Lakshmi (A Powerful Man) is a Telugu movie produced by Nallamalupu Bujji on Sri Lakshmi Narasimha Productions on banner, directed by V.V. Vinayak. Starring Venkatesh, Nayantara, Charmme Kaur in the lead roles and music composed by Ramana Gogula. The film received mixed reviews from critics. The film recorded as Super Hit at box-office. The film dubbed into Malayalam as Lakshmi and Hindi as Meri Taaqat.
Lakshmi is a 2014 Indian Hindi-language biographical social problem film, written and directed by Nagesh Kukunoor. The film deals with the harsh realities of human trafficking and child prostitution, which continue behind closed curtains in rural areas of India. It was earlier expected to release on 17 January 2014, but got delayed due to censorship issues.
The film Won Best Film - Mercedes Benz Audience Award, for Best Narrative at the Palm Springs International Film Festival on 13 January 2014. The film released on 21 March 2014. The film was screened official selection at Toronto Reel World, Washington DC, New York Indian and Melbourne Indian Film Festivals. It would open the 16th London Asian Film Festival in June 2014.
Plot synopsis
Lakshmi, a 14-year-old girl is kidnapped and sold into prostitution. Thrown into this horrific, inhuman world where she is raped and brutally beaten she struggles to survive with the help of the other girls and her own will to never give in.
Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.
Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.
The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states:
In fluid dynamics, lubrication theory describes the flow of fluids (liquids or gases) in a geometry in which one dimension is significantly smaller than the others. An example is the flow above air hockey tables, where the thickness of the air layer beneath the puck is much smaller than the dimensions of the puck itself.
Internal flows are those where the fluid is fully bounded. Internal flow lubrication theory has many industrial applications because of its role in the design of fluid bearings. Here a key goal of lubrication theory is to determine the pressure distribution in the fluid volume, and hence the forces on the bearing components. The working fluid in this case is often termed a lubricant.
Free film lubrication theory is concerned with the case in which one of the surfaces containing the fluid is a free surface. In that case the position of the free surface is itself unknown, and one goal of lubrication theory is then to determine this. Surface tension may then be significant, or even dominant. Issues of wetting and dewetting then arise. For very thin films (thickness less than one micrometre), additional intermolecular forces, such as Van der Waals forces or disjoining forces, may become significant.
Dig deeper ... Reports suggest she was upset with filmmaker Atlee regarding her role in the film ... Her journey began in 2003 with the Malayalam film "Manassinakkare," followed by her Tamil debut in "Ayya" (2005) and Telugu debut in "Lakshmi" (2006) ... ....
