-
Bud Powell - Anthropology (1962)
Bud Powell - piano
Niels-Henning Orsted Pedersen - bass
Jorn Elniff - drums
Live from Café Montmartre, Copenhagen, early 1962
published: 14 Jan 2010
-
Bud Powell, at the Antibes Jazz festival, July 13th, 1960 (colorized)
Sweet and lovely 00:00
Swing Napoli 03:10
Bud Powell (piano)
see also
Bud Powell & Charles Mingus Quintet, Antibes jazz Festival, July 13th, 1960
https://youtu.be/nu5uRiEuPFg
published: 13 Oct 2021
-
Bud Powell Greatest Hits Full Album - The Best of Bud Powell
Bud Powell Greatest Hits Full Album - The Best of Bud Powell
Bud Powell Greatest Hits Full Album - The Best of Bud Powell
Bud Powell Greatest Hits Full Album - The Best of Bud Powell
The playlist is randomly arranged, I want to give good songs to all of you. Hope you enjoy it.
-----------------------------------------------------------------------------------
✔Thanks for watching! Have a nice day!
✔Don't forget LIKE - SHARE - COMMENT
-----------------------------------------------------------------------------------
⚠ If there are any copyright issues please contact us. We will remove the video.
Thanks,
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TAG: Bud Powell Greatest Hits Full Album,The Best of Bud Po...
published: 26 Dec 2021
-
The Pianist That Influenced A Generation
In this episode we talk about Bud Powell a pianist that influenced an entire generation of musicians.
📚👂 Ultimate Bundle Sale - ONLY $99 for all my educational products: https://rickbeato.com
📚— The Beato Book Interactive - $99.00 value
👂— The Beato Ear Training Program - $99.00 value
🎸— The Quick Lessons Pro Guitar Course - $79.00 value
… all for just $99.00
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---------------------------------------------------------------------------------------------------------------------
SUBSCRIBE HERE → http://bit.ly/2eEs9gX
For recurring support go here: https://flatfiv.co/pages/become-a-bea...
published: 25 Sep 2022
-
The Amazing Bud P̲o̲w̲e̲l̲l̲ – T̲i̲m̲e̲ Wa̲i̲t̲s (1̲9̲5̲8̲)̲
0:00:00 B̲u̲s̲t̲e̲r̲ ̲R̲i̲d̲e̲s̲ ̲A̲g̲a̲i̲n̲
0:05:35 ̲S̲u̲b̲ ̲C̲i̲t̲y̲
0:10:11 ̲T̲i̲m̲e̲ ̲W̲a̲i̲t̲s̲
0:15:22 ̲M̲a̲r̲m̲a̲l̲a̲d̲e̲
0:19:53 ̲M̲o̲n̲o̲p̲o̲l̲y̲
0:24:45 ̲J̲o̲h̲n̲'̲s̲ ̲A̲b̲b̲e̲y̲
0:30:25 ̲D̲r̲y̲ ̲S̲o̲u̲l̲
0:37:11 ̲S̲u̲b̲ ̲C̲i̲t̲y̲ ̲(̲A̲l̲t̲e̲r̲n̲a̲t̲e̲ ̲T̲a̲k̲e̲)̲
0:39:51 ̲J̲o̲h̲n̲'̲s̲ ̲A̲b̲b̲e̲y̲ ̲(̲A̲l̲t̲e̲r̲n̲a̲t̲e̲ ̲T̲a̲k̲e̲)̲
published: 05 Nov 2021
-
Bud̲ P̲o̲w̲e̲l̲l – ̲T̲h̲e̲ C̲o̲m̲p̲l̲e̲t̲e B̲u̲d̲ P̲o̲w̲e̲l̲l ̲O̲n̲ V̲e̲r̲v̲e ̲(1̲9̲4̲9̲-̲5̲6̲)̲
tracks:
0:00:01 T̲e̲m̲p̲u̲s̲ ̲F̲u̲g̲i̲t̲
0:02:31 ̲C̲e̲l̲i̲a̲
0:05:32 ̲C̲h̲e̲r̲o̲k̲e̲e̲
0:09:13 ̲I̲'̲l̲l̲ ̲K̲e̲e̲p̲ ̲L̲o̲v̲i̲n̲g̲ ̲Y̲o̲u̲ ̲(̲2̲0̲0̲0̲ ̲-̲ ̲R̲e̲m̲a̲s̲t̲e̲r̲)̲
0:11:54 ̲S̲t̲r̲i̲c̲t̲l̲y̲ ̲C̲o̲n̲f̲i̲d̲e̲n̲t̲i̲a̲l̲
0:14:40 ̲A̲l̲l̲ ̲G̲o̲d̲'̲s̲ ̲C̲h̲i̲l̲l̲u̲n̲ ̲G̲o̲t̲ ̲R̲h̲y̲t̲h̲m̲
0:18:07 ̲S̲o̲ ̲S̲o̲r̲r̲y̲,̲ ̲P̲l̲e̲a̲s̲e̲
0:21:25 ̲G̲e̲t̲ ̲H̲a̲p̲p̲y̲
0:24:20 ̲S̲o̲m̲e̲t̲i̲m̲e̲s̲ ̲I̲'̲m̲ ̲H̲a̲p̲p̲y̲
0:27:58 ̲S̲w̲e̲e̲t̲ ̲G̲e̲o̲r̲g̲i̲a̲ ̲B̲r̲o̲w̲n̲
0:30:48 ̲Y̲e̲s̲t̲e̲r̲d̲a̲y̲s̲
0:33:41 ̲A̲p̲r̲i̲l̲ ̲I̲n̲ ̲P̲a̲r̲i̲s̲
0:36:50 ̲B̲o̲d̲y̲ ̲A̲n̲d̲ ̲S̲o̲u̲l̲
0:40:14 ̲H̲a̲l̲l̲e̲l̲u̲j̲a̲h̲
0:43:14 ̲T̲e̲a̲ ̲F̲o̲r̲ ̲T̲w̲o̲ ̲(̲T̲a̲k̲e̲ ̲6̲)̲
0:47:30 ̲T̲e̲a̲ ̲F̲o̲r̲ ̲T̲w̲o̲ ̲(̲T̲a̲k̲e̲ ̲5̲)̲
0:51:03 ̲T̲e̲a̲ ̲F̲o̲r̲ ̲T̲w̲o̲ ̲(̲T̲a̲k̲e̲ ̲1̲0̲)̲
0:54:52 ̲P̲a̲r̲i̲s̲i̲a̲n̲ ̲T̲h̲o̲r̲o̲u̲g̲h̲f̲a̲r̲e̲
0:57...
published: 24 Jun 2022
-
Bud Powell - Celia
Classic Mood Experience The best masterpieces ever recorded in the music history.
Join our Youtube: https://goo.gl/8AOGaN
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Earl Rudolph "Bud" Powell (September 27, 1924 – July 31, 1966) was an American jazz pianist, born and raised in Harlem, New York City. Though Thelonious Monk was a close friend, his greatest piano influence was Art Tatum.
Along with Charlie Parker, Monk, and Dizzy Gillespie, Powell was a leading figure in the development of modern jazz, or bebop. His virtuosity led many to call him the Charlie Parker of the piano. Powell was also a composer, and he "greatly extended the range of jazz harmony."
Powell's father was a stride pianist. Powell took to his father's instru...
published: 19 Nov 2012
-
The Amazing Bud P̲o̲w̲e̲l̲l̲ – Th̲e̲ S̲c̲e̲n̲e̲ C̲h̲a̲n̲g̲e̲s (1̲9̲5̲8̲)̲
tracks:
0:00:02 C̲l̲e̲o̲p̲a̲t̲r̲a̲'̲s̲ ̲D̲r̲e̲a̲m̲
0:04:24 ̲D̲u̲i̲d̲ ̲D̲e̲e̲d̲
0:09:33 ̲D̲o̲w̲n̲ ̲W̲i̲t̲h̲ ̲I̲t̲
0:13:34 ̲D̲a̲n̲c̲e̲l̲a̲n̲d̲
0:17:18 ̲B̲o̲r̲d̲e̲r̲i̲c̲k̲
0:19:18 ̲C̲r̲o̲s̲s̲i̲n̲'̲ ̲T̲h̲e̲ ̲C̲h̲a̲n̲n̲e̲l̲
0:22:50 ̲C̲o̲m̲i̲n̲'̲ ̲U̲p̲
0:30:47 ̲G̲e̲t̲t̲i̲n̲'̲ ̲T̲h̲e̲r̲e̲
0:35:51 ̲T̲h̲e̲ ̲S̲c̲e̲n̲e̲ ̲C̲h̲a̲n̲g̲e̲s̲
0:39:55 ̲C̲o̲m̲i̲n̲'̲ ̲U̲p̲ ̲(̲A̲l̲t̲e̲r̲n̲a̲t̲e̲ ̲T̲a̲k̲e̲)̲
published: 01 Jan 2022
-
Bud Powell live Montmartre 30/03/1962
Montmartre Copenhagen 1962
Piano - Bud Powell
Bass - Niels-Henning Ørsted Pedersen (NHØP)
Drums - Jørgen Elniff
published: 25 Jun 2021
-
Bud Powell - Bouncing With Bud
Classic Mood Experience The best masterpieces ever recorded in the music history.
Join our Youtube: https://goo.gl/8AOGaN
Join our Facebook: http://goo.gl/5oL723
iTunes: https://goo.gl/r80k8j
Google Play: https://goo.gl/Hi9GVi
Earl Rudolph "Bud" Powell (September 27, 1924 – July 31, 1966) was an American jazz pianist, born and raised in Harlem, New York City. Though Thelonious Monk was a close friend, his greatest piano influence was Art Tatum.
Along with Charlie Parker, Monk, and Dizzy Gillespie, Powell was a leading figure in the development of modern jazz, or bebop. His virtuosity led many to call him the Charlie Parker of the piano. Powell was also a composer, and he "greatly extended the range of jazz harmony."
Powell's father was a stride pianist. Powell took to his father's instru...
published: 19 Nov 2012
5:28
Bud Powell - Anthropology (1962)
Bud Powell - piano
Niels-Henning Orsted Pedersen - bass
Jorn Elniff - drums
Live from Café Montmartre, Copenhagen, early 1962
Bud Powell - piano
Niels-Henning Orsted Pedersen - bass
Jorn Elniff - drums
Live from Café Montmartre, Copenhagen, early 1962
https://wn.com/Bud_Powell_Anthropology_(1962)
Bud Powell - piano
Niels-Henning Orsted Pedersen - bass
Jorn Elniff - drums
Live from Café Montmartre, Copenhagen, early 1962
- published: 14 Jan 2010
- views: 625456
6:53
Bud Powell, at the Antibes Jazz festival, July 13th, 1960 (colorized)
Sweet and lovely 00:00
Swing Napoli 03:10
Bud Powell (piano)
see also
Bud Powell & Charles Mingus Quintet, Antibes jazz Festival, July 13th, 1960
https://you...
Sweet and lovely 00:00
Swing Napoli 03:10
Bud Powell (piano)
see also
Bud Powell & Charles Mingus Quintet, Antibes jazz Festival, July 13th, 1960
https://youtu.be/nu5uRiEuPFg
https://wn.com/Bud_Powell,_At_The_Antibes_Jazz_Festival,_July_13Th,_1960_(Colorized)
Sweet and lovely 00:00
Swing Napoli 03:10
Bud Powell (piano)
see also
Bud Powell & Charles Mingus Quintet, Antibes jazz Festival, July 13th, 1960
https://youtu.be/nu5uRiEuPFg
- published: 13 Oct 2021
- views: 18691
1:06:42
Bud Powell Greatest Hits Full Album - The Best of Bud Powell
Bud Powell Greatest Hits Full Album - The Best of Bud Powell
Bud Powell Greatest Hits Full Album - The Best of Bud Powell
Bud Powell Greatest Hits Full Album - ...
Bud Powell Greatest Hits Full Album - The Best of Bud Powell
Bud Powell Greatest Hits Full Album - The Best of Bud Powell
Bud Powell Greatest Hits Full Album - The Best of Bud Powell
The playlist is randomly arranged, I want to give good songs to all of you. Hope you enjoy it.
-----------------------------------------------------------------------------------
✔Thanks for watching! Have a nice day!
✔Don't forget LIKE - SHARE - COMMENT
-----------------------------------------------------------------------------------
⚠ If there are any copyright issues please contact us. We will remove the video.
Thanks,
✔Facebook: https://www.facebook.com/BinhCoiPro
✔Twiter: https://twitter.com/BestRemixMix
✔Donate: https://paypal.me/binhcopro
TAG: Bud Powell Greatest Hits Full Album,The Best of Bud Powell,Bud Powell Greatest Hits,Best of Bud Powell,Bud Powell Full Album,Bud Powell,bud powell greatest hits full album,bud powell,jazz,bud,powell,the best of bud powell,bud powell greatest hits,best of bud powell,bebop,bud powell full album
https://wn.com/Bud_Powell_Greatest_Hits_Full_Album_The_Best_Of_Bud_Powell
Bud Powell Greatest Hits Full Album - The Best of Bud Powell
Bud Powell Greatest Hits Full Album - The Best of Bud Powell
Bud Powell Greatest Hits Full Album - The Best of Bud Powell
The playlist is randomly arranged, I want to give good songs to all of you. Hope you enjoy it.
-----------------------------------------------------------------------------------
✔Thanks for watching! Have a nice day!
✔Don't forget LIKE - SHARE - COMMENT
-----------------------------------------------------------------------------------
⚠ If there are any copyright issues please contact us. We will remove the video.
Thanks,
✔Facebook: https://www.facebook.com/BinhCoiPro
✔Twiter: https://twitter.com/BestRemixMix
✔Donate: https://paypal.me/binhcopro
TAG: Bud Powell Greatest Hits Full Album,The Best of Bud Powell,Bud Powell Greatest Hits,Best of Bud Powell,Bud Powell Full Album,Bud Powell,bud powell greatest hits full album,bud powell,jazz,bud,powell,the best of bud powell,bud powell greatest hits,best of bud powell,bebop,bud powell full album
- published: 26 Dec 2021
- views: 8115
7:55
The Pianist That Influenced A Generation
In this episode we talk about Bud Powell a pianist that influenced an entire generation of musicians.
📚👂 Ultimate Bundle Sale - ONLY $99 for all my educational...
In this episode we talk about Bud Powell a pianist that influenced an entire generation of musicians.
📚👂 Ultimate Bundle Sale - ONLY $99 for all my educational products: https://rickbeato.com
📚— The Beato Book Interactive - $99.00 value
👂— The Beato Ear Training Program - $99.00 value
🎸— The Quick Lessons Pro Guitar Course - $79.00 value
… all for just $99.00
Get it here: https://rickbeato.com
---------------------------------------------------------------------------------------------------------------------
SUBSCRIBE HERE → http://bit.ly/2eEs9gX
For recurring support go here: https://flatfiv.co/pages/become-a-bea...
https://wn.com/The_Pianist_That_Influenced_A_Generation
In this episode we talk about Bud Powell a pianist that influenced an entire generation of musicians.
📚👂 Ultimate Bundle Sale - ONLY $99 for all my educational products: https://rickbeato.com
📚— The Beato Book Interactive - $99.00 value
👂— The Beato Ear Training Program - $99.00 value
🎸— The Quick Lessons Pro Guitar Course - $79.00 value
… all for just $99.00
Get it here: https://rickbeato.com
---------------------------------------------------------------------------------------------------------------------
SUBSCRIBE HERE → http://bit.ly/2eEs9gX
For recurring support go here: https://flatfiv.co/pages/become-a-bea...
- published: 25 Sep 2022
- views: 222979
42:17
The Amazing Bud P̲o̲w̲e̲l̲l̲ – T̲i̲m̲e̲ Wa̲i̲t̲s (1̲9̲5̲8̲)̲
0:00:00 B̲u̲s̲t̲e̲r̲ ̲R̲i̲d̲e̲s̲ ̲A̲g̲a̲i̲n̲
0:05:35 ̲S̲u̲b̲ ̲C̲i̲t̲y̲
0:10:11 ̲T̲i̲m̲e̲ ̲W̲a̲i̲t̲s̲
0:15:22 ̲M̲a̲r̲m̲a̲l̲a̲d̲e̲
0:19:53 ̲M̲o̲n̲o̲p̲o̲l̲y̲
0:24:...
0:00:00 B̲u̲s̲t̲e̲r̲ ̲R̲i̲d̲e̲s̲ ̲A̲g̲a̲i̲n̲
0:05:35 ̲S̲u̲b̲ ̲C̲i̲t̲y̲
0:10:11 ̲T̲i̲m̲e̲ ̲W̲a̲i̲t̲s̲
0:15:22 ̲M̲a̲r̲m̲a̲l̲a̲d̲e̲
0:19:53 ̲M̲o̲n̲o̲p̲o̲l̲y̲
0:24:45 ̲J̲o̲h̲n̲'̲s̲ ̲A̲b̲b̲e̲y̲
0:30:25 ̲D̲r̲y̲ ̲S̲o̲u̲l̲
0:37:11 ̲S̲u̲b̲ ̲C̲i̲t̲y̲ ̲(̲A̲l̲t̲e̲r̲n̲a̲t̲e̲ ̲T̲a̲k̲e̲)̲
0:39:51 ̲J̲o̲h̲n̲'̲s̲ ̲A̲b̲b̲e̲y̲ ̲(̲A̲l̲t̲e̲r̲n̲a̲t̲e̲ ̲T̲a̲k̲e̲)̲
https://wn.com/The_Amazing_Bud_P̲O̲W̲E̲L̲L̲_–_T̲I̲M̲E̲_Wa̲I̲T̲S_(1̲9̲5̲8̲)̲
0:00:00 B̲u̲s̲t̲e̲r̲ ̲R̲i̲d̲e̲s̲ ̲A̲g̲a̲i̲n̲
0:05:35 ̲S̲u̲b̲ ̲C̲i̲t̲y̲
0:10:11 ̲T̲i̲m̲e̲ ̲W̲a̲i̲t̲s̲
0:15:22 ̲M̲a̲r̲m̲a̲l̲a̲d̲e̲
0:19:53 ̲M̲o̲n̲o̲p̲o̲l̲y̲
0:24:45 ̲J̲o̲h̲n̲'̲s̲ ̲A̲b̲b̲e̲y̲
0:30:25 ̲D̲r̲y̲ ̲S̲o̲u̲l̲
0:37:11 ̲S̲u̲b̲ ̲C̲i̲t̲y̲ ̲(̲A̲l̲t̲e̲r̲n̲a̲t̲e̲ ̲T̲a̲k̲e̲)̲
0:39:51 ̲J̲o̲h̲n̲'̲s̲ ̲A̲b̲b̲e̲y̲ ̲(̲A̲l̲t̲e̲r̲n̲a̲t̲e̲ ̲T̲a̲k̲e̲)̲
- published: 05 Nov 2021
- views: 12288
5:14:38
Bud̲ P̲o̲w̲e̲l̲l – ̲T̲h̲e̲ C̲o̲m̲p̲l̲e̲t̲e B̲u̲d̲ P̲o̲w̲e̲l̲l ̲O̲n̲ V̲e̲r̲v̲e ̲(1̲9̲4̲9̲-̲5̲6̲)̲
tracks:
0:00:01 T̲e̲m̲p̲u̲s̲ ̲F̲u̲g̲i̲t̲
0:02:31 ̲C̲e̲l̲i̲a̲
0:05:32 ̲C̲h̲e̲r̲o̲k̲e̲e̲
0:09:13 ̲I̲'̲l̲l̲ ̲K̲e̲e̲p̲ ̲L̲o̲v̲i̲n̲g̲ ̲Y̲o̲u̲ ̲(̲2̲0̲0̲0̲ ̲-̲ ̲R̲e̲m...
tracks:
0:00:01 T̲e̲m̲p̲u̲s̲ ̲F̲u̲g̲i̲t̲
0:02:31 ̲C̲e̲l̲i̲a̲
0:05:32 ̲C̲h̲e̲r̲o̲k̲e̲e̲
0:09:13 ̲I̲'̲l̲l̲ ̲K̲e̲e̲p̲ ̲L̲o̲v̲i̲n̲g̲ ̲Y̲o̲u̲ ̲(̲2̲0̲0̲0̲ ̲-̲ ̲R̲e̲m̲a̲s̲t̲e̲r̲)̲
0:11:54 ̲S̲t̲r̲i̲c̲t̲l̲y̲ ̲C̲o̲n̲f̲i̲d̲e̲n̲t̲i̲a̲l̲
0:14:40 ̲A̲l̲l̲ ̲G̲o̲d̲'̲s̲ ̲C̲h̲i̲l̲l̲u̲n̲ ̲G̲o̲t̲ ̲R̲h̲y̲t̲h̲m̲
0:18:07 ̲S̲o̲ ̲S̲o̲r̲r̲y̲,̲ ̲P̲l̲e̲a̲s̲e̲
0:21:25 ̲G̲e̲t̲ ̲H̲a̲p̲p̲y̲
0:24:20 ̲S̲o̲m̲e̲t̲i̲m̲e̲s̲ ̲I̲'̲m̲ ̲H̲a̲p̲p̲y̲
0:27:58 ̲S̲w̲e̲e̲t̲ ̲G̲e̲o̲r̲g̲i̲a̲ ̲B̲r̲o̲w̲n̲
0:30:48 ̲Y̲e̲s̲t̲e̲r̲d̲a̲y̲s̲
0:33:41 ̲A̲p̲r̲i̲l̲ ̲I̲n̲ ̲P̲a̲r̲i̲s̲
0:36:50 ̲B̲o̲d̲y̲ ̲A̲n̲d̲ ̲S̲o̲u̲l̲
0:40:14 ̲H̲a̲l̲l̲e̲l̲u̲j̲a̲h̲
0:43:14 ̲T̲e̲a̲ ̲F̲o̲r̲ ̲T̲w̲o̲ ̲(̲T̲a̲k̲e̲ ̲6̲)̲
0:47:30 ̲T̲e̲a̲ ̲F̲o̲r̲ ̲T̲w̲o̲ ̲(̲T̲a̲k̲e̲ ̲5̲)̲
0:51:03 ̲T̲e̲a̲ ̲F̲o̲r̲ ̲T̲w̲o̲ ̲(̲T̲a̲k̲e̲ ̲1̲0̲)̲
0:54:52 ̲P̲a̲r̲i̲s̲i̲a̲n̲ ̲T̲h̲o̲r̲o̲u̲g̲h̲f̲a̲r̲e̲
0:57:22 ̲O̲b̲l̲i̲v̲i̲o̲n̲
0:59:34 ̲D̲u̲s̲k̲ ̲I̲n̲ ̲S̲a̲n̲d̲i̲
1:01:50 ̲H̲a̲l̲l̲u̲c̲i̲n̲a̲t̲i̲o̲n̲s̲
1:04:17 ̲T̲h̲e̲ ̲F̲r̲u̲i̲t̲
1:07:34 ̲A̲ ̲N̲i̲g̲h̲t̲i̲n̲g̲a̲l̲e̲ ̲S̲a̲n̲g̲ ̲I̲n̲ ̲B̲e̲r̲k̲e̲l̲e̲y̲ ̲S̲q̲u̲a̲r̲e̲
1:11:20 ̲J̲u̲s̲t̲ ̲O̲n̲e̲ ̲O̲f̲ ̲T̲h̲o̲s̲e̲ ̲T̲h̲i̲n̲g̲s̲
1:15:13 ̲T̲h̲e̲ ̲L̲a̲s̲t̲ ̲T̲i̲m̲e̲ ̲I̲ ̲S̲a̲w̲ ̲P̲a̲r̲i̲s̲
1:18:29 ̲M̲o̲o̲n̲l̲i̲g̲h̲t̲ ̲I̲n̲ ̲V̲e̲r̲m̲o̲n̲t̲
1:22:06 ̲S̲p̲r̲i̲n̲g̲ ̲I̲s̲ ̲H̲e̲r̲e̲
1:25:37 ̲B̲u̲t̲t̲e̲r̲c̲u̲p̲
1:28:40 ̲F̲a̲n̲t̲a̲s̲y̲ ̲I̲n̲ ̲B̲l̲u̲e̲
1:31:46 ̲I̲t̲ ̲N̲e̲v̲e̲r̲ ̲E̲n̲t̲e̲r̲e̲d̲ ̲M̲y̲ ̲M̲i̲n̲d̲
1:34:46 ̲A̲ ̲F̲o̲g̲g̲y̲ ̲D̲a̲y̲
1:39:30 ̲T̲i̲m̲e̲ ̲W̲a̲s̲
1:42:52 ̲M̲y̲ ̲F̲u̲n̲n̲y̲ ̲V̲a̲l̲e̲n̲t̲i̲n̲e̲
1:45:50 ̲L̲I̲K̲E̲ ̲S̲O̲M̲E̲O̲N̲E̲ ̲I̲N̲ ̲L̲O̲V̲E̲
1:47:30 ̲L̲i̲k̲e̲ ̲S̲o̲m̲e̲o̲n̲e̲ ̲I̲n̲ ̲L̲o̲v̲e̲
1:49:30 ̲D̲e̲e̲p̲ ̲N̲i̲g̲h̲t̲
1:53:15 ̲T̲h̲a̲t̲ ̲O̲l̲d̲ ̲B̲l̲a̲c̲k̲ ̲M̲a̲g̲i̲c̲
1:54:08 ̲T̲h̲a̲t̲ ̲O̲l̲d̲ ̲B̲l̲a̲c̲k̲ ̲M̲a̲g̲i̲c̲ ̲(̲A̲l̲t̲.T̲k̲. ̲1̲)̲
1:56:38 ̲T̲h̲a̲t̲ ̲O̲l̲d̲ ̲B̲l̲a̲c̲k̲ ̲M̲a̲g̲i̲c̲
1:59:01 ̲T̲h̲a̲t̲ ̲O̲l̲d̲ ̲B̲l̲a̲c̲k̲ ̲M̲a̲g̲i̲c̲ ̲(̲A̲l̲t̲.T̲k̲. ̲2̲)̲
2:01:53 ̲'̲R̲o̲u̲n̲d̲ ̲M̲i̲d̲n̲i̲g̲h̲t̲
2:11:12 ̲T̲h̲o̲u̲ ̲S̲w̲e̲l̲l̲ ̲(̲M̲a̲s̲t̲e̲r̲ ̲T̲a̲k̲e̲)̲
2:13:25 ̲T̲h̲o̲u̲ ̲S̲w̲e̲l̲l̲ ̲
2:15:40 ̲S̲o̲m̲e̲o̲n̲e̲ ̲T̲o̲ ̲W̲a̲t̲c̲h̲ ̲O̲v̲e̲r̲ ̲M̲e̲
2:18:14 ̲L̲o̲v̲e̲r̲ ̲C̲o̲m̲e̲ ̲B̲a̲c̲k̲ ̲T̲o̲ ̲M̲e̲
2:22:13 ̲T̲e̲n̲d̲e̲r̲l̲y̲
2:24:00 ̲T̲e̲n̲d̲e̲r̲l̲y̲
2:25:32 ̲H̲o̲w̲ ̲H̲i̲g̲h̲ ̲T̲h̲e̲ ̲M̲o̲o̲n̲
2:30:32 ̲I̲ ̲G̲e̲t̲ ̲A̲ ̲K̲i̲c̲k̲ ̲O̲u̲t̲ ̲O̲f̲ ̲Y̲o̲u̲ ̲(̲M̲a̲s̲t̲e̲r̲ ̲T̲a̲k̲e̲)̲
2:32:32 ̲I̲ ̲G̲e̲t̲ ̲A̲ ̲K̲i̲c̲k̲ ̲O̲u̲t̲ ̲O̲f̲ ̲Y̲o̲u̲
2:34:32 ̲I̲ ̲G̲e̲t̲ ̲A̲ ̲K̲i̲c̲k̲ ̲O̲u̲t̲ ̲O̲f̲ ̲Y̲o̲u̲
2:37:32 ̲T̲h̲e̲ ̲B̲e̲s̲t̲ ̲T̲h̲i̲n̲g̲ ̲F̲o̲r̲ ̲Y̲o̲u̲
2:40:21 ̲Y̲o̲u̲ ̲G̲o̲ ̲T̲o̲ ̲M̲y̲ ̲H̲e̲a̲d̲
2:44:36 ̲T̲h̲e̲ ̲B̲e̲s̲t̲ ̲T̲h̲i̲n̲g̲ ̲F̲o̲r̲ ̲Y̲o̲u̲ ̲(̲G̲l̲i̲t̲c̲h̲ ̲O̲n̲ ̲M̲a̲s̲t̲e̲r̲ ̲A̲t̲ ̲1̲:̲2̲9̲)̲
2:47:14 ̲M̲e̲d̲i̲o̲c̲r̲e̲
2:50:12 ̲A̲l̲l̲ ̲T̲h̲e̲ ̲T̲h̲i̲n̲g̲s̲ ̲Y̲o̲u̲ ̲A̲r̲e̲
2:53:46 ̲E̲p̲i̲s̲t̲r̲o̲p̲h̲y̲
2:56:49 ̲D̲a̲n̲c̲e̲ ̲O̲f̲ ̲T̲h̲e̲ ̲I̲n̲f̲i̲d̲e̲l̲s̲
2:59:07 ̲S̲a̲l̲t̲ ̲P̲e̲a̲n̲u̲t̲s̲
3:01:29 ̲H̲e̲y̲ ̲G̲e̲o̲r̲g̲e̲
3:05:05 ̲C̲o̲n̲c̲e̲p̲t̲i̲o̲n̲ ̲(̲1̲2̲"̲ ̲V̲e̲r̲s̲i̲o̲n̲)̲
3:07:05 ̲C̲o̲n̲c̲e̲p̲t̲i̲o̲n̲ ̲
3:09:22 ̲B̲e̲a̲n̲ ̲A̲n̲d̲ ̲T̲h̲e̲ ̲B̲o̲y̲s̲
3:13:24 ̲H̲e̲a̲r̲t̲ ̲A̲n̲d̲ ̲S̲o̲u̲l̲
3:16:15 ̲H̲e̲a̲r̲t̲ ̲A̲n̲d̲ ̲S̲o̲u̲l̲ ̲(̲A̲l̲t̲.T̲k̲. ̲1̲)̲
3:18:46 ̲H̲e̲a̲r̲t̲ ̲A̲n̲d̲ ̲S̲o̲u̲l̲ ̲(̲A̲l̲t̲.T̲k̲. ̲2̲)̲
3:20:11 ̲H̲e̲a̲r̲t̲ ̲A̲n̲d̲ ̲S̲o̲u̲l̲
3:22:07 ̲W̲i̲l̲l̲o̲w̲ ̲G̲r̲o̲v̲e̲ ̲(̲A̲l̲t̲.T̲k̲. ̲/̲ ̲E̲d̲i̲t̲)̲
3:25:29 ̲W̲i̲l̲l̲o̲w̲ ̲G̲r̲o̲v̲e̲ ̲(̲W̲i̲l̲l̲o̲w̲ ̲G̲r̲o̲o̲v̲e̲)̲
3:29:53 ̲C̲r̲a̲z̲y̲ ̲R̲h̲y̲t̲h̲m̲
3:33:29 ̲W̲i̲l̲l̲o̲w̲ ̲W̲e̲e̲p̲ ̲F̲o̲r̲ ̲M̲e̲
3:38:11 ̲B̲e̲a̲n̲ ̲A̲n̲d̲ ̲T̲h̲e̲ ̲B̲o̲y̲s̲
3:43:37 ̲E̲a̲s̲t̲ ̲O̲f̲ ̲T̲h̲e̲ ̲S̲u̲n̲ ̲(̲A̲n̲d̲ ̲W̲e̲s̲t̲ ̲O̲f̲ ̲T̲h̲e̲ ̲M̲o̲o̲n̲)̲ ̲(̲A̲l̲t̲.T̲k̲.)̲
3:47:55 ̲E̲a̲s̲t̲ ̲O̲f̲ ̲T̲h̲e̲ ̲S̲u̲n̲ ̲(̲A̲n̲d̲ ̲W̲e̲s̲t̲ ̲O̲f̲ ̲T̲h̲e̲ ̲M̲o̲o̲n̲)̲ ̲(̲M̲a̲s̲t̲e̲r̲ ̲T̲a̲k̲e̲)̲
3:51:56 ̲L̲a̲d̲y̲ ̲B̲i̲r̲d̲ ̲(̲A̲l̲t̲.T̲k̲.v ̲1̲)̲
3:51:56 ̲L̲a̲d̲y̲ ̲B̲i̲r̲d̲ ̲(̲A̲l̲t̲.T̲k̲. ̲1̲)̲
3:55:22 ̲L̲a̲d̲y̲ ̲B̲i̲r̲d̲ ̲(̲A̲l̲t̲.T̲k̲. ̲2̲)̲
3:57:02 ̲L̲a̲d̲y̲ ̲B̲i̲r̲d̲ ̲
3:59:08 ̲S̲t̲a̲i̲r̲w̲a̲y̲ ̲T̲o̲ ̲T̲h̲e̲ ̲S̲t̲a̲r̲s̲
4:01:09 ̲S̲t̲a̲i̲r̲w̲a̲y̲ ̲T̲o̲ ̲T̲h̲e̲ ̲S̲t̲a̲r̲s̲ ̲2̲
4:04:12 ̲L̲a̲d̲y̲ ̲B̲i̲r̲d̲
4:09:30 ̲L̲u̲l̲l̲a̲b̲y̲ ̲I̲n̲ ̲R̲h̲y̲t̲h̲m̲
4:13:14 ̲L̲u̲l̲l̲a̲b̲y̲ ̲I̲n̲ ̲R̲h̲y̲t̲h̲m̲ ̲2̲
4:16:48 ̲S̲t̲a̲r̲ ̲E̲y̲e̲s̲ ̲(̲A̲l̲t̲.T̲k̲. ̲2̲)̲
4:20:00 ̲S̲t̲a̲r̲ ̲E̲y̲e̲s̲ ̲(̲A̲l̲t̲.T̲k̲. ̲3̲)̲
4:24:22 ̲S̲t̲a̲r̲ ̲E̲y̲e̲s̲ ̲(̲A̲l̲t̲.T̲k̲. ̲4̲)̲
4:28:13 ̲S̲t̲a̲r̲ ̲E̲y̲e̲s̲ ̲(̲A̲l̲t̲.T̲k̲. ̲1̲)̲
4:29:59 ̲S̲t̲a̲r̲ ̲E̲y̲e̲s̲
4:30:36 ̲S̲t̲a̲r̲ ̲E̲y̲e̲s̲ ̲2̲
4:31:48 ̲C̲o̲n̲f̲i̲r̲m̲a̲t̲i̲o̲n̲
4:36:13 ̲W̲h̲e̲n̲ ̲I̲ ̲F̲a̲l̲l̲ ̲I̲n̲ ̲L̲o̲v̲e̲
4:37:53 ̲M̲y̲ ̲H̲e̲a̲r̲t̲ ̲S̲t̲o̲o̲d̲ ̲S̲t̲i̲l̲l̲
4:41:27 ̲B̲l̲u̲e̲s̲ ̲I̲n̲ ̲T̲h̲e̲ ̲C̲l̲o̲s̲e̲t̲
4:44:28 ̲S̲w̲i̲n̲g̲i̲n̲g̲ ̲'̲T̲i̲l̲ ̲T̲h̲e̲ ̲G̲i̲r̲l̲s̲ ̲C̲o̲m̲e̲ ̲H̲o̲m̲e̲
4:47:52 ̲I̲ ̲K̲n̲o̲w̲ ̲T̲h̲a̲t̲ ̲Y̲o̲u̲ ̲K̲n̲o̲w̲
4:50:18 ̲E̲l̲e̲g̲y̲
4:53:16 ̲W̲o̲o̲d̲y̲ ̲'̲N̲'̲ ̲Y̲o̲u̲
4:57:10 ̲I̲ ̲S̲h̲o̲u̲l̲d̲ ̲C̲a̲r̲e̲
5:00:51 ̲N̲o̲w̲ ̲I̲s̲ ̲T̲h̲e̲ ̲T̲i̲m̲e̲
5:05:24 ̲I̲ ̲D̲i̲d̲n̲'̲t̲ ̲K̲n̲o̲w̲ ̲W̲h̲a̲t̲ ̲T̲i̲m̲e̲ ̲I̲t̲ ̲W̲a̲s̲
5:09:28 ̲B̲e̲-̲B̲o̲p̲
5:11:52 ̲F̲i̲f̲t̲y̲ ̲S̲e̲c̲o̲n̲d̲ ̲S̲t̲r̲e̲e̲t̲ ̲T̲h̲e̲m̲e̲
https://wn.com/Bud̲_P̲O̲W̲E̲L̲L_–_̲T̲H̲E̲_C̲O̲M̲P̲L̲E̲T̲E_B̲U̲D̲_P̲O̲W̲E̲L̲L_̲O̲N̲_V̲E̲R̲V̲E_̲(1̲9̲4̲9̲_̲5̲6̲)̲
tracks:
0:00:01 T̲e̲m̲p̲u̲s̲ ̲F̲u̲g̲i̲t̲
0:02:31 ̲C̲e̲l̲i̲a̲
0:05:32 ̲C̲h̲e̲r̲o̲k̲e̲e̲
0:09:13 ̲I̲'̲l̲l̲ ̲K̲e̲e̲p̲ ̲L̲o̲v̲i̲n̲g̲ ̲Y̲o̲u̲ ̲(̲2̲0̲0̲0̲ ̲-̲ ̲R̲e̲m̲a̲s̲t̲e̲r̲)̲
0:11:54 ̲S̲t̲r̲i̲c̲t̲l̲y̲ ̲C̲o̲n̲f̲i̲d̲e̲n̲t̲i̲a̲l̲
0:14:40 ̲A̲l̲l̲ ̲G̲o̲d̲'̲s̲ ̲C̲h̲i̲l̲l̲u̲n̲ ̲G̲o̲t̲ ̲R̲h̲y̲t̲h̲m̲
0:18:07 ̲S̲o̲ ̲S̲o̲r̲r̲y̲,̲ ̲P̲l̲e̲a̲s̲e̲
0:21:25 ̲G̲e̲t̲ ̲H̲a̲p̲p̲y̲
0:24:20 ̲S̲o̲m̲e̲t̲i̲m̲e̲s̲ ̲I̲'̲m̲ ̲H̲a̲p̲p̲y̲
0:27:58 ̲S̲w̲e̲e̲t̲ ̲G̲e̲o̲r̲g̲i̲a̲ ̲B̲r̲o̲w̲n̲
0:30:48 ̲Y̲e̲s̲t̲e̲r̲d̲a̲y̲s̲
0:33:41 ̲A̲p̲r̲i̲l̲ ̲I̲n̲ ̲P̲a̲r̲i̲s̲
0:36:50 ̲B̲o̲d̲y̲ ̲A̲n̲d̲ ̲S̲o̲u̲l̲
0:40:14 ̲H̲a̲l̲l̲e̲l̲u̲j̲a̲h̲
0:43:14 ̲T̲e̲a̲ ̲F̲o̲r̲ ̲T̲w̲o̲ ̲(̲T̲a̲k̲e̲ ̲6̲)̲
0:47:30 ̲T̲e̲a̲ ̲F̲o̲r̲ ̲T̲w̲o̲ ̲(̲T̲a̲k̲e̲ ̲5̲)̲
0:51:03 ̲T̲e̲a̲ ̲F̲o̲r̲ ̲T̲w̲o̲ ̲(̲T̲a̲k̲e̲ ̲1̲0̲)̲
0:54:52 ̲P̲a̲r̲i̲s̲i̲a̲n̲ ̲T̲h̲o̲r̲o̲u̲g̲h̲f̲a̲r̲e̲
0:57:22 ̲O̲b̲l̲i̲v̲i̲o̲n̲
0:59:34 ̲D̲u̲s̲k̲ ̲I̲n̲ ̲S̲a̲n̲d̲i̲
1:01:50 ̲H̲a̲l̲l̲u̲c̲i̲n̲a̲t̲i̲o̲n̲s̲
1:04:17 ̲T̲h̲e̲ ̲F̲r̲u̲i̲t̲
1:07:34 ̲A̲ ̲N̲i̲g̲h̲t̲i̲n̲g̲a̲l̲e̲ ̲S̲a̲n̲g̲ ̲I̲n̲ ̲B̲e̲r̲k̲e̲l̲e̲y̲ ̲S̲q̲u̲a̲r̲e̲
1:11:20 ̲J̲u̲s̲t̲ ̲O̲n̲e̲ ̲O̲f̲ ̲T̲h̲o̲s̲e̲ ̲T̲h̲i̲n̲g̲s̲
1:15:13 ̲T̲h̲e̲ ̲L̲a̲s̲t̲ ̲T̲i̲m̲e̲ ̲I̲ ̲S̲a̲w̲ ̲P̲a̲r̲i̲s̲
1:18:29 ̲M̲o̲o̲n̲l̲i̲g̲h̲t̲ ̲I̲n̲ ̲V̲e̲r̲m̲o̲n̲t̲
1:22:06 ̲S̲p̲r̲i̲n̲g̲ ̲I̲s̲ ̲H̲e̲r̲e̲
1:25:37 ̲B̲u̲t̲t̲e̲r̲c̲u̲p̲
1:28:40 ̲F̲a̲n̲t̲a̲s̲y̲ ̲I̲n̲ ̲B̲l̲u̲e̲
1:31:46 ̲I̲t̲ ̲N̲e̲v̲e̲r̲ ̲E̲n̲t̲e̲r̲e̲d̲ ̲M̲y̲ ̲M̲i̲n̲d̲
1:34:46 ̲A̲ ̲F̲o̲g̲g̲y̲ ̲D̲a̲y̲
1:39:30 ̲T̲i̲m̲e̲ ̲W̲a̲s̲
1:42:52 ̲M̲y̲ ̲F̲u̲n̲n̲y̲ ̲V̲a̲l̲e̲n̲t̲i̲n̲e̲
1:45:50 ̲L̲I̲K̲E̲ ̲S̲O̲M̲E̲O̲N̲E̲ ̲I̲N̲ ̲L̲O̲V̲E̲
1:47:30 ̲L̲i̲k̲e̲ ̲S̲o̲m̲e̲o̲n̲e̲ ̲I̲n̲ ̲L̲o̲v̲e̲
1:49:30 ̲D̲e̲e̲p̲ ̲N̲i̲g̲h̲t̲
1:53:15 ̲T̲h̲a̲t̲ ̲O̲l̲d̲ ̲B̲l̲a̲c̲k̲ ̲M̲a̲g̲i̲c̲
1:54:08 ̲T̲h̲a̲t̲ ̲O̲l̲d̲ ̲B̲l̲a̲c̲k̲ ̲M̲a̲g̲i̲c̲ ̲(̲A̲l̲t̲.T̲k̲. ̲1̲)̲
1:56:38 ̲T̲h̲a̲t̲ ̲O̲l̲d̲ ̲B̲l̲a̲c̲k̲ ̲M̲a̲g̲i̲c̲
1:59:01 ̲T̲h̲a̲t̲ ̲O̲l̲d̲ ̲B̲l̲a̲c̲k̲ ̲M̲a̲g̲i̲c̲ ̲(̲A̲l̲t̲.T̲k̲. ̲2̲)̲
2:01:53 ̲'̲R̲o̲u̲n̲d̲ ̲M̲i̲d̲n̲i̲g̲h̲t̲
2:11:12 ̲T̲h̲o̲u̲ ̲S̲w̲e̲l̲l̲ ̲(̲M̲a̲s̲t̲e̲r̲ ̲T̲a̲k̲e̲)̲
2:13:25 ̲T̲h̲o̲u̲ ̲S̲w̲e̲l̲l̲ ̲
2:15:40 ̲S̲o̲m̲e̲o̲n̲e̲ ̲T̲o̲ ̲W̲a̲t̲c̲h̲ ̲O̲v̲e̲r̲ ̲M̲e̲
2:18:14 ̲L̲o̲v̲e̲r̲ ̲C̲o̲m̲e̲ ̲B̲a̲c̲k̲ ̲T̲o̲ ̲M̲e̲
2:22:13 ̲T̲e̲n̲d̲e̲r̲l̲y̲
2:24:00 ̲T̲e̲n̲d̲e̲r̲l̲y̲
2:25:32 ̲H̲o̲w̲ ̲H̲i̲g̲h̲ ̲T̲h̲e̲ ̲M̲o̲o̲n̲
2:30:32 ̲I̲ ̲G̲e̲t̲ ̲A̲ ̲K̲i̲c̲k̲ ̲O̲u̲t̲ ̲O̲f̲ ̲Y̲o̲u̲ ̲(̲M̲a̲s̲t̲e̲r̲ ̲T̲a̲k̲e̲)̲
2:32:32 ̲I̲ ̲G̲e̲t̲ ̲A̲ ̲K̲i̲c̲k̲ ̲O̲u̲t̲ ̲O̲f̲ ̲Y̲o̲u̲
2:34:32 ̲I̲ ̲G̲e̲t̲ ̲A̲ ̲K̲i̲c̲k̲ ̲O̲u̲t̲ ̲O̲f̲ ̲Y̲o̲u̲
2:37:32 ̲T̲h̲e̲ ̲B̲e̲s̲t̲ ̲T̲h̲i̲n̲g̲ ̲F̲o̲r̲ ̲Y̲o̲u̲
2:40:21 ̲Y̲o̲u̲ ̲G̲o̲ ̲T̲o̲ ̲M̲y̲ ̲H̲e̲a̲d̲
2:44:36 ̲T̲h̲e̲ ̲B̲e̲s̲t̲ ̲T̲h̲i̲n̲g̲ ̲F̲o̲r̲ ̲Y̲o̲u̲ ̲(̲G̲l̲i̲t̲c̲h̲ ̲O̲n̲ ̲M̲a̲s̲t̲e̲r̲ ̲A̲t̲ ̲1̲:̲2̲9̲)̲
2:47:14 ̲M̲e̲d̲i̲o̲c̲r̲e̲
2:50:12 ̲A̲l̲l̲ ̲T̲h̲e̲ ̲T̲h̲i̲n̲g̲s̲ ̲Y̲o̲u̲ ̲A̲r̲e̲
2:53:46 ̲E̲p̲i̲s̲t̲r̲o̲p̲h̲y̲
2:56:49 ̲D̲a̲n̲c̲e̲ ̲O̲f̲ ̲T̲h̲e̲ ̲I̲n̲f̲i̲d̲e̲l̲s̲
2:59:07 ̲S̲a̲l̲t̲ ̲P̲e̲a̲n̲u̲t̲s̲
3:01:29 ̲H̲e̲y̲ ̲G̲e̲o̲r̲g̲e̲
3:05:05 ̲C̲o̲n̲c̲e̲p̲t̲i̲o̲n̲ ̲(̲1̲2̲"̲ ̲V̲e̲r̲s̲i̲o̲n̲)̲
3:07:05 ̲C̲o̲n̲c̲e̲p̲t̲i̲o̲n̲ ̲
3:09:22 ̲B̲e̲a̲n̲ ̲A̲n̲d̲ ̲T̲h̲e̲ ̲B̲o̲y̲s̲
3:13:24 ̲H̲e̲a̲r̲t̲ ̲A̲n̲d̲ ̲S̲o̲u̲l̲
3:16:15 ̲H̲e̲a̲r̲t̲ ̲A̲n̲d̲ ̲S̲o̲u̲l̲ ̲(̲A̲l̲t̲.T̲k̲. ̲1̲)̲
3:18:46 ̲H̲e̲a̲r̲t̲ ̲A̲n̲d̲ ̲S̲o̲u̲l̲ ̲(̲A̲l̲t̲.T̲k̲. ̲2̲)̲
3:20:11 ̲H̲e̲a̲r̲t̲ ̲A̲n̲d̲ ̲S̲o̲u̲l̲
3:22:07 ̲W̲i̲l̲l̲o̲w̲ ̲G̲r̲o̲v̲e̲ ̲(̲A̲l̲t̲.T̲k̲. ̲/̲ ̲E̲d̲i̲t̲)̲
3:25:29 ̲W̲i̲l̲l̲o̲w̲ ̲G̲r̲o̲v̲e̲ ̲(̲W̲i̲l̲l̲o̲w̲ ̲G̲r̲o̲o̲v̲e̲)̲
3:29:53 ̲C̲r̲a̲z̲y̲ ̲R̲h̲y̲t̲h̲m̲
3:33:29 ̲W̲i̲l̲l̲o̲w̲ ̲W̲e̲e̲p̲ ̲F̲o̲r̲ ̲M̲e̲
3:38:11 ̲B̲e̲a̲n̲ ̲A̲n̲d̲ ̲T̲h̲e̲ ̲B̲o̲y̲s̲
3:43:37 ̲E̲a̲s̲t̲ ̲O̲f̲ ̲T̲h̲e̲ ̲S̲u̲n̲ ̲(̲A̲n̲d̲ ̲W̲e̲s̲t̲ ̲O̲f̲ ̲T̲h̲e̲ ̲M̲o̲o̲n̲)̲ ̲(̲A̲l̲t̲.T̲k̲.)̲
3:47:55 ̲E̲a̲s̲t̲ ̲O̲f̲ ̲T̲h̲e̲ ̲S̲u̲n̲ ̲(̲A̲n̲d̲ ̲W̲e̲s̲t̲ ̲O̲f̲ ̲T̲h̲e̲ ̲M̲o̲o̲n̲)̲ ̲(̲M̲a̲s̲t̲e̲r̲ ̲T̲a̲k̲e̲)̲
3:51:56 ̲L̲a̲d̲y̲ ̲B̲i̲r̲d̲ ̲(̲A̲l̲t̲.T̲k̲.v ̲1̲)̲
3:51:56 ̲L̲a̲d̲y̲ ̲B̲i̲r̲d̲ ̲(̲A̲l̲t̲.T̲k̲. ̲1̲)̲
3:55:22 ̲L̲a̲d̲y̲ ̲B̲i̲r̲d̲ ̲(̲A̲l̲t̲.T̲k̲. ̲2̲)̲
3:57:02 ̲L̲a̲d̲y̲ ̲B̲i̲r̲d̲ ̲
3:59:08 ̲S̲t̲a̲i̲r̲w̲a̲y̲ ̲T̲o̲ ̲T̲h̲e̲ ̲S̲t̲a̲r̲s̲
4:01:09 ̲S̲t̲a̲i̲r̲w̲a̲y̲ ̲T̲o̲ ̲T̲h̲e̲ ̲S̲t̲a̲r̲s̲ ̲2̲
4:04:12 ̲L̲a̲d̲y̲ ̲B̲i̲r̲d̲
4:09:30 ̲L̲u̲l̲l̲a̲b̲y̲ ̲I̲n̲ ̲R̲h̲y̲t̲h̲m̲
4:13:14 ̲L̲u̲l̲l̲a̲b̲y̲ ̲I̲n̲ ̲R̲h̲y̲t̲h̲m̲ ̲2̲
4:16:48 ̲S̲t̲a̲r̲ ̲E̲y̲e̲s̲ ̲(̲A̲l̲t̲.T̲k̲. ̲2̲)̲
4:20:00 ̲S̲t̲a̲r̲ ̲E̲y̲e̲s̲ ̲(̲A̲l̲t̲.T̲k̲. ̲3̲)̲
4:24:22 ̲S̲t̲a̲r̲ ̲E̲y̲e̲s̲ ̲(̲A̲l̲t̲.T̲k̲. ̲4̲)̲
4:28:13 ̲S̲t̲a̲r̲ ̲E̲y̲e̲s̲ ̲(̲A̲l̲t̲.T̲k̲. ̲1̲)̲
4:29:59 ̲S̲t̲a̲r̲ ̲E̲y̲e̲s̲
4:30:36 ̲S̲t̲a̲r̲ ̲E̲y̲e̲s̲ ̲2̲
4:31:48 ̲C̲o̲n̲f̲i̲r̲m̲a̲t̲i̲o̲n̲
4:36:13 ̲W̲h̲e̲n̲ ̲I̲ ̲F̲a̲l̲l̲ ̲I̲n̲ ̲L̲o̲v̲e̲
4:37:53 ̲M̲y̲ ̲H̲e̲a̲r̲t̲ ̲S̲t̲o̲o̲d̲ ̲S̲t̲i̲l̲l̲
4:41:27 ̲B̲l̲u̲e̲s̲ ̲I̲n̲ ̲T̲h̲e̲ ̲C̲l̲o̲s̲e̲t̲
4:44:28 ̲S̲w̲i̲n̲g̲i̲n̲g̲ ̲'̲T̲i̲l̲ ̲T̲h̲e̲ ̲G̲i̲r̲l̲s̲ ̲C̲o̲m̲e̲ ̲H̲o̲m̲e̲
4:47:52 ̲I̲ ̲K̲n̲o̲w̲ ̲T̲h̲a̲t̲ ̲Y̲o̲u̲ ̲K̲n̲o̲w̲
4:50:18 ̲E̲l̲e̲g̲y̲
4:53:16 ̲W̲o̲o̲d̲y̲ ̲'̲N̲'̲ ̲Y̲o̲u̲
4:57:10 ̲I̲ ̲S̲h̲o̲u̲l̲d̲ ̲C̲a̲r̲e̲
5:00:51 ̲N̲o̲w̲ ̲I̲s̲ ̲T̲h̲e̲ ̲T̲i̲m̲e̲
5:05:24 ̲I̲ ̲D̲i̲d̲n̲'̲t̲ ̲K̲n̲o̲w̲ ̲W̲h̲a̲t̲ ̲T̲i̲m̲e̲ ̲I̲t̲ ̲W̲a̲s̲
5:09:28 ̲B̲e̲-̲B̲o̲p̲
5:11:52 ̲F̲i̲f̲t̲y̲ ̲S̲e̲c̲o̲n̲d̲ ̲S̲t̲r̲e̲e̲t̲ ̲T̲h̲e̲m̲e̲
- published: 24 Jun 2022
- views: 9749
3:01
Bud Powell - Celia
Classic Mood Experience The best masterpieces ever recorded in the music history.
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Classic Mood Experience The best masterpieces ever recorded in the music history.
Join our Youtube: https://goo.gl/8AOGaN
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Earl Rudolph "Bud" Powell (September 27, 1924 – July 31, 1966) was an American jazz pianist, born and raised in Harlem, New York City. Though Thelonious Monk was a close friend, his greatest piano influence was Art Tatum.
Along with Charlie Parker, Monk, and Dizzy Gillespie, Powell was a leading figure in the development of modern jazz, or bebop. His virtuosity led many to call him the Charlie Parker of the piano. Powell was also a composer, and he "greatly extended the range of jazz harmony."
Powell's father was a stride pianist. Powell took to his father's instrument at a very young age, starting on classical-piano lessons at age five. His teacher, hired by his father, was a West Indian man named Rawlins.
But by age ten, Powell also showed interest in the swing-era jazz that could be heard all over the neighborhood. He first appeared in public at a rent party, where he mimicked Fats Waller's playing style. The first jazz composition that he mastered was James P. Johnson's "Carolina Shout".
Though underage, Bud listened to the musically adventurous performances at the Uptown House, an after-hours venue near where he lived. Here, the first stirrings of modernism (bebop) were heard nightly, and where Charlie Parker first appeared as a solo act when he briefly lived in New York.
Thelonious Monk had also played at the Uptown House. When he and Powell met (around 1942) the elder pianist/composer introduced Powell to the circle of bebop musicians that was forming at the venue known as Minton's Playhouse. Monk was resident there, and he presented Powell as his protégé. Their mutual affection grew and Monk became Powell's greatest mentor. For his part, Powell eagerly experimented with Monk's latest ideas on the piano. Monk's composition "In Walked Bud" is an enduring tribute to their time together in Harlem.
The Parker session aside, Powell made no other records and seldom appeared at nightclubs in 1947. In November, he had an altercation with another customer at a Harlem bar. In the ensuing fight, Powell was hit over his eye with a bottle. When Harlem Hospital found him incoherent and rambunctious, it sent him to Bellevue, which had the record of his previous confinement there and in a psychiatric hospital. It chose to institutionalize him again, though this time at Creedmoor State Hospital, a facility much closer to Manhattan. He was kept there for eleven months.
It is generally agreed that from 1949 through 1953 Powell made his best recordings, most of which were for Alfred Lion of Blue Note Records and for Norman Granz of Mercury, Norgran and Clef. The first Blue Note session, in August 1949, features Fats Navarro, Sonny Rollins, Powell, Tommy Potter and Roy Haynes, and the compositions "Bouncing with Bud" and "Dance of the Infidels". The second Blue Note session in 1951 was a trio with Curley Russell and Max Roach, and includes "Parisian Thoroughfare" and "Un Poco Loco"; the latter was selected by literary critic Harold Bloom for inclusion on his short list of the greatest works of twentieth-century American art. Sessions for Granz (more than a dozen) were all solo or trios, with a variety of bassists and drummers, including Ray Brown, George Duvivier, Percy Heath, Russell, Lloyd Trotman, Art Blakey, Kenny Clarke, Osie Johnson, Buddy Rich, Roach, and Art Taylor.
After several further spells in hospital, Powell moved to Paris in 1959, in the company of Altevia "Buttercup" Edwards, whom he had met after an incarceration in 1954. She kept control of his finances and overdosed him with Largactil, but Powell continued to perform and record. The 1960 live recording of the Essen jazz festival performance (with Clarke, Oscar Pettiford and, on some numbers, Coleman Hawkins) is particularly notable.
Jazz pianist Bill Cunliffe, whose music was influenced by Bud Powell, said in an interview with All About Jazz:
He was really the first guy; before Bud Powell, pianists were playing boom, chuck in the left hand and a lot of melodic figures in the right hand that tended to be arpeggios. But with Bud Powell, Bud Powell was imitating Charlie Parker. So Bud was the first pianist to take Charlie Parker's language and adapt it successfully to the piano. That's why he is the most important pianist in music today because everybody plays like that now.
FROM WIKIPEDIA: https://en.wikipedia.org/wiki/Bud_Powell
https://wn.com/Bud_Powell_Celia
Classic Mood Experience The best masterpieces ever recorded in the music history.
Join our Youtube: https://goo.gl/8AOGaN
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Earl Rudolph "Bud" Powell (September 27, 1924 – July 31, 1966) was an American jazz pianist, born and raised in Harlem, New York City. Though Thelonious Monk was a close friend, his greatest piano influence was Art Tatum.
Along with Charlie Parker, Monk, and Dizzy Gillespie, Powell was a leading figure in the development of modern jazz, or bebop. His virtuosity led many to call him the Charlie Parker of the piano. Powell was also a composer, and he "greatly extended the range of jazz harmony."
Powell's father was a stride pianist. Powell took to his father's instrument at a very young age, starting on classical-piano lessons at age five. His teacher, hired by his father, was a West Indian man named Rawlins.
But by age ten, Powell also showed interest in the swing-era jazz that could be heard all over the neighborhood. He first appeared in public at a rent party, where he mimicked Fats Waller's playing style. The first jazz composition that he mastered was James P. Johnson's "Carolina Shout".
Though underage, Bud listened to the musically adventurous performances at the Uptown House, an after-hours venue near where he lived. Here, the first stirrings of modernism (bebop) were heard nightly, and where Charlie Parker first appeared as a solo act when he briefly lived in New York.
Thelonious Monk had also played at the Uptown House. When he and Powell met (around 1942) the elder pianist/composer introduced Powell to the circle of bebop musicians that was forming at the venue known as Minton's Playhouse. Monk was resident there, and he presented Powell as his protégé. Their mutual affection grew and Monk became Powell's greatest mentor. For his part, Powell eagerly experimented with Monk's latest ideas on the piano. Monk's composition "In Walked Bud" is an enduring tribute to their time together in Harlem.
The Parker session aside, Powell made no other records and seldom appeared at nightclubs in 1947. In November, he had an altercation with another customer at a Harlem bar. In the ensuing fight, Powell was hit over his eye with a bottle. When Harlem Hospital found him incoherent and rambunctious, it sent him to Bellevue, which had the record of his previous confinement there and in a psychiatric hospital. It chose to institutionalize him again, though this time at Creedmoor State Hospital, a facility much closer to Manhattan. He was kept there for eleven months.
It is generally agreed that from 1949 through 1953 Powell made his best recordings, most of which were for Alfred Lion of Blue Note Records and for Norman Granz of Mercury, Norgran and Clef. The first Blue Note session, in August 1949, features Fats Navarro, Sonny Rollins, Powell, Tommy Potter and Roy Haynes, and the compositions "Bouncing with Bud" and "Dance of the Infidels". The second Blue Note session in 1951 was a trio with Curley Russell and Max Roach, and includes "Parisian Thoroughfare" and "Un Poco Loco"; the latter was selected by literary critic Harold Bloom for inclusion on his short list of the greatest works of twentieth-century American art. Sessions for Granz (more than a dozen) were all solo or trios, with a variety of bassists and drummers, including Ray Brown, George Duvivier, Percy Heath, Russell, Lloyd Trotman, Art Blakey, Kenny Clarke, Osie Johnson, Buddy Rich, Roach, and Art Taylor.
After several further spells in hospital, Powell moved to Paris in 1959, in the company of Altevia "Buttercup" Edwards, whom he had met after an incarceration in 1954. She kept control of his finances and overdosed him with Largactil, but Powell continued to perform and record. The 1960 live recording of the Essen jazz festival performance (with Clarke, Oscar Pettiford and, on some numbers, Coleman Hawkins) is particularly notable.
Jazz pianist Bill Cunliffe, whose music was influenced by Bud Powell, said in an interview with All About Jazz:
He was really the first guy; before Bud Powell, pianists were playing boom, chuck in the left hand and a lot of melodic figures in the right hand that tended to be arpeggios. But with Bud Powell, Bud Powell was imitating Charlie Parker. So Bud was the first pianist to take Charlie Parker's language and adapt it successfully to the piano. That's why he is the most important pianist in music today because everybody plays like that now.
FROM WIKIPEDIA: https://en.wikipedia.org/wiki/Bud_Powell
- published: 19 Nov 2012
- views: 180692
45:23
The Amazing Bud P̲o̲w̲e̲l̲l̲ – Th̲e̲ S̲c̲e̲n̲e̲ C̲h̲a̲n̲g̲e̲s (1̲9̲5̲8̲)̲
tracks:
0:00:02 C̲l̲e̲o̲p̲a̲t̲r̲a̲'̲s̲ ̲D̲r̲e̲a̲m̲
0:04:24 ̲D̲u̲i̲d̲ ̲D̲e̲e̲d̲
0:09:33 ̲D̲o̲w̲n̲ ̲W̲i̲t̲h̲ ̲I̲t̲
0:13:34 ̲D̲a̲n̲c̲e̲l̲a̲n̲d̲
0:17:18 ̲B̲o̲r̲d̲e...
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0:00:02 C̲l̲e̲o̲p̲a̲t̲r̲a̲'̲s̲ ̲D̲r̲e̲a̲m̲
0:04:24 ̲D̲u̲i̲d̲ ̲D̲e̲e̲d̲
0:09:33 ̲D̲o̲w̲n̲ ̲W̲i̲t̲h̲ ̲I̲t̲
0:13:34 ̲D̲a̲n̲c̲e̲l̲a̲n̲d̲
0:17:18 ̲B̲o̲r̲d̲e̲r̲i̲c̲k̲
0:19:18 ̲C̲r̲o̲s̲s̲i̲n̲'̲ ̲T̲h̲e̲ ̲C̲h̲a̲n̲n̲e̲l̲
0:22:50 ̲C̲o̲m̲i̲n̲'̲ ̲U̲p̲
0:30:47 ̲G̲e̲t̲t̲i̲n̲'̲ ̲T̲h̲e̲r̲e̲
0:35:51 ̲T̲h̲e̲ ̲S̲c̲e̲n̲e̲ ̲C̲h̲a̲n̲g̲e̲s̲
0:39:55 ̲C̲o̲m̲i̲n̲'̲ ̲U̲p̲ ̲(̲A̲l̲t̲e̲r̲n̲a̲t̲e̲ ̲T̲a̲k̲e̲)̲
https://wn.com/The_Amazing_Bud_P̲O̲W̲E̲L̲L̲_–_Th̲E̲_S̲C̲E̲N̲E̲_C̲H̲A̲N̲G̲E̲S_(1̲9̲5̲8̲)̲
tracks:
0:00:02 C̲l̲e̲o̲p̲a̲t̲r̲a̲'̲s̲ ̲D̲r̲e̲a̲m̲
0:04:24 ̲D̲u̲i̲d̲ ̲D̲e̲e̲d̲
0:09:33 ̲D̲o̲w̲n̲ ̲W̲i̲t̲h̲ ̲I̲t̲
0:13:34 ̲D̲a̲n̲c̲e̲l̲a̲n̲d̲
0:17:18 ̲B̲o̲r̲d̲e̲r̲i̲c̲k̲
0:19:18 ̲C̲r̲o̲s̲s̲i̲n̲'̲ ̲T̲h̲e̲ ̲C̲h̲a̲n̲n̲e̲l̲
0:22:50 ̲C̲o̲m̲i̲n̲'̲ ̲U̲p̲
0:30:47 ̲G̲e̲t̲t̲i̲n̲'̲ ̲T̲h̲e̲r̲e̲
0:35:51 ̲T̲h̲e̲ ̲S̲c̲e̲n̲e̲ ̲C̲h̲a̲n̲g̲e̲s̲
0:39:55 ̲C̲o̲m̲i̲n̲'̲ ̲U̲p̲ ̲(̲A̲l̲t̲e̲r̲n̲a̲t̲e̲ ̲T̲a̲k̲e̲)̲
- published: 01 Jan 2022
- views: 26408
15:02
Bud Powell live Montmartre 30/03/1962
Montmartre Copenhagen 1962
Piano - Bud Powell
Bass - Niels-Henning Ørsted Pedersen (NHØP)
Drums - Jørgen Elniff
Montmartre Copenhagen 1962
Piano - Bud Powell
Bass - Niels-Henning Ørsted Pedersen (NHØP)
Drums - Jørgen Elniff
https://wn.com/Bud_Powell_Live_Montmartre_30_03_1962
Montmartre Copenhagen 1962
Piano - Bud Powell
Bass - Niels-Henning Ørsted Pedersen (NHØP)
Drums - Jørgen Elniff
- published: 25 Jun 2021
- views: 10104
3:03
Bud Powell - Bouncing With Bud
Classic Mood Experience The best masterpieces ever recorded in the music history.
Join our Youtube: https://goo.gl/8AOGaN
Join our Facebook: http://goo.gl/5oL72...
Classic Mood Experience The best masterpieces ever recorded in the music history.
Join our Youtube: https://goo.gl/8AOGaN
Join our Facebook: http://goo.gl/5oL723
iTunes: https://goo.gl/r80k8j
Google Play: https://goo.gl/Hi9GVi
Earl Rudolph "Bud" Powell (September 27, 1924 – July 31, 1966) was an American jazz pianist, born and raised in Harlem, New York City. Though Thelonious Monk was a close friend, his greatest piano influence was Art Tatum.
Along with Charlie Parker, Monk, and Dizzy Gillespie, Powell was a leading figure in the development of modern jazz, or bebop. His virtuosity led many to call him the Charlie Parker of the piano. Powell was also a composer, and he "greatly extended the range of jazz harmony."
Powell's father was a stride pianist. Powell took to his father's instrument at a very young age, starting on classical-piano lessons at age five. His teacher, hired by his father, was a West Indian man named Rawlins.
But by age ten, Powell also showed interest in the swing-era jazz that could be heard all over the neighborhood. He first appeared in public at a rent party, where he mimicked Fats Waller's playing style. The first jazz composition that he mastered was James P. Johnson's "Carolina Shout".
Though underage, Bud listened to the musically adventurous performances at the Uptown House, an after-hours venue near where he lived. Here, the first stirrings of modernism (bebop) were heard nightly, and where Charlie Parker first appeared as a solo act when he briefly lived in New York.
Thelonious Monk had also played at the Uptown House. When he and Powell met (around 1942) the elder pianist/composer introduced Powell to the circle of bebop musicians that was forming at the venue known as Minton's Playhouse. Monk was resident there, and he presented Powell as his protégé. Their mutual affection grew and Monk became Powell's greatest mentor. For his part, Powell eagerly experimented with Monk's latest ideas on the piano. Monk's composition "In Walked Bud" is an enduring tribute to their time together in Harlem.
The Parker session aside, Powell made no other records and seldom appeared at nightclubs in 1947. In November, he had an altercation with another customer at a Harlem bar. In the ensuing fight, Powell was hit over his eye with a bottle. When Harlem Hospital found him incoherent and rambunctious, it sent him to Bellevue, which had the record of his previous confinement there and in a psychiatric hospital. It chose to institutionalize him again, though this time at Creedmoor State Hospital, a facility much closer to Manhattan. He was kept there for eleven months.
It is generally agreed that from 1949 through 1953 Powell made his best recordings, most of which were for Alfred Lion of Blue Note Records and for Norman Granz of Mercury, Norgran and Clef. The first Blue Note session, in August 1949, features Fats Navarro, Sonny Rollins, Powell, Tommy Potter and Roy Haynes, and the compositions "Bouncing with Bud" and "Dance of the Infidels". The second Blue Note session in 1951 was a trio with Curley Russell and Max Roach, and includes "Parisian Thoroughfare" and "Un Poco Loco"; the latter was selected by literary critic Harold Bloom for inclusion on his short list of the greatest works of twentieth-century American art. Sessions for Granz (more than a dozen) were all solo or trios, with a variety of bassists and drummers, including Ray Brown, George Duvivier, Percy Heath, Russell, Lloyd Trotman, Art Blakey, Kenny Clarke, Osie Johnson, Buddy Rich, Roach, and Art Taylor.
After several further spells in hospital, Powell moved to Paris in 1959, in the company of Altevia "Buttercup" Edwards, whom he had met after an incarceration in 1954. She kept control of his finances and overdosed him with Largactil, but Powell continued to perform and record. The 1960 live recording of the Essen jazz festival performance (with Clarke, Oscar Pettiford and, on some numbers, Coleman Hawkins) is particularly notable.
Jazz pianist Bill Cunliffe, whose music was influenced by Bud Powell, said in an interview with All About Jazz:
He was really the first guy; before Bud Powell, pianists were playing boom, chuck in the left hand and a lot of melodic figures in the right hand that tended to be arpeggios. But with Bud Powell, Bud Powell was imitating Charlie Parker. So Bud was the first pianist to take Charlie Parker's language and adapt it successfully to the piano. That's why he is the most important pianist in music today because everybody plays like that now.
FROM WIKIPEDIA: https://en.wikipedia.org/wiki/Bud_Powell
https://wn.com/Bud_Powell_Bouncing_With_Bud
Classic Mood Experience The best masterpieces ever recorded in the music history.
Join our Youtube: https://goo.gl/8AOGaN
Join our Facebook: http://goo.gl/5oL723
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Earl Rudolph "Bud" Powell (September 27, 1924 – July 31, 1966) was an American jazz pianist, born and raised in Harlem, New York City. Though Thelonious Monk was a close friend, his greatest piano influence was Art Tatum.
Along with Charlie Parker, Monk, and Dizzy Gillespie, Powell was a leading figure in the development of modern jazz, or bebop. His virtuosity led many to call him the Charlie Parker of the piano. Powell was also a composer, and he "greatly extended the range of jazz harmony."
Powell's father was a stride pianist. Powell took to his father's instrument at a very young age, starting on classical-piano lessons at age five. His teacher, hired by his father, was a West Indian man named Rawlins.
But by age ten, Powell also showed interest in the swing-era jazz that could be heard all over the neighborhood. He first appeared in public at a rent party, where he mimicked Fats Waller's playing style. The first jazz composition that he mastered was James P. Johnson's "Carolina Shout".
Though underage, Bud listened to the musically adventurous performances at the Uptown House, an after-hours venue near where he lived. Here, the first stirrings of modernism (bebop) were heard nightly, and where Charlie Parker first appeared as a solo act when he briefly lived in New York.
Thelonious Monk had also played at the Uptown House. When he and Powell met (around 1942) the elder pianist/composer introduced Powell to the circle of bebop musicians that was forming at the venue known as Minton's Playhouse. Monk was resident there, and he presented Powell as his protégé. Their mutual affection grew and Monk became Powell's greatest mentor. For his part, Powell eagerly experimented with Monk's latest ideas on the piano. Monk's composition "In Walked Bud" is an enduring tribute to their time together in Harlem.
The Parker session aside, Powell made no other records and seldom appeared at nightclubs in 1947. In November, he had an altercation with another customer at a Harlem bar. In the ensuing fight, Powell was hit over his eye with a bottle. When Harlem Hospital found him incoherent and rambunctious, it sent him to Bellevue, which had the record of his previous confinement there and in a psychiatric hospital. It chose to institutionalize him again, though this time at Creedmoor State Hospital, a facility much closer to Manhattan. He was kept there for eleven months.
It is generally agreed that from 1949 through 1953 Powell made his best recordings, most of which were for Alfred Lion of Blue Note Records and for Norman Granz of Mercury, Norgran and Clef. The first Blue Note session, in August 1949, features Fats Navarro, Sonny Rollins, Powell, Tommy Potter and Roy Haynes, and the compositions "Bouncing with Bud" and "Dance of the Infidels". The second Blue Note session in 1951 was a trio with Curley Russell and Max Roach, and includes "Parisian Thoroughfare" and "Un Poco Loco"; the latter was selected by literary critic Harold Bloom for inclusion on his short list of the greatest works of twentieth-century American art. Sessions for Granz (more than a dozen) were all solo or trios, with a variety of bassists and drummers, including Ray Brown, George Duvivier, Percy Heath, Russell, Lloyd Trotman, Art Blakey, Kenny Clarke, Osie Johnson, Buddy Rich, Roach, and Art Taylor.
After several further spells in hospital, Powell moved to Paris in 1959, in the company of Altevia "Buttercup" Edwards, whom he had met after an incarceration in 1954. She kept control of his finances and overdosed him with Largactil, but Powell continued to perform and record. The 1960 live recording of the Essen jazz festival performance (with Clarke, Oscar Pettiford and, on some numbers, Coleman Hawkins) is particularly notable.
Jazz pianist Bill Cunliffe, whose music was influenced by Bud Powell, said in an interview with All About Jazz:
He was really the first guy; before Bud Powell, pianists were playing boom, chuck in the left hand and a lot of melodic figures in the right hand that tended to be arpeggios. But with Bud Powell, Bud Powell was imitating Charlie Parker. So Bud was the first pianist to take Charlie Parker's language and adapt it successfully to the piano. That's why he is the most important pianist in music today because everybody plays like that now.
FROM WIKIPEDIA: https://en.wikipedia.org/wiki/Bud_Powell
- published: 19 Nov 2012
- views: 176597
-
Miles Davis Quintet - It Never Entered My Mind
Miles Davis Quintet - It Never Entered My Mind (1956)
Personnel: Miles Davis (trumpet), John Coltrane (tenor sax), Red Garland (piano), Paul Chambers (bass), Philly Joe Jones (drums)
from the album 'WORKIN' WITH THE MILES DAVIS QUINTET' (Prestige Records)
published: 12 Jan 2014
-
It Never Entered My Mind - Frank Sinatra
Frank Sinatra from the Essential 3 CD Collection disc two
published: 05 Feb 2012
-
Ella Fitzgerald: It Never Entered My Mind 1956
I love this version of Rodgers and Hart's 1940 song - not least because she sings the little known verse which is so sad - well the whole song is sad - a Lorenz Hart trademark, because he was so sad in his own life - another genius on \the Boulevard of Broken Dreams with the likes of George Gershwin, Bogart, Fats Waller, Django Rheinhardt, Buddy Holly, Patsy Cline and the list goes on.............
published: 02 Jul 2011
-
Miles Davis - It never entered my mind
published: 14 Nov 2011
-
It Never Entered My Mind
Provided to YouTube by Universal Music Group
It Never Entered My Mind · George Shearing
Grand Piano
℗ 1985 Concord Jazz, Inc.
Released on: 1985-01-01
Composer Lyricist: Richard Rodgers
Composer Lyricist: Lorenz Hart
Auto-generated by YouTube.
published: 26 Oct 2018
-
Jeff Goldblum & The Mildred Snitzer Orchestra - It Never Entered My Mind (Live)
The new album from Jeff Goldblum 'Jeff Goldblum & The Mildred Snitzer Orchestra-The Capitol Studios Sessions' is available for pre-order here: https://lnk.to/JeffGoldblumMSOID
published: 26 Oct 2018
-
It Never Entered My Mind - Ella Fitzgerald
Lyrics:
I don't care if there's powder on my nose
I don't care if my hairdo is in place
I've lost the very meaning of repose
I never put a mudpack on my face
Oh who'd have thought that I'd walk in a daze
Now I never go to shows at night but just to matinees
Now I see the show
And home I go
Once I laughed when I heard you saying
That I'd be playing solitaire
Uneasy in my easy chair
It never entered my mind
Once you told me I was mistaken
That I'd awaken with the sun
And order orange juice for one
It never entered my mind
You have what I lack myself
And now I even have to scratch my back myself
Once you warned me
That if you scorned me
I'd sing the maiden's prayer again
And wish that you were there again
To get into my hair again
It never entered my mind
You have what I lack myself
An...
published: 17 Jan 2012
-
Linda Ronstadt "It Never Entered My Mind"
"It Never Entered My Mind" is from the 1940 Rodgers and Hart musical Higher and Higher. Linda Ronstadt recorded it in 1984 for her LP, Lush Life, on the Elektra label. The album was arranged and conducted by Nelson Riddle, and is available on CD. I do not own the right to the song, audio, or images contained in this video. The sound recording is administered by WMG. No copyright infringement is intended. This purpose of this upload is for viewer enjoyment and education not for monetary gain.
published: 11 Feb 2011
-
~JULIE LONDON ~ It Never Entered My Mind ~
~ JULIE LONDON ~ It Never Entered My Mind ~
published: 15 Mar 2011
-
It Never Entered My Mind
Provided to YouTube by The Orchard Enterprises
It Never Entered My Mind · Wingspan · Mulgrew Miller
The Sequel
℗ 2002 Mack Avenue Records II, LLC
Released on: 2016-03-01
Music Publisher: Chappell & Son/Williamson (ASCAP)
Auto-generated by YouTube.
published: 02 Mar 2016
5:31
Miles Davis Quintet - It Never Entered My Mind
Miles Davis Quintet - It Never Entered My Mind (1956)
Personnel: Miles Davis (trumpet), John Coltrane (tenor sax), Red Garland (piano), Paul Chambers (bass), P...
Miles Davis Quintet - It Never Entered My Mind (1956)
Personnel: Miles Davis (trumpet), John Coltrane (tenor sax), Red Garland (piano), Paul Chambers (bass), Philly Joe Jones (drums)
from the album 'WORKIN' WITH THE MILES DAVIS QUINTET' (Prestige Records)
https://wn.com/Miles_Davis_Quintet_It_Never_Entered_My_Mind
Miles Davis Quintet - It Never Entered My Mind (1956)
Personnel: Miles Davis (trumpet), John Coltrane (tenor sax), Red Garland (piano), Paul Chambers (bass), Philly Joe Jones (drums)
from the album 'WORKIN' WITH THE MILES DAVIS QUINTET' (Prestige Records)
- published: 12 Jan 2014
- views: 4978143
2:47
It Never Entered My Mind - Frank Sinatra
Frank Sinatra from the Essential 3 CD Collection disc two
Frank Sinatra from the Essential 3 CD Collection disc two
https://wn.com/It_Never_Entered_My_Mind_Frank_Sinatra
Frank Sinatra from the Essential 3 CD Collection disc two
- published: 05 Feb 2012
- views: 57094
4:15
Ella Fitzgerald: It Never Entered My Mind 1956
I love this version of Rodgers and Hart's 1940 song - not least because she sings the little known verse which is so sad - well the whole song is sad - a Lorenz...
I love this version of Rodgers and Hart's 1940 song - not least because she sings the little known verse which is so sad - well the whole song is sad - a Lorenz Hart trademark, because he was so sad in his own life - another genius on \the Boulevard of Broken Dreams with the likes of George Gershwin, Bogart, Fats Waller, Django Rheinhardt, Buddy Holly, Patsy Cline and the list goes on.............
https://wn.com/Ella_Fitzgerald_It_Never_Entered_My_Mind_1956
I love this version of Rodgers and Hart's 1940 song - not least because she sings the little known verse which is so sad - well the whole song is sad - a Lorenz Hart trademark, because he was so sad in his own life - another genius on \the Boulevard of Broken Dreams with the likes of George Gershwin, Bogart, Fats Waller, Django Rheinhardt, Buddy Holly, Patsy Cline and the list goes on.............
- published: 02 Jul 2011
- views: 68674
4:45
It Never Entered My Mind
Provided to YouTube by Universal Music Group
It Never Entered My Mind · George Shearing
Grand Piano
℗ 1985 Concord Jazz, Inc.
Released on: 1985-01-01
Compo...
Provided to YouTube by Universal Music Group
It Never Entered My Mind · George Shearing
Grand Piano
℗ 1985 Concord Jazz, Inc.
Released on: 1985-01-01
Composer Lyricist: Richard Rodgers
Composer Lyricist: Lorenz Hart
Auto-generated by YouTube.
https://wn.com/It_Never_Entered_My_Mind
Provided to YouTube by Universal Music Group
It Never Entered My Mind · George Shearing
Grand Piano
℗ 1985 Concord Jazz, Inc.
Released on: 1985-01-01
Composer Lyricist: Richard Rodgers
Composer Lyricist: Lorenz Hart
Auto-generated by YouTube.
- published: 26 Oct 2018
- views: 88070
6:11
Jeff Goldblum & The Mildred Snitzer Orchestra - It Never Entered My Mind (Live)
The new album from Jeff Goldblum 'Jeff Goldblum & The Mildred Snitzer Orchestra-The Capitol Studios Sessions' is available for pre-order here: https://lnk.to/Je...
The new album from Jeff Goldblum 'Jeff Goldblum & The Mildred Snitzer Orchestra-The Capitol Studios Sessions' is available for pre-order here: https://lnk.to/JeffGoldblumMSOID
https://wn.com/Jeff_Goldblum_The_Mildred_Snitzer_Orchestra_It_Never_Entered_My_Mind_(Live)
The new album from Jeff Goldblum 'Jeff Goldblum & The Mildred Snitzer Orchestra-The Capitol Studios Sessions' is available for pre-order here: https://lnk.to/JeffGoldblumMSOID
- published: 26 Oct 2018
- views: 357922
4:10
It Never Entered My Mind - Ella Fitzgerald
Lyrics:
I don't care if there's powder on my nose
I don't care if my hairdo is in place
I've lost the very meaning of repose
I never put a mudpack on my face
...
Lyrics:
I don't care if there's powder on my nose
I don't care if my hairdo is in place
I've lost the very meaning of repose
I never put a mudpack on my face
Oh who'd have thought that I'd walk in a daze
Now I never go to shows at night but just to matinees
Now I see the show
And home I go
Once I laughed when I heard you saying
That I'd be playing solitaire
Uneasy in my easy chair
It never entered my mind
Once you told me I was mistaken
That I'd awaken with the sun
And order orange juice for one
It never entered my mind
You have what I lack myself
And now I even have to scratch my back myself
Once you warned me
That if you scorned me
I'd sing the maiden's prayer again
And wish that you were there again
To get into my hair again
It never entered my mind
You have what I lack myself
And now I even have to scratch my back myself
Once you warned me
That if you scorned me
I'd sing the maiden's prayer again
And wish that you were there again
To get into my hair again
It never entered my mind
http://www.stlyrics.com
https://wn.com/It_Never_Entered_My_Mind_Ella_Fitzgerald
Lyrics:
I don't care if there's powder on my nose
I don't care if my hairdo is in place
I've lost the very meaning of repose
I never put a mudpack on my face
Oh who'd have thought that I'd walk in a daze
Now I never go to shows at night but just to matinees
Now I see the show
And home I go
Once I laughed when I heard you saying
That I'd be playing solitaire
Uneasy in my easy chair
It never entered my mind
Once you told me I was mistaken
That I'd awaken with the sun
And order orange juice for one
It never entered my mind
You have what I lack myself
And now I even have to scratch my back myself
Once you warned me
That if you scorned me
I'd sing the maiden's prayer again
And wish that you were there again
To get into my hair again
It never entered my mind
You have what I lack myself
And now I even have to scratch my back myself
Once you warned me
That if you scorned me
I'd sing the maiden's prayer again
And wish that you were there again
To get into my hair again
It never entered my mind
http://www.stlyrics.com
- published: 17 Jan 2012
- views: 24596
4:24
Linda Ronstadt "It Never Entered My Mind"
"It Never Entered My Mind" is from the 1940 Rodgers and Hart musical Higher and Higher. Linda Ronstadt recorded it in 1984 for her LP, Lush Life, on the Elekt...
"It Never Entered My Mind" is from the 1940 Rodgers and Hart musical Higher and Higher. Linda Ronstadt recorded it in 1984 for her LP, Lush Life, on the Elektra label. The album was arranged and conducted by Nelson Riddle, and is available on CD. I do not own the right to the song, audio, or images contained in this video. The sound recording is administered by WMG. No copyright infringement is intended. This purpose of this upload is for viewer enjoyment and education not for monetary gain.
https://wn.com/Linda_Ronstadt_It_Never_Entered_My_Mind
"It Never Entered My Mind" is from the 1940 Rodgers and Hart musical Higher and Higher. Linda Ronstadt recorded it in 1984 for her LP, Lush Life, on the Elektra label. The album was arranged and conducted by Nelson Riddle, and is available on CD. I do not own the right to the song, audio, or images contained in this video. The sound recording is administered by WMG. No copyright infringement is intended. This purpose of this upload is for viewer enjoyment and education not for monetary gain.
- published: 11 Feb 2011
- views: 52665
6:33
It Never Entered My Mind
Provided to YouTube by The Orchard Enterprises
It Never Entered My Mind · Wingspan · Mulgrew Miller
The Sequel
℗ 2002 Mack Avenue Records II, LLC
Released o...
Provided to YouTube by The Orchard Enterprises
It Never Entered My Mind · Wingspan · Mulgrew Miller
The Sequel
℗ 2002 Mack Avenue Records II, LLC
Released on: 2016-03-01
Music Publisher: Chappell & Son/Williamson (ASCAP)
Auto-generated by YouTube.
https://wn.com/It_Never_Entered_My_Mind
Provided to YouTube by The Orchard Enterprises
It Never Entered My Mind · Wingspan · Mulgrew Miller
The Sequel
℗ 2002 Mack Avenue Records II, LLC
Released on: 2016-03-01
Music Publisher: Chappell & Son/Williamson (ASCAP)
Auto-generated by YouTube.
- published: 02 Mar 2016
- views: 201383