-
Orlando di Lasso: Lagrime di San Pietro 21/21: Vide homo
Vide homo, quae pro te patior;
Ad te clamo, qui pro te morior;
Vide poenas, quibus afficior;
Vide clavos, quibus confodior;
Non est dolor, sicut quo crucior,
Et cum sit tantus dolor exterior,
Intus tamen dolor est gravior,
Tam ingratum cum te experior.
Nézd, ember, mit viselek el érted;
Hozzád kiáltok, kiért most meghalok;
Nézd a kínt, mely elgyengít;
Nézd a szegeket, melyek átszúrnak;
Nincs oly fájdalom, mely engem gyötör,
És annyi külső fájdalom mellett
A belső fájdalom mégis nagyobb,
Mert felismertem hálátlanságod.
Cappella of the Downtown Franciscan Church
artistic director: Monika Kecskés
published: 10 Apr 2020
-
Lagrime di San Pietro (Vide homo)
The Los Angeles Master Chorale presents Orlando di Lasso’s Renaissance masterwork – Lagrime di San Pietro (Tears of St. Peter) – staged by acclaimed director Peter Sellars.
published: 11 Jan 2017
-
Lagrime di San Pietro: XXI. Vide homo, quæ pro te patior
Provided to YouTube by The Orchard Enterprises
Lagrime di San Pietro: XXI. Vide homo, quæ pro te patior · Gallicantus · Orlande De Lassus · Gabriel Crouch
Lassus: Lagrime Di San Pietro
℗ 2013 Signum Records
Released on: 2013-09-02
Auto-generated by YouTube.
published: 21 Feb 2015
-
Lagrime di San Pietro - Orlandus Lassus
Lagrime di San Pietro
Music: Orlandus Lassus (1532-1494)
Lyrics: Luigi Tansillo (1510-1568)
Vocal Ensemble Musica Ficta Copenhagen
Conductor, Bo Holten
Christine Nonbo, soprano
Ranveig Lægreid, soprano
Eva Wöllinger-Bengtson, alto
Josef Hamber, tenor
Lauritz Jakob Thomsen, baritone
Jakob Soelberg, baritone
Rasmus Kure Thomsen, bass
Sound: DR Danish Radio
Video: Reinhard Wilting
Performed in Esajas Kirke, København 08-04-2019
Sponsered by:
published: 07 May 2019
-
Orlando di Lasso, Lagrime di San Pietro No.21 "Vide homo"
All Socres, MP3s & Movies by Shigekazu Nimura, a member of Aeolian Consort.
Web site of Aeolian Consort http://aeolianconsort.chakin.com/gakufu_main.htm
Softwares & Machines for making movies
finale2026, version 26.3.1.518(MakeMusic Inc.)
sol V2.0.3J(YAMAHA CORPORATION)
USB AUDIO/MIDI PERSONAL STUDIO UW500(YAMAHA CORPORATION)
TONE GENERATOR MU500(YAMAHA CORPORATION)
Microsoft®expression web Version 4.0. 1460. 0(Microsoft Corporation)
Orlando di Lasso(1532 - 1594)
LAGRIME DI S. PIETRO, DESCRITTE DAL SIGNOR
LVIGI TANSILLO, E NVOVAMENTE POSTE,
IN MVSICA DA ORLANDO DI LASSO MA
stro di Capella, del serenissimo signor Duca di Bauie-
ra, &c. con vn Mottetto nel fine à sette voci.
ÆTATIS SVÆ LXII A°. 1594
Stampate in Monaco appresso Adamo Berg
Nel M. D. XCV. (1595)
published: 08 Nov 2022
-
Lagrime di San Pietro: XXI. Vide homo (Vocal)
Provided to YouTube by Sony Classical
Lagrime di San Pietro: XXI. Vide homo (Vocal) · Huelgas Ensemble · Orlando Di Lasso
Lasso: Lagrime di San Petro
℗ 1993 Sony Classical, a division of Sony Entertainment Holdings GmbH
Released on: 1993-10-19
Conductor: Paul Van Nevel
Producer: Wolf Erichson
Auto-generated by YouTube.
published: 11 Sep 2019
-
Lagrime di San Pietro [1/3] - Orlando di Lasso (Score)
Patreon: https://www.patreon.com/classicalmusicanalysis
For the English translation, click the caption/subtitle button.
Score of Orlando di Lasso's "Lagrime di San Pietro" ('Tears of Saint Peter'), a set of twenty spiritual madrigals in vernacular and a final motet in latin, composed in 1594. The madrigals are based on twenty poems written by Luigi Tansillo about the stages of grief St. Peter had to endure after his denial of Christ. Dedicated to Pope Clement VIII three weeks before his death and published posthumously the next year, it was Lassus' last composition and is considered one of his most important and mature works and even a landmark of Renaissance polyphony.
There has been a lot of numerological speculation, implying the constant appearance of the number 7. The set is written ...
published: 15 Feb 2021
-
Lagrime di San Pietro [3/3] - Orlando di Lasso (Score)
Patreon: https://www.patreon.com/classicalmusicanalysis
For the English translation, click the caption/subtitle button.
Score of Orlando di Lasso's "Lagrime di San Pietro" ('Tears of Saint Peter'), a set of twenty spiritual madrigals in vernacular and a final motet in latin, composed in 1594. The madrigals are based on twenty poems written by Luigi Tansillo about the stages of grief St. Peter had to endure after his denial of Christ. Dedicated to Pope Clement VIII three weeks before his death and published posthumously the next year, it was Lassus' last composition and is considered one of his most important and mature works and even a landmark of Renaissance polyphony.
There has been a lot of numerological speculation, implying the constant appearance of the number 7. The set is written...
published: 27 Apr 2021
-
Lagrime di San Pietro (Tears of San Pietro) : 21a parte - Vide homo
Provided to YouTube by NAXOS of America
Lagrime di San Pietro (Tears of San Pietro) : 21a parte - Vide homo · Hofkapelle Ensemble
Lassus, O.: Lagrime Di San Pietro / Melancholia
℗ 2003 Christophorus
Released on: 2003-01-01
Conductor: Michael Procter
Ensemble: Hofkapelle Ensemble
Composer: Orlando di Lasso
Auto-generated by YouTube.
published: 05 Feb 2015
-
Orlando di Lasso: Lagrime di San Pietro 21/18: Non trovava mia fé
Luigi Tansillo: Lagrime di San Pietro 21/18
Non trovava mia fè sì duro intoppo
se tu non stavi insin’ad oggi meco!
Se non m’avesse il desiarti troppo
il sen[no] tolto e la memoria seco,
pensar dovea ch’io vidi dar al zoppo
il piè, la lingua al muto e gli occhi al cieco;
e, quel che più meravigliar fe’ l’ombre,
render l’anime (anima) a i corpi, ond’eran sgombre.
Nem lelt volna sorsom ily kemény akadályt,
Ha nem töltesz velem ennyi időt;
Ha nem hagysz nekem ennyi évet s életet,
Mely elvette az eszemet és emlékeimet,
Gondolhattam volna arra, hogyan adott a sántának
Lábat, nyelvet a némának s szemeket a vaknak,
S arra, mely legcsodálatosabb volt mind közül,
Visszaadta a lelket a testnek, szabaddá téve őt.
Mein Glaube wäre nicht so hart geprüft worden,
wärst du nicht so lang bei mir gebli...
published: 08 Apr 2020
3:41
Orlando di Lasso: Lagrime di San Pietro 21/21: Vide homo
Vide homo, quae pro te patior;
Ad te clamo, qui pro te morior;
Vide poenas, quibus afficior;
Vide clavos, quibus confodior;
Non est dolor, sicut quo crucior...
Vide homo, quae pro te patior;
Ad te clamo, qui pro te morior;
Vide poenas, quibus afficior;
Vide clavos, quibus confodior;
Non est dolor, sicut quo crucior,
Et cum sit tantus dolor exterior,
Intus tamen dolor est gravior,
Tam ingratum cum te experior.
Nézd, ember, mit viselek el érted;
Hozzád kiáltok, kiért most meghalok;
Nézd a kínt, mely elgyengít;
Nézd a szegeket, melyek átszúrnak;
Nincs oly fájdalom, mely engem gyötör,
És annyi külső fájdalom mellett
A belső fájdalom mégis nagyobb,
Mert felismertem hálátlanságod.
Cappella of the Downtown Franciscan Church
artistic director: Monika Kecskés
https://wn.com/Orlando_Di_Lasso_Lagrime_Di_San_Pietro_21_21_Vide_Homo
Vide homo, quae pro te patior;
Ad te clamo, qui pro te morior;
Vide poenas, quibus afficior;
Vide clavos, quibus confodior;
Non est dolor, sicut quo crucior,
Et cum sit tantus dolor exterior,
Intus tamen dolor est gravior,
Tam ingratum cum te experior.
Nézd, ember, mit viselek el érted;
Hozzád kiáltok, kiért most meghalok;
Nézd a kínt, mely elgyengít;
Nézd a szegeket, melyek átszúrnak;
Nincs oly fájdalom, mely engem gyötör,
És annyi külső fájdalom mellett
A belső fájdalom mégis nagyobb,
Mert felismertem hálátlanságod.
Cappella of the Downtown Franciscan Church
artistic director: Monika Kecskés
- published: 10 Apr 2020
- views: 119
2:49
Lagrime di San Pietro (Vide homo)
The Los Angeles Master Chorale presents Orlando di Lasso’s Renaissance masterwork – Lagrime di San Pietro (Tears of St. Peter) – staged by acclaimed director Pe...
The Los Angeles Master Chorale presents Orlando di Lasso’s Renaissance masterwork – Lagrime di San Pietro (Tears of St. Peter) – staged by acclaimed director Peter Sellars.
https://wn.com/Lagrime_Di_San_Pietro_(Vide_Homo)
The Los Angeles Master Chorale presents Orlando di Lasso’s Renaissance masterwork – Lagrime di San Pietro (Tears of St. Peter) – staged by acclaimed director Peter Sellars.
- published: 11 Jan 2017
- views: 13179
3:55
Lagrime di San Pietro: XXI. Vide homo, quæ pro te patior
Provided to YouTube by The Orchard Enterprises
Lagrime di San Pietro: XXI. Vide homo, quæ pro te patior · Gallicantus · Orlande De Lassus · Gabriel Crouch
Las...
Provided to YouTube by The Orchard Enterprises
Lagrime di San Pietro: XXI. Vide homo, quæ pro te patior · Gallicantus · Orlande De Lassus · Gabriel Crouch
Lassus: Lagrime Di San Pietro
℗ 2013 Signum Records
Released on: 2013-09-02
Auto-generated by YouTube.
https://wn.com/Lagrime_Di_San_Pietro_Xxi._Vide_Homo,_Quæ_Pro_Te_Patior
Provided to YouTube by The Orchard Enterprises
Lagrime di San Pietro: XXI. Vide homo, quæ pro te patior · Gallicantus · Orlande De Lassus · Gabriel Crouch
Lassus: Lagrime Di San Pietro
℗ 2013 Signum Records
Released on: 2013-09-02
Auto-generated by YouTube.
- published: 21 Feb 2015
- views: 919
54:14
Lagrime di San Pietro - Orlandus Lassus
Lagrime di San Pietro
Music: Orlandus Lassus (1532-1494)
Lyrics: Luigi Tansillo (1510-1568)
Vocal Ensemble Musica Ficta Copenhagen
Conductor, Bo Holten
Chri...
Lagrime di San Pietro
Music: Orlandus Lassus (1532-1494)
Lyrics: Luigi Tansillo (1510-1568)
Vocal Ensemble Musica Ficta Copenhagen
Conductor, Bo Holten
Christine Nonbo, soprano
Ranveig Lægreid, soprano
Eva Wöllinger-Bengtson, alto
Josef Hamber, tenor
Lauritz Jakob Thomsen, baritone
Jakob Soelberg, baritone
Rasmus Kure Thomsen, bass
Sound: DR Danish Radio
Video: Reinhard Wilting
Performed in Esajas Kirke, København 08-04-2019
Sponsered by:
https://wn.com/Lagrime_Di_San_Pietro_Orlandus_Lassus
Lagrime di San Pietro
Music: Orlandus Lassus (1532-1494)
Lyrics: Luigi Tansillo (1510-1568)
Vocal Ensemble Musica Ficta Copenhagen
Conductor, Bo Holten
Christine Nonbo, soprano
Ranveig Lægreid, soprano
Eva Wöllinger-Bengtson, alto
Josef Hamber, tenor
Lauritz Jakob Thomsen, baritone
Jakob Soelberg, baritone
Rasmus Kure Thomsen, bass
Sound: DR Danish Radio
Video: Reinhard Wilting
Performed in Esajas Kirke, København 08-04-2019
Sponsered by:
- published: 07 May 2019
- views: 13670
3:48
Orlando di Lasso, Lagrime di San Pietro No.21 "Vide homo"
All Socres, MP3s & Movies by Shigekazu Nimura, a member of Aeolian Consort.
Web site of Aeolian Consort http://aeolianconsort.chakin.com/gakufu_main.htm
Softwa...
All Socres, MP3s & Movies by Shigekazu Nimura, a member of Aeolian Consort.
Web site of Aeolian Consort http://aeolianconsort.chakin.com/gakufu_main.htm
Softwares & Machines for making movies
finale2026, version 26.3.1.518(MakeMusic Inc.)
sol V2.0.3J(YAMAHA CORPORATION)
USB AUDIO/MIDI PERSONAL STUDIO UW500(YAMAHA CORPORATION)
TONE GENERATOR MU500(YAMAHA CORPORATION)
Microsoft®expression web Version 4.0. 1460. 0(Microsoft Corporation)
Orlando di Lasso(1532 - 1594)
LAGRIME DI S. PIETRO, DESCRITTE DAL SIGNOR
LVIGI TANSILLO, E NVOVAMENTE POSTE,
IN MVSICA DA ORLANDO DI LASSO MA
stro di Capella, del serenissimo signor Duca di Bauie-
ra, &c. con vn Mottetto nel fine à sette voci.
ÆTATIS SVÆ LXII A°. 1594
Stampate in Monaco appresso Adamo Berg
Nel M. D. XCV. (1595)
https://wn.com/Orlando_Di_Lasso,_Lagrime_Di_San_Pietro_No.21_Vide_Homo
All Socres, MP3s & Movies by Shigekazu Nimura, a member of Aeolian Consort.
Web site of Aeolian Consort http://aeolianconsort.chakin.com/gakufu_main.htm
Softwares & Machines for making movies
finale2026, version 26.3.1.518(MakeMusic Inc.)
sol V2.0.3J(YAMAHA CORPORATION)
USB AUDIO/MIDI PERSONAL STUDIO UW500(YAMAHA CORPORATION)
TONE GENERATOR MU500(YAMAHA CORPORATION)
Microsoft®expression web Version 4.0. 1460. 0(Microsoft Corporation)
Orlando di Lasso(1532 - 1594)
LAGRIME DI S. PIETRO, DESCRITTE DAL SIGNOR
LVIGI TANSILLO, E NVOVAMENTE POSTE,
IN MVSICA DA ORLANDO DI LASSO MA
stro di Capella, del serenissimo signor Duca di Bauie-
ra, &c. con vn Mottetto nel fine à sette voci.
ÆTATIS SVÆ LXII A°. 1594
Stampate in Monaco appresso Adamo Berg
Nel M. D. XCV. (1595)
- published: 08 Nov 2022
- views: 74
6:28
Lagrime di San Pietro: XXI. Vide homo (Vocal)
Provided to YouTube by Sony Classical
Lagrime di San Pietro: XXI. Vide homo (Vocal) · Huelgas Ensemble · Orlando Di Lasso
Lasso: Lagrime di San Petro
℗ 1993 ...
Provided to YouTube by Sony Classical
Lagrime di San Pietro: XXI. Vide homo (Vocal) · Huelgas Ensemble · Orlando Di Lasso
Lasso: Lagrime di San Petro
℗ 1993 Sony Classical, a division of Sony Entertainment Holdings GmbH
Released on: 1993-10-19
Conductor: Paul Van Nevel
Producer: Wolf Erichson
Auto-generated by YouTube.
https://wn.com/Lagrime_Di_San_Pietro_Xxi._Vide_Homo_(Vocal)
Provided to YouTube by Sony Classical
Lagrime di San Pietro: XXI. Vide homo (Vocal) · Huelgas Ensemble · Orlando Di Lasso
Lasso: Lagrime di San Petro
℗ 1993 Sony Classical, a division of Sony Entertainment Holdings GmbH
Released on: 1993-10-19
Conductor: Paul Van Nevel
Producer: Wolf Erichson
Auto-generated by YouTube.
- published: 11 Sep 2019
- views: 165
17:00
Lagrime di San Pietro [1/3] - Orlando di Lasso (Score)
Patreon: https://www.patreon.com/classicalmusicanalysis
For the English translation, click the caption/subtitle button.
Score of Orlando di Lasso's "Lagrime di...
Patreon: https://www.patreon.com/classicalmusicanalysis
For the English translation, click the caption/subtitle button.
Score of Orlando di Lasso's "Lagrime di San Pietro" ('Tears of Saint Peter'), a set of twenty spiritual madrigals in vernacular and a final motet in latin, composed in 1594. The madrigals are based on twenty poems written by Luigi Tansillo about the stages of grief St. Peter had to endure after his denial of Christ. Dedicated to Pope Clement VIII three weeks before his death and published posthumously the next year, it was Lassus' last composition and is considered one of his most important and mature works and even a landmark of Renaissance polyphony.
There has been a lot of numerological speculation, implying the constant appearance of the number 7. The set is written for seven voices (that could represent the seven sorrows of the Virgin Mary, to whom he seems to allude as an abbreviation in the preface), many of the madrigals are structured in seven main sections (following the main cadences), and the work uses the first seven gregorian/church modes in a well ordered way (deliberately leaving the eight one out); in top of that, the total number of pieces could be interpreted as seven times the number of members of the Trinity (7*3=21). Be that as it may, I have followed this idea and decided to artificially divide the work into three main sequences.
00:00 - (Introduction)
00:15 - 1. Il magnanimo Pietro
02:34 - 2. Ma gli archi
04:59 - 3. Tre volte haveva
07:26 - 4. Quan a l'incontro
10:01 - 5. Giovane donna
12:23 - 6. Così talhor
14:24 - 7. Ogni occhio del signor
Performers: Musica Ficta Copenhagen, Bo Holten (conductor)
https://wn.com/Lagrime_Di_San_Pietro_1_3_Orlando_Di_Lasso_(Score)
Patreon: https://www.patreon.com/classicalmusicanalysis
For the English translation, click the caption/subtitle button.
Score of Orlando di Lasso's "Lagrime di San Pietro" ('Tears of Saint Peter'), a set of twenty spiritual madrigals in vernacular and a final motet in latin, composed in 1594. The madrigals are based on twenty poems written by Luigi Tansillo about the stages of grief St. Peter had to endure after his denial of Christ. Dedicated to Pope Clement VIII three weeks before his death and published posthumously the next year, it was Lassus' last composition and is considered one of his most important and mature works and even a landmark of Renaissance polyphony.
There has been a lot of numerological speculation, implying the constant appearance of the number 7. The set is written for seven voices (that could represent the seven sorrows of the Virgin Mary, to whom he seems to allude as an abbreviation in the preface), many of the madrigals are structured in seven main sections (following the main cadences), and the work uses the first seven gregorian/church modes in a well ordered way (deliberately leaving the eight one out); in top of that, the total number of pieces could be interpreted as seven times the number of members of the Trinity (7*3=21). Be that as it may, I have followed this idea and decided to artificially divide the work into three main sequences.
00:00 - (Introduction)
00:15 - 1. Il magnanimo Pietro
02:34 - 2. Ma gli archi
04:59 - 3. Tre volte haveva
07:26 - 4. Quan a l'incontro
10:01 - 5. Giovane donna
12:23 - 6. Così talhor
14:24 - 7. Ogni occhio del signor
Performers: Musica Ficta Copenhagen, Bo Holten (conductor)
- published: 15 Feb 2021
- views: 2781
19:08
Lagrime di San Pietro [3/3] - Orlando di Lasso (Score)
Patreon: https://www.patreon.com/classicalmusicanalysis
For the English translation, click the caption/subtitle button.
Score of Orlando di Lasso's "Lagrime di...
Patreon: https://www.patreon.com/classicalmusicanalysis
For the English translation, click the caption/subtitle button.
Score of Orlando di Lasso's "Lagrime di San Pietro" ('Tears of Saint Peter'), a set of twenty spiritual madrigals in vernacular and a final motet in latin, composed in 1594. The madrigals are based on twenty poems written by Luigi Tansillo about the stages of grief St. Peter had to endure after his denial of Christ. Dedicated to Pope Clement VIII three weeks before his death and published posthumously the next year, it was Lassus' last composition and is considered one of his most important and mature works and even a landmark of Renaissance polyphony.
There has been a lot of numerological speculation, implying the constant appearance of the number 7. The set is written for seven voices (that could represent the seven sorrows of the Virgin Mary, to whom he seems to allude as an abbreviation in the preface), many of the madrigals are structured in seven main sections (following the main cadences), and the work uses the first seven gregorian/church modes in a well ordered way (deliberately leaving the eight one out); in top of that, the total number of pieces could be interpreted as seven times the number of members of the Trinity (7*3=21). Be that as it may, I have followed this idea and decided to artificially divide the work into three main sequences.
00:00 - (Introduction)
00:15 - 15. Vattene vita va
02:44 - 16. O vita troppo rea
05:15 - 17. A quanti già felici
07:44 - 18. Non trovava mia fé
10:09 - 19. Queste opre e più
12:24 - 20. Negando il mio signor
14:55 - 21. Vide homo [Final motet]
Performers: Musica Ficta Copenhagen, Bo Holten (conductor)
https://wn.com/Lagrime_Di_San_Pietro_3_3_Orlando_Di_Lasso_(Score)
Patreon: https://www.patreon.com/classicalmusicanalysis
For the English translation, click the caption/subtitle button.
Score of Orlando di Lasso's "Lagrime di San Pietro" ('Tears of Saint Peter'), a set of twenty spiritual madrigals in vernacular and a final motet in latin, composed in 1594. The madrigals are based on twenty poems written by Luigi Tansillo about the stages of grief St. Peter had to endure after his denial of Christ. Dedicated to Pope Clement VIII three weeks before his death and published posthumously the next year, it was Lassus' last composition and is considered one of his most important and mature works and even a landmark of Renaissance polyphony.
There has been a lot of numerological speculation, implying the constant appearance of the number 7. The set is written for seven voices (that could represent the seven sorrows of the Virgin Mary, to whom he seems to allude as an abbreviation in the preface), many of the madrigals are structured in seven main sections (following the main cadences), and the work uses the first seven gregorian/church modes in a well ordered way (deliberately leaving the eight one out); in top of that, the total number of pieces could be interpreted as seven times the number of members of the Trinity (7*3=21). Be that as it may, I have followed this idea and decided to artificially divide the work into three main sequences.
00:00 - (Introduction)
00:15 - 15. Vattene vita va
02:44 - 16. O vita troppo rea
05:15 - 17. A quanti già felici
07:44 - 18. Non trovava mia fé
10:09 - 19. Queste opre e più
12:24 - 20. Negando il mio signor
14:55 - 21. Vide homo [Final motet]
Performers: Musica Ficta Copenhagen, Bo Holten (conductor)
- published: 27 Apr 2021
- views: 1430
3:24
Lagrime di San Pietro (Tears of San Pietro) : 21a parte - Vide homo
Provided to YouTube by NAXOS of America
Lagrime di San Pietro (Tears of San Pietro) : 21a parte - Vide homo · Hofkapelle Ensemble
Lassus, O.: Lagrime Di San P...
Provided to YouTube by NAXOS of America
Lagrime di San Pietro (Tears of San Pietro) : 21a parte - Vide homo · Hofkapelle Ensemble
Lassus, O.: Lagrime Di San Pietro / Melancholia
℗ 2003 Christophorus
Released on: 2003-01-01
Conductor: Michael Procter
Ensemble: Hofkapelle Ensemble
Composer: Orlando di Lasso
Auto-generated by YouTube.
https://wn.com/Lagrime_Di_San_Pietro_(Tears_Of_San_Pietro)_21A_Parte_Vide_Homo
Provided to YouTube by NAXOS of America
Lagrime di San Pietro (Tears of San Pietro) : 21a parte - Vide homo · Hofkapelle Ensemble
Lassus, O.: Lagrime Di San Pietro / Melancholia
℗ 2003 Christophorus
Released on: 2003-01-01
Conductor: Michael Procter
Ensemble: Hofkapelle Ensemble
Composer: Orlando di Lasso
Auto-generated by YouTube.
- published: 05 Feb 2015
- views: 119
2:23
Orlando di Lasso: Lagrime di San Pietro 21/18: Non trovava mia fé
Luigi Tansillo: Lagrime di San Pietro 21/18
Non trovava mia fè sì duro intoppo
se tu non stavi insin’ad oggi meco!
Se non m’avesse il desiarti troppo
il sen[n...
Luigi Tansillo: Lagrime di San Pietro 21/18
Non trovava mia fè sì duro intoppo
se tu non stavi insin’ad oggi meco!
Se non m’avesse il desiarti troppo
il sen[no] tolto e la memoria seco,
pensar dovea ch’io vidi dar al zoppo
il piè, la lingua al muto e gli occhi al cieco;
e, quel che più meravigliar fe’ l’ombre,
render l’anime (anima) a i corpi, ond’eran sgombre.
Nem lelt volna sorsom ily kemény akadályt,
Ha nem töltesz velem ennyi időt;
Ha nem hagysz nekem ennyi évet s életet,
Mely elvette az eszemet és emlékeimet,
Gondolhattam volna arra, hogyan adott a sántának
Lábat, nyelvet a némának s szemeket a vaknak,
S arra, mely legcsodálatosabb volt mind közül,
Visszaadta a lelket a testnek, szabaddá téve őt.
Mein Glaube wäre nicht so hart geprüft worden,
wärst du nicht so lang bei mir geblieben.
Hätten nicht die Jahre und das allzu lange Leben mir Verstand
und Gedächtnis geraubt, hätte ich denken müssen,
daß ich Lahme gehen, Stumme sprechen und Blinde sehen sah,
und, was die Schatten am meisten erstaunte:
wie Körpern die Seele zurückgegeben wurde,
aus denen sie entwichen war.
My faith would have not failed as it did,
if you had not been with me till this day!
And if my desire for you hadn't taken
reason and memories away from me,
I would have remembered that I saw the lame walk,
the dumb speak, the blind see and,
most astonishing for the shadows below,
souls returned to the bodies whence they came.
Translation by Campelli
Cappella of the Downtown Franciscan Church, Budapest
Conducted by: Monika Kecskés
https://wn.com/Orlando_Di_Lasso_Lagrime_Di_San_Pietro_21_18_Non_Trovava_Mia_Fé
Luigi Tansillo: Lagrime di San Pietro 21/18
Non trovava mia fè sì duro intoppo
se tu non stavi insin’ad oggi meco!
Se non m’avesse il desiarti troppo
il sen[no] tolto e la memoria seco,
pensar dovea ch’io vidi dar al zoppo
il piè, la lingua al muto e gli occhi al cieco;
e, quel che più meravigliar fe’ l’ombre,
render l’anime (anima) a i corpi, ond’eran sgombre.
Nem lelt volna sorsom ily kemény akadályt,
Ha nem töltesz velem ennyi időt;
Ha nem hagysz nekem ennyi évet s életet,
Mely elvette az eszemet és emlékeimet,
Gondolhattam volna arra, hogyan adott a sántának
Lábat, nyelvet a némának s szemeket a vaknak,
S arra, mely legcsodálatosabb volt mind közül,
Visszaadta a lelket a testnek, szabaddá téve őt.
Mein Glaube wäre nicht so hart geprüft worden,
wärst du nicht so lang bei mir geblieben.
Hätten nicht die Jahre und das allzu lange Leben mir Verstand
und Gedächtnis geraubt, hätte ich denken müssen,
daß ich Lahme gehen, Stumme sprechen und Blinde sehen sah,
und, was die Schatten am meisten erstaunte:
wie Körpern die Seele zurückgegeben wurde,
aus denen sie entwichen war.
My faith would have not failed as it did,
if you had not been with me till this day!
And if my desire for you hadn't taken
reason and memories away from me,
I would have remembered that I saw the lame walk,
the dumb speak, the blind see and,
most astonishing for the shadows below,
souls returned to the bodies whence they came.
Translation by Campelli
Cappella of the Downtown Franciscan Church, Budapest
Conducted by: Monika Kecskés
- published: 08 Apr 2020
- views: 40