- published: 27 Jan 2022
- views: 14095
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Karol Maciej Szymanowski (Polish pronunciation: [ˌkarɔl ˌmat͡ɕɛj ʂɨmaˈnɔfskʲi]; 6 October 1882 – 29 March 1937) was a Polish composer and pianist, the most celebrated Polish composer of the early 20th century. He is considered a member of the late 19th-/early 20th-century modernist movement Young Poland.
The early works show the influence of the late Romantic German school as well as the early works of Alexander Scriabin, as exemplified by his Étude Op. 4 No. 3 and his first two symphonies. Later, he developed an impressionistic and partially atonal style, represented by such works as the Third Symphony and his Violin Concerto No. 1. His third period was influenced by the folk music of the Polish Górale region, including the ballet Harnasie, the Fourth Symphony, and his sets of Mazurkas for piano.
He was awarded the highest national honors, including the Officer's Cross of the Order of Polonia Restituta, the Order of Merit of the Republic of Poland and other distinctions, both Polish and foreign.
Warsaw Philharmonic Concert Hall 5.11.2021 120th Anniversary of the Warsaw Philharmonic Warsaw Philharmonic Orchestra and Choir Jacek Kaspszyk – conductor Rafał Bartmiński – tenor Bartosz Michałowski – choir director Karol Szymanowski - Symphony No. 3 ”Song of the Night”, Op. 27 text: Jalāl ad-Dīn Mohammad Rūmī (1916)
Karol Szymanowski (1882 - 1937), 9 Preludes, Op.1 (1899 - 1900) Performed by Martin Roscoe 00:00 - No. 1 Andante ma non troppo 02:11 - No. 2 Andante con moto 04:39 - No. 3 Andantino 06:02 - No. 4 Andantino con moto 07:34 - No. 5 Allegro molto - impetuoso 08:48 - No. 6 Leonto - Mesto 10:57 - No. 7 Moderato 13:48 - No. 8 Andante ma non troppo 16:32 - No. 9 Lento-mesto Karol Szymanowski’s life and career may be seen, from our vantage point, as a twofold quest in which the personal and the national ran in parallel, or, perhaps, were intertwined. On the one hand, he was engaged in a typically post-Romantic search for self-realization as an artist, working towards a full development of his individual musical aims and sensibilities; while on the other, he came more and more to seek an authenti...
Karol Szymanowski (1882 - 1937) "Harnasie" Op.55 (1923 - 31) Ballet-pantomime in 3 scenes for solo tenor, mixed chorus and orchestra Timothy Robinson (tenor) City of Birmingham Symphony Orchestra and Chorus Sir Simon Rattle Image: Landscape at the Tatra Mountains, Poland
Karol Szymanowski (1882 - 1937), Piano Sonata No.2, Op.21 (1910) Performed by Martin Roscoe Piano Sonata No. 2 was written during the years 1910-11, and published by the Viennese Universal Edition as early as 1912. The composer dedicated this work to his Russian friend, Natalia Davydov [Davidoff] from the estate of Wierzbówka, which neighboured Tymoszówka. She was a person of great artistic culture, who remained an admirer and connaisseur of Szymanowski’s music to the end of her life. Sonata in A major is the last of Szymanowski’s piano work originating from the late Romanticism tradition. In contrast to the earlier, “school” compositions, such as Sonata in C minor or Fantasia in C major – one cannot discern in it traces of imitation of one or another model; what we do encounter here is ...
ORKIESTRA I CHÓR FILHARMONII NARODOWEJ Jacek KASPSZYK dyrygent Tomasz WARMIJAK tenor Karol SZYMANOWSKI - Balet "Harnasie" op. 55 Nagranie z transmisji zakończenia sezonu artystycznego 2013/2014. ------------------------------------------------------------------- WARSAW PHILHARMONIC ORCHESTRA AND CHOIR Jacek KASPSZYK conductor Tomasz WARMIJAK tenor Karol SZYMANOWSKI - "Harnasie", Op. 55 Symphonic Concert Closing the 2013/14 Season.
Karol Szymanowski - Variations on a Polish Folk Theme for Piano, Op. 10 (1904) Marie-Catherine Girod, piano ----------------------------------------------------- Support this YouTube Channel: https://www.patreon.com/georgengianopoulos
Karol Szymanowski (1882 - 1937), 4 Etudes, Op.4 for solo piano (1900 - 1902) Performed by Martin Roscoe 00:00 - No. 1 Allegro moderato (Eb minor) 03:30 - No. 2 Allegro molto (Gb major) 05:25 - No. 3 Andante (Bb minor) 09:52 - No. 4 Allegro (C major) Karol Szymanowski’s life and career may be seen, from our vantage point, as a twofold quest in which the personal and the national ran in parallel, or, perhaps, were intertwined. On the one hand, he was engaged in a typically post-Romantic search for self-realization as an artist, working towards a full development of his individual musical aims and sensibilities; while on the other, he came more and more to seek an authentic compositional voice that could be heard (one way or another) as distinctively Polish, and also as distinctively m...
Info: https://gr.afit.pl 3rd Polish Nationwide Music Schools' Symphonic Orchestras Competition Maciej Tomasiewicz - conductor, Polish Youth Symphony Orchestra in Bytom, Poland recorded at Frederic Chopin School of Music Concert Hall in Bytom, July 08, 2015 #MaciejTomasiewicz #PolishYouthSymphonyOrchestra
Karol Szymanowski (1882 - 1937) - Symphony No. 4, Op. 60, "Symphonie Concertante" (1932) I. Moderato. Tempo comodo [0:00] II. Andante molto sostenuto [9:51] III. Allegro non troppo, ma agitato ad ansioso [18:06] Leif Ove Andsnes, piano City of Birmingham Symphony Orchestra, Simon Rattle (1996) Symphony No. 4, Op. 60, "Symphonie Concertante" is a work by Karol Szymanowski for piano and orchestra. The work was dedicated to Arthur Rubinstein, and it was premiered by the Poznań City Orchestra, conducted by Grzegorz Fitelberg, with Szymanowski himself at the piano. The piece is in three movements and typically lasts around 25 minutes. "There was a gap of 16 years between Szymanowski’s Third Symphony ‘Song of the Night’ (1914–16) and his next orchestral work, the Fourth Symphony (1932). In t...
Warsaw Philharmonic Concert Hall, 27 January 2018 / Sala Koncertowa Filharmonii Narodowej, 27 stycznia 2018 Warsaw Philharmonic Orchestra / Orkiestra Filharmonii Narodowej Jacek Kaspszyk - conductor / dyrygent Isabelle van Keulen - violin / skrzypce Karol Szymanowski - Violin Concerto No. 2, Op. 61 / II Koncert skrzypcowy op. 61 (1933) #TUTTI.pl #PWM
Karol Maciej Szymanowski (Polish pronunciation: [ˌkarɔl ˌmat͡ɕɛj ʂɨmaˈnɔfskʲi]; 6 October 1882 – 29 March 1937) was a Polish composer and pianist, the most celebrated Polish composer of the early 20th century. He is considered a member of the late 19th-/early 20th-century modernist movement Young Poland.
The early works show the influence of the late Romantic German school as well as the early works of Alexander Scriabin, as exemplified by his Étude Op. 4 No. 3 and his first two symphonies. Later, he developed an impressionistic and partially atonal style, represented by such works as the Third Symphony and his Violin Concerto No. 1. His third period was influenced by the folk music of the Polish Górale region, including the ballet Harnasie, the Fourth Symphony, and his sets of Mazurkas for piano.
He was awarded the highest national honors, including the Officer's Cross of the Order of Polonia Restituta, the Order of Merit of the Republic of Poland and other distinctions, both Polish and foreign.
Yea baby girl, you know how it's going down
2003, Do or Die, J.P., Twista still
Well, when I heard a knock at the door
Must of been the girl that I met on the lo
She real thick, nice shape 5-4
Had a few here so we head to the show
Afterward we hit the Mo Mo Mo
Yes stay click, in the Expo
I'm city sharp, buy the mink to the floor
Damn natural, never walk from the store
Gimmie a minute, and get down with a pro
P. I. M. P. P. O. get a few friend like a party fa sho
We can hit a tune like my homie Debo
All in the mall buying Avirex, we can sport mine called S.E.X
Platinum link, all in effect
I can pick head but I'm a bad for a check
In the truck though, so I can hop in the Lex
Baby got back, but I'm trying to relax
P.L.A.Y.E.R., giving her eyes
Then we head to the bar
Never give her money, cuz she know she a star
Did you wanna ride in my car?
Do you? (Do you? Do you? Do you?)
23's like Jordan on the Escalade
Got a pound of dro' girl, if you wanna blaze
You can let your hair down, while the AC blow
Before you get in, I just need to know
Do you? (Do you? Do you? Do you?)
I'll keep it on the low
Do you? Do you?
In the mood, like yes y'all
Rather be, let it test y'all
Light the B if it's special
Can I undress to relax y'all
Well, stretch out like a Lex ball
If it's that raw, to the chests with the Remy
Like a slug with your vest off
Let me touch it, if it's that soft
And relieving in the menopause
I can't believe how they sent them off
Took the number then I'm in the mall
Being grinning bout to spend them all
Just balling, shot shot calling
Holla at my dogg while they sipping alcohol
Really want to kick it, but they all just stalling
6 dime pieces, checking out my pausing
They looking like ooh, he flossing
Baby girl, I don't do this often
In the 5 double 0 for sho'
We still ride the Cadillac, slam the doors
Suppose I kick back, keep the flows
Dressed to impress, then flex the ho
Check the dough
Do you? (Do you? Do you Do you?)
I'll keep it on the lo
Do you? Do you?
Do you?
An it really don't matter, where we go
Let's sip this Henny, pop this Mo
Before I strip you, I just need to know
Can I do you?
Now I was kicking, when I met you in the club
Had me feeling on your booty, and the brother was a 50ball
For you, I even popped some Crissy in the tub
And my body was start wondering when if I'm a get the draws
Let me know if I'm in the right lane
Tell me when I say the right things
I got tight flame
Rollin thru stunting why are you running
Cuz I'm coming with some pimp-type game
Iced out charm, chromed out truck
Coming thru balling like I don't really give a fuck
Blowing the fatty, an purple, with the windows up
When I'm sipping on Hennessey and Hypnotic getting stuck
And I need a thug
To care for me while haters be attacking me, backing me
To a corner while a brother trying to get theirs
And I need a queen backing me while I'm running my faculty
Telling me I be lethal when I spit words
Hit herb................
Hold it in, then blow it out
Do you like the way I flow it out
Don't ever act funny or petty with the money
When I throw it out
Do you like how I talk
Do you like the way I ride
Do you like the way I pimp spree's
You can let me down easy
Cuz' still ill be the player Twista slash be a P.I.M.P