Kon Ichikawa(市川 崑,Ichikawa Kon, November 20, 1915 – February 13, 2008) was a Japanese film director.
Early life and career
Ichikawa was born in Ise, Mie Prefecture as Giichi Ichikawa (市川儀一). His father died when he was four years old, and the family kimono shop went bankrupt, so he went to live with his sister. He was given the name "Kon" by an uncle who thought the characters in the kanji 崑 signified good luck, because the two halves of the Chinese character look the same when it is split in half vertically. As a child he loved drawing and his ambition was to become an artist. He also loved films and was a fan of "chambara" or samurai films. In his teens he was fascinated by Walt Disney's "Silly Symphonies" and decided to become an animator. He attended a technical school in Osaka. Upon graduation, in 1933, he found a job with a local rental film studio, J.O Studio, in their animation department. Decades later, he told the American writer on Japanese film Donald Richie, "I'm still a cartoonist and I think that the greatest influence on my films (besides Chaplin, particularly The Gold Rush) is probably Disney."
Kon Ichikawa parla de "L'Arpa Birmana", film da lui diretto nel 1956.
Sottotitoli disponibili: inglese.
published: 10 Feb 2019
Kon Ichikawa
Filmography - 1934: Kachikachi yama. 1936: Shinsrtsu kachikachi yama. 1939: Mukashi no uta; Hana-tsumi nikki. 1943: Ai no sekai: Yamaneko Tomi no hanashi; Hyoroku yume-monogatari. 1946: Musume Dojoji. 1947: Tôhô sen'ichi-ya. 1948: Hana hiraku - Machiko yori; Sambyakurokujugo ya - Tokyo-hen; Sambyakurokujugo ya - Osaka-hen. 1949: Hateshinaki jonetsu; Ningen moyo; Sambyaku-rokujugo ya. 1950: Akatsuki no tsuiseki; Ginza Sanshiro; Netsudeichi. 1951: Ieraishan; Koibito; Nusumareta koi; Bungawan soro; Kekkon koshinkyoku. 1952: Mukokuseki-sha; Rakki-san; Wakai hito; Ashi ni sawatta ona; Ano te kono te. 1953: Seishun Zenigata Heiji; Pu-san; Aoiro kakumei; Aijin. 1954: Josei ni kansuru junisho; Watashi no subete o; Okuman Choja. 1955: Kokoro; Seishun kaidan. 1956: Biruma no tategoto; Shokei no heya...
published: 28 Feb 2012
Fuochi Nella Pianura Nobi Kon Ichikawa 1959 Jap Sub Ita
I passi di Tamura vagano sull’isola filippina di Leyte. Ha la tubercolosi e la sua squadra militare si rifiuta di sprecare cibo per lui. Siamo all’inizio del 1945 e gli Stati Uniti hanno ormai occupato la zona, migliaia di soldati giapponesi avanzano alla rinfusa nella Valle dell’Ormoc, non hanno nulla, non sanno nulla, neanche se la guerra è finita. Finite le scorte l’istinto di sopravvivenza non fa più distinguere la vita e la morte, gli uomini dalle scimmie.
published: 22 Oct 2017
The Burmese Harp (Kon Ichikawa) - Interview with Rentarô Mikuni
Rentarō Mikuni parla de "L'Arpa Birmana", film diretto da Kon Ichikawa nel 1956.
Sottotitoli disponibili: inglese.
Filmography - 1934: Kachikachi yama. 1936: Shinsrtsu kachikachi yama. 1939: Mukashi no uta; Hana-tsumi nikki. 1943: Ai no sekai: Yamaneko Tomi no hanashi; Hyoro...
Filmography - 1934: Kachikachi yama. 1936: Shinsrtsu kachikachi yama. 1939: Mukashi no uta; Hana-tsumi nikki. 1943: Ai no sekai: Yamaneko Tomi no hanashi; Hyoroku yume-monogatari. 1946: Musume Dojoji. 1947: Tôhô sen'ichi-ya. 1948: Hana hiraku - Machiko yori; Sambyakurokujugo ya - Tokyo-hen; Sambyakurokujugo ya - Osaka-hen. 1949: Hateshinaki jonetsu; Ningen moyo; Sambyaku-rokujugo ya. 1950: Akatsuki no tsuiseki; Ginza Sanshiro; Netsudeichi. 1951: Ieraishan; Koibito; Nusumareta koi; Bungawan soro; Kekkon koshinkyoku. 1952: Mukokuseki-sha; Rakki-san; Wakai hito; Ashi ni sawatta ona; Ano te kono te. 1953: Seishun Zenigata Heiji; Pu-san; Aoiro kakumei; Aijin. 1954: Josei ni kansuru junisho; Watashi no subete o; Okuman Choja. 1955: Kokoro; Seishun kaidan. 1956: Biruma no tategoto; Shokei no heya; Nihonbashi. 1957: Manin densha; Tohoku no zunmu-tachi; Ana. 1958: Enjô. 1959: Anata to watashi no aikotoba: Sayônara, konnichiwa; Kagi; Nobi. 1960: Jokyo; Bonchi; Ashi ni sawatta onna; Otouto. 1961: Kuroi junin no onna. 1962: Hakai; Watashi wa nisai. 1963: Dokonjo monogatari - zeni no odori; Yukinojô henge; Taiheiyô hitoribocchi. 1965: Tôkyô orimpikku. 1966: Genji monogatari. 1967: Toppo Jijo no botan senso. 1968: Seishun. 1969: Kyoto. 1970: Nihon to nihonjin; Dodesukaden. 1971: Ai futatabi. 1973: Matatabi; Visions of Eight. 1975: Wagahai wa neko de aru. 1976: Tsuma to onna no aida; Inugami-ke no ichizoku. 1977: Akuma no temari-uta; Gokumon-to. 1978: Joôbachi; Hi no tori. 1979: Byoinzaka no kubikukuri no ie; Ginga tetsudô Three-Nine. 1980: Koto. 1981: Kofuku. 1983: Sasame-yuki. 1984: Ohan. 1985: Biruma no tategoto. 1986: Koneko monogatari; Rokumeikan. 1987: Eiga joyu; Taketori monogatari. 1988: Tsuru. 1991: Tenkawa densetsu satsujin jiken. 1993: Fusa; Kaettekite Kogarashi Monjiro. 1994: Shijûshichinin no shikaku. 1996: Yatsuhaka-mura. 1997: Un bel di' vedremo. 2000: Shinsengumi; Dora-heita. 2001: Kah-chan. 2006: Yume jû-ya; Inugami-ke no ichizoku; Ichikawa Kon monogatari. 2008: Za majikku awâ.
I passi di Tamura vagano sull’isola filippina di Leyte. Ha la tubercolosi e la sua squadra militare si rifiuta di sprecare cibo per lui. Siamo all’inizio del 19...
I passi di Tamura vagano sull’isola filippina di Leyte. Ha la tubercolosi e la sua squadra militare si rifiuta di sprecare cibo per lui. Siamo all’inizio del 1945 e gli Stati Uniti hanno ormai occupato la zona, migliaia di soldati giapponesi avanzano alla rinfusa nella Valle dell’Ormoc, non hanno nulla, non sanno nulla, neanche se la guerra è finita. Finite le scorte l’istinto di sopravvivenza non fa più distinguere la vita e la morte, gli uomini dalle scimmie.
I passi di Tamura vagano sull’isola filippina di Leyte. Ha la tubercolosi e la sua squadra militare si rifiuta di sprecare cibo per lui. Siamo all’inizio del 1945 e gli Stati Uniti hanno ormai occupato la zona, migliaia di soldati giapponesi avanzano alla rinfusa nella Valle dell’Ormoc, non hanno nulla, non sanno nulla, neanche se la guerra è finita. Finite le scorte l’istinto di sopravvivenza non fa più distinguere la vita e la morte, gli uomini dalle scimmie.
I passi di Tamura vagano sull’isola filippina di Leyte. Ha la tubercolosi e la sua squadra militare si rifiuta di sprecare cibo per lui. Siamo all’inizio del 1945 e gli Stati Uniti hanno ormai occupato la zona, migliaia di soldati giapponesi avanzano alla rinfusa nella Valle dell’Ormoc, non hanno nulla, non sanno nulla, neanche se la guerra è finita. Finite le scorte l’istinto di sopravvivenza non fa più distinguere la vita e la morte, gli uomini dalle scimmie.
Kon Ichikawa(市川 崑,Ichikawa Kon, November 20, 1915 – February 13, 2008) was a Japanese film director.
Early life and career
Ichikawa was born in Ise, Mie Prefecture as Giichi Ichikawa (市川儀一). His father died when he was four years old, and the family kimono shop went bankrupt, so he went to live with his sister. He was given the name "Kon" by an uncle who thought the characters in the kanji 崑 signified good luck, because the two halves of the Chinese character look the same when it is split in half vertically. As a child he loved drawing and his ambition was to become an artist. He also loved films and was a fan of "chambara" or samurai films. In his teens he was fascinated by Walt Disney's "Silly Symphonies" and decided to become an animator. He attended a technical school in Osaka. Upon graduation, in 1933, he found a job with a local rental film studio, J.O Studio, in their animation department. Decades later, he told the American writer on Japanese film Donald Richie, "I'm still a cartoonist and I think that the greatest influence on my films (besides Chaplin, particularly The Gold Rush) is probably Disney."
Jürgen Olczyk ... I should know. I was there. Sign Up For Our Daily Newsletter ... Japanese genius Kon Ichikawa chose the world’s fastest humans, filming the 10-second, 100-meter dash with 35 different cameras, using a Japanese haiku poem for his script ... .
In the movies, however, they’re eternally renewable ...View image in fullscreen ... Akira Kurosawa was initially hired by the Japanese government to document the 1964 Tokyo Olympics on film; when he bowed out, meditative formalist Kon Ichikawa stepped in ... .
Its mood is somewhat similar to Kon Ichikawa’s spiritualist-humanist BURMESE HARP, another P.O.W film set in Southeast Asia, in this case, Japanese imprisoned by the Allies; in the film, a Japanese ...
At the end of the day, Kon Ichikawa is the moviemaker that scares me the most. . In my head, I think of Ichikawa in relation to Stanley Kubrick, a director I had known and loved much earlier ... If Kubrick is cold, Ichikawa, to me, is frigid.
1 at the North American box office ... Spotify ... Kon Ichikawa ... Satoshi Kon ... Kon's directorial debut pushed the animated genre into an entirely new and horrifying direction, inspiring countless directors from across the globe in the years since its release ... .
War is an unfortunate subject that continues to be relevant throughout history ... Because, like war, human connection is also a practice as old as time ... Born on the Fourth of July (1989). - Director. Oliver Stone. - IMDb user rating. 7.2 ... 75 ... Dr ... Kon Ichikawa ... .
Amusement Park Films. War is an unfortunate subject that continues to be relevant throughout history ... Because, like war, human connection is also a practice as old as time ... You may also like ... Ixtlan. - Director. Oliver Stone ... 7.2. - Metascore ... Kon Ichikawa.
If you watch Kon Ichikawa’s 1964 documentary Tokyo Olympiad you will see some of the greatest sporting footage ever shot ... Ichikawa avoided the political rituality of Riefenstahl, and instead indulged in the idiosyncrasy of the sporting events.
He was 92 ... Now, I can write as I want,” he said. In every work Tanikawa tackled, including the script for Kon Ichikawa’s “Tokyo Olympiad, a documentary film of the 1964 TokyoGames, the respectful love for the beauty of the Japanese language resonates.