Aaron London is a London-based music producer who began over 6 years ago by experimenting with Grime & Hip Hop. The now 21-year-old quickly began gaining attention online following his first release, entitled In The Cut, which features saxophone musician Masego.
Aaron’s online success has led to many opportunities, such as playing across Europe, most notably alongside Krept & Konan.
UK grime artist Wiley championed Aaron London's Dream track on his Twitter account.
Radio
London's first BBC radio appearance was on Mic Check with Kan D Man & Limelight on BBC Asian Network show on 27 January 2007 when he played the track ‘Round (feat. Amanda Mellid’.
Aaron was a MiaphysiteCoptic saint. His apocryphal legend says of him, "When he was sick, he made roasted pigeons fly into his mouth." He has a feast in the CopticCalendar of saints on May 16.
References
Holweck, F. G. A Biographical Dictionary of the Saint. St. Louis, MO: B. Herder Book Co. 1924.
According to the Book of Mormon, Aaron was a Lamaniteking who lived during the 4th century in the Americas. He is mentioned in Mormon's record as a man who led 44,000 Lamanites to battle against Mormon's Nephite army of 42,000. Mormon's army prevailed in the battle, although ultimately the Nephite armies were conclusively defeated, which marked the end of their civilization. Mormon described the armies of Aaron as exercising "awful brutality".
The Book of Mormon is a sacred text of the Latter Day Saint movement, which adherents believe contains writings of ancient prophets who lived on the American continent from approximately 2200 BC to AD 421. It was first published in March 1830 by Joseph Smith as The Book of Mormon: An Account Written by the Hand of Mormon upon Plates Taken from the Plates of Nephi.
According to Smith's account and the book's narrative, the Book of Mormon was originally written in otherwise unknown characters referred to as "reformed Egyptian" engraved on golden plates. Smith said that the last prophet to contribute to the book, a man named Moroni, buried it in a hill in present-day New York, then returned to earth in 1827 as an angel, revealing the location of the book to Smith, and instructing him to translate it into English for use in the restoration of Christ's true church in the latter days. Critics claim that it was fabricated by Smith, drawing on material and ideas from contemporary 19th-century works rather than translating an ancient record.
She has toured internationally with The Weeknd and was also nominated for the Sound of 2014 award by the BBC and an MTV Brand New Nominee in 2014. On May 3, 2014, Banks was dubbed as an "Artist to Watch" by FoxWeekly.
Early life
Jillian Rose Banks was born in Orange County, California. Banks started writing songs at the age of fifteen. She taught herself piano when she received a keyboard from a friend to help her through her parents' divorce. She says she "felt very alone and helpless. I didn't know how to express what I was feeling or who to talk to."
Career
2013–present: Breakthrough and Goddess
Banks used the audio distribution website SoundCloud to put out her music before securing a record deal. Her friend Lily Collins used her contacts to pass along her music to people in the industry; specifically Katy Perry's DJ Yung Skeeter, and she began working with the label Good Years Recordings. Her first official single, called "Before I Ever Met You" was released in February 2013. The song which had been on a private SoundCloud page ended up being played by BBC Radio 1 DJ Zane Lowe. Banks released her first EP Fall Over by IAMSOUND Records and Good Years Recordings.Billboard called her a "magnetic writer with songs to obsess over." Banks released her second EP called London by Harvest Records and Good Years Recordings in 2013 to positive reviews from music critics, receiving a 78 from Metacritic. Her song "Waiting Game" from the EP was featured in the 2013 Victoria's Secret holiday commercial.
London and the Thames were named in 1793 by Lord Simcoe, who proposed the site for the capital of Upper Canada. The first European settlement was between 1801 and 1804 by Peter Hagerman. The village was founded in 1826 and incorporated in 1855. Since then, London has grown to be the largest Southwestern Ontario municipality and Canada's 11th largest municipality, having annexed many of the smaller communities that surrounded it.
London is a regional centre of health care and education, being home to the University of Western Ontario, Fanshawe College, and several hospitals. The city hosts a number of musical and artistic exhibits and festivals, which contribute to its tourism industry, but its economic activity is centred on education, medical research, insurance, and information technology. London's university and hospitals are among its top ten employers. London lies at the junction of Highway 401 and 402, connecting it to Toronto, Windsor, and Sarnia. It also has an international airport, train and bus station.
Charles Dickens' works are especially associated with London which is the setting for many of his novels. These works do not just use London as a backdrop but are about the city and its character.
Dickens described London as a Magic lantern, a popular entertainment of the Victorian era, which projected images from slides. Of all Dickens' characters 'none played as important a role in his work as that of London itself', it fired his imagination and made him write. In a letter to John Forster, in 1846, Dickens wrote 'a day in London sets me up and starts me', but outside of the city, 'the toil and labour of writing, day after day, without that magic lantern is IMMENSE!!'
However, of the identifiable London locations that Dickens used in his work, scholar Clare Pettitt notes that many no longer exist, and, while 'you can track Dickens' London, and see where things were, but they aren't necessarily still there'.
In addition to his later novels and short stories, Dickens' descriptions of London, published in various newspapers in the 1830s, were released as a collected edition Sketches by Boz in 1836.
[Chorus] Oh can someone tell me why I cry 'cus these tears down my face Don't signify life Oh can someone tell me why I try When I'm the only one to fail I swear the grass is greener on the other side [Verse] This life is such a bitter-sweet symphony another quick epiphany I feel like I'm the new kid There's no room for me In this world Deceit When I Speak Truthfully And everyone around me live their life Unfruitfully Is that the finish line I can see And the other side there Waiting on me My leg goes weak My brain goes a fortnight Unable physically and mentally [Pre Chorus] All of the things that I've done in my life Can someone tell me what I must do to make it right I know I must run I know I must run But I stand tall ready to fight [Chorus] Oh can someone tell me why I cry 'cus these tears down my face Don't signify life Oh can someone tell me why I try When I'm the only one to fail I swear the grass is greener on the other side On the other side On the other side On the other S-i-ide On the other side [Verse] If we were to compare The colour of the grass It's greener in my past You can't kill the roots That why the nightmare won't pass and I'm sailing this ship without a mast And I need to get to the other side fast [Pre Chorus] All of the things that I've done in my life Can someone tell me what I must do to make it right I know I must run I know I must run But I stand tall ready to fight [Chorus] Oh can someone tell me why I cry 'cus these tears down my face Don't signify life Oh can someone tell me why I try When I'm the only one to fail I swear the grass is greener on the other side [Bridge] On the other si-i-i-i-i-ide They laugh but not cry-y-y-y-y One day I'l make it there Oh I'll make it there [Chorus] Oh can someone tell me why I Laugh With a smile on my face That signify's life Oh can someone tell me why I don't cry When I've made it to the other side The grass is greener on the other side On the other side On the other side On the other S-i-ide
So Long, London. The first track to be written with The National's Aaron Dessner brings a change of pace, with a lovely, choral intro. 'So long, London, you'll find someone,' sings Taylor.
So Long, London. The first track to be written with The National's Aaron Dessner brings a change of pace, with a lovely, choral intro. 'So long, London, you'll find someone,' sings Taylor.
So far, the most streamed tracks on Spotify are Fortnight, Florida!!!, Down Bad and So LongLondon... So Long, London. The first track to be written with The National's Aaron Dessner brings a change of pace, with a lovely, choral intro.
So Long, London. The first track to be written with The National's Aaron Dessner brings a change of pace, with a lovely, choral intro. 'So long, London, you'll find someone,' sings Taylor.
So Long, London. The first track to be written with The National's Aaron Dessner brings a change of pace, with a lovely, choral intro. 'So long, London, you'll find someone,' sings Taylor.
So Long, London. The first track to be written with The National's Aaron Dessner brings a change of pace, with a lovely, choral intro. 'So long, London, you'll find someone,' sings Taylor.
So Long, London. The first track to be written with The National's Aaron Dessner brings a change of pace, with a lovely, choral intro. 'So long, London, you'll find someone,' sings Taylor.
So Long, London. The first track to be written with The National's Aaron Dessner brings a change of pace, with a lovely, choral intro. 'So long, London, you'll find someone,' sings Taylor.
So Long, London. The first track to be written with The National's Aaron Dessner brings a change of pace, with a lovely, choral intro. 'So long, London, you'll find someone,' sings Taylor.
So Long, London. The first track to be written with The National's Aaron Dessner brings a change of pace, with a lovely, choral intro. 'So long, London, you'll find someone,' sings Taylor.
So Long, London. The first track to be written with The National's Aaron Dessner brings a change of pace, with a lovely, choral intro. 'So long, London, you'll find someone,' sings Taylor.
So Long, London. The first track to be written with The National's Aaron Dessner brings a change of pace, with a lovely, choral intro. 'So long, London, you'll find someone,' sings Taylor.
So Long, London. The first track to be written with The National's Aaron Dessner brings a change of pace, with a lovely, choral intro. 'So long, London, you'll find someone,' sings Taylor.
So Long, London. The first track to be written with The National's Aaron Dessner brings a change of pace, with a lovely, choral intro. 'So long, London, you'll find someone,' sings Taylor.
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