Papal States. Documents suggest that he first visited Rome in 1537, when he is listed as a chorister at the Santa Maria Maggiore basilica. He studied with Robin Mallapert and Firmin Lebel. He spent most of his career in the city.
Palestrina came of age as a musician under the influence of the northern European style of polyphony, which owed its dominance in Italy primarily to two influential Netherlandish composers, Guillaume Dufay and Josquin des Prez, who had spent significant portions of their careers there. Italy itself had yet to produce anyone of comparable fame or skill in polyphony.