- published: 10 Apr 2016
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Jules Émile Frédéric Massenet (French: [ʒyl emil fʁedeʁik masnɛ]; 12 May 1842 – 13 August 1912) was a French composer of the Romantic era best known for his operas, of which he wrote more than thirty. The two most frequently staged are Manon (1884) and Werther (1892). He also composed oratorios, ballets, orchestral works, incidental music, piano pieces, songs and other music.
While still a schoolboy, Massenet was admitted to France's principal music college, the Paris Conservatoire. There he studied under Ambroise Thomas, whom he greatly admired. After winning the country's top musical prize, the Prix de Rome, in 1863, he composed prolifically in many genres, but quickly became best known for his operas. Between 1867 and his death forty-five years later he wrote more than forty stage works in a wide variety of styles, from opéra-comique to grand-scale depictions of classical myths, romantic comedies, lyric dramas, as well as oratorios, cantatas and ballets. Massenet had a good sense of the theatre and of what would succeed with the Parisian public. Despite some miscalculations, he produced a series of successes that made him the leading composer of opera in France in the late 19th and early 20th centuries.
Don Quichotte (Don Quixote) is an opera in five acts by Jules Massenet to a French libretto by Henri Caïn. It was first performed on 19 February 1910 at the Opéra de Monte-Carlo.
Massenet's comédie-héroïque, like so many other dramatized versions of the story of Don Quixote, relates only indirectly to the great novel Don Quixote by Miguel de Cervantes. The immediate inspiration was Le chevalier de la longue figure, a play by the poet Jacques Le Lorrain first performed in Paris in 1904. In this version of the story, the simple farm girl Aldonza (Dulcinea) of the original novel becomes the more sophisticated Dulcinée, a flirtatious local beauty inspiring the infatuated old man's exploits.
Conceiving originally Don Quichotte to be a three-act opera, Massenet started to compose it in 1909 at a time when, suffering from acute rheumatic pains, he spent more of his time in bed than out of it, and composition of Don Quichotte became, in his words, a sort of "soothing balm." In order to concentrate on that new work, he interrupted composition of his other opera, Bacchus. Despite its five acts, there is under two hours of music in the opera.
Don Quixote, fully El ingenioso hidalgo Don Quijote de la Mancha, is a classic novel by Miguel de Cervantes, originally published in two parts, in 1605 and 1615.
Don Quixote (with variations in spelling) may also refer to:
Violin - Rusanda Panfili Piano - Donka Angatscheva Recorded live in Bank Austria Salon, Vienna 17.03.2016 Support my future videos and my art through Patreon: https://www.patreon.com/rusandapanfili https://talentir.com/asset/0x05d7bfBD7dD06607568443A29FAF9b659b972952/7QtGOWemQhY
Everybody knows the famous "Meditation de Thaïs" from Massenet, but this one is my personal favorite of his. The paintings are Claude Monet's.
The extended version of "Méditation", a symphonic intermezzo from the opera Thaïs by French composer Jules Massenet. The "Méditation" is an instrumental entr'acte performed between the scenes of Act II in the opera Thaïs. In the first scene of Act II, Athanaël, a Cenobite monk, confronts Thaïs, a beautiful and hedonistic courtesan and devotée of Venus and attempts to persuade her to leave her life of luxury and pleasure and find salvation through God. It is during a time of reflection following the encounter that the Méditation is played by the orchestra. In the second scene of Act II, following the Méditation, Thaïs tells Athanaël that she will follow him to the desert. (source: wikipedia.org) __________ Credits: - picture by Willgard Krause (Pixabay). #classicalmusic #meditation #thais...
Jules Massenet Thais Meditation Classic FM M-Tel Radio Symphony Orchestra 13 March 2006 NDK Sofia MAXIM VENGEROV, Violin Conductor: Luciano Di Martino
Album: http://wmgartists.com/lp1/8809/saint-saens-ravel-gershwin-piano-concertos-andrew-von-oeyen Andrew von Oeyen: Ravel, Saint-Saëns and Gershwin Piano Concertos with Emmanuel Villaume and PFK Prague Philharmonia iTunes: http://itunes.apple.com/album/id1182603826 “Perhaps it is no coincidence that my debut album for Warner Classics presents a Franco-American theme,” says pianist Andrew von Oeyen of this programme of works by Saint-Saëns, Ravel and Gershwin. An American (of German and Dutch origin) who trained at New York’s Juilliard School, he lives between Los Angeles and Paris. He is partnered on the album by the PFK Prague Philharmonia under its Music Director and Chief Conductor Emmanuel Villaume – a Frenchman who is very much at home in the USA, as Music Director of the Dallas Oper...
Jules Massenet: Méditation aus der Oper »Thais« ∙ Renaud Capuçon, Violine ∙ Anne-Sophie Bertrand, Harfe ∙ hr-Sinfoniekonzert ∙ Alte Oper Frankfurt, 10. Juni 2022 ∙ Website: http://www.hr-sinfonieorchester.de ∙ Facebook: http://www.facebook.com/hrsinfonieorchester ∙ ARD-Mediathek: https://www.ardmediathek.de/hr/sendung/hr-sinfonieorchester/Y3JpZDovL2hyLW9ubGluZS8zODIyMDAxOQ/ ∙ #4K © 2022 Hessischer Rundfunk (hr)
Provided to YouTube by Warner Classics Massenet: Thaïs: Méditation · Itzhak Perlman/Abbey Road Ensemble/Lawrence Foster Itzhak Perlman - The Complete Warner Recordings 1980 - 2002 ℗ 2015 Parlophone Records Limited, A Warner Music Group Company Ensemble: Abbey Road Ensemble Violin: Itzhak Perlman Conductor: Lawrence Foster Composer: Jules Massenet Auto-generated by YouTube.
Léa Desandre (mezzo-soprano), Bruno Philippe (violoncelle) et Jérôme Ducros (piano) interprètent la Mélodie op.10 n°5 de l’Élégie de Jules Massenet. Enregistré le 30 juin 2020 au Studio 104 de la Maison de la Radio dans le cadre du Festival France Musique. #LéaDesandre #BrunoPhilippe #JérômeDucros #JulesMassenet #FestivalFranceMusique
Excerpt from Méditation from Thaïs by Jules Massenet Arranged for piano by Leon Roques Played by Derrick Lim Here's the full version of this song: https://youtu.be/YXTPL3HBPeI
Budapest Philharmonic Orchestra Jules Massenet 1842 - 1912 ........ Massenet took a break from his composing to serve as a soldier in the Franco-Prussian War, but returned to his art following the end of the conflict in 1871. From 1878 he worked as professor of composition at the Paris Conservatory where his pupils included André Bloch, Gustave Charpentier, Ernest Chausson, Reynaldo Hahn, Georges Enesco, and Charles Koechlin. His greatest successes were Manon in 1884, Werther in 1892, and Thaïs in 1894. Notable later operas were Le jongleur de Notre-Dame, produced in 1902, and Don Quichotte, produced in Monte Carlo 1910, with the legendary Russian bass Feodor Chaliapin in the title-role.
Jules Émile Frédéric Massenet (French: [ʒyl emil fʁedeʁik masnɛ]; 12 May 1842 – 13 August 1912) was a French composer of the Romantic era best known for his operas, of which he wrote more than thirty. The two most frequently staged are Manon (1884) and Werther (1892). He also composed oratorios, ballets, orchestral works, incidental music, piano pieces, songs and other music.
While still a schoolboy, Massenet was admitted to France's principal music college, the Paris Conservatoire. There he studied under Ambroise Thomas, whom he greatly admired. After winning the country's top musical prize, the Prix de Rome, in 1863, he composed prolifically in many genres, but quickly became best known for his operas. Between 1867 and his death forty-five years later he wrote more than forty stage works in a wide variety of styles, from opéra-comique to grand-scale depictions of classical myths, romantic comedies, lyric dramas, as well as oratorios, cantatas and ballets. Massenet had a good sense of the theatre and of what would succeed with the Parisian public. Despite some miscalculations, he produced a series of successes that made him the leading composer of opera in France in the late 19th and early 20th centuries.