-
Crimson King (Remaster 2019)
Provided to YouTube by Century Media
Crimson King (Remaster 2019) · Demons & Wizards
Touched By The Crimson King (Remasters 2019)
℗ 2019 Century Media Records Ltd. under exclusive license from Demons & Wizards
Released on: 2019-03-29
Composer, Lyricist: Schaffer
Producer: Jim Morris
Composer, Lyricist: Kürsch
Producer: Jon Schaffer
Producer: Hansi Kürsch
Mastering Engineer: Zeuss
Auto-generated by YouTube.
published: 28 Mar 2019
-
King Crimson - Epitaph (Including "March For No Reason" and "Tomorrow And Tomorrow")
EPITAPH
including MARCH FOR NO REASON and TOMORROW AND TOMORROW
(Fripp, Lake, McDonald, Giles, Sinfield)
The wall on which the prophets wrote
Is cracking at the seams.
Upon the instruments of death
The sunlight brightly gleams.
When every man is torn apart
With nightmares and with dreams,
Will no one lay the laurel wreath
As silence drowns the screams.
Between the iron gates of fate,
The seeds of time were sown,
And watered by the deeds of those
Who know and who are known;
Knowledge is a deadly friend
When no-one sets the rules.
The fate of all mankind I see
Is in the hands of fools.
Confusion will be my epitaph.
As I crawl a cracked and broken path
If we make it we can all sit back and laugh.
But I fear tomorrow I'll be crying,
Yes I fear tomorrow I'll be cryi...
published: 17 Dec 2020
-
King Crimson - 21st Century Schizoid Man (Including "Mirrors")
21ST CENTURY SCHIZOID MAN including MIRRORS
(Fripp, Lake, McDonald, Giles, Sinfield)
Cat's foot iron claw
Neuro-surgeons scream for more
At paranoia's poison door
Twenty first century schizoid man.
Blood rack barbed wire
Politicians' funeral pyre
Innocents raped with napalm fire
Twenty first century schizoid man.
Death seed blind man's greed
Poets' starving children bleed
Nothing he's got he really needs
Twenty first century schizoid man.
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
Robert Fripp–guitar
Ian McDonald–reeds, woodwind, vibes, keyboards, mellotron, vocals
Greg Lake–bass guitar, lead vocals
Michael Giles–drums, percussion, vocals
Peter Sinfield–words and illumination
Cover by Barry Godber
Equipment by Vick and Dik
Recorded at Wessex Sound ...
published: 17 Dec 2020
-
King Crimson In The Court Of The Crimson King live
published: 27 Sep 2014
-
King Crimson - Epitaph (1969) Lyrics Video
HELP US DO OUR WORK, BUY ME A COFFEE!!! https://www.buymeacoffee.com/poisonsofrock
IMPORTANT: THIS IS NOT THE ORIGINAL VERSION. I PREVIOUSLY POSTED THE ORIGINAL BUT YT GAVE ME A STRIKE FOR IT. SO I POSTED THIS VERSION THAT IS SAID TO BE FROM A BOX SET THAT SHOWS THIS EARLY VERSION. SORRY FOR THAT!!!
BUT THIS VERSION IS QUITE INTERESTING TOO, ENJOY IT!!!
“Epitaph” is the third track on King Crimson’s October 1969 debut album, In the Court of the Crimson King. Noted for its heavy use of mellotron and Greg Lake’s emotional vocals, the lyrics were written by the band’s primary lyricist, Peter Sinfield, with additional contributions from Lake. Sinfield spoke of the song in a 2019 interview:
‘Epitaph’ was a poem that I’d written when I had my own band. It started with the words, and th...
published: 15 Apr 2022
-
King Crimson - Starless
Starless by King Crimson. Another taster from the new King Crimson album - "Radical Action to Unseat the Hold of Monkey Mind".
As those lucky enough to have seen it live will know, the opening chord of this song are often accompanied by an intake of breath. Like an incoming tide of realisation, all the variations on "I never thought I’d hear this live", or "crikey, this is my favourite", "OMG I’ve died and gone to heaven" and a few more sentiments besides.
The complexities behind capturing the seven-headed Crimson on video are described in David Singleton's liner notes :
"It is something of a truism in the history of Crimson that any show that is filmed will not be one when heaven meets earth and the angels descend. The presence of cameras and cameramen iintroduces an intrusive elemen...
published: 20 Sep 2016
-
The court of the Crimson King
published: 31 Dec 2015
-
The Crimson King Explained | Stephen King's The Dark Tower
★Subscribe Here: https://goo.gl/eMyqR8
The head of the force of chaos, the Crimson King seeks the destruction of the Dark Tower and the multiverse that it ties together.
Royalty free music provided by bensound.com
Connect with Hybrid Network!
►Website: https://www.hybridnetworkyt.com
►Facebook: https://www.facebook.com/HybridNetworkYT
►Twitter: https://www.twitter.com/HybridNetwork_
►Soundcloud: https://soundcloud.com/hybridnetworkyt
Hybrid Network is a community delivering the best content in pop culture whether it be news, speculation, reviews, podcasts, rumors, & more! We deliver educational & entertaining content leaving each viewer informed on any franchise we cover. Hybrid Network is pop culture annotated.
----------------------------------------------------------------------...
published: 17 Jul 2017
-
John Paul Jones - That's The Way 2001 (Los Angeles) **Master Series TEP**
John Paul Jones promoted his Thunderthief release during this tour, an opening for King Crimson. This show was from Universal Amphitheater in Universal City, CA, on November 15th, 2001.
Here, he is performing and singing That's the Way.
**Master Series**
This video is direct from the Hi8 Master cassette. Terry Stephenson of Third Eye Production (TEP) filmed it.
You can listen to our Podcast with Terry Stephenson, the filmer.
https://youtu.be/87HaZjCEoUc?si=DQ2FH7Q1TFT5V7qy
---------------------------
You can listen to all our Zepfan podcasts below:
YouTube
https://www.youtube.com/playlist?list=PLRq-bpsJKH6VSDd8W8MCsQkylGhF46kEn
Spotify:
https://open.spotify.com/show/4fOGuefJovRKx5tGS8pv42
Apple Podcast:
https://podcasts.apple.com/us/podcast/zepfan-all-things-led-zeppelin/id16487...
published: 01 Jun 2024
-
The Court Of The Crimson King (JJBA Musical Leitmotif | AMV)
Diavolo is the main antagonist of JoJo's Bizzare Adventure Part 5, Vento Aureo/Golden Wind. His standability King Crimson has the ability to skip/erase time.
References:
King Crimson is a reference to the band King Crimson
Music Used:
Steve Hackett - In The Court of the Crimson King (Live)
After a long hiatus, a new video is finally out. I plan on doing some Stone Ocean Anime Leitmotif videos and working on some Manga Leitmotif projects as well.
Website: https://ethanrek.weebly.com/
Future Projects: https://trello.com/b/6BKBAPXp/ethanrek
Discord: https://discord.gg/pe4hPmuwh4
published: 12 Feb 2023
5:46
Crimson King (Remaster 2019)
Provided to YouTube by Century Media
Crimson King (Remaster 2019) · Demons & Wizards
Touched By The Crimson King (Remasters 2019)
℗ 2019 Century Media Record...
Provided to YouTube by Century Media
Crimson King (Remaster 2019) · Demons & Wizards
Touched By The Crimson King (Remasters 2019)
℗ 2019 Century Media Records Ltd. under exclusive license from Demons & Wizards
Released on: 2019-03-29
Composer, Lyricist: Schaffer
Producer: Jim Morris
Composer, Lyricist: Kürsch
Producer: Jon Schaffer
Producer: Hansi Kürsch
Mastering Engineer: Zeuss
Auto-generated by YouTube.
https://wn.com/Crimson_King_(Remaster_2019)
Provided to YouTube by Century Media
Crimson King (Remaster 2019) · Demons & Wizards
Touched By The Crimson King (Remasters 2019)
℗ 2019 Century Media Records Ltd. under exclusive license from Demons & Wizards
Released on: 2019-03-29
Composer, Lyricist: Schaffer
Producer: Jim Morris
Composer, Lyricist: Kürsch
Producer: Jon Schaffer
Producer: Hansi Kürsch
Mastering Engineer: Zeuss
Auto-generated by YouTube.
- published: 28 Mar 2019
- views: 549245
8:47
King Crimson - Epitaph (Including "March For No Reason" and "Tomorrow And Tomorrow")
EPITAPH
including MARCH FOR NO REASON and TOMORROW AND TOMORROW
(Fripp, Lake, McDonald, Giles, Sinfield)
The wall on which the prophets wrote
Is cracking ...
EPITAPH
including MARCH FOR NO REASON and TOMORROW AND TOMORROW
(Fripp, Lake, McDonald, Giles, Sinfield)
The wall on which the prophets wrote
Is cracking at the seams.
Upon the instruments of death
The sunlight brightly gleams.
When every man is torn apart
With nightmares and with dreams,
Will no one lay the laurel wreath
As silence drowns the screams.
Between the iron gates of fate,
The seeds of time were sown,
And watered by the deeds of those
Who know and who are known;
Knowledge is a deadly friend
When no-one sets the rules.
The fate of all mankind I see
Is in the hands of fools.
Confusion will be my epitaph.
As I crawl a cracked and broken path
If we make it we can all sit back and laugh.
But I fear tomorrow I'll be crying,
Yes I fear tomorrow I'll be crying.
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
Robert Fripp–guitar
Ian McDonald–reeds, woodwind, vibes, keyboards, mellotron, vocals
Greg Lake–bass guitar, lead vocals
Michael Giles–drums, percussion, vocals
Peter Sinfield–words and illumination
Cover by Barry Godber
Equipment by Vick and Dik
Recorded at Wessex Sound Studios, London
Engineer: Robin Thompson
Assistant Engineer: Tony Page
Produced by King Crimson for EG Productions, ‘David & John’
#InTheCourtOfTheCrimsonKing
#KingCrimson
#RobertFripp
https://wn.com/King_Crimson_Epitaph_(Including_March_For_No_Reason_And_Tomorrow_And_Tomorrow_)
EPITAPH
including MARCH FOR NO REASON and TOMORROW AND TOMORROW
(Fripp, Lake, McDonald, Giles, Sinfield)
The wall on which the prophets wrote
Is cracking at the seams.
Upon the instruments of death
The sunlight brightly gleams.
When every man is torn apart
With nightmares and with dreams,
Will no one lay the laurel wreath
As silence drowns the screams.
Between the iron gates of fate,
The seeds of time were sown,
And watered by the deeds of those
Who know and who are known;
Knowledge is a deadly friend
When no-one sets the rules.
The fate of all mankind I see
Is in the hands of fools.
Confusion will be my epitaph.
As I crawl a cracked and broken path
If we make it we can all sit back and laugh.
But I fear tomorrow I'll be crying,
Yes I fear tomorrow I'll be crying.
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
Robert Fripp–guitar
Ian McDonald–reeds, woodwind, vibes, keyboards, mellotron, vocals
Greg Lake–bass guitar, lead vocals
Michael Giles–drums, percussion, vocals
Peter Sinfield–words and illumination
Cover by Barry Godber
Equipment by Vick and Dik
Recorded at Wessex Sound Studios, London
Engineer: Robin Thompson
Assistant Engineer: Tony Page
Produced by King Crimson for EG Productions, ‘David & John’
#InTheCourtOfTheCrimsonKing
#KingCrimson
#RobertFripp
- published: 17 Dec 2020
- views: 9245179
7:23
King Crimson - 21st Century Schizoid Man (Including "Mirrors")
21ST CENTURY SCHIZOID MAN including MIRRORS
(Fripp, Lake, McDonald, Giles, Sinfield)
Cat's foot iron claw
Neuro-surgeons scream for more
At paranoia's pois...
21ST CENTURY SCHIZOID MAN including MIRRORS
(Fripp, Lake, McDonald, Giles, Sinfield)
Cat's foot iron claw
Neuro-surgeons scream for more
At paranoia's poison door
Twenty first century schizoid man.
Blood rack barbed wire
Politicians' funeral pyre
Innocents raped with napalm fire
Twenty first century schizoid man.
Death seed blind man's greed
Poets' starving children bleed
Nothing he's got he really needs
Twenty first century schizoid man.
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
Robert Fripp–guitar
Ian McDonald–reeds, woodwind, vibes, keyboards, mellotron, vocals
Greg Lake–bass guitar, lead vocals
Michael Giles–drums, percussion, vocals
Peter Sinfield–words and illumination
Cover by Barry Godber
Equipment by Vick and Dik
Recorded at Wessex Sound Studios, London
Engineer: Robin Thompson
Assistant Engineer: Tony Page
Produced by King Crimson for EG Productions, ‘David & John’
#InTheCourtOfTheCrimsonKing
#KingCrimson
#RobertFripp
https://wn.com/King_Crimson_21St_Century_Schizoid_Man_(Including_Mirrors_)
21ST CENTURY SCHIZOID MAN including MIRRORS
(Fripp, Lake, McDonald, Giles, Sinfield)
Cat's foot iron claw
Neuro-surgeons scream for more
At paranoia's poison door
Twenty first century schizoid man.
Blood rack barbed wire
Politicians' funeral pyre
Innocents raped with napalm fire
Twenty first century schizoid man.
Death seed blind man's greed
Poets' starving children bleed
Nothing he's got he really needs
Twenty first century schizoid man.
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
Robert Fripp–guitar
Ian McDonald–reeds, woodwind, vibes, keyboards, mellotron, vocals
Greg Lake–bass guitar, lead vocals
Michael Giles–drums, percussion, vocals
Peter Sinfield–words and illumination
Cover by Barry Godber
Equipment by Vick and Dik
Recorded at Wessex Sound Studios, London
Engineer: Robin Thompson
Assistant Engineer: Tony Page
Produced by King Crimson for EG Productions, ‘David & John’
#InTheCourtOfTheCrimsonKing
#KingCrimson
#RobertFripp
- published: 17 Dec 2020
- views: 6638171
9:13
King Crimson - Epitaph (1969) Lyrics Video
HELP US DO OUR WORK, BUY ME A COFFEE!!! https://www.buymeacoffee.com/poisonsofrock
IMPORTANT: THIS IS NOT THE ORIGINAL VERSION. I PREVIOUSLY POSTED THE ORIGI...
HELP US DO OUR WORK, BUY ME A COFFEE!!! https://www.buymeacoffee.com/poisonsofrock
IMPORTANT: THIS IS NOT THE ORIGINAL VERSION. I PREVIOUSLY POSTED THE ORIGINAL BUT YT GAVE ME A STRIKE FOR IT. SO I POSTED THIS VERSION THAT IS SAID TO BE FROM A BOX SET THAT SHOWS THIS EARLY VERSION. SORRY FOR THAT!!!
BUT THIS VERSION IS QUITE INTERESTING TOO, ENJOY IT!!!
“Epitaph” is the third track on King Crimson’s October 1969 debut album, In the Court of the Crimson King. Noted for its heavy use of mellotron and Greg Lake’s emotional vocals, the lyrics were written by the band’s primary lyricist, Peter Sinfield, with additional contributions from Lake. Sinfield spoke of the song in a 2019 interview:
‘Epitaph’ was a poem that I’d written when I had my own band. It started with the words, and then it was very much a piece of ensemble writing. Ian McDonald would come up with an idea, then someone else. I think Greg came up with the idea: ‘But I fear tomorrow I’ll be crying’, which is very Greg-ish.
The subtitle for this track is listed as “Including ‘March for No Reason’ and ‘Tomorrow and Tomorrow,’” though it’s not indicated which part is which. It’s likely that these subtitles were invented as a way of earning more royalties, suggested to the band by their management.
The word epitaph has Greek origins and is a combination of the words “epi” (meaning “on”) and “taphos” (which means tomb). The translation regards something that is inscribed on a tombstone. Epitaphs are placed on tombs to honor the deceased person buried inside. Though sometimes chosen by a person other than the deceased, it is generally seen as representative of their final thoughts or a description of their life.
[Instrumental Intro]
[Verse 1]
The wall on which the prophets wrote
Is cracking at the seams
Upon the instruments of death
The sunlight brightly gleams
When every man is torn apart
With nightmares and with dreams
Will no one lay the laurel wreath
When silence drowns the screams?
[Chorus]
Confusion will be my epitaph
As I crawl, a cracked and broken path
If we make it, we can all sit back and laugh
But I fear tomorrow I'll be crying
Yes, I fear tomorrow I'll be crying
Yes, I fear tomorrow I'll be crying
[Verse 2]
Between the iron gates of fate
The seeds of time were sown
And watered by the deeds of those
Who know and who are known;
Knowledge is a deadly friend
If no one sets the rules
The fate of all mankind I see
Is in the hands of fools
[Instrumental: “March for No Reason”]
[Verse 1]
The wall on which the prophets wrote
Is cracking at the seams
Upon the instruments of death
The sunlight brightly gleams
When every man is torn apart
With nightmares and with dreams
Will no one lay the laurel wreath
When silence drowns the screams?
[Chorus]
Confusion will be my epitaph
As I crawl, a cracked and broken path
If we make it, we can all sit back and laugh
But I fear tomorrow I'll be crying
Yes, I fear tomorrow I'll be crying
Yes, I fear tomorrow I'll be crying
Crying…
Crying…
Yes, I fear tomorrow I'll be crying
Yes, I fear tomorrow I'll be crying
Yes, I fear tomorrow I'll be crying
Crying…
[Outro: “Tomorrow and Tomorrow”]
[Instrumental]
https://wn.com/King_Crimson_Epitaph_(1969)_Lyrics_Video
HELP US DO OUR WORK, BUY ME A COFFEE!!! https://www.buymeacoffee.com/poisonsofrock
IMPORTANT: THIS IS NOT THE ORIGINAL VERSION. I PREVIOUSLY POSTED THE ORIGINAL BUT YT GAVE ME A STRIKE FOR IT. SO I POSTED THIS VERSION THAT IS SAID TO BE FROM A BOX SET THAT SHOWS THIS EARLY VERSION. SORRY FOR THAT!!!
BUT THIS VERSION IS QUITE INTERESTING TOO, ENJOY IT!!!
“Epitaph” is the third track on King Crimson’s October 1969 debut album, In the Court of the Crimson King. Noted for its heavy use of mellotron and Greg Lake’s emotional vocals, the lyrics were written by the band’s primary lyricist, Peter Sinfield, with additional contributions from Lake. Sinfield spoke of the song in a 2019 interview:
‘Epitaph’ was a poem that I’d written when I had my own band. It started with the words, and then it was very much a piece of ensemble writing. Ian McDonald would come up with an idea, then someone else. I think Greg came up with the idea: ‘But I fear tomorrow I’ll be crying’, which is very Greg-ish.
The subtitle for this track is listed as “Including ‘March for No Reason’ and ‘Tomorrow and Tomorrow,’” though it’s not indicated which part is which. It’s likely that these subtitles were invented as a way of earning more royalties, suggested to the band by their management.
The word epitaph has Greek origins and is a combination of the words “epi” (meaning “on”) and “taphos” (which means tomb). The translation regards something that is inscribed on a tombstone. Epitaphs are placed on tombs to honor the deceased person buried inside. Though sometimes chosen by a person other than the deceased, it is generally seen as representative of their final thoughts or a description of their life.
[Instrumental Intro]
[Verse 1]
The wall on which the prophets wrote
Is cracking at the seams
Upon the instruments of death
The sunlight brightly gleams
When every man is torn apart
With nightmares and with dreams
Will no one lay the laurel wreath
When silence drowns the screams?
[Chorus]
Confusion will be my epitaph
As I crawl, a cracked and broken path
If we make it, we can all sit back and laugh
But I fear tomorrow I'll be crying
Yes, I fear tomorrow I'll be crying
Yes, I fear tomorrow I'll be crying
[Verse 2]
Between the iron gates of fate
The seeds of time were sown
And watered by the deeds of those
Who know and who are known;
Knowledge is a deadly friend
If no one sets the rules
The fate of all mankind I see
Is in the hands of fools
[Instrumental: “March for No Reason”]
[Verse 1]
The wall on which the prophets wrote
Is cracking at the seams
Upon the instruments of death
The sunlight brightly gleams
When every man is torn apart
With nightmares and with dreams
Will no one lay the laurel wreath
When silence drowns the screams?
[Chorus]
Confusion will be my epitaph
As I crawl, a cracked and broken path
If we make it, we can all sit back and laugh
But I fear tomorrow I'll be crying
Yes, I fear tomorrow I'll be crying
Yes, I fear tomorrow I'll be crying
Crying…
Crying…
Yes, I fear tomorrow I'll be crying
Yes, I fear tomorrow I'll be crying
Yes, I fear tomorrow I'll be crying
Crying…
[Outro: “Tomorrow and Tomorrow”]
[Instrumental]
- published: 15 Apr 2022
- views: 1772753
12:37
King Crimson - Starless
Starless by King Crimson. Another taster from the new King Crimson album - "Radical Action to Unseat the Hold of Monkey Mind".
As those lucky enough to have s...
Starless by King Crimson. Another taster from the new King Crimson album - "Radical Action to Unseat the Hold of Monkey Mind".
As those lucky enough to have seen it live will know, the opening chord of this song are often accompanied by an intake of breath. Like an incoming tide of realisation, all the variations on "I never thought I’d hear this live", or "crikey, this is my favourite", "OMG I’ve died and gone to heaven" and a few more sentiments besides.
The complexities behind capturing the seven-headed Crimson on video are described in David Singleton's liner notes :
"It is something of a truism in the history of Crimson that any show that is filmed will not be one when heaven meets earth and the angels descend. The presence of cameras and cameramen iintroduces an intrusive element into the relationship between the artist, the music and the audience. Our solution was to return to the concept of "BootlegTV" and prioritise the music and the performance rather than the pictures. We embedded a single cameraman (the long-suffering Trevor Wilkins) on this tour, and he filmed every night with a a series of cameras hidden discreetly on the stage where they would intrude on neither artist nor audience. The compromise is thus in the visuals and not in the music."
The set was recently described by John Kelman in "All about jazz" as "the definitive live Crimson release from the definitive live Crimson lineup; a landmark recording from a group whose discography is filled with them."
https://wn.com/King_Crimson_Starless
Starless by King Crimson. Another taster from the new King Crimson album - "Radical Action to Unseat the Hold of Monkey Mind".
As those lucky enough to have seen it live will know, the opening chord of this song are often accompanied by an intake of breath. Like an incoming tide of realisation, all the variations on "I never thought I’d hear this live", or "crikey, this is my favourite", "OMG I’ve died and gone to heaven" and a few more sentiments besides.
The complexities behind capturing the seven-headed Crimson on video are described in David Singleton's liner notes :
"It is something of a truism in the history of Crimson that any show that is filmed will not be one when heaven meets earth and the angels descend. The presence of cameras and cameramen iintroduces an intrusive element into the relationship between the artist, the music and the audience. Our solution was to return to the concept of "BootlegTV" and prioritise the music and the performance rather than the pictures. We embedded a single cameraman (the long-suffering Trevor Wilkins) on this tour, and he filmed every night with a a series of cameras hidden discreetly on the stage where they would intrude on neither artist nor audience. The compromise is thus in the visuals and not in the music."
The set was recently described by John Kelman in "All about jazz" as "the definitive live Crimson release from the definitive live Crimson lineup; a landmark recording from a group whose discography is filled with them."
- published: 20 Sep 2016
- views: 14473886
2:46
The Crimson King Explained | Stephen King's The Dark Tower
★Subscribe Here: https://goo.gl/eMyqR8
The head of the force of chaos, the Crimson King seeks the destruction of the Dark Tower and the multiverse that it ties...
★Subscribe Here: https://goo.gl/eMyqR8
The head of the force of chaos, the Crimson King seeks the destruction of the Dark Tower and the multiverse that it ties together.
Royalty free music provided by bensound.com
Connect with Hybrid Network!
►Website: https://www.hybridnetworkyt.com
►Facebook: https://www.facebook.com/HybridNetworkYT
►Twitter: https://www.twitter.com/HybridNetwork_
►Soundcloud: https://soundcloud.com/hybridnetworkyt
Hybrid Network is a community delivering the best content in pop culture whether it be news, speculation, reviews, podcasts, rumors, & more! We deliver educational & entertaining content leaving each viewer informed on any franchise we cover. Hybrid Network is pop culture annotated.
-------------------------------------------------------------------------------------------------------
Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
https://wn.com/The_Crimson_King_Explained_|_Stephen_King's_The_Dark_Tower
★Subscribe Here: https://goo.gl/eMyqR8
The head of the force of chaos, the Crimson King seeks the destruction of the Dark Tower and the multiverse that it ties together.
Royalty free music provided by bensound.com
Connect with Hybrid Network!
►Website: https://www.hybridnetworkyt.com
►Facebook: https://www.facebook.com/HybridNetworkYT
►Twitter: https://www.twitter.com/HybridNetwork_
►Soundcloud: https://soundcloud.com/hybridnetworkyt
Hybrid Network is a community delivering the best content in pop culture whether it be news, speculation, reviews, podcasts, rumors, & more! We deliver educational & entertaining content leaving each viewer informed on any franchise we cover. Hybrid Network is pop culture annotated.
-------------------------------------------------------------------------------------------------------
Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
- published: 17 Jul 2017
- views: 151973
5:49
John Paul Jones - That's The Way 2001 (Los Angeles) **Master Series TEP**
John Paul Jones promoted his Thunderthief release during this tour, an opening for King Crimson. This show was from Universal Amphitheater in Universal City, CA...
John Paul Jones promoted his Thunderthief release during this tour, an opening for King Crimson. This show was from Universal Amphitheater in Universal City, CA, on November 15th, 2001.
Here, he is performing and singing That's the Way.
**Master Series**
This video is direct from the Hi8 Master cassette. Terry Stephenson of Third Eye Production (TEP) filmed it.
You can listen to our Podcast with Terry Stephenson, the filmer.
https://youtu.be/87HaZjCEoUc?si=DQ2FH7Q1TFT5V7qy
---------------------------
You can listen to all our Zepfan podcasts below:
YouTube
https://www.youtube.com/playlist?list=PLRq-bpsJKH6VSDd8W8MCsQkylGhF46kEn
Spotify:
https://open.spotify.com/show/4fOGuefJovRKx5tGS8pv42
Apple Podcast:
https://podcasts.apple.com/us/podcast/zepfan-all-things-led-zeppelin/id1648761885
---------------------------
If you have any films, slides, negatives, audio, or video masters of Led Zeppelin, please contact me at
[email protected].
Also, please check out Zepfan.com, which has over 6,000 memorabilia items; this is the most comprehensive Led Zeppelin website for collectors.
Support our YouTube channel and podcast: https://podcasters.spotify.com/pod/show/mark-mcfall6/support
https://wn.com/John_Paul_Jones_That's_The_Way_2001_(Los_Angeles)_Master_Series_Tep
John Paul Jones promoted his Thunderthief release during this tour, an opening for King Crimson. This show was from Universal Amphitheater in Universal City, CA, on November 15th, 2001.
Here, he is performing and singing That's the Way.
**Master Series**
This video is direct from the Hi8 Master cassette. Terry Stephenson of Third Eye Production (TEP) filmed it.
You can listen to our Podcast with Terry Stephenson, the filmer.
https://youtu.be/87HaZjCEoUc?si=DQ2FH7Q1TFT5V7qy
---------------------------
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https://podcasts.apple.com/us/podcast/zepfan-all-things-led-zeppelin/id1648761885
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[email protected].
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- published: 01 Jun 2024
- views: 339
5:13
The Court Of The Crimson King (JJBA Musical Leitmotif | AMV)
Diavolo is the main antagonist of JoJo's Bizzare Adventure Part 5, Vento Aureo/Golden Wind. His standability King Crimson has the ability to skip/erase time.
...
Diavolo is the main antagonist of JoJo's Bizzare Adventure Part 5, Vento Aureo/Golden Wind. His standability King Crimson has the ability to skip/erase time.
References:
King Crimson is a reference to the band King Crimson
Music Used:
Steve Hackett - In The Court of the Crimson King (Live)
After a long hiatus, a new video is finally out. I plan on doing some Stone Ocean Anime Leitmotif videos and working on some Manga Leitmotif projects as well.
Website: https://ethanrek.weebly.com/
Future Projects: https://trello.com/b/6BKBAPXp/ethanrek
Discord: https://discord.gg/pe4hPmuwh4
https://wn.com/The_Court_Of_The_Crimson_King_(Jjba_Musical_Leitmotif_|_Amv)
Diavolo is the main antagonist of JoJo's Bizzare Adventure Part 5, Vento Aureo/Golden Wind. His standability King Crimson has the ability to skip/erase time.
References:
King Crimson is a reference to the band King Crimson
Music Used:
Steve Hackett - In The Court of the Crimson King (Live)
After a long hiatus, a new video is finally out. I plan on doing some Stone Ocean Anime Leitmotif videos and working on some Manga Leitmotif projects as well.
Website: https://ethanrek.weebly.com/
Future Projects: https://trello.com/b/6BKBAPXp/ethanrek
Discord: https://discord.gg/pe4hPmuwh4
- published: 12 Feb 2023
- views: 226409