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Orlande de Lassus - Lagrime Di San Pietro
Orlande de Lassus (also Roland de Lassus, Orlando di Lasso, Orlandus Lassus, Orlande de Lattre or Roland de Lattre; 1532, possibly 1530 – 14 June 1594) was a composer of the late Renaissance, chief representative of the mature polyphonic style of the Franco-Flemish school, and considered to be one of the three most famous and influential musicians in Europe at the end of the 16th century (the other two being Palestrina and Victoria).
Sections:
Il magnanimo Pietro 00:00
Ma gli archi 2:33
Tre volte haveva 5:12
Qual al l'incontro 7:43
Giovane donna 10:30
Così tal'hor 12:56
Ogni occhio del Signor 15:16
Nessun fedel trovai 17:42
Chi ad una ad una 20:38
Come falda di neve 23:05
E non fu il pianto suo 26:10
Quel volto 28:30
Veduto il miser 31:14
E vago d'incontrar 34:18
Vattene vita va 37:07
O v...
published: 19 Nov 2021
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Orlando di Lasso, Lagrime di San Pietro No.2 "Ma gli archi"
All Socres, MP3s & Movies by Shigekazu Nimura, a member of Aeolian Consort.
Web site of Aeolian Consort http://aeolianconsort.chakin.com/gakufu_main.htm
Softwares & Machines for making movies
finale2026, version 26.3.1.518(MakeMusic Inc.)
sol V2.0.3J(YAMAHA CORPORATION)
USB AUDIO/MIDI PERSONAL STUDIO UW500(YAMAHA CORPORATION)
TONE GENERATOR MU500(YAMAHA CORPORATION)
Microsoft®expression web Version 4.0. 1460. 0(Microsoft Corporation)
Orlando di Lasso(1532 - 1594)
LAGRIME DI S. PIETRO, DESCRITTE DAL SIGNOR
LVIGI TANSILLO, E NVOVAMENTE POSTE,
IN MVSICA DA ORLANDO DI LASSO MA
stro di Capella, del serenissimo signor Duca di Bauie-
ra, &c. con vn Mottetto nel fine à sette voci.
ÆTATIS SVÆ LXII A°. 1594
Stampate in Monaco appresso Adamo Berg
Nel M. D. XCV. (1595)
published: 30 Oct 2022
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Lagrime di San Pietro [1/3] - Orlando di Lasso (Score)
Patreon: https://www.patreon.com/classicalmusicanalysis
For the English translation, click the caption/subtitle button.
Score of Orlando di Lasso's "Lagrime di San Pietro" ('Tears of Saint Peter'), a set of twenty spiritual madrigals in vernacular and a final motet in latin, composed in 1594. The madrigals are based on twenty poems written by Luigi Tansillo about the stages of grief St. Peter had to endure after his denial of Christ. Dedicated to Pope Clement VIII three weeks before his death and published posthumously the next year, it was Lassus' last composition and is considered one of his most important and mature works and even a landmark of Renaissance polyphony.
There has been a lot of numerological speculation, implying the constant appearance of the number 7. The set is written ...
published: 15 Feb 2021
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Lagrime di San Pietro - Orlandus Lassus
Lagrime di San Pietro
Music: Orlandus Lassus (1532-1494)
Lyrics: Luigi Tansillo (1510-1568)
Vocal Ensemble Musica Ficta Copenhagen
Conductor, Bo Holten
Christine Nonbo, soprano
Ranveig Lægreid, soprano
Eva Wöllinger-Bengtson, alto
Josef Hamber, tenor
Lauritz Jakob Thomsen, baritone
Jakob Soelberg, baritone
Rasmus Kure Thomsen, bass
Sound: DR Danish Radio
Video: Reinhard Wilting
Performed in Esajas Kirke, København 08-04-2019
Sponsered by:
published: 07 May 2019
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Orlandus Lassus: Lagrime di San Pietro (Szent Péter könnyei) 21/2
Ma gli archi che nel petto (cuore) gli a[v]ventaro
le saette più acute e più mortali
fur gli occhi del Signor, quando il miraro:
gli occhi fur gli archi e i guardi fur gli strali,
che, del cor non contenti, se ’n passaro
fin dentro a l’alma; e vi fer piaghe tali
che bisognò, mentre ch’ei (che) visse poi,
ungerle col liquor de gli occhi suoi.
Ám az íjak közül, melyek mellkasát célozták,
A leghegyesebb és leghalálosabb nyíl
Ura szeme volt, ahogy rátekintett;
Szeme volt az íj és tekintete a nyíl,
Mely nem érte be szívének átdöfésével,
Behatolt lelke mélyébe és oly sebeket ejtett,
Hogy egész hátralévő életében
Saját könnyeivel kell kenje.
Die Bögen aber, die ihm die schärfsten
und tödlichsten Pfeile in die Brust schleuderten,
waren die Augen des Herrn, als sie ihn betrachteten.
Die Augen w...
published: 23 Mar 2020
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Orlande de Lassus - Lagrime di San Pietro: VI. Così talhor
http://en.wikipedia.org/wiki/Lagrime_di_San_Pietro
http://en.wikipedia.org/wiki/Orlande_de_Lassus
Playlist view:
http://www.youtube.com/view_play_list?p=349B00FAD67E8952
Score editor: Sabine Cassola
Ensemble Vocal Européen
director: Philippe Herreweghe
(Harmonia Mundi / HMC901483)
VI. Così talhor
Così talhor benché profane cose
Siano a le sacre d'agguagliasi indegne
Scoprir mirand altrui le voglie ascose
Suol amator, senza ch'a dir le vegne.
Chi dunque esperto sia ne l'ingegnose
Scole damor, a chi no'l prova insegne.
Come senza aprir la bocc'o scriver note
Con gli occhi ancora favellar si puote.
published: 10 Apr 2010
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Orlande de Lassus - Lagrime di San Pietro: V. Giovane donna
http://en.wikipedia.org/wiki/Lagrime_di_San_Pietro
http://en.wikipedia.org/wiki/Orlande_de_Lassus
Playlist view:
http://www.youtube.com/view_play_list?p=349B00FAD67E8952
Score editor: Sabine Cassola
Ensemble Vocal Européen
director: Philippe Herreweghe
(Harmonia Mundi / HMC901483)
V. Giovane donna
Giovane donna, il suo bel volto in specchio
Non vide mai di lucido cristallo
Come in quel punto il miserabil vecchio
Ne gli occhi del signor vide il suo fallo;
Né tante cose udir cupid'orecchio
Potria se stesse ben senza intervallo
Intento a l'altrui dir cento anni, e cento.
Quant ei n'udio col guardo in quel momento.
published: 10 Apr 2010
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Orlandus Lassus: Lagrimi Di San Pietro - Il Magnanimo Pietro
Orlandus Lassus (also Orlande de Lassus, Orlando di Lasso, Roland de Lassus, or Roland Delattre) (1532 (possibly 1530) June 14, 1594) was a Franco-Flemish composer of late Renaissance music. Along with Palestrina (of the Roman School), he is today considered to be the chief representative of the mature polyphonic style of the Franco-Flemish School, and he was the most famous and influential musician in Europe at the end of the 16th century.
published: 17 Jan 2010
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Orlande de Lassus - Lagrime di San Pietro: VIII. Nessun fedel trovai
http://en.wikipedia.org/wiki/Lagrime_di_San_Pietro
http://en.wikipedia.org/wiki/Orlande_de_Lassus
Playlist view:
http://www.youtube.com/view_play_list?p=349B00FAD67E8952
Score editor: Sabine Cassola
Ensemble Vocal Européen
director: Philippe Herreweghe
(Harmonia Mundi / HMC901483)
VIII. Nessun fedel trovai
Nessun fedel trovai nessun cortese
Di tanto ch'ò degnato d'esser miei;
Ma tu, dove il mio amor via più s'accese
Perfido e ingrato sovra ogni altro sei:
Ciascun di lor sol col fuggir m'offese
Tu mi negasti et hor con gli altri rei
Ti stai a pascer del mio danno gli occhi
Perchè la parte del piacer ti tocchi.
published: 10 Apr 2010
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Orlande de Lassus - Lagrime di San Pietro: XX. Negando il mio signor
http://en.wikipedia.org/wiki/Lagrime_di_San_Pietro
http://en.wikipedia.org/wiki/Orlande_de_Lassus
Playlist view:
http://www.youtube.com/view_play_list?p=349B00FAD67E8952
Score editor: Sabine Cassola
Ensemble Vocal Européen
director: Philippe Herreweghe
(Harmonia Mundi / HMC901483)
XX. Negando il mio signor
Negando il mio signor, negai quel ch'era
La vita ond'ogni vita si deriva;
Vita tranquilla, che non teme, o spera
Né puote il corso suo giunger a riva;
Poi che dunque negai la vita vera
Non è ragion che un più viva;
Vattene, vita fallace, e tosto sgombra;
Se la vera negai, non chiedo l'ombra.
published: 10 Apr 2010
56:53
Orlande de Lassus - Lagrime Di San Pietro
Orlande de Lassus (also Roland de Lassus, Orlando di Lasso, Orlandus Lassus, Orlande de Lattre or Roland de Lattre; 1532, possibly 1530 – 14 June 1594) was a co...
Orlande de Lassus (also Roland de Lassus, Orlando di Lasso, Orlandus Lassus, Orlande de Lattre or Roland de Lattre; 1532, possibly 1530 – 14 June 1594) was a composer of the late Renaissance, chief representative of the mature polyphonic style of the Franco-Flemish school, and considered to be one of the three most famous and influential musicians in Europe at the end of the 16th century (the other two being Palestrina and Victoria).
Sections:
Il magnanimo Pietro 00:00
Ma gli archi 2:33
Tre volte haveva 5:12
Qual al l'incontro 7:43
Giovane donna 10:30
Così tal'hor 12:56
Ogni occhio del Signor 15:16
Nessun fedel trovai 17:42
Chi ad una ad una 20:38
Come falda di neve 23:05
E non fu il pianto suo 26:10
Quel volto 28:30
Veduto il miser 31:14
E vago d'incontrar 34:18
Vattene vita va 37:07
O vita troppo rea a 40:00
A quanti gia felici 42:39
Non trovava mia fe 45:13
Queste opre e più 47:47
Negando il mio Signor 50:17
Vide homo 52:57
Performers:
Ensemble: La Capella Ducale.
Conductor: Livio Picotti.
Painting: Anonymous (Copy of José de Ribera) - The tears of St. Peter.
https://wn.com/Orlande_De_Lassus_Lagrime_Di_San_Pietro
Orlande de Lassus (also Roland de Lassus, Orlando di Lasso, Orlandus Lassus, Orlande de Lattre or Roland de Lattre; 1532, possibly 1530 – 14 June 1594) was a composer of the late Renaissance, chief representative of the mature polyphonic style of the Franco-Flemish school, and considered to be one of the three most famous and influential musicians in Europe at the end of the 16th century (the other two being Palestrina and Victoria).
Sections:
Il magnanimo Pietro 00:00
Ma gli archi 2:33
Tre volte haveva 5:12
Qual al l'incontro 7:43
Giovane donna 10:30
Così tal'hor 12:56
Ogni occhio del Signor 15:16
Nessun fedel trovai 17:42
Chi ad una ad una 20:38
Come falda di neve 23:05
E non fu il pianto suo 26:10
Quel volto 28:30
Veduto il miser 31:14
E vago d'incontrar 34:18
Vattene vita va 37:07
O vita troppo rea a 40:00
A quanti gia felici 42:39
Non trovava mia fe 45:13
Queste opre e più 47:47
Negando il mio Signor 50:17
Vide homo 52:57
Performers:
Ensemble: La Capella Ducale.
Conductor: Livio Picotti.
Painting: Anonymous (Copy of José de Ribera) - The tears of St. Peter.
- published: 19 Nov 2021
- views: 5614
2:40
Orlando di Lasso, Lagrime di San Pietro No.2 "Ma gli archi"
All Socres, MP3s & Movies by Shigekazu Nimura, a member of Aeolian Consort.
Web site of Aeolian Consort http://aeolianconsort.chakin.com/gakufu_main.htm
Softwa...
All Socres, MP3s & Movies by Shigekazu Nimura, a member of Aeolian Consort.
Web site of Aeolian Consort http://aeolianconsort.chakin.com/gakufu_main.htm
Softwares & Machines for making movies
finale2026, version 26.3.1.518(MakeMusic Inc.)
sol V2.0.3J(YAMAHA CORPORATION)
USB AUDIO/MIDI PERSONAL STUDIO UW500(YAMAHA CORPORATION)
TONE GENERATOR MU500(YAMAHA CORPORATION)
Microsoft®expression web Version 4.0. 1460. 0(Microsoft Corporation)
Orlando di Lasso(1532 - 1594)
LAGRIME DI S. PIETRO, DESCRITTE DAL SIGNOR
LVIGI TANSILLO, E NVOVAMENTE POSTE,
IN MVSICA DA ORLANDO DI LASSO MA
stro di Capella, del serenissimo signor Duca di Bauie-
ra, &c. con vn Mottetto nel fine à sette voci.
ÆTATIS SVÆ LXII A°. 1594
Stampate in Monaco appresso Adamo Berg
Nel M. D. XCV. (1595)
https://wn.com/Orlando_Di_Lasso,_Lagrime_Di_San_Pietro_No.2_Ma_Gli_Archi
All Socres, MP3s & Movies by Shigekazu Nimura, a member of Aeolian Consort.
Web site of Aeolian Consort http://aeolianconsort.chakin.com/gakufu_main.htm
Softwares & Machines for making movies
finale2026, version 26.3.1.518(MakeMusic Inc.)
sol V2.0.3J(YAMAHA CORPORATION)
USB AUDIO/MIDI PERSONAL STUDIO UW500(YAMAHA CORPORATION)
TONE GENERATOR MU500(YAMAHA CORPORATION)
Microsoft®expression web Version 4.0. 1460. 0(Microsoft Corporation)
Orlando di Lasso(1532 - 1594)
LAGRIME DI S. PIETRO, DESCRITTE DAL SIGNOR
LVIGI TANSILLO, E NVOVAMENTE POSTE,
IN MVSICA DA ORLANDO DI LASSO MA
stro di Capella, del serenissimo signor Duca di Bauie-
ra, &c. con vn Mottetto nel fine à sette voci.
ÆTATIS SVÆ LXII A°. 1594
Stampate in Monaco appresso Adamo Berg
Nel M. D. XCV. (1595)
- published: 30 Oct 2022
- views: 23
17:00
Lagrime di San Pietro [1/3] - Orlando di Lasso (Score)
Patreon: https://www.patreon.com/classicalmusicanalysis
For the English translation, click the caption/subtitle button.
Score of Orlando di Lasso's "Lagrime di...
Patreon: https://www.patreon.com/classicalmusicanalysis
For the English translation, click the caption/subtitle button.
Score of Orlando di Lasso's "Lagrime di San Pietro" ('Tears of Saint Peter'), a set of twenty spiritual madrigals in vernacular and a final motet in latin, composed in 1594. The madrigals are based on twenty poems written by Luigi Tansillo about the stages of grief St. Peter had to endure after his denial of Christ. Dedicated to Pope Clement VIII three weeks before his death and published posthumously the next year, it was Lassus' last composition and is considered one of his most important and mature works and even a landmark of Renaissance polyphony.
There has been a lot of numerological speculation, implying the constant appearance of the number 7. The set is written for seven voices (that could represent the seven sorrows of the Virgin Mary, to whom he seems to allude as an abbreviation in the preface), many of the madrigals are structured in seven main sections (following the main cadences), and the work uses the first seven gregorian/church modes in a well ordered way (deliberately leaving the eight one out); in top of that, the total number of pieces could be interpreted as seven times the number of members of the Trinity (7*3=21). Be that as it may, I have followed this idea and decided to artificially divide the work into three main sequences.
00:00 - (Introduction)
00:15 - 1. Il magnanimo Pietro
02:34 - 2. Ma gli archi
04:59 - 3. Tre volte haveva
07:26 - 4. Quan a l'incontro
10:01 - 5. Giovane donna
12:23 - 6. Così talhor
14:24 - 7. Ogni occhio del signor
Performers: Musica Ficta Copenhagen, Bo Holten (conductor)
https://wn.com/Lagrime_Di_San_Pietro_1_3_Orlando_Di_Lasso_(Score)
Patreon: https://www.patreon.com/classicalmusicanalysis
For the English translation, click the caption/subtitle button.
Score of Orlando di Lasso's "Lagrime di San Pietro" ('Tears of Saint Peter'), a set of twenty spiritual madrigals in vernacular and a final motet in latin, composed in 1594. The madrigals are based on twenty poems written by Luigi Tansillo about the stages of grief St. Peter had to endure after his denial of Christ. Dedicated to Pope Clement VIII three weeks before his death and published posthumously the next year, it was Lassus' last composition and is considered one of his most important and mature works and even a landmark of Renaissance polyphony.
There has been a lot of numerological speculation, implying the constant appearance of the number 7. The set is written for seven voices (that could represent the seven sorrows of the Virgin Mary, to whom he seems to allude as an abbreviation in the preface), many of the madrigals are structured in seven main sections (following the main cadences), and the work uses the first seven gregorian/church modes in a well ordered way (deliberately leaving the eight one out); in top of that, the total number of pieces could be interpreted as seven times the number of members of the Trinity (7*3=21). Be that as it may, I have followed this idea and decided to artificially divide the work into three main sequences.
00:00 - (Introduction)
00:15 - 1. Il magnanimo Pietro
02:34 - 2. Ma gli archi
04:59 - 3. Tre volte haveva
07:26 - 4. Quan a l'incontro
10:01 - 5. Giovane donna
12:23 - 6. Così talhor
14:24 - 7. Ogni occhio del signor
Performers: Musica Ficta Copenhagen, Bo Holten (conductor)
- published: 15 Feb 2021
- views: 2781
54:14
Lagrime di San Pietro - Orlandus Lassus
Lagrime di San Pietro
Music: Orlandus Lassus (1532-1494)
Lyrics: Luigi Tansillo (1510-1568)
Vocal Ensemble Musica Ficta Copenhagen
Conductor, Bo Holten
Chri...
Lagrime di San Pietro
Music: Orlandus Lassus (1532-1494)
Lyrics: Luigi Tansillo (1510-1568)
Vocal Ensemble Musica Ficta Copenhagen
Conductor, Bo Holten
Christine Nonbo, soprano
Ranveig Lægreid, soprano
Eva Wöllinger-Bengtson, alto
Josef Hamber, tenor
Lauritz Jakob Thomsen, baritone
Jakob Soelberg, baritone
Rasmus Kure Thomsen, bass
Sound: DR Danish Radio
Video: Reinhard Wilting
Performed in Esajas Kirke, København 08-04-2019
Sponsered by:
https://wn.com/Lagrime_Di_San_Pietro_Orlandus_Lassus
Lagrime di San Pietro
Music: Orlandus Lassus (1532-1494)
Lyrics: Luigi Tansillo (1510-1568)
Vocal Ensemble Musica Ficta Copenhagen
Conductor, Bo Holten
Christine Nonbo, soprano
Ranveig Lægreid, soprano
Eva Wöllinger-Bengtson, alto
Josef Hamber, tenor
Lauritz Jakob Thomsen, baritone
Jakob Soelberg, baritone
Rasmus Kure Thomsen, bass
Sound: DR Danish Radio
Video: Reinhard Wilting
Performed in Esajas Kirke, København 08-04-2019
Sponsered by:
- published: 07 May 2019
- views: 13670
2:30
Orlandus Lassus: Lagrime di San Pietro (Szent Péter könnyei) 21/2
Ma gli archi che nel petto (cuore) gli a[v]ventaro
le saette più acute e più mortali
fur gli occhi del Signor, quando il miraro:
gli occhi fur gli archi e i gua...
Ma gli archi che nel petto (cuore) gli a[v]ventaro
le saette più acute e più mortali
fur gli occhi del Signor, quando il miraro:
gli occhi fur gli archi e i guardi fur gli strali,
che, del cor non contenti, se ’n passaro
fin dentro a l’alma; e vi fer piaghe tali
che bisognò, mentre ch’ei (che) visse poi,
ungerle col liquor de gli occhi suoi.
Ám az íjak közül, melyek mellkasát célozták,
A leghegyesebb és leghalálosabb nyíl
Ura szeme volt, ahogy rátekintett;
Szeme volt az íj és tekintete a nyíl,
Mely nem érte be szívének átdöfésével,
Behatolt lelke mélyébe és oly sebeket ejtett,
Hogy egész hátralévő életében
Saját könnyeivel kell kenje.
Die Bögen aber, die ihm die schärfsten
und tödlichsten Pfeile in die Brust schleuderten,
waren die Augen des Herrn, als sie ihn betrachteten.
Die Augen waren die Bögen und die Blicke waren die Pfeile,
die, mit dem Herzen nicht zufrieden,
bis in die Seele drangen und dort solche Wunden schlugen,
daß er sie bis an sein Lebensende
mit dem Naß seiner Augen feuchten mußte.
The bows, however, that hurled towards his chest
the fiercest and most deadly arrows
were the eyes of the Lord, when they saw him:
the eyes were the bows and arrows were the eyes,
which, not content with the heart, burrowed
into the soul; and caused wounds so deep
that he had, for the rest of his life,
to anoint them with the tears of his eyes.
Translation by Campelli
Lagrimae di San Pietro is an Italian religious madrigal series composed to Luigi Tansillo’s poems (1510-1568). The cycle is concluded with a Latin motet. The Tears of St Peter is the last work by the old and frail composer, dedicated to Pope Coleman 8th 3 weeks before his death, in 1594. The piece were published post humus in Munich in 1495 It describes the sorrow and pain St Peter feels on account of his betrayal of Jesus (Mt 26:69-75). Number mysticism plays an important role in the music. Number 7 could refer to the sacraments, to the seven sorrows of the Holy Virgin, and number three to the Holy Trinity. The piece is scored for seven voices, as the text of the madrigals can be divided to seven parts. The series consists of three times seven madrigals. In the current series of Lassus, only the first seven tones and the tonus peregrinus is included, the eighth is not. (1-4: 1st tone, 5-8: 2nd tone, 9-12: 3rd and 4th tones, 13-15: 5th tone, 16-18: 6th tone, 19-20: 7th tone, 21: tonus peregrinus). From the musical point of view, Lagrime is the cross-section of Lassus’s style. In it, you can recognize Palestrina’s polyphonic style and observe the chromaticism and characteristics of madrigals. In the final motet (Vide homo, quae pro te patior – See man how I am suffering for you) the suffering Christ calls out to us in first person singular, forgiving the sins of Peter and every man. (Monika Kecskés) (English translation: Hajnal Lekeny)
A Lagrime di San Pietro 20, olasz nyelvű, vallásos madrigálból álló sorozat, Luigi Tansillo (1510–1568) verseire. A ciklust latin nyelvű motetta zárja le. A Szent Péter könnyei az idős, megtört komponista utolsó műve. 1594-ben komponálta, és VIII. Kelemen pápának ajánlotta, éppen három héttel halála előtt. A darab csak poszthumusz jelenhetett meg, 1495-ben, Münchenben.
A mű Szent Péter bánatát és fájdalmát jeleníti meg, amelyet Jézus elárulása miatt érzett (Máté 26: 69–75). A számmisztika a műben fontos szerepet kap. A hetes szám utalhat a hét Szentségre, a Szentséges Szűz hét fájdalmára, a hármas szám pedig a Szentháromságra. A hét szólamú darab madrigáljainak szövege sok esetben éppen hét részre osztható. A sorozat egésze éppen háromszor hét madrigálból áll. Lassus jelen sorozatában csak első hét tónus, valamint a tonus peregrinus szerepel, a nyolcadik egyáltalán nem. (1-4: 1. tónus; 5-8: 2. tónus; 9-12: 3. és 4. tónus; 13–15: 5. tónus; 16–18: 6. tónus; 19 és 20: 7. tónus.; 21: tonus peregrinus). Zenei szempontból a Lagrime Lassus stílusának keresztmetszete. Palestrina polifón stílusa éppúgy megfigyelhető benne, mint a késő-reneszánsz madrigálok kromaticizmusa, szófestése. A záró motettában – Vide homo, quae pro te patior (Lásd ember, hogy szenvedek érted) – a szenvedő Krisztus szól hozzánk egyes szám első személyben, valójában megbocsátva Péter és minden ember bűnét.
(Kecskés Mónika)
Előadja Belvárosi Ferences Templom Greccio Kamarakórusa (mv. Kecskés Mónika):
S I: Dallos Bernadett, Tóth Emese Gyöngyvér
S II: Petneházi Gyöngyvér, Sárkány Júlia
A I: Paszabi Ágnes, Táborszki Györgyi, Tatai Lilla, Zsibrita Ildikó
A II: Daragó Rita Laura, Juhász János/Kecskés Mónika
T I: Harmath Dénes
T II: Cser Miklós, Dénes Marcell Worowski
B: Bódi Balázs, Cser Balázs
Vezényel: Kecskés Mónika (1–20) és Juhász János (21)
https://wn.com/Orlandus_Lassus_Lagrime_Di_San_Pietro_(Szent_Péter_Könnyei)_21_2
Ma gli archi che nel petto (cuore) gli a[v]ventaro
le saette più acute e più mortali
fur gli occhi del Signor, quando il miraro:
gli occhi fur gli archi e i guardi fur gli strali,
che, del cor non contenti, se ’n passaro
fin dentro a l’alma; e vi fer piaghe tali
che bisognò, mentre ch’ei (che) visse poi,
ungerle col liquor de gli occhi suoi.
Ám az íjak közül, melyek mellkasát célozták,
A leghegyesebb és leghalálosabb nyíl
Ura szeme volt, ahogy rátekintett;
Szeme volt az íj és tekintete a nyíl,
Mely nem érte be szívének átdöfésével,
Behatolt lelke mélyébe és oly sebeket ejtett,
Hogy egész hátralévő életében
Saját könnyeivel kell kenje.
Die Bögen aber, die ihm die schärfsten
und tödlichsten Pfeile in die Brust schleuderten,
waren die Augen des Herrn, als sie ihn betrachteten.
Die Augen waren die Bögen und die Blicke waren die Pfeile,
die, mit dem Herzen nicht zufrieden,
bis in die Seele drangen und dort solche Wunden schlugen,
daß er sie bis an sein Lebensende
mit dem Naß seiner Augen feuchten mußte.
The bows, however, that hurled towards his chest
the fiercest and most deadly arrows
were the eyes of the Lord, when they saw him:
the eyes were the bows and arrows were the eyes,
which, not content with the heart, burrowed
into the soul; and caused wounds so deep
that he had, for the rest of his life,
to anoint them with the tears of his eyes.
Translation by Campelli
Lagrimae di San Pietro is an Italian religious madrigal series composed to Luigi Tansillo’s poems (1510-1568). The cycle is concluded with a Latin motet. The Tears of St Peter is the last work by the old and frail composer, dedicated to Pope Coleman 8th 3 weeks before his death, in 1594. The piece were published post humus in Munich in 1495 It describes the sorrow and pain St Peter feels on account of his betrayal of Jesus (Mt 26:69-75). Number mysticism plays an important role in the music. Number 7 could refer to the sacraments, to the seven sorrows of the Holy Virgin, and number three to the Holy Trinity. The piece is scored for seven voices, as the text of the madrigals can be divided to seven parts. The series consists of three times seven madrigals. In the current series of Lassus, only the first seven tones and the tonus peregrinus is included, the eighth is not. (1-4: 1st tone, 5-8: 2nd tone, 9-12: 3rd and 4th tones, 13-15: 5th tone, 16-18: 6th tone, 19-20: 7th tone, 21: tonus peregrinus). From the musical point of view, Lagrime is the cross-section of Lassus’s style. In it, you can recognize Palestrina’s polyphonic style and observe the chromaticism and characteristics of madrigals. In the final motet (Vide homo, quae pro te patior – See man how I am suffering for you) the suffering Christ calls out to us in first person singular, forgiving the sins of Peter and every man. (Monika Kecskés) (English translation: Hajnal Lekeny)
A Lagrime di San Pietro 20, olasz nyelvű, vallásos madrigálból álló sorozat, Luigi Tansillo (1510–1568) verseire. A ciklust latin nyelvű motetta zárja le. A Szent Péter könnyei az idős, megtört komponista utolsó műve. 1594-ben komponálta, és VIII. Kelemen pápának ajánlotta, éppen három héttel halála előtt. A darab csak poszthumusz jelenhetett meg, 1495-ben, Münchenben.
A mű Szent Péter bánatát és fájdalmát jeleníti meg, amelyet Jézus elárulása miatt érzett (Máté 26: 69–75). A számmisztika a műben fontos szerepet kap. A hetes szám utalhat a hét Szentségre, a Szentséges Szűz hét fájdalmára, a hármas szám pedig a Szentháromságra. A hét szólamú darab madrigáljainak szövege sok esetben éppen hét részre osztható. A sorozat egésze éppen háromszor hét madrigálból áll. Lassus jelen sorozatában csak első hét tónus, valamint a tonus peregrinus szerepel, a nyolcadik egyáltalán nem. (1-4: 1. tónus; 5-8: 2. tónus; 9-12: 3. és 4. tónus; 13–15: 5. tónus; 16–18: 6. tónus; 19 és 20: 7. tónus.; 21: tonus peregrinus). Zenei szempontból a Lagrime Lassus stílusának keresztmetszete. Palestrina polifón stílusa éppúgy megfigyelhető benne, mint a késő-reneszánsz madrigálok kromaticizmusa, szófestése. A záró motettában – Vide homo, quae pro te patior (Lásd ember, hogy szenvedek érted) – a szenvedő Krisztus szól hozzánk egyes szám első személyben, valójában megbocsátva Péter és minden ember bűnét.
(Kecskés Mónika)
Előadja Belvárosi Ferences Templom Greccio Kamarakórusa (mv. Kecskés Mónika):
S I: Dallos Bernadett, Tóth Emese Gyöngyvér
S II: Petneházi Gyöngyvér, Sárkány Júlia
A I: Paszabi Ágnes, Táborszki Györgyi, Tatai Lilla, Zsibrita Ildikó
A II: Daragó Rita Laura, Juhász János/Kecskés Mónika
T I: Harmath Dénes
T II: Cser Miklós, Dénes Marcell Worowski
B: Bódi Balázs, Cser Balázs
Vezényel: Kecskés Mónika (1–20) és Juhász János (21)
- published: 23 Mar 2020
- views: 136
2:13
Orlande de Lassus - Lagrime di San Pietro: VI. Così talhor
http://en.wikipedia.org/wiki/Lagrime_di_San_Pietro
http://en.wikipedia.org/wiki/Orlande_de_Lassus
Playlist view:
http://www.youtube.com/view_play_list?p=...
http://en.wikipedia.org/wiki/Lagrime_di_San_Pietro
http://en.wikipedia.org/wiki/Orlande_de_Lassus
Playlist view:
http://www.youtube.com/view_play_list?p=349B00FAD67E8952
Score editor: Sabine Cassola
Ensemble Vocal Européen
director: Philippe Herreweghe
(Harmonia Mundi / HMC901483)
VI. Così talhor
Così talhor benché profane cose
Siano a le sacre d'agguagliasi indegne
Scoprir mirand altrui le voglie ascose
Suol amator, senza ch'a dir le vegne.
Chi dunque esperto sia ne l'ingegnose
Scole damor, a chi no'l prova insegne.
Come senza aprir la bocc'o scriver note
Con gli occhi ancora favellar si puote.
https://wn.com/Orlande_De_Lassus_Lagrime_Di_San_Pietro_Vi._Così_Talhor
http://en.wikipedia.org/wiki/Lagrime_di_San_Pietro
http://en.wikipedia.org/wiki/Orlande_de_Lassus
Playlist view:
http://www.youtube.com/view_play_list?p=349B00FAD67E8952
Score editor: Sabine Cassola
Ensemble Vocal Européen
director: Philippe Herreweghe
(Harmonia Mundi / HMC901483)
VI. Così talhor
Così talhor benché profane cose
Siano a le sacre d'agguagliasi indegne
Scoprir mirand altrui le voglie ascose
Suol amator, senza ch'a dir le vegne.
Chi dunque esperto sia ne l'ingegnose
Scole damor, a chi no'l prova insegne.
Come senza aprir la bocc'o scriver note
Con gli occhi ancora favellar si puote.
- published: 10 Apr 2010
- views: 7526
2:12
Orlande de Lassus - Lagrime di San Pietro: V. Giovane donna
http://en.wikipedia.org/wiki/Lagrime_di_San_Pietro
http://en.wikipedia.org/wiki/Orlande_de_Lassus
Playlist view:
http://www.youtube.com/view_play_list?p=...
http://en.wikipedia.org/wiki/Lagrime_di_San_Pietro
http://en.wikipedia.org/wiki/Orlande_de_Lassus
Playlist view:
http://www.youtube.com/view_play_list?p=349B00FAD67E8952
Score editor: Sabine Cassola
Ensemble Vocal Européen
director: Philippe Herreweghe
(Harmonia Mundi / HMC901483)
V. Giovane donna
Giovane donna, il suo bel volto in specchio
Non vide mai di lucido cristallo
Come in quel punto il miserabil vecchio
Ne gli occhi del signor vide il suo fallo;
Né tante cose udir cupid'orecchio
Potria se stesse ben senza intervallo
Intento a l'altrui dir cento anni, e cento.
Quant ei n'udio col guardo in quel momento.
https://wn.com/Orlande_De_Lassus_Lagrime_Di_San_Pietro_V._Giovane_Donna
http://en.wikipedia.org/wiki/Lagrime_di_San_Pietro
http://en.wikipedia.org/wiki/Orlande_de_Lassus
Playlist view:
http://www.youtube.com/view_play_list?p=349B00FAD67E8952
Score editor: Sabine Cassola
Ensemble Vocal Européen
director: Philippe Herreweghe
(Harmonia Mundi / HMC901483)
V. Giovane donna
Giovane donna, il suo bel volto in specchio
Non vide mai di lucido cristallo
Come in quel punto il miserabil vecchio
Ne gli occhi del signor vide il suo fallo;
Né tante cose udir cupid'orecchio
Potria se stesse ben senza intervallo
Intento a l'altrui dir cento anni, e cento.
Quant ei n'udio col guardo in quel momento.
- published: 10 Apr 2010
- views: 10007
2:37
Orlandus Lassus: Lagrimi Di San Pietro - Il Magnanimo Pietro
Orlandus Lassus (also Orlande de Lassus, Orlando di Lasso, Roland de Lassus, or Roland Delattre) (1532 (possibly 1530) June 14, 1594) was a Franco-Flemish comp...
Orlandus Lassus (also Orlande de Lassus, Orlando di Lasso, Roland de Lassus, or Roland Delattre) (1532 (possibly 1530) June 14, 1594) was a Franco-Flemish composer of late Renaissance music. Along with Palestrina (of the Roman School), he is today considered to be the chief representative of the mature polyphonic style of the Franco-Flemish School, and he was the most famous and influential musician in Europe at the end of the 16th century.
https://wn.com/Orlandus_Lassus_Lagrimi_Di_San_Pietro_Il_Magnanimo_Pietro
Orlandus Lassus (also Orlande de Lassus, Orlando di Lasso, Roland de Lassus, or Roland Delattre) (1532 (possibly 1530) June 14, 1594) was a Franco-Flemish composer of late Renaissance music. Along with Palestrina (of the Roman School), he is today considered to be the chief representative of the mature polyphonic style of the Franco-Flemish School, and he was the most famous and influential musician in Europe at the end of the 16th century.
- published: 17 Jan 2010
- views: 2087
2:57
Orlande de Lassus - Lagrime di San Pietro: VIII. Nessun fedel trovai
http://en.wikipedia.org/wiki/Lagrime_di_San_Pietro
http://en.wikipedia.org/wiki/Orlande_de_Lassus
Playlist view:
http://www.youtube.com/view_play_list?p=...
http://en.wikipedia.org/wiki/Lagrime_di_San_Pietro
http://en.wikipedia.org/wiki/Orlande_de_Lassus
Playlist view:
http://www.youtube.com/view_play_list?p=349B00FAD67E8952
Score editor: Sabine Cassola
Ensemble Vocal Européen
director: Philippe Herreweghe
(Harmonia Mundi / HMC901483)
VIII. Nessun fedel trovai
Nessun fedel trovai nessun cortese
Di tanto ch'ò degnato d'esser miei;
Ma tu, dove il mio amor via più s'accese
Perfido e ingrato sovra ogni altro sei:
Ciascun di lor sol col fuggir m'offese
Tu mi negasti et hor con gli altri rei
Ti stai a pascer del mio danno gli occhi
Perchè la parte del piacer ti tocchi.
https://wn.com/Orlande_De_Lassus_Lagrime_Di_San_Pietro_Viii._Nessun_Fedel_Trovai
http://en.wikipedia.org/wiki/Lagrime_di_San_Pietro
http://en.wikipedia.org/wiki/Orlande_de_Lassus
Playlist view:
http://www.youtube.com/view_play_list?p=349B00FAD67E8952
Score editor: Sabine Cassola
Ensemble Vocal Européen
director: Philippe Herreweghe
(Harmonia Mundi / HMC901483)
VIII. Nessun fedel trovai
Nessun fedel trovai nessun cortese
Di tanto ch'ò degnato d'esser miei;
Ma tu, dove il mio amor via più s'accese
Perfido e ingrato sovra ogni altro sei:
Ciascun di lor sol col fuggir m'offese
Tu mi negasti et hor con gli altri rei
Ti stai a pascer del mio danno gli occhi
Perchè la parte del piacer ti tocchi.
- published: 10 Apr 2010
- views: 6805
2:30
Orlande de Lassus - Lagrime di San Pietro: XX. Negando il mio signor
http://en.wikipedia.org/wiki/Lagrime_di_San_Pietro
http://en.wikipedia.org/wiki/Orlande_de_Lassus
Playlist view:
http://www.youtube.com/view_play_list?p=...
http://en.wikipedia.org/wiki/Lagrime_di_San_Pietro
http://en.wikipedia.org/wiki/Orlande_de_Lassus
Playlist view:
http://www.youtube.com/view_play_list?p=349B00FAD67E8952
Score editor: Sabine Cassola
Ensemble Vocal Européen
director: Philippe Herreweghe
(Harmonia Mundi / HMC901483)
XX. Negando il mio signor
Negando il mio signor, negai quel ch'era
La vita ond'ogni vita si deriva;
Vita tranquilla, che non teme, o spera
Né puote il corso suo giunger a riva;
Poi che dunque negai la vita vera
Non è ragion che un più viva;
Vattene, vita fallace, e tosto sgombra;
Se la vera negai, non chiedo l'ombra.
https://wn.com/Orlande_De_Lassus_Lagrime_Di_San_Pietro_Xx._Negando_Il_Mio_Signor
http://en.wikipedia.org/wiki/Lagrime_di_San_Pietro
http://en.wikipedia.org/wiki/Orlande_de_Lassus
Playlist view:
http://www.youtube.com/view_play_list?p=349B00FAD67E8952
Score editor: Sabine Cassola
Ensemble Vocal Européen
director: Philippe Herreweghe
(Harmonia Mundi / HMC901483)
XX. Negando il mio signor
Negando il mio signor, negai quel ch'era
La vita ond'ogni vita si deriva;
Vita tranquilla, che non teme, o spera
Né puote il corso suo giunger a riva;
Poi che dunque negai la vita vera
Non è ragion che un più viva;
Vattene, vita fallace, e tosto sgombra;
Se la vera negai, non chiedo l'ombra.
- published: 10 Apr 2010
- views: 5527