1970
A1 - Tune In
A2 - With Silence
A3 - Get Up
A4 - Fly
A5 - Beyond The Moon
B1 - Clarity
B2 - Never The Same
B3 - From Now On
B4 - Tune In
Alto Saxophone – Carlos Ward (pistas: A5 to B3)
Bass – Dave Holland
Composed By – Karl Berger
Design [Album Designed By] – John Murello
Drums – Ed Blackwell
Flute – Carlos Ward (pistas: A1, A4, B1, B4)
Mastered By – Ray Hagerty
Photography By – Charles Stewart
Producer – Dick Katz, Orrin Keepnews
Recorded By [Recording Engineer] – George Sawtelle
Sarangi – Karl Berger (pistas: A1, A4, B4)
Sleeve Notes – Michael Cuscuna
Vibraphone – Karl Berger
Recorded at Plaza Sound Studios (New York City) on July 30 and August 12, 1969.
Karl Berger plays a custom-built vibraphone specially made for him by BERGERAULT of France.
published: 16 Apr 2023
Karl Berger und Gerhard Klein streiten miteinander 😀
published: 18 Feb 2022
Karl Berger in memoriam 2023
This video is an excerpt from a "best of" compilation from El Taller's House of Music in 2014. We have been the beneficiary of having Karl Berger's Improvisers Orchestra as a part of our regular performances for over a decade. We are proud to have been a small part of his musical legacy. He has inspired us as a Musician, a Leader, a Philosopher, most of all - an Originator.
Our deepest condolences to Ingrid Sertso and all who are a part of this very important musical community @karl_berger_cms
recorded at El Taller, 2014 by @markcobrin
video and photos @jmayaluz
#KarlBerger #IngridSertso #CreativeMusicStudio #CMS #ImprovisedMusic #FreeJazz #Jazz #MusicHistory #Legacy #OG #MusicAreSounds #HouseOfMusic #CasaDeMusica #BeautyEverywhere #MusicEverywhere
published: 11 Apr 2023
Karl Berger über die Vorstellungen einer Frau 😀
published: 23 Jan 2022
Karl Berger Interview by Monk Rowe - 8/11/2014 - Woodstock, NY
Karl Berger speaks about his career in the field of avante garde music, the founding of the Creative Music Studio, and his relationships with Ornette Coleman, Don Cherry, and Ingrid Sertso.
Use of these materials by other parties is subject to the fair use doctrine in United States copyright law (Title 17, Chapter 1, para. 107) which allows use for commentary, criticism, news reporting, research, teaching or scholarship without requiring permission from the rights holder. Any use that does not fall within fair use must be cleared with the rights holder. For assistance, please contact the Fillius Jazz Archive, Hamilton College, 198 College Hill Road, Clinton, NY 13323.
Visit the Fillius Jazz Archive Website
https://jazzarchive.hamilton.edu
published: 01 Jul 2018
Karl Berger - From Now On (Full Album)
1967
A1 - Scales
A2 - Turn Around
A3 - Steps
B1 - Blue Early Bird
B2 - Like That
B3 - Greenbird
B4 - From Now On
Alto Saxophone – Carlos Ward
Bass – Henry Grimes
Composed By – Karl H. Berger
Design Concept – Natasha Zapotoski
Drums – Edward Blackwell
Lacquer Cut By – DBH*
Liner Notes ["Twen" May 1967] – J.E. Berendt
Photography By [Cover Photographs] – Paul Gerhard Deker
Vibraphone – Karl Berger
Recorded December, 1966.
Printed in U.S.A.
Address only on the back cover: 156 Fifth Avenue, N.Y.C., N.Y. 10010
- Black and white labels instead of colored ones on Karl Berger - From Now On
- No address on the labels like on Karl Berger - From Now On.
published: 22 Apr 2023
Karl Berger lehrt Gertschi Klein die Kultur
Schaut’s euch alles an und leckts mane eia.
Frisch zubereitet aus der Kotstube eures Vertrauens
published: 25 Jun 2021
Karl Berger würde bei seiner neuen Bekanntschaft nachhelfen 😀
published: 25 Aug 2022
Reinhard Micko & Friends - Things
Reinhard Micko & Friends
9.3.2024, Roter Salon, Vienna
Things (Reinhard Micko)
Reinhard Micko piano
Herb Berger sax
Karl Sayer bass
Harry Tanschek drums
www.reinhardmicko.at
Sound: Peter Paul Skrepek / Östig
Video: Elfi Oberhuber / Östig
Sound & Video editing: Reinhard Micko
published: 26 Mar 2024
Karl Berger & Edward Blackwell - Just Play (full album) 1979
Analogue concert recording made in Albany NY at Electronic Body Works 1976 March 20.
1.Balafon Samba
2.Just Play
3.Steps
4.Time Is
5.Wood And Skin Works
6.We Are
7.South Of Imperial
1970
A1 - Tune In
A2 - With Silence
A3 - Get Up
A4 - Fly
A5 - Beyond The Moon
B1 - Clarity
B2 - Never The Same
B3 - From Now On
B4 - Tune In
Alto Saxop...
1970
A1 - Tune In
A2 - With Silence
A3 - Get Up
A4 - Fly
A5 - Beyond The Moon
B1 - Clarity
B2 - Never The Same
B3 - From Now On
B4 - Tune In
Alto Saxophone – Carlos Ward (pistas: A5 to B3)
Bass – Dave Holland
Composed By – Karl Berger
Design [Album Designed By] – John Murello
Drums – Ed Blackwell
Flute – Carlos Ward (pistas: A1, A4, B1, B4)
Mastered By – Ray Hagerty
Photography By – Charles Stewart
Producer – Dick Katz, Orrin Keepnews
Recorded By [Recording Engineer] – George Sawtelle
Sarangi – Karl Berger (pistas: A1, A4, B4)
Sleeve Notes – Michael Cuscuna
Vibraphone – Karl Berger
Recorded at Plaza Sound Studios (New York City) on July 30 and August 12, 1969.
Karl Berger plays a custom-built vibraphone specially made for him by BERGERAULT of France.
1970
A1 - Tune In
A2 - With Silence
A3 - Get Up
A4 - Fly
A5 - Beyond The Moon
B1 - Clarity
B2 - Never The Same
B3 - From Now On
B4 - Tune In
Alto Saxophone – Carlos Ward (pistas: A5 to B3)
Bass – Dave Holland
Composed By – Karl Berger
Design [Album Designed By] – John Murello
Drums – Ed Blackwell
Flute – Carlos Ward (pistas: A1, A4, B1, B4)
Mastered By – Ray Hagerty
Photography By – Charles Stewart
Producer – Dick Katz, Orrin Keepnews
Recorded By [Recording Engineer] – George Sawtelle
Sarangi – Karl Berger (pistas: A1, A4, B4)
Sleeve Notes – Michael Cuscuna
Vibraphone – Karl Berger
Recorded at Plaza Sound Studios (New York City) on July 30 and August 12, 1969.
Karl Berger plays a custom-built vibraphone specially made for him by BERGERAULT of France.
This video is an excerpt from a "best of" compilation from El Taller's House of Music in 2014. We have been the beneficiary of having Karl Berger's Improvisers ...
This video is an excerpt from a "best of" compilation from El Taller's House of Music in 2014. We have been the beneficiary of having Karl Berger's Improvisers Orchestra as a part of our regular performances for over a decade. We are proud to have been a small part of his musical legacy. He has inspired us as a Musician, a Leader, a Philosopher, most of all - an Originator.
Our deepest condolences to Ingrid Sertso and all who are a part of this very important musical community @karl_berger_cms
recorded at El Taller, 2014 by @markcobrin
video and photos @jmayaluz
#KarlBerger #IngridSertso #CreativeMusicStudio #CMS #ImprovisedMusic #FreeJazz #Jazz #MusicHistory #Legacy #OG #MusicAreSounds #HouseOfMusic #CasaDeMusica #BeautyEverywhere #MusicEverywhere
This video is an excerpt from a "best of" compilation from El Taller's House of Music in 2014. We have been the beneficiary of having Karl Berger's Improvisers Orchestra as a part of our regular performances for over a decade. We are proud to have been a small part of his musical legacy. He has inspired us as a Musician, a Leader, a Philosopher, most of all - an Originator.
Our deepest condolences to Ingrid Sertso and all who are a part of this very important musical community @karl_berger_cms
recorded at El Taller, 2014 by @markcobrin
video and photos @jmayaluz
#KarlBerger #IngridSertso #CreativeMusicStudio #CMS #ImprovisedMusic #FreeJazz #Jazz #MusicHistory #Legacy #OG #MusicAreSounds #HouseOfMusic #CasaDeMusica #BeautyEverywhere #MusicEverywhere
Karl Berger speaks about his career in the field of avante garde music, the founding of the Creative Music Studio, and his relationships with Ornette Coleman, D...
Karl Berger speaks about his career in the field of avante garde music, the founding of the Creative Music Studio, and his relationships with Ornette Coleman, Don Cherry, and Ingrid Sertso.
Use of these materials by other parties is subject to the fair use doctrine in United States copyright law (Title 17, Chapter 1, para. 107) which allows use for commentary, criticism, news reporting, research, teaching or scholarship without requiring permission from the rights holder. Any use that does not fall within fair use must be cleared with the rights holder. For assistance, please contact the Fillius Jazz Archive, Hamilton College, 198 College Hill Road, Clinton, NY 13323.
Visit the Fillius Jazz Archive Website
https://jazzarchive.hamilton.edu
Karl Berger speaks about his career in the field of avante garde music, the founding of the Creative Music Studio, and his relationships with Ornette Coleman, Don Cherry, and Ingrid Sertso.
Use of these materials by other parties is subject to the fair use doctrine in United States copyright law (Title 17, Chapter 1, para. 107) which allows use for commentary, criticism, news reporting, research, teaching or scholarship without requiring permission from the rights holder. Any use that does not fall within fair use must be cleared with the rights holder. For assistance, please contact the Fillius Jazz Archive, Hamilton College, 198 College Hill Road, Clinton, NY 13323.
Visit the Fillius Jazz Archive Website
https://jazzarchive.hamilton.edu
1967
A1 - Scales
A2 - Turn Around
A3 - Steps
B1 - Blue Early Bird
B2 - Like That
B3 - Greenbird
B4 - From Now On
Alto Saxophone – Carlos Ward
Bass – Hen...
1967
A1 - Scales
A2 - Turn Around
A3 - Steps
B1 - Blue Early Bird
B2 - Like That
B3 - Greenbird
B4 - From Now On
Alto Saxophone – Carlos Ward
Bass – Henry Grimes
Composed By – Karl H. Berger
Design Concept – Natasha Zapotoski
Drums – Edward Blackwell
Lacquer Cut By – DBH*
Liner Notes ["Twen" May 1967] – J.E. Berendt
Photography By [Cover Photographs] – Paul Gerhard Deker
Vibraphone – Karl Berger
Recorded December, 1966.
Printed in U.S.A.
Address only on the back cover: 156 Fifth Avenue, N.Y.C., N.Y. 10010
- Black and white labels instead of colored ones on Karl Berger - From Now On
- No address on the labels like on Karl Berger - From Now On.
1967
A1 - Scales
A2 - Turn Around
A3 - Steps
B1 - Blue Early Bird
B2 - Like That
B3 - Greenbird
B4 - From Now On
Alto Saxophone – Carlos Ward
Bass – Henry Grimes
Composed By – Karl H. Berger
Design Concept – Natasha Zapotoski
Drums – Edward Blackwell
Lacquer Cut By – DBH*
Liner Notes ["Twen" May 1967] – J.E. Berendt
Photography By [Cover Photographs] – Paul Gerhard Deker
Vibraphone – Karl Berger
Recorded December, 1966.
Printed in U.S.A.
Address only on the back cover: 156 Fifth Avenue, N.Y.C., N.Y. 10010
- Black and white labels instead of colored ones on Karl Berger - From Now On
- No address on the labels like on Karl Berger - From Now On.
Reinhard Micko & Friends
9.3.2024, Roter Salon, Vienna
Things (Reinhard Micko)
Reinhard Micko piano
Herb Berger sax
Karl Sayer bass
Harry Tanschek drums
www....
Reinhard Micko & Friends
9.3.2024, Roter Salon, Vienna
Things (Reinhard Micko)
Reinhard Micko piano
Herb Berger sax
Karl Sayer bass
Harry Tanschek drums
www.reinhardmicko.at
Sound: Peter Paul Skrepek / Östig
Video: Elfi Oberhuber / Östig
Sound & Video editing: Reinhard Micko
Analogue concert recording made in Albany NY at Electronic Body Works 1976 March 20.
1.Balafon Samba
2.Just Play
3.Steps
4.Time Is
5.Wood And Skin Works
6.We A...
Analogue concert recording made in Albany NY at Electronic Body Works 1976 March 20.
1.Balafon Samba
2.Just Play
3.Steps
4.Time Is
5.Wood And Skin Works
6.We Are
7.South Of Imperial
Analogue concert recording made in Albany NY at Electronic Body Works 1976 March 20.
1.Balafon Samba
2.Just Play
3.Steps
4.Time Is
5.Wood And Skin Works
6.We Are
7.South Of Imperial
1970
A1 - Tune In
A2 - With Silence
A3 - Get Up
A4 - Fly
A5 - Beyond The Moon
B1 - Clarity
B2 - Never The Same
B3 - From Now On
B4 - Tune In
Alto Saxophone – Carlos Ward (pistas: A5 to B3)
Bass – Dave Holland
Composed By – Karl Berger
Design [Album Designed By] – John Murello
Drums – Ed Blackwell
Flute – Carlos Ward (pistas: A1, A4, B1, B4)
Mastered By – Ray Hagerty
Photography By – Charles Stewart
Producer – Dick Katz, Orrin Keepnews
Recorded By [Recording Engineer] – George Sawtelle
Sarangi – Karl Berger (pistas: A1, A4, B4)
Sleeve Notes – Michael Cuscuna
Vibraphone – Karl Berger
Recorded at Plaza Sound Studios (New York City) on July 30 and August 12, 1969.
Karl Berger plays a custom-built vibraphone specially made for him by BERGERAULT of France.
This video is an excerpt from a "best of" compilation from El Taller's House of Music in 2014. We have been the beneficiary of having Karl Berger's Improvisers Orchestra as a part of our regular performances for over a decade. We are proud to have been a small part of his musical legacy. He has inspired us as a Musician, a Leader, a Philosopher, most of all - an Originator.
Our deepest condolences to Ingrid Sertso and all who are a part of this very important musical community @karl_berger_cms
recorded at El Taller, 2014 by @markcobrin
video and photos @jmayaluz
#KarlBerger #IngridSertso #CreativeMusicStudio #CMS #ImprovisedMusic #FreeJazz #Jazz #MusicHistory #Legacy #OG #MusicAreSounds #HouseOfMusic #CasaDeMusica #BeautyEverywhere #MusicEverywhere
Karl Berger speaks about his career in the field of avante garde music, the founding of the Creative Music Studio, and his relationships with Ornette Coleman, Don Cherry, and Ingrid Sertso.
Use of these materials by other parties is subject to the fair use doctrine in United States copyright law (Title 17, Chapter 1, para. 107) which allows use for commentary, criticism, news reporting, research, teaching or scholarship without requiring permission from the rights holder. Any use that does not fall within fair use must be cleared with the rights holder. For assistance, please contact the Fillius Jazz Archive, Hamilton College, 198 College Hill Road, Clinton, NY 13323.
Visit the Fillius Jazz Archive Website
https://jazzarchive.hamilton.edu
1967
A1 - Scales
A2 - Turn Around
A3 - Steps
B1 - Blue Early Bird
B2 - Like That
B3 - Greenbird
B4 - From Now On
Alto Saxophone – Carlos Ward
Bass – Henry Grimes
Composed By – Karl H. Berger
Design Concept – Natasha Zapotoski
Drums – Edward Blackwell
Lacquer Cut By – DBH*
Liner Notes ["Twen" May 1967] – J.E. Berendt
Photography By [Cover Photographs] – Paul Gerhard Deker
Vibraphone – Karl Berger
Recorded December, 1966.
Printed in U.S.A.
Address only on the back cover: 156 Fifth Avenue, N.Y.C., N.Y. 10010
- Black and white labels instead of colored ones on Karl Berger - From Now On
- No address on the labels like on Karl Berger - From Now On.
Analogue concert recording made in Albany NY at Electronic Body Works 1976 March 20.
1.Balafon Samba
2.Just Play
3.Steps
4.Time Is
5.Wood And Skin Works
6.We Are
7.South Of Imperial
There's no sense in me staying Then why does it matter? (It doesn't matter, it never matters) I hope someday soon maybe we'll finish this chapter (I can't ever finish this chapter) And now at this moment I don't know what else to think There's no sense in me saying, "I guess I still miss you" (So now I need names and faces) (Examine the suspects) (Get the D.A here now) (You'll tell everyone that it's so much fun) (Say to all my friend it never ends) (While we're driving through all the alley ways) (We picked up some happiness on the way) I'll tell everyone that it's so much fun Say to all your friends it never ends While we're driving through all the alley ways I picked up some happiness on the way Just because you move your hips Doesn't mean that you exist Just because you move your lips Doesn't mean that you exist Can we just take a fucking break Cause I feel like I have got nothing left, nothing left I guess I still miss you Oh well, it's me and you What else should we do? When talking is for functioning people I guess I still miss you But talking is for functioning people I guess I still miss you You always said we'd win the lottery someday So I wouldn't have to go away I should have known that I had it all along But I didn't know till you were gone (Let's see you function now) (Touch your nose, jump around) (Footprints, in God we trust) (Jes-You, Jes-Me Jesus) (Pick up ten sac orange crush) (Two bottles, cups, and blunts) (What do scorned lovers do?) (Dancing with all my crew) (Drink and drive life away) (Gamble with everyday) Just because you move your hips Doesn't mean that you exist Just because you move your lips Doesn't mean that you exist Can we just take a fucking break Cause I feel like I have got nothing left, nothing left I guess I still miss you Oh well, it's me and you What else should we do? When talking is for functioning people I guess I still miss you But talking is for functioning people I guess I still miss you You always said we'd win the lottery someday So I wouldn't have to go away, I should have known that I had it all along But I didn't know till you were gone [x2] You always said we’d win the lottery someday
Case...Berger (author) ... Karl L ... Berger ... "The medical personnel’s inability to find a suitable vein was neither 'created by' nor within the control of law enforcement," wrote Berger, a retired judge who sat on the panel at the chief justice's assignment.
Karl Mclarty) ... Karl Mclarty) ... Karl Mclarty) ... Karl Mclarty) ... Karl Mclarty) ... Karl Mclarty) ... Karl Mclarty). The Berger Paints ... Karl Mclarty) ... Karl Mclarty) ... Karl Mclarty) ... Karl Mclarty) ... Karl Mclarty) ... Karl Mclarty).
The victim's neighbor, O-Ton Karl Ey, said that he knew Berger family, they were a couple and the other one below him lived in the same building ... garage," said the neighbor, O-Ton Karl Ey.
KarlBerger... " data-original-title title>Karl Berger, one of the more unsung and underrated jazz musicians of our time, passed away on April 9, 2023 ... Berger released several dozen albums as a leader and scores more as a sideman ... Karl Berger ... Karl Berger.
A vibraphonist, pianist, educator and musical thinker, he co-founded the Creative Music Studio to bring all kinds of musicians together to foster cross-pollination and improvisation ... .
He'd played with. Dewey Redman... b.1931 ... drums ... KarlBerger ... " data-original-title="" title="">Karl Berger, ... Berger has spoken of the trumpeter always wearing headphones plugged into a transistor radio on which he tuned in broadcasts from exotic locales.
The film was produced by Rachel Kastner, Matthew Hiltzik and Phil Berger. It recounts the tale of Holocaust survivor, Karl Schapiro, and his granddaughter, Kastner reunite with the woman who saved his life during the Holocaust... 26 ... The series, ”How To.
City AttorneyKarlBerger shared that his son had survived the borderline shooting in Thousand Oaks. It is because of Berger’s lived experience that he knew where to go to seek the kind of aid that his own son uses to get by everyday.
Whereas Sketches (Fresh SoundsRecords, 2022) could be considered a more traditional big bop trio recording with pianist/vibraphonist. KarlBerger. vibraphone. b.1935. " data-original-title="" title="">Karl Berger and drummer. Billy Mintz. drums ... bass ... "> ... .
KarlBerger... " data-original-title="" title="">Karl Berger and drummer ... Berger's "Presently," an acerbic yet witty exercise, progresses through a host of moods and pulses ... Karl Berger ... Karl Berger ... About Karl Berger.