Sir Michael Caine, CBE (/keɪn/; born Maurice Joseph Micklewhite; 14 March 1933), is an English actor and author. Renowned for his distinctive working class cockney accent, Caine has appeared in over 115 films and is regarded as a British film icon.
Caine returned to the BTCC for the 2013 season, beginning with the fifth round of the championship at Croft where he would drive a Ford Focus Mk.III ST for Addison Lee Motorbase.
"Interstellar Overdrive" is a psychedelicinstrumental composition written by Pink Floyd in 1966, which appears on their 1967 debut album The Piper at the Gates of Dawn at almost ten minutes in length. The song came about when guitarist Syd Barrett heard the band's manager Peter Jenner humming a song, which Barrett tried to interpret by playing it on his guitar. Musically sharing the same theme with "Astronomy Domine", the piece was recorded in several takes between March and April 1967. An earlier, longer recording of the song can be heard on the soundtrack to the film Tonite Let's All Make Love in London, which was recorded at Sound Technique Studios in early 1967, and was released in the same year. Other versions of the track appear on various bootleg recordings. The piece has been covered by acts such as T. Rex, Pearl Jam, Hawkwind, the Melvins, and Spiral Realms.
Composition and music
"Interstellar Overdrive" was one of the first very psychedelic instrumentalimprovisations recorded by a rock band. It was seen as Pink Floyd's first foray into space rock (along with "Astronomy Domine"), although band members would later disparage this term. "Interstellar Overdrive" originated when early Pink Floyd manager Peter Jenner was trying to hum a song he could not remember the name of (most commonly identified as Love's cover of "My Little Red Book"). Guitarist and vocalist Syd Barrett followed Jenner's humming with his guitar and used it as the basis for the principal melody of "Interstellar Overdrive". Bassist Roger Waters once told Barrett that the song's riff reminded him of the theme tune from Steptoe and Son (by Ron Grainer). Around the time the song was written, Barrett was also inspired by AMM and its guitarist Keith Rowe, who had a pattern of moving pieces of metal along his guitar's fretboard. The free-form section (and also, "Pow R. Toc H.") was inspired by Frank Zappa's free-form freak-outs and The Byrds' "Eight Miles High".
"Michael Caine" is a song by British band Madness, released on 30 January 1984 as the first single from their album Keep Moving. The song was written by Carl Smyth and Daniel Woodgate, and featured Smyth on lead vocals in place of usual Madness vocalist Suggs. "Michael Caine" spent 8 weeks in British charts, peaking at number 11.
The song is about an informer during the troubles in Northern Ireland, and the lyrics suggest a state of paranoia and mental disintegration. It is named after English actor Michael Caine and includes his vocal samples, recorded specifically for this song. The song's hook, a repeated sample of Caine giving his name, recalls his role in the 1960s spy film The Ipcress File, in which his character, Harry Palmer, repeats his name while trying to stay sane under torture.
When he was first approached to appear on the record, Caine initially turned the band down, but his daughter on hearing this made him change his mind, telling him how popular they were.
The German synthpop band And One recorded a cover of the song on their album 9.9.99 9uhr.
Pink Floyd ♫ Interstellar Overdrive #1 - #2 reprise (from "Tonight let's all make love in London")
**No copyright infringement intended**
Peter Whitehead's disjointed Swinging London documentary, subtitled "A Pop Concerto," comprises a number of different "movements," each depicting a different theme underscored by music: A early version of Pink Floyd's "Interstellar Overdrive" plays behind some arty nightclub scenes, while Chris Farlowe's rendition of the Rolling Stones' "Out of Time" accompanies a young woman's description of London nightlife and the vacuousness of her own existence. In another segment, the Marquess of Kensington (Robert Wace) croons the nostalgic "Changing of the Guard" to shots of Buckingham Palace's changing of the guard, and recording act Vashti are seen at work in the studio. Sandwiched between are clips of Mick Jagger (discussing revolution), Andrew Loog Oldham...
published: 06 Nov 2010
PINK FLOYD at the UFO club IN GLORIOUS COLOUR
INTERSTELLAR OVERDRIVE Recorded for TONIGHT LETS ALL MAKE LOVE IN LONDON in 1966 at the legendary underground psychedelic Club-UFO...
Peter Whitehead's 1967 documentary of London scene in the swinging-60's is a visual treat for Mod enthusiasts everywhere. Featuring a who's-who of the scene, Tonight Let's All Make Love In London is a visual patchwork of 60's culture, seen through the eyes of the people leading it. Mick Jagger, Michael Caine, Vanessa Redgrave, Allen Ginsberg, and Julie Christie are all here, alongside counter-culture artists and other musicians who helped shape their generation and future ones to come. Most of the musical content comes in the form of extremely rare concert footage and inside studio recording sessions, while other segments include candid interviews, strange ...
published: 29 Sep 2007
Interview 2 (2017 Remaster)
Provided to YouTube by The-Source
Interview 2 (2017 Remaster) · Michael Caine
Tonite Lets All Make Love in London (Original Motion Picture Soundtrack) - 2017 Remaster
℗ 2016 Charly Acquisitions Ltd.
Released on: 1968-07-18
Composer: Michael Caine
Music Publisher: Non-Musical Work
Auto-generated by YouTube.
published: 01 Jun 2017
Tonite Let's All Make Love In London - Interstellar Mix
Tonite Let's All Make Love In London - Interstellar Mix by Carrinton
Version 2 for mix 1 on the CD Single. Features footage from the Peter Whitehead's 1967 movie of the same name. Clips of Micheal Caine, Julie Christie, David Hockney, Allen Ginsberg and more. The film was a fitting testimonial to the changing times in the mid-60's. Based on the Pink Floyd / Syd Barrett riff from Interstellar Overdrive.
published: 20 Jul 2009
Eric Burdon & The Animals ♫ When I was young (from "Tonight let's all make love in London")
**No copyright infringement intended**
Peter Whitehead's disjointed Swinging London documentary, subtitled "A Pop Concerto," comprises a number of different "movements," each depicting a different theme underscored by music: A early version of Pink Floyd's "Interstellar Overdrive" plays behind some arty nightclub scenes, while Chris Farlowe's rendition of the Rolling Stones' "Out of Time" accompanies a young woman's description of London nightlife and the vacuousness of her own existence. In another segment, the Marquess of Kensington (Robert Wace) croons the nostalgic "Changing of the Guard" to shots of Buckingham Palace's changing of the guard, and recording act Vashti are seen at work in the studio. Sandwiched between are clips of Mick Jagger (discussing revolution), Andrew Loog Oldham...
published: 06 Nov 2010
Do not go gentle into that good night (Paris - Interstellar)
This video was shot in Paris in octobre 2016 at Pantheon, the catacombes at Denfert-Rochereau, Eglise Saint-Merri, Centre Pompidou and Pont Neuf.
Camera: DJI Osmo.
Thanks to Jeremy Shane Almodovar for mixing this great music composed by Hans Zimmer:
https://www.youtube.com/watch?v=gSkIwwdT79E
**No copyright infringement intended**
Peter Whitehead's disjointed Swinging London documentary, subtitled "A Pop Concerto," comprises a number of different "m...
**No copyright infringement intended**
Peter Whitehead's disjointed Swinging London documentary, subtitled "A Pop Concerto," comprises a number of different "movements," each depicting a different theme underscored by music: A early version of Pink Floyd's "Interstellar Overdrive" plays behind some arty nightclub scenes, while Chris Farlowe's rendition of the Rolling Stones' "Out of Time" accompanies a young woman's description of London nightlife and the vacuousness of her own existence. In another segment, the Marquess of Kensington (Robert Wace) croons the nostalgic "Changing of the Guard" to shots of Buckingham Palace's changing of the guard, and recording act Vashti are seen at work in the studio. Sandwiched between are clips of Mick Jagger (discussing revolution), Andrew Loog Oldham (discussing his future) - and Julie Christie, Michael Caine, Lee Marvin, and novelist Edna O'Brien (each discussing sex). The best part is footage of the riot that interrupted the Stones' 1966 Royal Albert Hall concert.
.
**No copyright infringement intended**
Peter Whitehead's disjointed Swinging London documentary, subtitled "A Pop Concerto," comprises a number of different "movements," each depicting a different theme underscored by music: A early version of Pink Floyd's "Interstellar Overdrive" plays behind some arty nightclub scenes, while Chris Farlowe's rendition of the Rolling Stones' "Out of Time" accompanies a young woman's description of London nightlife and the vacuousness of her own existence. In another segment, the Marquess of Kensington (Robert Wace) croons the nostalgic "Changing of the Guard" to shots of Buckingham Palace's changing of the guard, and recording act Vashti are seen at work in the studio. Sandwiched between are clips of Mick Jagger (discussing revolution), Andrew Loog Oldham (discussing his future) - and Julie Christie, Michael Caine, Lee Marvin, and novelist Edna O'Brien (each discussing sex). The best part is footage of the riot that interrupted the Stones' 1966 Royal Albert Hall concert.
.
INTERSTELLAR OVERDRIVE Recorded for TONIGHT LETS ALL MAKE LOVE IN LONDON in 1966 at the legendary underground psychedelic Club-UFO...
Peter Whitehead's 1967 do...
INTERSTELLAR OVERDRIVE Recorded for TONIGHT LETS ALL MAKE LOVE IN LONDON in 1966 at the legendary underground psychedelic Club-UFO...
Peter Whitehead's 1967 documentary of London scene in the swinging-60's is a visual treat for Mod enthusiasts everywhere. Featuring a who's-who of the scene, Tonight Let's All Make Love In London is a visual patchwork of 60's culture, seen through the eyes of the people leading it. Mick Jagger, Michael Caine, Vanessa Redgrave, Allen Ginsberg, and Julie Christie are all here, alongside counter-culture artists and other musicians who helped shape their generation and future ones to come. Most of the musical content comes in the form of extremely rare concert footage and inside studio recording sessions, while other segments include candid interviews, strange political demonstration footage, and even a segment on the radical art of body painting! Yes, politics and sex are on the palette here as the psychedelic soundtrack from a very young Pink Floyd, swirls and pushes the film on towards the climax of it's brisk 70 minute running time. Languishing in distribution limbo for too long, Tonight Let's All Make Love In London is a fitting testimonial to the changing times in the mid-60's and one that should be able to live on in the years to come for the young and old to look back on and enjoy.
INTERSTELLAR OVERDRIVE Recorded for TONIGHT LETS ALL MAKE LOVE IN LONDON in 1966 at the legendary underground psychedelic Club-UFO...
Peter Whitehead's 1967 documentary of London scene in the swinging-60's is a visual treat for Mod enthusiasts everywhere. Featuring a who's-who of the scene, Tonight Let's All Make Love In London is a visual patchwork of 60's culture, seen through the eyes of the people leading it. Mick Jagger, Michael Caine, Vanessa Redgrave, Allen Ginsberg, and Julie Christie are all here, alongside counter-culture artists and other musicians who helped shape their generation and future ones to come. Most of the musical content comes in the form of extremely rare concert footage and inside studio recording sessions, while other segments include candid interviews, strange political demonstration footage, and even a segment on the radical art of body painting! Yes, politics and sex are on the palette here as the psychedelic soundtrack from a very young Pink Floyd, swirls and pushes the film on towards the climax of it's brisk 70 minute running time. Languishing in distribution limbo for too long, Tonight Let's All Make Love In London is a fitting testimonial to the changing times in the mid-60's and one that should be able to live on in the years to come for the young and old to look back on and enjoy.
Provided to YouTube by The-Source
Interview 2 (2017 Remaster) · Michael Caine
Tonite Lets All Make Love in London (Original Motion Picture Soundtrack) - 2017 ...
Provided to YouTube by The-Source
Interview 2 (2017 Remaster) · Michael Caine
Tonite Lets All Make Love in London (Original Motion Picture Soundtrack) - 2017 Remaster
℗ 2016 Charly Acquisitions Ltd.
Released on: 1968-07-18
Composer: Michael Caine
Music Publisher: Non-Musical Work
Auto-generated by YouTube.
Provided to YouTube by The-Source
Interview 2 (2017 Remaster) · Michael Caine
Tonite Lets All Make Love in London (Original Motion Picture Soundtrack) - 2017 Remaster
℗ 2016 Charly Acquisitions Ltd.
Released on: 1968-07-18
Composer: Michael Caine
Music Publisher: Non-Musical Work
Auto-generated by YouTube.
Tonite Let's All Make Love In London - Interstellar Mix by Carrinton
Version 2 for mix 1 on the CD Single. Features footage from the Peter Whitehead's 1967 mov...
Tonite Let's All Make Love In London - Interstellar Mix by Carrinton
Version 2 for mix 1 on the CD Single. Features footage from the Peter Whitehead's 1967 movie of the same name. Clips of Micheal Caine, Julie Christie, David Hockney, Allen Ginsberg and more. The film was a fitting testimonial to the changing times in the mid-60's. Based on the Pink Floyd / Syd Barrett riff from Interstellar Overdrive.
Tonite Let's All Make Love In London - Interstellar Mix by Carrinton
Version 2 for mix 1 on the CD Single. Features footage from the Peter Whitehead's 1967 movie of the same name. Clips of Micheal Caine, Julie Christie, David Hockney, Allen Ginsberg and more. The film was a fitting testimonial to the changing times in the mid-60's. Based on the Pink Floyd / Syd Barrett riff from Interstellar Overdrive.
**No copyright infringement intended**
Peter Whitehead's disjointed Swinging London documentary, subtitled "A Pop Concerto," comprises a number of different "m...
**No copyright infringement intended**
Peter Whitehead's disjointed Swinging London documentary, subtitled "A Pop Concerto," comprises a number of different "movements," each depicting a different theme underscored by music: A early version of Pink Floyd's "Interstellar Overdrive" plays behind some arty nightclub scenes, while Chris Farlowe's rendition of the Rolling Stones' "Out of Time" accompanies a young woman's description of London nightlife and the vacuousness of her own existence. In another segment, the Marquess of Kensington (Robert Wace) croons the nostalgic "Changing of the Guard" to shots of Buckingham Palace's changing of the guard, and recording act Vashti are seen at work in the studio. Sandwiched between are clips of Mick Jagger (discussing revolution), Andrew Loog Oldham (discussing his future) - and Julie Christie, Michael Caine, Lee Marvin, and novelist Edna O'Brien (each discussing sex). The best part is footage of the riot that interrupted the Stones' 1966 Royal Albert Hall concert.
.
**No copyright infringement intended**
Peter Whitehead's disjointed Swinging London documentary, subtitled "A Pop Concerto," comprises a number of different "movements," each depicting a different theme underscored by music: A early version of Pink Floyd's "Interstellar Overdrive" plays behind some arty nightclub scenes, while Chris Farlowe's rendition of the Rolling Stones' "Out of Time" accompanies a young woman's description of London nightlife and the vacuousness of her own existence. In another segment, the Marquess of Kensington (Robert Wace) croons the nostalgic "Changing of the Guard" to shots of Buckingham Palace's changing of the guard, and recording act Vashti are seen at work in the studio. Sandwiched between are clips of Mick Jagger (discussing revolution), Andrew Loog Oldham (discussing his future) - and Julie Christie, Michael Caine, Lee Marvin, and novelist Edna O'Brien (each discussing sex). The best part is footage of the riot that interrupted the Stones' 1966 Royal Albert Hall concert.
.
This video was shot in Paris in octobre 2016 at Pantheon, the catacombes at Denfert-Rochereau, Eglise Saint-Merri, Centre Pompidou and Pont Neuf.
Camera: DJI ...
This video was shot in Paris in octobre 2016 at Pantheon, the catacombes at Denfert-Rochereau, Eglise Saint-Merri, Centre Pompidou and Pont Neuf.
Camera: DJI Osmo.
Thanks to Jeremy Shane Almodovar for mixing this great music composed by Hans Zimmer:
https://www.youtube.com/watch?v=gSkIwwdT79E
This video was shot in Paris in octobre 2016 at Pantheon, the catacombes at Denfert-Rochereau, Eglise Saint-Merri, Centre Pompidou and Pont Neuf.
Camera: DJI Osmo.
Thanks to Jeremy Shane Almodovar for mixing this great music composed by Hans Zimmer:
https://www.youtube.com/watch?v=gSkIwwdT79E
**No copyright infringement intended**
Peter Whitehead's disjointed Swinging London documentary, subtitled "A Pop Concerto," comprises a number of different "movements," each depicting a different theme underscored by music: A early version of Pink Floyd's "Interstellar Overdrive" plays behind some arty nightclub scenes, while Chris Farlowe's rendition of the Rolling Stones' "Out of Time" accompanies a young woman's description of London nightlife and the vacuousness of her own existence. In another segment, the Marquess of Kensington (Robert Wace) croons the nostalgic "Changing of the Guard" to shots of Buckingham Palace's changing of the guard, and recording act Vashti are seen at work in the studio. Sandwiched between are clips of Mick Jagger (discussing revolution), Andrew Loog Oldham (discussing his future) - and Julie Christie, Michael Caine, Lee Marvin, and novelist Edna O'Brien (each discussing sex). The best part is footage of the riot that interrupted the Stones' 1966 Royal Albert Hall concert.
.
INTERSTELLAR OVERDRIVE Recorded for TONIGHT LETS ALL MAKE LOVE IN LONDON in 1966 at the legendary underground psychedelic Club-UFO...
Peter Whitehead's 1967 documentary of London scene in the swinging-60's is a visual treat for Mod enthusiasts everywhere. Featuring a who's-who of the scene, Tonight Let's All Make Love In London is a visual patchwork of 60's culture, seen through the eyes of the people leading it. Mick Jagger, Michael Caine, Vanessa Redgrave, Allen Ginsberg, and Julie Christie are all here, alongside counter-culture artists and other musicians who helped shape their generation and future ones to come. Most of the musical content comes in the form of extremely rare concert footage and inside studio recording sessions, while other segments include candid interviews, strange political demonstration footage, and even a segment on the radical art of body painting! Yes, politics and sex are on the palette here as the psychedelic soundtrack from a very young Pink Floyd, swirls and pushes the film on towards the climax of it's brisk 70 minute running time. Languishing in distribution limbo for too long, Tonight Let's All Make Love In London is a fitting testimonial to the changing times in the mid-60's and one that should be able to live on in the years to come for the young and old to look back on and enjoy.
Provided to YouTube by The-Source
Interview 2 (2017 Remaster) · Michael Caine
Tonite Lets All Make Love in London (Original Motion Picture Soundtrack) - 2017 Remaster
℗ 2016 Charly Acquisitions Ltd.
Released on: 1968-07-18
Composer: Michael Caine
Music Publisher: Non-Musical Work
Auto-generated by YouTube.
Tonite Let's All Make Love In London - Interstellar Mix by Carrinton
Version 2 for mix 1 on the CD Single. Features footage from the Peter Whitehead's 1967 movie of the same name. Clips of Micheal Caine, Julie Christie, David Hockney, Allen Ginsberg and more. The film was a fitting testimonial to the changing times in the mid-60's. Based on the Pink Floyd / Syd Barrett riff from Interstellar Overdrive.
**No copyright infringement intended**
Peter Whitehead's disjointed Swinging London documentary, subtitled "A Pop Concerto," comprises a number of different "movements," each depicting a different theme underscored by music: A early version of Pink Floyd's "Interstellar Overdrive" plays behind some arty nightclub scenes, while Chris Farlowe's rendition of the Rolling Stones' "Out of Time" accompanies a young woman's description of London nightlife and the vacuousness of her own existence. In another segment, the Marquess of Kensington (Robert Wace) croons the nostalgic "Changing of the Guard" to shots of Buckingham Palace's changing of the guard, and recording act Vashti are seen at work in the studio. Sandwiched between are clips of Mick Jagger (discussing revolution), Andrew Loog Oldham (discussing his future) - and Julie Christie, Michael Caine, Lee Marvin, and novelist Edna O'Brien (each discussing sex). The best part is footage of the riot that interrupted the Stones' 1966 Royal Albert Hall concert.
.
This video was shot in Paris in octobre 2016 at Pantheon, the catacombes at Denfert-Rochereau, Eglise Saint-Merri, Centre Pompidou and Pont Neuf.
Camera: DJI Osmo.
Thanks to Jeremy Shane Almodovar for mixing this great music composed by Hans Zimmer:
https://www.youtube.com/watch?v=gSkIwwdT79E
Sir Michael Caine, CBE (/keɪn/; born Maurice Joseph Micklewhite; 14 March 1933), is an English actor and author. Renowned for his distinctive working class cockney accent, Caine has appeared in over 115 films and is regarded as a British film icon.
He's walking where i'm afraid i don't no i see the firemen jumping from the windows (there's panic and i hear somebody scream) he picks up useless paper and puts it in my pocket i'm trying very hard to keep my fingers clean (i can't remember tell me what's his name?) and all i wanted was a word - a photograph to keep at home and all i wanted was a word - a photograph to keep the sun is laughing it's another broking morning i see a shadow and call out to try and warn him (he didn't seem to hear just turn away) the quit fellows follows points his fingers straight at you he had to sacrifice his pride - yes throw it away and all i wanted ... his days are numbered he walks round and round in circles there is no place he can ever call his own (he semm's to jump at the sound of the phone) staring out the window there's nothing he can now do all he wanted was to remain in sane (he can't remember his own name)