Jackie O received its first performance in the Cullen Theater, Houston, Texas, on March 14, 1997 with a second performance on March 16, 1997, both conducted by Christopher Larkin. The opera's Canadian premiere took place on August 7, 1997 at the Banff Centre in Alberta, conducted by Bruno Ferrandis. Co-produced by Houston Grand Opera's Houston Opera Studio and the Banff Centre, the premiere production was directed by Nicholas Muni, with sets and costumes by Peter Werner, lighting design by Harry Frehner, and choreography by Bruce Brown, who also created the role of Paparazzo.
Jacqueline Lee "Jackie" Kennedy Onassis (née Bouvier, pronounced /ˌˈdʒækliːnˈliːˈbuːvieɪ/; July 28, 1929 – May 19, 1994) was the wife of the 35th President of the United States, John F. Kennedy, and First Lady of the United States during his presidency from 1961 until his assassination in 1963. Five years later, she married Greek shipping magnate Aristotle Onassis; they remained married until his death in 1975.
In 1952, Jacqueline met Congressman John F. Kennedy at a dinner party. Shortly after, he was elected to the United States Senate and the couple married the following year. They had four children, two of whom died in infancy. As First Lady, she aided her husband's administration with her presence in social events and with her highly publicized restoration of the White House. On November 22, 1963, she was riding with her husband in a motorcade in Dallas, Texas, when he was assassinated. She and her children withdrew from public view after his funeral, and she remarried in 1968 after the assassination of Robert F. Kennedy.
On 1 November 2013, Jackie and co-host Kyle Sandilands announced they would not be returning in 2014 to host their 2Day FM breakfast show, which at that time was generating around 30 million AUD in advertising revenue yearly. On 29 November the duo, Kyle and Jackie O announced their move to rival radio network ARN and show on new 106.5 station, coming in 2014 with a nightly, "Best Bit's" program networked around ARN stations, Australia wide.
::: Enjoy the sample...! ::: Bologna, Teatro Comunale, 2008.
♬ Full exclusive Opera online from the 14th November 2013 on www.streamopera.com
♬ A special, popular and innovative place for Opera Lovers, for those who want to discover it, know it.
✶ The greatest theaters in the World open their Archives
✶ Operas always-available on Demand at Low Price
✶ Every week full Operas Featured
✶ Exclusive Interviews to famous Artists
✶ Two new Operas every Friday
✶ Create your Personal Opera Season...!
published: 13 Nov 2013
3. Jackie's Coming! - Jackie O by Michael Daugherty
Jackie O (1997) opera in 2 acts by Michael Daugherty
Michael Daugherty, music
Wayne Koestenbaum, libretto
Commissioned by Houston Grand Opera & Banff Center for the Arts
World premiere: Cullen Theater, Houston, Texas, March 14, 1997, Christopher Larkin, conductor
Act I. The Happening
Time: 1968
Place: Andy Warhol's Factory, New York City
3. Jackie's Coming
Elizabeth Taylor, Grace Kelly, Andy Warhol, Party Goers and Paparazzo
University of Michigan Opera
Kenneth Kiesler, conductor
Nicolette Molnår, director
Performance date: March 2006
Mendelssohn Theater, University of Michigan
Jackie O Synopsis
Jackie O (1997) is a celebration of musical life in the late sixties, a pop opera that explores the interplay of various musical idioms associated with "high" and "popular" ...
published: 28 Jun 2011
Jackie Evancho O Mio Babbino Caro June 2009 Singing Contest
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published: 23 Oct 2011
Jackie Evancho: 18-Year-Old STUNNING Opera Singer Is BACK! | AGT Champions
.
. Hey, if you hadn't had a chance to watch HERE are the best AGT 2023 auditions 👉 https://youtu.be/V55xv4zaXL8 📣 What?! Did you see these famous contestants return years later? HERE 👉 https://www.youtube.com/watch?v=BCbiJsGq8W4 America’s Got Talent: The Champions | Season 1 | Episode 5
#AGT #AmericasGotTalent #TalentRecap
For more HD videos, news, analysis and recaps of America's Got Talent: Champions – please subscribe & follow Talent Recap:
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published: 05 Feb 2019
Jackie Evancho - O Mio Babbino Caro - America's Got Talent HD
published: 15 May 2013
2. 1968 - Jackie O by Michael Daugherty
Jackie O (1997) opera in 2 acts by Michael Daugherty
Michael Daugherty, music
Wayne Koestenbaum, libretto
Commissioned by Houston Grand Opera & Banff Center for the Arts
World premiere: Cullen Theater, Houston, Texas, March 14, 1997, Christopher Larkin, conductor
Act I. The Happening
Time: 1968
Place: Andy Warhol's Factory, New York City
2. 1968
Elizabeth Taylor, Grace Kelly, Andy Warhol, Party Goers and Paparazzo
University of Michigan Opera
Kenneth Kiesler, conductor
Nicolette Molnår, director
Performance date: March 2006
Mendelssohn Theater, University of Michigan
Jackie O Synopsis
Jackie O (1997) is a celebration of musical life in the late sixties, a pop opera that explores the interplay of various musical idioms associated with "high" and "popular" culture in ...
published: 28 Jun 2011
17. I Resemble A God - Jackie O by Michael Daugherty
Jackie O (1997) opera in 2 acts by Michael Daugherty
Michael Daugherty, music
Wayne Koestenbaum, libretto
Commissioned by Houston Grand Opera & Banff Center for the Arts
World premiere: Cullen Theater, Houston, Texas, March 14, 1997, Christopher Larkin, conductor
Act I. The Happening
Time: 1968
Place: Andy Warhol's Factory, New York City
17. I Resemble A God
Elizabeth Taylor, Grace Kelly, Andy Warhol, Party Goers and Paparazzo
University of Michigan Opera
Kenneth Kiesler, conductor
Nicolette Molnår, director
Performance date: March 2006
Mendelssohn Theater, University of Michigan
Jackie O Synopsis
Jackie O (1997) is a celebration of musical life in the late sixties, a pop opera that explores the interplay of various musical idioms associated with "high" and "popular...
published: 07 Jul 2011
Jackie Evancho - O Mio Babbino Caro (from Dream With Me In Concert)
Music video by Jackie Evancho performing O Mio Babbino Caro (from Dream With Me In Concert). (c) 2011 Sony Music Entertainment
http://vevo.ly/qPToeK
::: Enjoy the sample...! ::: Bologna, Teatro Comunale, 2008.
♬ Full exclusive Opera online from the 14th November 2013 on www.streamopera.com
♬ A special, pop...
::: Enjoy the sample...! ::: Bologna, Teatro Comunale, 2008.
♬ Full exclusive Opera online from the 14th November 2013 on www.streamopera.com
♬ A special, popular and innovative place for Opera Lovers, for those who want to discover it, know it.
✶ The greatest theaters in the World open their Archives
✶ Operas always-available on Demand at Low Price
✶ Every week full Operas Featured
✶ Exclusive Interviews to famous Artists
✶ Two new Operas every Friday
✶ Create your Personal Opera Season...!
::: Enjoy the sample...! ::: Bologna, Teatro Comunale, 2008.
♬ Full exclusive Opera online from the 14th November 2013 on www.streamopera.com
♬ A special, popular and innovative place for Opera Lovers, for those who want to discover it, know it.
✶ The greatest theaters in the World open their Archives
✶ Operas always-available on Demand at Low Price
✶ Every week full Operas Featured
✶ Exclusive Interviews to famous Artists
✶ Two new Operas every Friday
✶ Create your Personal Opera Season...!
Jackie O (1997) opera in 2 acts by Michael Daugherty
Michael Daugherty, music
Wayne Koestenbaum, libretto
Commissioned by Houston Grand Opera & Banff Center ...
Jackie O (1997) opera in 2 acts by Michael Daugherty
Michael Daugherty, music
Wayne Koestenbaum, libretto
Commissioned by Houston Grand Opera & Banff Center for the Arts
World premiere: Cullen Theater, Houston, Texas, March 14, 1997, Christopher Larkin, conductor
Act I. The Happening
Time: 1968
Place: Andy Warhol's Factory, New York City
3. Jackie's Coming
Elizabeth Taylor, Grace Kelly, Andy Warhol, Party Goers and Paparazzo
University of Michigan Opera
Kenneth Kiesler, conductor
Nicolette Molnår, director
Performance date: March 2006
Mendelssohn Theater, University of Michigan
Jackie O Synopsis
Jackie O (1997) is a celebration of musical life in the late sixties, a pop opera that explores the interplay of various musical idioms associated with "high" and "popular" culture in America.
Wayne Koestenbaum has described the loose narrative of his libretto as a "collage" in the style of Gertrude Stein's libretto for Four Saints in Three Acts, an opera by 20th century American composer, Virgil Thomson. Koestenbaum has written both poetry and non-fiction works on opera and on iconic opera singers like Maria Callas.[4] It is not surprising that in addition to the character of Maria Callas, there are several conscious allusions to the art-form in the Jackie O libretto. These include: Violetta's death aria from La traviata, reflected in Addio Del Passato; the funeral pyre from the final scene of Norma, reflected in The Flame Duet; and both Countess Almaviva's forgiveness aria in The Marriage of Figaro and the off-stage voice of the imprisoned Manrico in Il trovatore, reflected in Jack's Song.[5][6]
Act I begins with a "happening" in artist Andy Warhol's studio in New York City, attended by various celebrities including Elizabeth Taylor, Grace Kelly, Aristotle Onassis, and his lover, Maria Callas. All eagerly anticipate Jackie and sing Jackie's Coming!. Jackie arrives and is fascinated by Onassis. Callas realizes that Onassis is going to leave her for Jackie and sings Addio Del Passato (Goodbye to the past). Onassis and Jackie escape from the party to see a new art movie, I Am Curious (Yellow).
Act II is set on Onassis' yacht, Christina, and on his private island, Skorpios. Jackie and Onassis have now been married for a year. On the yacht, Jackie becomes increasingly melancholy and given to trance-like states. Maria Callas seeks a reunion with Onassis and the two decide to meet (I Will See You At The Lido). In one of her trances, Jackie wanders off to the island, where she and Maria Callas meet and reconcile with each other as they sing The Flame Duet. Jackie and Callas then smash a paparazzo's camera, which gives Jackie the power to communicate with her dead husband, who is heard as a disembodied voice. She forgives him for his past infidelities in their duet, Jack's Song. The opera ends with Jackie deciding to return to America, wistfully singing The New Frontier Is Here.
For further information on Michael Daugherty's music, see his website:
www.michaeldaugherty.net
Jackie O (1997) opera in 2 acts by Michael Daugherty
Michael Daugherty, music
Wayne Koestenbaum, libretto
Commissioned by Houston Grand Opera & Banff Center for the Arts
World premiere: Cullen Theater, Houston, Texas, March 14, 1997, Christopher Larkin, conductor
Act I. The Happening
Time: 1968
Place: Andy Warhol's Factory, New York City
3. Jackie's Coming
Elizabeth Taylor, Grace Kelly, Andy Warhol, Party Goers and Paparazzo
University of Michigan Opera
Kenneth Kiesler, conductor
Nicolette Molnår, director
Performance date: March 2006
Mendelssohn Theater, University of Michigan
Jackie O Synopsis
Jackie O (1997) is a celebration of musical life in the late sixties, a pop opera that explores the interplay of various musical idioms associated with "high" and "popular" culture in America.
Wayne Koestenbaum has described the loose narrative of his libretto as a "collage" in the style of Gertrude Stein's libretto for Four Saints in Three Acts, an opera by 20th century American composer, Virgil Thomson. Koestenbaum has written both poetry and non-fiction works on opera and on iconic opera singers like Maria Callas.[4] It is not surprising that in addition to the character of Maria Callas, there are several conscious allusions to the art-form in the Jackie O libretto. These include: Violetta's death aria from La traviata, reflected in Addio Del Passato; the funeral pyre from the final scene of Norma, reflected in The Flame Duet; and both Countess Almaviva's forgiveness aria in The Marriage of Figaro and the off-stage voice of the imprisoned Manrico in Il trovatore, reflected in Jack's Song.[5][6]
Act I begins with a "happening" in artist Andy Warhol's studio in New York City, attended by various celebrities including Elizabeth Taylor, Grace Kelly, Aristotle Onassis, and his lover, Maria Callas. All eagerly anticipate Jackie and sing Jackie's Coming!. Jackie arrives and is fascinated by Onassis. Callas realizes that Onassis is going to leave her for Jackie and sings Addio Del Passato (Goodbye to the past). Onassis and Jackie escape from the party to see a new art movie, I Am Curious (Yellow).
Act II is set on Onassis' yacht, Christina, and on his private island, Skorpios. Jackie and Onassis have now been married for a year. On the yacht, Jackie becomes increasingly melancholy and given to trance-like states. Maria Callas seeks a reunion with Onassis and the two decide to meet (I Will See You At The Lido). In one of her trances, Jackie wanders off to the island, where she and Maria Callas meet and reconcile with each other as they sing The Flame Duet. Jackie and Callas then smash a paparazzo's camera, which gives Jackie the power to communicate with her dead husband, who is heard as a disembodied voice. She forgives him for his past infidelities in their duet, Jack's Song. The opera ends with Jackie deciding to return to America, wistfully singing The New Frontier Is Here.
For further information on Michael Daugherty's music, see his website:
www.michaeldaugherty.net
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.
. Hey, if you hadn't had a chance to watch HERE are the best AGT 2023 auditions 👉 https://youtu.be/V55xv4zaXL8 📣 What?! Did you see these famous contestants r...
.
. Hey, if you hadn't had a chance to watch HERE are the best AGT 2023 auditions 👉 https://youtu.be/V55xv4zaXL8 📣 What?! Did you see these famous contestants return years later? HERE 👉 https://www.youtube.com/watch?v=BCbiJsGq8W4 America’s Got Talent: The Champions | Season 1 | Episode 5
#AGT #AmericasGotTalent #TalentRecap
For more HD videos, news, analysis and recaps of America's Got Talent: Champions – please subscribe & follow Talent Recap:
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AMERICA'S GOT TALENT ON SOCIAL
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ABOUT AMERICA'S GOT TALENT: THE CHAMPIONS
"America’s Got Talent: The Champions" brings together the world’s most talented, memorable and all-around fan-favorite acts from past seasons of "AGT" and the other "Got Talent" franchises, spanning 194 territories.
The "Got Talent" format has had more than 900 million global viewers since it began airing in 2006 and has aired in 194 markets worldwide. "Got Talent" holds the Guinness World Records title as the Most Successful Reality Television Format in history, with 70 local versions produced across Europe, Asia Pacific, the Middle East, Africa and the Americas. The series, from NBC, Fremantle and Syco Entertainment, will feature the star-studded judges panel from "America's Got Talent" - Executive Producer Simon Cowell, Mel B, Heidi Klum and Howie Mandel - as well as Host Terry Crews, co-star of NBC’s "Brooklyn Nine-Nine."
Find America's Got Talent: The Champions trailers, full episode highlights, previews, promos, clips, and digital exclusives here.
ABOUT TALENT RECAP
Talent Recap is the #1 independent website which is exclusively dedicated to the fans of the most popular talent shows around the world. As passionate fans of these shows, we provide news, analysis and fan engagement on America’s Got Talent, Britain’s Got Talent, The Voice, The X Factor, American Idol, The Four and its contestants.
Talent Recap
https://goo.gl/nZgzW8
.
. Hey, if you hadn't had a chance to watch HERE are the best AGT 2023 auditions 👉 https://youtu.be/V55xv4zaXL8 📣 What?! Did you see these famous contestants return years later? HERE 👉 https://www.youtube.com/watch?v=BCbiJsGq8W4 America’s Got Talent: The Champions | Season 1 | Episode 5
#AGT #AmericasGotTalent #TalentRecap
For more HD videos, news, analysis and recaps of America's Got Talent: Champions – please subscribe & follow Talent Recap:
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TALENT RECAP ON SOCIAL:
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AMERICA'S GOT TALENT ON SOCIAL
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ABOUT AMERICA'S GOT TALENT: THE CHAMPIONS
"America’s Got Talent: The Champions" brings together the world’s most talented, memorable and all-around fan-favorite acts from past seasons of "AGT" and the other "Got Talent" franchises, spanning 194 territories.
The "Got Talent" format has had more than 900 million global viewers since it began airing in 2006 and has aired in 194 markets worldwide. "Got Talent" holds the Guinness World Records title as the Most Successful Reality Television Format in history, with 70 local versions produced across Europe, Asia Pacific, the Middle East, Africa and the Americas. The series, from NBC, Fremantle and Syco Entertainment, will feature the star-studded judges panel from "America's Got Talent" - Executive Producer Simon Cowell, Mel B, Heidi Klum and Howie Mandel - as well as Host Terry Crews, co-star of NBC’s "Brooklyn Nine-Nine."
Find America's Got Talent: The Champions trailers, full episode highlights, previews, promos, clips, and digital exclusives here.
ABOUT TALENT RECAP
Talent Recap is the #1 independent website which is exclusively dedicated to the fans of the most popular talent shows around the world. As passionate fans of these shows, we provide news, analysis and fan engagement on America’s Got Talent, Britain’s Got Talent, The Voice, The X Factor, American Idol, The Four and its contestants.
Talent Recap
https://goo.gl/nZgzW8
Jackie O (1997) opera in 2 acts by Michael Daugherty
Michael Daugherty, music
Wayne Koestenbaum, libretto
Commissioned by Houston Grand Opera & Banff Center ...
Jackie O (1997) opera in 2 acts by Michael Daugherty
Michael Daugherty, music
Wayne Koestenbaum, libretto
Commissioned by Houston Grand Opera & Banff Center for the Arts
World premiere: Cullen Theater, Houston, Texas, March 14, 1997, Christopher Larkin, conductor
Act I. The Happening
Time: 1968
Place: Andy Warhol's Factory, New York City
2. 1968
Elizabeth Taylor, Grace Kelly, Andy Warhol, Party Goers and Paparazzo
University of Michigan Opera
Kenneth Kiesler, conductor
Nicolette Molnår, director
Performance date: March 2006
Mendelssohn Theater, University of Michigan
Jackie O Synopsis
Jackie O (1997) is a celebration of musical life in the late sixties, a pop opera that explores the interplay of various musical idioms associated with "high" and "popular" culture in America.
Wayne Koestenbaum has described the loose narrative of his libretto as a "collage" in the style of Gertrude Stein's libretto for Four Saints in Three Acts, an opera by 20th century American composer, Virgil Thomson. Koestenbaum has written both poetry and non-fiction works on opera and on iconic opera singers like Maria Callas.[4] It is not surprising that in addition to the character of Maria Callas, there are several conscious allusions to the art-form in the Jackie O libretto. These include: Violetta's death aria from La traviata, reflected in Addio Del Passato; the funeral pyre from the final scene of Norma, reflected in The Flame Duet; and both Countess Almaviva's forgiveness aria in The Marriage of Figaro and the off-stage voice of the imprisoned Manrico in Il trovatore, reflected in Jack's Song.[5][6]
Act I begins with a "happening" in artist Andy Warhol's studio in New York City, attended by various celebrities including Elizabeth Taylor, Grace Kelly, Aristotle Onassis, and his lover, Maria Callas. All eagerly anticipate Jackie and sing Jackie's Coming!. Jackie arrives and is fascinated by Onassis. Callas realizes that Onassis is going to leave her for Jackie and sings Addio Del Passato (Goodbye to the past). Onassis and Jackie escape from the party to see a new art movie, I Am Curious (Yellow).
Act II is set on Onassis' yacht, Christina, and on his private island, Skorpios. Jackie and Onassis have now been married for a year. On the yacht, Jackie becomes increasingly melancholy and given to trance-like states. Maria Callas seeks a reunion with Onassis and the two decide to meet (I Will See You At The Lido). In one of her trances, Jackie wanders off to the island, where she and Maria Callas meet and reconcile with each other as they sing The Flame Duet. Jackie and Callas then smash a paparazzo's camera, which gives Jackie the power to communicate with her dead husband, who is heard as a disembodied voice. She forgives him for his past infidelities in their duet, Jack's Song. The opera ends with Jackie deciding to return to America, wistfully singing The New Frontier Is Here.
For further information on Michael Daugherty's music, see his website:
www.michaeldaugherty.net
Jackie O (1997) opera in 2 acts by Michael Daugherty
Michael Daugherty, music
Wayne Koestenbaum, libretto
Commissioned by Houston Grand Opera & Banff Center for the Arts
World premiere: Cullen Theater, Houston, Texas, March 14, 1997, Christopher Larkin, conductor
Act I. The Happening
Time: 1968
Place: Andy Warhol's Factory, New York City
2. 1968
Elizabeth Taylor, Grace Kelly, Andy Warhol, Party Goers and Paparazzo
University of Michigan Opera
Kenneth Kiesler, conductor
Nicolette Molnår, director
Performance date: March 2006
Mendelssohn Theater, University of Michigan
Jackie O Synopsis
Jackie O (1997) is a celebration of musical life in the late sixties, a pop opera that explores the interplay of various musical idioms associated with "high" and "popular" culture in America.
Wayne Koestenbaum has described the loose narrative of his libretto as a "collage" in the style of Gertrude Stein's libretto for Four Saints in Three Acts, an opera by 20th century American composer, Virgil Thomson. Koestenbaum has written both poetry and non-fiction works on opera and on iconic opera singers like Maria Callas.[4] It is not surprising that in addition to the character of Maria Callas, there are several conscious allusions to the art-form in the Jackie O libretto. These include: Violetta's death aria from La traviata, reflected in Addio Del Passato; the funeral pyre from the final scene of Norma, reflected in The Flame Duet; and both Countess Almaviva's forgiveness aria in The Marriage of Figaro and the off-stage voice of the imprisoned Manrico in Il trovatore, reflected in Jack's Song.[5][6]
Act I begins with a "happening" in artist Andy Warhol's studio in New York City, attended by various celebrities including Elizabeth Taylor, Grace Kelly, Aristotle Onassis, and his lover, Maria Callas. All eagerly anticipate Jackie and sing Jackie's Coming!. Jackie arrives and is fascinated by Onassis. Callas realizes that Onassis is going to leave her for Jackie and sings Addio Del Passato (Goodbye to the past). Onassis and Jackie escape from the party to see a new art movie, I Am Curious (Yellow).
Act II is set on Onassis' yacht, Christina, and on his private island, Skorpios. Jackie and Onassis have now been married for a year. On the yacht, Jackie becomes increasingly melancholy and given to trance-like states. Maria Callas seeks a reunion with Onassis and the two decide to meet (I Will See You At The Lido). In one of her trances, Jackie wanders off to the island, where she and Maria Callas meet and reconcile with each other as they sing The Flame Duet. Jackie and Callas then smash a paparazzo's camera, which gives Jackie the power to communicate with her dead husband, who is heard as a disembodied voice. She forgives him for his past infidelities in their duet, Jack's Song. The opera ends with Jackie deciding to return to America, wistfully singing The New Frontier Is Here.
For further information on Michael Daugherty's music, see his website:
www.michaeldaugherty.net
Jackie O (1997) opera in 2 acts by Michael Daugherty
Michael Daugherty, music
Wayne Koestenbaum, libretto
Commissioned by Houston Grand Opera & Banff Center ...
Jackie O (1997) opera in 2 acts by Michael Daugherty
Michael Daugherty, music
Wayne Koestenbaum, libretto
Commissioned by Houston Grand Opera & Banff Center for the Arts
World premiere: Cullen Theater, Houston, Texas, March 14, 1997, Christopher Larkin, conductor
Act I. The Happening
Time: 1968
Place: Andy Warhol's Factory, New York City
17. I Resemble A God
Elizabeth Taylor, Grace Kelly, Andy Warhol, Party Goers and Paparazzo
University of Michigan Opera
Kenneth Kiesler, conductor
Nicolette Molnår, director
Performance date: March 2006
Mendelssohn Theater, University of Michigan
Jackie O Synopsis
Jackie O (1997) is a celebration of musical life in the late sixties, a pop opera that explores the interplay of various musical idioms associated with "high" and "popular" culture in America.
Wayne Koestenbaum has described the loose narrative of his libretto as a "collage" in the style of Gertrude Stein's libretto for Four Saints in Three Acts, an opera by 20th century American composer, Virgil Thomson. Koestenbaum has written both poetry and non-fiction works on opera and on iconic opera singers like Maria Callas.[4] It is not surprising that in addition to the character of Maria Callas, there are several conscious allusions to the art-form in the Jackie O libretto. These include: Violetta's death aria from La traviata, reflected in Addio Del Passato; the funeral pyre from the final scene of Norma, reflected in The Flame Duet; and both Countess Almaviva's forgiveness aria in The Marriage of Figaro and the off-stage voice of the imprisoned Manrico in Il trovatore, reflected in Jack's Song.[5][6]
Act I begins with a "happening" in artist Andy Warhol's studio in New York City, attended by various celebrities including Elizabeth Taylor, Grace Kelly, Aristotle Onassis, and his lover, Maria Callas. All eagerly anticipate Jackie and sing Jackie's Coming!. Jackie arrives and is fascinated by Onassis. Callas realizes that Onassis is going to leave her for Jackie and sings Addio Del Passato (Goodbye to the past). Onassis and Jackie escape from the party to see a new art movie, I Am Curious (Yellow).
Act II is set on Onassis' yacht, Christina, and on his private island, Skorpios. Jackie and Onassis have now been married for a year. On the yacht, Jackie becomes increasingly melancholy and given to trance-like states. Maria Callas seeks a reunion with Onassis and the two decide to meet (I Will See You At The Lido). In one of her trances, Jackie wanders off to the island, where she and Maria Callas meet and reconcile with each other as they sing The Flame Duet. Jackie and Callas then smash a paparazzo's camera, which gives Jackie the power to communicate with her dead husband, who is heard as a disembodied voice. She forgives him for his past infidelities in their duet, Jack's Song. The opera ends with Jackie deciding to return to America, wistfully singing The New Frontier Is Here.
For further information on Michael Daugherty's music, see his website:
www.michaeldaugherty.net
Jackie O (1997) opera in 2 acts by Michael Daugherty
Michael Daugherty, music
Wayne Koestenbaum, libretto
Commissioned by Houston Grand Opera & Banff Center for the Arts
World premiere: Cullen Theater, Houston, Texas, March 14, 1997, Christopher Larkin, conductor
Act I. The Happening
Time: 1968
Place: Andy Warhol's Factory, New York City
17. I Resemble A God
Elizabeth Taylor, Grace Kelly, Andy Warhol, Party Goers and Paparazzo
University of Michigan Opera
Kenneth Kiesler, conductor
Nicolette Molnår, director
Performance date: March 2006
Mendelssohn Theater, University of Michigan
Jackie O Synopsis
Jackie O (1997) is a celebration of musical life in the late sixties, a pop opera that explores the interplay of various musical idioms associated with "high" and "popular" culture in America.
Wayne Koestenbaum has described the loose narrative of his libretto as a "collage" in the style of Gertrude Stein's libretto for Four Saints in Three Acts, an opera by 20th century American composer, Virgil Thomson. Koestenbaum has written both poetry and non-fiction works on opera and on iconic opera singers like Maria Callas.[4] It is not surprising that in addition to the character of Maria Callas, there are several conscious allusions to the art-form in the Jackie O libretto. These include: Violetta's death aria from La traviata, reflected in Addio Del Passato; the funeral pyre from the final scene of Norma, reflected in The Flame Duet; and both Countess Almaviva's forgiveness aria in The Marriage of Figaro and the off-stage voice of the imprisoned Manrico in Il trovatore, reflected in Jack's Song.[5][6]
Act I begins with a "happening" in artist Andy Warhol's studio in New York City, attended by various celebrities including Elizabeth Taylor, Grace Kelly, Aristotle Onassis, and his lover, Maria Callas. All eagerly anticipate Jackie and sing Jackie's Coming!. Jackie arrives and is fascinated by Onassis. Callas realizes that Onassis is going to leave her for Jackie and sings Addio Del Passato (Goodbye to the past). Onassis and Jackie escape from the party to see a new art movie, I Am Curious (Yellow).
Act II is set on Onassis' yacht, Christina, and on his private island, Skorpios. Jackie and Onassis have now been married for a year. On the yacht, Jackie becomes increasingly melancholy and given to trance-like states. Maria Callas seeks a reunion with Onassis and the two decide to meet (I Will See You At The Lido). In one of her trances, Jackie wanders off to the island, where she and Maria Callas meet and reconcile with each other as they sing The Flame Duet. Jackie and Callas then smash a paparazzo's camera, which gives Jackie the power to communicate with her dead husband, who is heard as a disembodied voice. She forgives him for his past infidelities in their duet, Jack's Song. The opera ends with Jackie deciding to return to America, wistfully singing The New Frontier Is Here.
For further information on Michael Daugherty's music, see his website:
www.michaeldaugherty.net
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Jackie O (1997) opera in 2 acts by Michael Daugherty
Michael Daugherty, music
Wayne Koestenbaum, libretto
Commissioned by Houston Grand Opera & Banff Center for the Arts
World premiere: Cullen Theater, Houston, Texas, March 14, 1997, Christopher Larkin, conductor
Act I. The Happening
Time: 1968
Place: Andy Warhol's Factory, New York City
3. Jackie's Coming
Elizabeth Taylor, Grace Kelly, Andy Warhol, Party Goers and Paparazzo
University of Michigan Opera
Kenneth Kiesler, conductor
Nicolette Molnår, director
Performance date: March 2006
Mendelssohn Theater, University of Michigan
Jackie O Synopsis
Jackie O (1997) is a celebration of musical life in the late sixties, a pop opera that explores the interplay of various musical idioms associated with "high" and "popular" culture in America.
Wayne Koestenbaum has described the loose narrative of his libretto as a "collage" in the style of Gertrude Stein's libretto for Four Saints in Three Acts, an opera by 20th century American composer, Virgil Thomson. Koestenbaum has written both poetry and non-fiction works on opera and on iconic opera singers like Maria Callas.[4] It is not surprising that in addition to the character of Maria Callas, there are several conscious allusions to the art-form in the Jackie O libretto. These include: Violetta's death aria from La traviata, reflected in Addio Del Passato; the funeral pyre from the final scene of Norma, reflected in The Flame Duet; and both Countess Almaviva's forgiveness aria in The Marriage of Figaro and the off-stage voice of the imprisoned Manrico in Il trovatore, reflected in Jack's Song.[5][6]
Act I begins with a "happening" in artist Andy Warhol's studio in New York City, attended by various celebrities including Elizabeth Taylor, Grace Kelly, Aristotle Onassis, and his lover, Maria Callas. All eagerly anticipate Jackie and sing Jackie's Coming!. Jackie arrives and is fascinated by Onassis. Callas realizes that Onassis is going to leave her for Jackie and sings Addio Del Passato (Goodbye to the past). Onassis and Jackie escape from the party to see a new art movie, I Am Curious (Yellow).
Act II is set on Onassis' yacht, Christina, and on his private island, Skorpios. Jackie and Onassis have now been married for a year. On the yacht, Jackie becomes increasingly melancholy and given to trance-like states. Maria Callas seeks a reunion with Onassis and the two decide to meet (I Will See You At The Lido). In one of her trances, Jackie wanders off to the island, where she and Maria Callas meet and reconcile with each other as they sing The Flame Duet. Jackie and Callas then smash a paparazzo's camera, which gives Jackie the power to communicate with her dead husband, who is heard as a disembodied voice. She forgives him for his past infidelities in their duet, Jack's Song. The opera ends with Jackie deciding to return to America, wistfully singing The New Frontier Is Here.
For further information on Michael Daugherty's music, see his website:
www.michaeldaugherty.net
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Jackie O (1997) opera in 2 acts by Michael Daugherty
Michael Daugherty, music
Wayne Koestenbaum, libretto
Commissioned by Houston Grand Opera & Banff Center for the Arts
World premiere: Cullen Theater, Houston, Texas, March 14, 1997, Christopher Larkin, conductor
Act I. The Happening
Time: 1968
Place: Andy Warhol's Factory, New York City
2. 1968
Elizabeth Taylor, Grace Kelly, Andy Warhol, Party Goers and Paparazzo
University of Michigan Opera
Kenneth Kiesler, conductor
Nicolette Molnår, director
Performance date: March 2006
Mendelssohn Theater, University of Michigan
Jackie O Synopsis
Jackie O (1997) is a celebration of musical life in the late sixties, a pop opera that explores the interplay of various musical idioms associated with "high" and "popular" culture in America.
Wayne Koestenbaum has described the loose narrative of his libretto as a "collage" in the style of Gertrude Stein's libretto for Four Saints in Three Acts, an opera by 20th century American composer, Virgil Thomson. Koestenbaum has written both poetry and non-fiction works on opera and on iconic opera singers like Maria Callas.[4] It is not surprising that in addition to the character of Maria Callas, there are several conscious allusions to the art-form in the Jackie O libretto. These include: Violetta's death aria from La traviata, reflected in Addio Del Passato; the funeral pyre from the final scene of Norma, reflected in The Flame Duet; and both Countess Almaviva's forgiveness aria in The Marriage of Figaro and the off-stage voice of the imprisoned Manrico in Il trovatore, reflected in Jack's Song.[5][6]
Act I begins with a "happening" in artist Andy Warhol's studio in New York City, attended by various celebrities including Elizabeth Taylor, Grace Kelly, Aristotle Onassis, and his lover, Maria Callas. All eagerly anticipate Jackie and sing Jackie's Coming!. Jackie arrives and is fascinated by Onassis. Callas realizes that Onassis is going to leave her for Jackie and sings Addio Del Passato (Goodbye to the past). Onassis and Jackie escape from the party to see a new art movie, I Am Curious (Yellow).
Act II is set on Onassis' yacht, Christina, and on his private island, Skorpios. Jackie and Onassis have now been married for a year. On the yacht, Jackie becomes increasingly melancholy and given to trance-like states. Maria Callas seeks a reunion with Onassis and the two decide to meet (I Will See You At The Lido). In one of her trances, Jackie wanders off to the island, where she and Maria Callas meet and reconcile with each other as they sing The Flame Duet. Jackie and Callas then smash a paparazzo's camera, which gives Jackie the power to communicate with her dead husband, who is heard as a disembodied voice. She forgives him for his past infidelities in their duet, Jack's Song. The opera ends with Jackie deciding to return to America, wistfully singing The New Frontier Is Here.
For further information on Michael Daugherty's music, see his website:
www.michaeldaugherty.net
Jackie O (1997) opera in 2 acts by Michael Daugherty
Michael Daugherty, music
Wayne Koestenbaum, libretto
Commissioned by Houston Grand Opera & Banff Center for the Arts
World premiere: Cullen Theater, Houston, Texas, March 14, 1997, Christopher Larkin, conductor
Act I. The Happening
Time: 1968
Place: Andy Warhol's Factory, New York City
17. I Resemble A God
Elizabeth Taylor, Grace Kelly, Andy Warhol, Party Goers and Paparazzo
University of Michigan Opera
Kenneth Kiesler, conductor
Nicolette Molnår, director
Performance date: March 2006
Mendelssohn Theater, University of Michigan
Jackie O Synopsis
Jackie O (1997) is a celebration of musical life in the late sixties, a pop opera that explores the interplay of various musical idioms associated with "high" and "popular" culture in America.
Wayne Koestenbaum has described the loose narrative of his libretto as a "collage" in the style of Gertrude Stein's libretto for Four Saints in Three Acts, an opera by 20th century American composer, Virgil Thomson. Koestenbaum has written both poetry and non-fiction works on opera and on iconic opera singers like Maria Callas.[4] It is not surprising that in addition to the character of Maria Callas, there are several conscious allusions to the art-form in the Jackie O libretto. These include: Violetta's death aria from La traviata, reflected in Addio Del Passato; the funeral pyre from the final scene of Norma, reflected in The Flame Duet; and both Countess Almaviva's forgiveness aria in The Marriage of Figaro and the off-stage voice of the imprisoned Manrico in Il trovatore, reflected in Jack's Song.[5][6]
Act I begins with a "happening" in artist Andy Warhol's studio in New York City, attended by various celebrities including Elizabeth Taylor, Grace Kelly, Aristotle Onassis, and his lover, Maria Callas. All eagerly anticipate Jackie and sing Jackie's Coming!. Jackie arrives and is fascinated by Onassis. Callas realizes that Onassis is going to leave her for Jackie and sings Addio Del Passato (Goodbye to the past). Onassis and Jackie escape from the party to see a new art movie, I Am Curious (Yellow).
Act II is set on Onassis' yacht, Christina, and on his private island, Skorpios. Jackie and Onassis have now been married for a year. On the yacht, Jackie becomes increasingly melancholy and given to trance-like states. Maria Callas seeks a reunion with Onassis and the two decide to meet (I Will See You At The Lido). In one of her trances, Jackie wanders off to the island, where she and Maria Callas meet and reconcile with each other as they sing The Flame Duet. Jackie and Callas then smash a paparazzo's camera, which gives Jackie the power to communicate with her dead husband, who is heard as a disembodied voice. She forgives him for his past infidelities in their duet, Jack's Song. The opera ends with Jackie deciding to return to America, wistfully singing The New Frontier Is Here.
For further information on Michael Daugherty's music, see his website:
www.michaeldaugherty.net
Jackie O received its first performance in the Cullen Theater, Houston, Texas, on March 14, 1997 with a second performance on March 16, 1997, both conducted by Christopher Larkin. The opera's Canadian premiere took place on August 7, 1997 at the Banff Centre in Alberta, conducted by Bruno Ferrandis. Co-produced by Houston Grand Opera's Houston Opera Studio and the Banff Centre, the premiere production was directed by Nicholas Muni, with sets and costumes by Peter Werner, lighting design by Harry Frehner, and choreography by Bruce Brown, who also created the role of Paparazzo.