Webster's life is obscure, and his date-of-birth and death date are not known. His father, a carriage maker also named John Webster, married a blacksmith's daughter named Elizabeth Coates on 4 November 1577, and it is likely that Webster was born not long after in or near London. The family lived in St. Sepulchre's parish. Father John, and Uncle, Edward Webster, were Freemen of the Merchant Taylors' Company and Webster attended Merchant Taylors' School in Suffolk Lane, London. On 1 August 1598, "John Webster, lately of the New Inn" was admitted to the Middle Temple, one of the Inns of Court; in view of the legal interests evident in his dramatic work, this is possibly the playwright. Webster married the 17-year-old Sara Peniall on 18 March 1606 at St Mary's Church, Islington. A special licence had to be obtained to permit a wedding in Lent, which was necessary as at the date of their marriage, Sara was seven months pregnant. Their first child, John, was baptised at the parish of St Dunstan-in-the-West on 8 March 1605 or 1606. Bequests in the will of a neighbour who died in 1617, indicate that other children were born to him.
John Webster (1610–1682), also known as Johannes Hyphastes, was an English cleric, physician and chemist with occult interests, a proponent of astrology and a sceptic about witchcraft. He is known for controversial works.
Webster studied under the Hungarian alchemist Johannes Huniades (János Bánfi-Hunyadi), who is known to have lectured at Gresham College.
Webster became a curate in Kildwick in 1634. He has been linked to Roger Brearley, the Grindletonian leader active at this period in Kildwick (three years earlier); and classified as an Antinomian. During the First English Civil War, Webster left his position as a teacher in Clitheroe and became a surgeon and army chaplain in the Parliamentarian forces. At a later point he was with the forces of Colonel Richard Shuttleworth. In 1648 he became vicar at Mitton. From a Grindeltonian convert, he moved closer to Quaker views. He has been called a Seeker.
John Webster FRCOG (born 4 July 1936) is an English obstetrician and gynaecologist. Present at the world's first IVF birth, Louise Brown, Dr Webster has continued to develop and further research in the field of IVF (in vitro fertilisation).
Life and career
Webster graduated from Liverpool University in 1960, gaining an MB ChB. From 1960 - 1963, he was a House Officer at Clatterbridge Hospital in Liverpool. From 1963 - 1964, Webster was the Senior House Officer to Mr Patrick Steptoe. From 1964 - 1974, Dr Webster practised in Canada. From 1974 - 1980, he was a specialist in obstetrics and gynaecology and infertility as registrar / consultant to Mr Patrick Steptoe at Oldham General Hospital. It was during this time that Webster was involved with early pioneering research into in vitro fertilisation with Patrick Steptoe and Bob Edwards. He was also awarded his MRCOG during this period.
Webster was present at the birth of Louise Brown (world's first IVF baby, born 25 July 1978) and assisted Patrick Steptoe with the delivery.
The Duchess of Malfi by John Webster - NET | SET | British Literature Series - Heena Wadhwani
The Duchess of Malfi - NET | SET | British Literature Series - Heena Wadhwani
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...
published: 07 Dec 2023
|| Biography of John Webster || Handwritten notes|| @SubjectLearners Easy Explanation 👍
In this video you will get to know about the biography of John Webster 👍 with Handwritten notes and easy explanation along with all important dates and works. If this video was helpful to you then plzzz like, Share and Subscribe to @SubjectLearners Thankyou 😊❤️
I am really very sorry for the fault but the 1800 is the correct birth year instead of 1798🙂🥲
published: 06 Dec 2023
John Webster: The Human Ad Man (Official Documentary Film)
A documentary about legendary ad creative John Webster.
John didnʼt make advertising for award show judges, he made it for the judges sitting on the settee -- real ordinary people. We went to interview people who knew John best, people who worked with him and people he inspired to find out about John, what made him so special, and what we can learn from him.
We also spoke to real people, people who didnʼt know John but remember his work. We showed them his ads and asked for their thoughts and opinions -- no fancy advertising bollocks, just real human honesty. We also asked the legends of the industry their view on the current state of advertising. Have we lost the human touch that John had?
It seems creatives nowadays are more concerned with creating something cool rather than somethin...
published: 29 Nov 2013
The Duchess of Malfi: Play by John Webster in Hindi summary Explanation and full analysis
#DuchessofMalfi #JohnWebster
published: 30 Dec 2018
John Webster : all important points at one place
#JohnWebster
published: 01 Jul 2019
'The Duchess of Malfi' by John Webster: context, characters and themes! | Narrator: Barbara Njau
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published: 31 Jan 2019
John Webster | Life and Works of John Webster |The White Devil |The Duchess of Malfi | Revenge Play
John Webster: Biography and Works
John Webster (1578/80-1630/32) was a post-Shakespearian English dramatist. His personal history is still unknown.
He is considered as a powerful dramatist after William Shakespeare (1564-1616). His contemporaries were Shakespeare, Jonson, Beaumont, Fletcher, Middleton, Dekker, Haywood and many others.
Cyril Tourneur and John Webster are sometimes taken as a pair of dramatists for containing hopelessness and terrible dramatic elements in their plays.
T.S. Eliot commented on Webster that he always saw “the skull beneath the skin”.
He flourished during the first twenty years of the 17th century under the reign of King James I. it was still the Age of Renaissance.
Renaissance was the age of revival of art and literature. It was an age of new learning, re...
published: 01 May 2021
John Webster Among the Theologians
This course of lectures involves a close study of the writings of the late John Webster. Students grow in their ability to read his texts directly and to appreciate the systematic framework of his thought more broadly. In viewing his work closely and broadly alike, its relationship to other theologians is examined, beginning with his early work on modern Protestant theology and moving through to his later, extended engagement of early fathers, medieval doctors, and post-Reformation Reformed scholastics. His practice of theology is examined with respect to various doctrines (e.g. God, covenant, church) as well as with respect to its underlying methodological approach to “theological theology” as an exercise in “biblical reasoning.”
published: 29 Sep 2020
John Webster, Kantzer Lecture 1 - Series Introduction: Immanuel, God's Presence With Us
In this first lecture, John Webster introduces the project at hand. Webster first reviews several proposals for the nature of Christ’s presence to us that have been offered in the last half-century, he then goes on to outline his own proposal. Webster indicates that in the coming lectures, the question of fellowship will go beyond the nature of God’s presence with us in the incarnation. Ultimately, the nature of God’s presence with humanity will be grounded in the divine perfections themselves.
published: 22 Sep 2022
Webster: The White Devil - Summary and Analysis
Summary and Analysis - in this video, we will discuss Webster's treatment of death in his famous tragedy titled, The White Devil.
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The Duchess of Malfi - NET | SET | British Literature Series - Heena Wadhwani
#ugcnet #theduchessofmalfi
#ugcnet #netjrf #ugcnetlatest #howtoqualify #ugcnetl...
The Duchess of Malfi - NET | SET | British Literature Series - Heena Wadhwani
#ugcnet #theduchessofmalfi
#ugcnet #netjrf #ugcnetlatest #howtoqualify #ugcnetlatest
#netjrflatest #hsaenglish #hsstenglish #NTANETExam #set #trb
#uphesc #drkalyanivallath #vallathstes #totalenglishsolutions
#classicliterature #literature #ugcnetSyllabus #ugcnet2023
#Netcoaching #Worldfamousstories #ugcnetnotification
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#ugcnetenglish #english literature #onlineclassesenglish #englishnet
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In this video you will get to know about the biography of John Webster 👍 with Handwritten notes and easy explanation along with all important dates and works. I...
In this video you will get to know about the biography of John Webster 👍 with Handwritten notes and easy explanation along with all important dates and works. If this video was helpful to you then plzzz like, Share and Subscribe to @SubjectLearners Thankyou 😊❤️
I am really very sorry for the fault but the 1800 is the correct birth year instead of 1798🙂🥲
In this video you will get to know about the biography of John Webster 👍 with Handwritten notes and easy explanation along with all important dates and works. If this video was helpful to you then plzzz like, Share and Subscribe to @SubjectLearners Thankyou 😊❤️
I am really very sorry for the fault but the 1800 is the correct birth year instead of 1798🙂🥲
A documentary about legendary ad creative John Webster.
John didnʼt make advertising for award show judges, he made it for the judges sitting on the settee -- ...
A documentary about legendary ad creative John Webster.
John didnʼt make advertising for award show judges, he made it for the judges sitting on the settee -- real ordinary people. We went to interview people who knew John best, people who worked with him and people he inspired to find out about John, what made him so special, and what we can learn from him.
We also spoke to real people, people who didnʼt know John but remember his work. We showed them his ads and asked for their thoughts and opinions -- no fancy advertising bollocks, just real human honesty. We also asked the legends of the industry their view on the current state of advertising. Have we lost the human touch that John had?
It seems creatives nowadays are more concerned with creating something cool rather than something that truly resonates and connects with us. What they see as ʻconsumersʼ John saw as people.
Finally we showed Johnʼs work to a new generation to see how children reacted to it. Would his work truly stand the test of time or would it be seen as a relic of the past?
The film was made by Nick Werber, Tom Baker, David Carr and Martins Millers, creative students at the School of Communication Arts in London in conjunction with Patrick Collister.
Help us caption & translate this video!
http://amara.org/v/ECJf/
A documentary about legendary ad creative John Webster.
John didnʼt make advertising for award show judges, he made it for the judges sitting on the settee -- real ordinary people. We went to interview people who knew John best, people who worked with him and people he inspired to find out about John, what made him so special, and what we can learn from him.
We also spoke to real people, people who didnʼt know John but remember his work. We showed them his ads and asked for their thoughts and opinions -- no fancy advertising bollocks, just real human honesty. We also asked the legends of the industry their view on the current state of advertising. Have we lost the human touch that John had?
It seems creatives nowadays are more concerned with creating something cool rather than something that truly resonates and connects with us. What they see as ʻconsumersʼ John saw as people.
Finally we showed Johnʼs work to a new generation to see how children reacted to it. Would his work truly stand the test of time or would it be seen as a relic of the past?
The film was made by Nick Werber, Tom Baker, David Carr and Martins Millers, creative students at the School of Communication Arts in London in conjunction with Patrick Collister.
Help us caption & translate this video!
http://amara.org/v/ECJf/
Sign up for my GCSE English Language Paper 1 & 2 Masterclass and enter your final exams feeling CONFIDENT & READY: https://www.firstratetutors.com/masterclass
...
Sign up for my GCSE English Language Paper 1 & 2 Masterclass and enter your final exams feeling CONFIDENT & READY: https://www.firstratetutors.com/masterclass
Download our "Duchess of Malfi" Revision Pack: https://www.firstratetutors.com/shopfrt/the-duchess-of-malfi-by-john-webster
Studying 'The Duchess of Malfi' by John Webster? Check out our revision summary that explains the story, characters and themes in a nutshell!
Sign up for my GCSE English Language Paper 1 & 2 Masterclass and enter your final exams feeling CONFIDENT & READY: https://www.firstratetutors.com/masterclass
Download our "Duchess of Malfi" Revision Pack: https://www.firstratetutors.com/shopfrt/the-duchess-of-malfi-by-john-webster
Studying 'The Duchess of Malfi' by John Webster? Check out our revision summary that explains the story, characters and themes in a nutshell!
John Webster: Biography and Works
John Webster (1578/80-1630/32) was a post-Shakespearian English dramatist. His personal history is still unknown.
He is cons...
John Webster: Biography and Works
John Webster (1578/80-1630/32) was a post-Shakespearian English dramatist. His personal history is still unknown.
He is considered as a powerful dramatist after William Shakespeare (1564-1616). His contemporaries were Shakespeare, Jonson, Beaumont, Fletcher, Middleton, Dekker, Haywood and many others.
Cyril Tourneur and John Webster are sometimes taken as a pair of dramatists for containing hopelessness and terrible dramatic elements in their plays.
T.S. Eliot commented on Webster that he always saw “the skull beneath the skin”.
He flourished during the first twenty years of the 17th century under the reign of King James I. it was still the Age of Renaissance.
Renaissance was the age of revival of art and literature. It was an age of new learning, reformation, discovery and new science.
Webster is better known for writing two great ‘revenge tragedies’; ‘The White Devil’ and ‘the Duchess of Malfi’.
1. The White Devil- 1610- revenge tragedy- the Red Bull Theatre- openly
2. The Duchess of Malfi- 1614- revenge tragedy- the Blackfriars Theatre- privately
3. The Devil’s Law Case- 1617/23- tragicomedy
‘Revenge tragedy/play or Tragedy of blood’ is a type of tragedy wherein someone (usually hero/villain) rights a wrong or takes revenge against someone. Like Shakespeare’s Hamlet. The earliest example of revenge play is Aeschylus’ Oresteia- a Greek play.
The White Devil
The original title of the play is ‘The White Devil; or, The Tragedy of Paulo Giordano Ursini, Duke of Brachiano. With the Life and Death of Vittoria Corombona the famous Venetian Curtizen’.
The White Devil Stands for ‘the devil disguised as virtuous man’ or ‘the hypocrite’.
Flamineo is one of the most important characters in the play and plays a central role. In this play he utters the memorable words:
“We think cag’d birds sing, when indeed they cry”
The Duchess of Malfi
The play originally published as ‘The Tragedy of the Duchess of Malfi’. It is also a revenge play.
The Duchess is the central character of the play. She is a young widow and prohibited not to marry by her two brothers; the Cardinal and Ferdinand but she marries Antonio- her own household steward.
The secret-marriage becomes the cause of her death. She is assassinated by her own brothers with the help of Bosola- a spy who was keeping an eye on the Duchess.
John Webster: Biography and Works
John Webster (1578/80-1630/32) was a post-Shakespearian English dramatist. His personal history is still unknown.
He is considered as a powerful dramatist after William Shakespeare (1564-1616). His contemporaries were Shakespeare, Jonson, Beaumont, Fletcher, Middleton, Dekker, Haywood and many others.
Cyril Tourneur and John Webster are sometimes taken as a pair of dramatists for containing hopelessness and terrible dramatic elements in their plays.
T.S. Eliot commented on Webster that he always saw “the skull beneath the skin”.
He flourished during the first twenty years of the 17th century under the reign of King James I. it was still the Age of Renaissance.
Renaissance was the age of revival of art and literature. It was an age of new learning, reformation, discovery and new science.
Webster is better known for writing two great ‘revenge tragedies’; ‘The White Devil’ and ‘the Duchess of Malfi’.
1. The White Devil- 1610- revenge tragedy- the Red Bull Theatre- openly
2. The Duchess of Malfi- 1614- revenge tragedy- the Blackfriars Theatre- privately
3. The Devil’s Law Case- 1617/23- tragicomedy
‘Revenge tragedy/play or Tragedy of blood’ is a type of tragedy wherein someone (usually hero/villain) rights a wrong or takes revenge against someone. Like Shakespeare’s Hamlet. The earliest example of revenge play is Aeschylus’ Oresteia- a Greek play.
The White Devil
The original title of the play is ‘The White Devil; or, The Tragedy of Paulo Giordano Ursini, Duke of Brachiano. With the Life and Death of Vittoria Corombona the famous Venetian Curtizen’.
The White Devil Stands for ‘the devil disguised as virtuous man’ or ‘the hypocrite’.
Flamineo is one of the most important characters in the play and plays a central role. In this play he utters the memorable words:
“We think cag’d birds sing, when indeed they cry”
The Duchess of Malfi
The play originally published as ‘The Tragedy of the Duchess of Malfi’. It is also a revenge play.
The Duchess is the central character of the play. She is a young widow and prohibited not to marry by her two brothers; the Cardinal and Ferdinand but she marries Antonio- her own household steward.
The secret-marriage becomes the cause of her death. She is assassinated by her own brothers with the help of Bosola- a spy who was keeping an eye on the Duchess.
This course of lectures involves a close study of the writings of the late John Webster. Students grow in their ability to read his texts directly and to apprec...
This course of lectures involves a close study of the writings of the late John Webster. Students grow in their ability to read his texts directly and to appreciate the systematic framework of his thought more broadly. In viewing his work closely and broadly alike, its relationship to other theologians is examined, beginning with his early work on modern Protestant theology and moving through to his later, extended engagement of early fathers, medieval doctors, and post-Reformation Reformed scholastics. His practice of theology is examined with respect to various doctrines (e.g. God, covenant, church) as well as with respect to its underlying methodological approach to “theological theology” as an exercise in “biblical reasoning.”
This course of lectures involves a close study of the writings of the late John Webster. Students grow in their ability to read his texts directly and to appreciate the systematic framework of his thought more broadly. In viewing his work closely and broadly alike, its relationship to other theologians is examined, beginning with his early work on modern Protestant theology and moving through to his later, extended engagement of early fathers, medieval doctors, and post-Reformation Reformed scholastics. His practice of theology is examined with respect to various doctrines (e.g. God, covenant, church) as well as with respect to its underlying methodological approach to “theological theology” as an exercise in “biblical reasoning.”
In this first lecture, John Webster introduces the project at hand. Webster first reviews several proposals for the nature of Christ’s presence to us that have ...
In this first lecture, John Webster introduces the project at hand. Webster first reviews several proposals for the nature of Christ’s presence to us that have been offered in the last half-century, he then goes on to outline his own proposal. Webster indicates that in the coming lectures, the question of fellowship will go beyond the nature of God’s presence with us in the incarnation. Ultimately, the nature of God’s presence with humanity will be grounded in the divine perfections themselves.
In this first lecture, John Webster introduces the project at hand. Webster first reviews several proposals for the nature of Christ’s presence to us that have been offered in the last half-century, he then goes on to outline his own proposal. Webster indicates that in the coming lectures, the question of fellowship will go beyond the nature of God’s presence with us in the incarnation. Ultimately, the nature of God’s presence with humanity will be grounded in the divine perfections themselves.
Summary and Analysis - in this video, we will discuss Webster's treatment of death in his famous tragedy titled, The White Devil.
My blog: orwell1627.wordpres...
Summary and Analysis - in this video, we will discuss Webster's treatment of death in his famous tragedy titled, The White Devil.
My blog: orwell1627.wordpress.com
Please help support this channel: https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&hosted_button_id=NENKLMFE999KW
Find me on Facebook: https://www.facebook.com/pages/The-Rugged-Pyrrhus/300243570165822
Summary and Analysis - in this video, we will discuss Webster's treatment of death in his famous tragedy titled, The White Devil.
My blog: orwell1627.wordpress.com
Please help support this channel: https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&hosted_button_id=NENKLMFE999KW
Find me on Facebook: https://www.facebook.com/pages/The-Rugged-Pyrrhus/300243570165822
In this video you will get to know about the biography of John Webster 👍 with Handwritten notes and easy explanation along with all important dates and works. If this video was helpful to you then plzzz like, Share and Subscribe to @SubjectLearners Thankyou 😊❤️
I am really very sorry for the fault but the 1800 is the correct birth year instead of 1798🙂🥲
A documentary about legendary ad creative John Webster.
John didnʼt make advertising for award show judges, he made it for the judges sitting on the settee -- real ordinary people. We went to interview people who knew John best, people who worked with him and people he inspired to find out about John, what made him so special, and what we can learn from him.
We also spoke to real people, people who didnʼt know John but remember his work. We showed them his ads and asked for their thoughts and opinions -- no fancy advertising bollocks, just real human honesty. We also asked the legends of the industry their view on the current state of advertising. Have we lost the human touch that John had?
It seems creatives nowadays are more concerned with creating something cool rather than something that truly resonates and connects with us. What they see as ʻconsumersʼ John saw as people.
Finally we showed Johnʼs work to a new generation to see how children reacted to it. Would his work truly stand the test of time or would it be seen as a relic of the past?
The film was made by Nick Werber, Tom Baker, David Carr and Martins Millers, creative students at the School of Communication Arts in London in conjunction with Patrick Collister.
Help us caption & translate this video!
http://amara.org/v/ECJf/
Sign up for my GCSE English Language Paper 1 & 2 Masterclass and enter your final exams feeling CONFIDENT & READY: https://www.firstratetutors.com/masterclass
Download our "Duchess of Malfi" Revision Pack: https://www.firstratetutors.com/shopfrt/the-duchess-of-malfi-by-john-webster
Studying 'The Duchess of Malfi' by John Webster? Check out our revision summary that explains the story, characters and themes in a nutshell!
John Webster: Biography and Works
John Webster (1578/80-1630/32) was a post-Shakespearian English dramatist. His personal history is still unknown.
He is considered as a powerful dramatist after William Shakespeare (1564-1616). His contemporaries were Shakespeare, Jonson, Beaumont, Fletcher, Middleton, Dekker, Haywood and many others.
Cyril Tourneur and John Webster are sometimes taken as a pair of dramatists for containing hopelessness and terrible dramatic elements in their plays.
T.S. Eliot commented on Webster that he always saw “the skull beneath the skin”.
He flourished during the first twenty years of the 17th century under the reign of King James I. it was still the Age of Renaissance.
Renaissance was the age of revival of art and literature. It was an age of new learning, reformation, discovery and new science.
Webster is better known for writing two great ‘revenge tragedies’; ‘The White Devil’ and ‘the Duchess of Malfi’.
1. The White Devil- 1610- revenge tragedy- the Red Bull Theatre- openly
2. The Duchess of Malfi- 1614- revenge tragedy- the Blackfriars Theatre- privately
3. The Devil’s Law Case- 1617/23- tragicomedy
‘Revenge tragedy/play or Tragedy of blood’ is a type of tragedy wherein someone (usually hero/villain) rights a wrong or takes revenge against someone. Like Shakespeare’s Hamlet. The earliest example of revenge play is Aeschylus’ Oresteia- a Greek play.
The White Devil
The original title of the play is ‘The White Devil; or, The Tragedy of Paulo Giordano Ursini, Duke of Brachiano. With the Life and Death of Vittoria Corombona the famous Venetian Curtizen’.
The White Devil Stands for ‘the devil disguised as virtuous man’ or ‘the hypocrite’.
Flamineo is one of the most important characters in the play and plays a central role. In this play he utters the memorable words:
“We think cag’d birds sing, when indeed they cry”
The Duchess of Malfi
The play originally published as ‘The Tragedy of the Duchess of Malfi’. It is also a revenge play.
The Duchess is the central character of the play. She is a young widow and prohibited not to marry by her two brothers; the Cardinal and Ferdinand but she marries Antonio- her own household steward.
The secret-marriage becomes the cause of her death. She is assassinated by her own brothers with the help of Bosola- a spy who was keeping an eye on the Duchess.
This course of lectures involves a close study of the writings of the late John Webster. Students grow in their ability to read his texts directly and to appreciate the systematic framework of his thought more broadly. In viewing his work closely and broadly alike, its relationship to other theologians is examined, beginning with his early work on modern Protestant theology and moving through to his later, extended engagement of early fathers, medieval doctors, and post-Reformation Reformed scholastics. His practice of theology is examined with respect to various doctrines (e.g. God, covenant, church) as well as with respect to its underlying methodological approach to “theological theology” as an exercise in “biblical reasoning.”
In this first lecture, John Webster introduces the project at hand. Webster first reviews several proposals for the nature of Christ’s presence to us that have been offered in the last half-century, he then goes on to outline his own proposal. Webster indicates that in the coming lectures, the question of fellowship will go beyond the nature of God’s presence with us in the incarnation. Ultimately, the nature of God’s presence with humanity will be grounded in the divine perfections themselves.
Summary and Analysis - in this video, we will discuss Webster's treatment of death in his famous tragedy titled, The White Devil.
My blog: orwell1627.wordpress.com
Please help support this channel: https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&hosted_button_id=NENKLMFE999KW
Find me on Facebook: https://www.facebook.com/pages/The-Rugged-Pyrrhus/300243570165822
Webster's life is obscure, and his date-of-birth and death date are not known. His father, a carriage maker also named John Webster, married a blacksmith's daughter named Elizabeth Coates on 4 November 1577, and it is likely that Webster was born not long after in or near London. The family lived in St. Sepulchre's parish. Father John, and Uncle, Edward Webster, were Freemen of the Merchant Taylors' Company and Webster attended Merchant Taylors' School in Suffolk Lane, London. On 1 August 1598, "John Webster, lately of the New Inn" was admitted to the Middle Temple, one of the Inns of Court; in view of the legal interests evident in his dramatic work, this is possibly the playwright. Webster married the 17-year-old Sara Peniall on 18 March 1606 at St Mary's Church, Islington. A special licence had to be obtained to permit a wedding in Lent, which was necessary as at the date of their marriage, Sara was seven months pregnant. Their first child, John, was baptised at the parish of St Dunstan-in-the-West on 8 March 1605 or 1606. Bequests in the will of a neighbour who died in 1617, indicate that other children were born to him.