- published: 11 Dec 2011
- views: 34075
'+pages+''); $('.stream > div:odd').addClass('bgr_color'); updateHeight('#history'); }); window.activateTabArea = ensure(function(tab, areas){ var parsed = false; var parts = (areas || '').split('/'); window.fsonload = $.inArray('fs', parts) >= 0; if(fsonload){ parts.splice(parts.indexOf('fs'), 1); } var replayMode = false; if($.inArray('replay', parts)>=0){ replayMode = 'replay'; } var noSoundMode = false; if($.inArray('nosound', parts)>=0){ noSoundMode = 'nosound'; } if($.inArray('ns', parts)>=0){ noSoundMode = 'ns'; } var previewMode = null; if($.inArray('p', parts)>=0){ previewMode = 'p'; } if($.inArray('preview', parts)>=0){ previewMode = 'preview'; } if($.inArray('repeat', parts)>=0){ replayMode = 'repeat'; } if($.inArray('r', parts)>=0 || $.inArray('ro', parts)>=0){ replayMode = 'r'; } if(replayMode){ parts.splice(parts.indexOf(replayMode), 1); } if(noSoundMode){ parts.splice(parts.indexOf(noSoundMode), 1); } if(previewMode){ parts.splice(parts.indexOf(previewMode), 1); } if(previewMode){ if(!parts.length){ parts = ['1-14', '999:59']; } } var area = parts[0]; if(tab == 'history' && false){ var page = parseInt(area || '1') || 1; $.ajax({ url: 'https://login.wn.com/recent/json/?pp='+history_pp+'&skip='+history_pp*(page-1), dataType: 'jsonp', success: function(response){ $ensure(function(){ renderHistory(response, page); }); } }); return true; } if(tab == 'global_history' && false){ var page = parseInt(area || '1') || 1; globalHistory.fetchStream(page, '', function(){ updateHeight('#global_history'); }); return true; } if(tab == 'my_playlists' && false){ var page = parseInt(area || '1') || 1; myPlaylists.fetchStream(page, '', function(){ updateHeight('#my_playlists'); }); return true; } if(tab == 'my_videos' && false){ var page = parseInt(area || '1') || 1; myVideos.fetchStream(page, '', function(){ updateHeight('#my_videos'); }); return true; } if(tab == 'related_sites' && areas && matchPosition(areas)){ var seconds = parsePosition(areas); scrollRelated(seconds); return false; } if(matchPosition(area) || matchAction(area)){ parts.unshift('1'); area = parts[0]; } if(tab == 'expand' && area && area.match(/\d+/)) { var num = parseInt(area); if(num < 100){ //FIX ME. Load news page with ajax here } else if(num > 1900){ //FIX ME. Load timeline page with ajax here } } else if(tab.match(/^playlist\d+$/)){ var playerId = parseInt(tab.substring(8)); var vp = videoplayers[playerId]; window.descriptionsholder = $('.descriptionsplace'); if(!vp) return; // why? no player? if(replayMode){ $('.replaycurrent'+playerId).attr('checked', true); vp.setReplayCurrent(true); } var playQueue = []; window.playQueue = playQueue; var playQueuePosition = 0; var playShouldStart = null; var playShouldStop = null; var parseList = function(x){ var items = x.split(/;|,/g); var results = []; for (i in items){ try{ var action = parseAction(vp, items[i]); if(!action.video){ if(window.console && console.log) console.log("Warning: No video for queued entry: " + items[i]); }else{ results.push(action); } }catch(e){ if(window.console && console.log) console.log("Warning: Can''t parse queue entry: " + items[i]); } } return results; }; var scrollToPlaylistPosition = function(vp){ var ppos = vp.getPlaylistPosition(); var el = vp.playlistContainer.find('>li').eq(ppos); 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playShouldStart = null; } }; function loadMoreVideos(playerId, vp, start, finish, callback){ var playlistInfo = playlists[playerId-1]; if(playlistInfo.loading >= finish) return; playlistInfo.loading = finish; $.ajax({ url: '/api/upge/cheetah-photo-search/query_videos2', dataType: 'json', data: { query: playlistInfo.query, orderby: playlistInfo.orderby, start: start, count: finish-start }, success: function(response){ var pl = vp.getPlaylist().slice(0); pl.push.apply(pl, response); vp.setPlaylist(pl); callback(); } }); } if(parts.length == 1 && matchDash(parts[0])){ var pl = vp.getActualPlaylist(); var vids = parseDash(parts[0]); parts = []; for(var i = 0; i < vids.length; i++){ playQueue.push({ 'video': pl[vids[i]-1], 'start': 0, 'stop': null }) } if(vids.length){ if(vids[vids.length-1]-1>=pl.length){ loadMoreVideos(playerId, vp, pl.length, vids[vids.length-1], function(){ if(fsonload){ activateTabArea(tab, parts[0]+'/fs'); }else{ activateTabArea(tab, parts[0]); } var pls = vp.getPlaylist(); vp.playFromPlaylist(pls[pls.length-1]); vp.playVideo(); scrollToPlaylistPosition(vp); }); return true; } } if(playQueue){ playQueueUpdate(); vp.playVideo(); parsed = true; playShouldStart = 0; } } if(previewMode){ var vids = []; var dur = 0; var pl = vp.getActualPlaylist(); area = parts[0]; if(parts.length == 1 && matchPosition(parts[0])){ vids = parseDash('1-'+pl.length); dur = parsePosition(parts[0]); parts = []; }else if(parts.length == 1 && matchDash(parts[0])){ vids = parseDash(parts[0]); dur = parsePosition("999:59"); parts = []; } if(parts.length == 2 && matchDash(parts[0]) && matchPosition(parts[1])){ vids = parseDash(parts[0]); dur = parsePosition(parts[1]); parts = []; } for(var i = 0; i < vids.length; i++){ playQueue.push({ 'video': pl[vids[i]-1], 'start': 0, 'stop': dur }) } if(playQueue){ playQueueUpdate(); vp.playVideo(); parsed = true; } } if(parts.length>1){ for(var i = 0; i < parts.length; i++){ var sel = findMatchingVideo(vp, parts[i]); if(sel){ playQueue.push({ 'video': sel, 'start': 0, 'stop': null }) } } if(playQueue){ playQueueUpdate(); 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if(window.history && history.replaceState && document.location.hostname.match(/^(youtube\.)?(\w{2,3}\.)?wn\.com$/)){ if(path == main_tab || path == main_tab+'/' || path == '' || path == '/') { path = basepath; } else if( path.match('^'+main_tab+'/') ){ path = basepath + '/' + path.replace(main_tab+'/', '').replace('--','/'); } else { path = basepath + '/' + path.replace('--','/'); } if(document.location.search){ path += document.location.search; } if(window.lastHistory) { history.pushState(null, null, path); } else if(window.lastHistory != path){ history.replaceState(null, null, path); window.lastHistory = path; } } else{ path = path.replace('--','/'); if(path == main_tab || path == main_tab+'/' || path == '' || path == '/') { path = ''; } if(window.lastHistory != '/'+path){ window.location.hash = path? '/'+path : ''; window.lastHistory = '/'+path; } } }); $('.tabtrigger li a').live('click', ensure(function() { var tab = $(this).attr('id'); if(tab.substring(0,1) == '#'){ var name = tab.substring(1); if(name in menu_names){ name = menu_names[name][0]; } realTab = rev_names[name]; $('#'+realTab).show(); if(window.console && console.log) console.log("Triggering tab: "+name+(window.activeArea?" activeArea="+window.activeArea:'')); var path = name; if(window.activeArea){ path = path + '/' + window.activeArea; } if(tab.match(/#playlist\d+/) || tab.match(/#details\d+/)){ $('.multiple-playlists').show(); $('.related_playlist').show(); $('.longest_videos_playlist').show(); }else { $('.multiple-playlists').hide(); $('.related_playlist').hide(); $('.longest_videos_playlist').hide(); } // start the related script only when the tab is on screen showing if (tab.match(/related_sites/)) { if (mc) { mc.startCredits(); } } window.activeTab = realTab; addHistory(path); setTimeout(ensure(function(){ if(tab.match(/language--/)){ $('.tabtrigger').offscreentabs('activateTab', 'language'); } if(tab.match(/weather/)) { $('.tabtrigger').offscreentabs('activateTab', 'weather'); loadContinent(); } updateMenus(tab); updateHeight(); }), 10); } return false; })); }); -->
"I Want You (She's So Heavy)" is a song by the Beatles, written by John Lennon, (credited to Lennon–McCartney) The song closes side one on the Beatles' 1969 album Abbey Road. This song is an unusual Beatles composition for a variety of reasons, namely its length (nearly eight minutes), few lyrics (the title makes up most of the lyrics, aside from two more phrases; only 14 different words are sung), a three-minute descent through repeated guitar chords (a similar arpeggiated figure appears in another Lennon contribution to the album, "Because"), and abrupt ending. It is one of the last songs that the Beatles mixed as a group, on 20 August 1969. Josh Hart and Damien Fanelli, writing for Guitar World, placed the song 34th in their list of the 50 Heaviest Songs Before Black Sabbath, and said the song may "have inadvertently started doom metal". Similarly, Classic Rock magazine commented that "the song pre-dated Black Sabbath's creation of doom rock by several months".
Paris is the debut studio album by American media personality and singer Paris Hilton. It was released on August 22, 2006 by Warner Bros. Records. The entire album was posted on AOL Music on August 14, 2006, becoming available for online stream eight days before the scheduled release date. After getting signed to the label in 2005, Hilton began working on the album with the producer Rob Cavallo, who was originally set to produce the entire record. They recorded the song "Screwed", which was intended to be the lead single. However, after meeting with Scott Storch, Hilton decided to change the musical direction of the album and make more hip hop and R&B influenced songs. She collaborated with other producers, including Fernando Garibay, J.R. Rotem, Dr. Luke and Greg Wells. Musically, Paris is a pop album that is influenced by hip hop and R&B. It also incorporates elements of other genres, such as reggae, soul and pop rock, in its production.
Upon its release, Paris received generally mixed reviews from music critics, but noted a commercial success, peaking at number six on the Billboard 200 with first-week sales of 77,000 copies. As of October 2013, the album has sold 200,000 copies in the United States and over 600,000 copies worldwide.
I Want You is the fourteenth studio album by American soul musician Marvin Gaye, released March 16, 1976, on Motown-subsidiary label Tamla Records. Recording sessions for the album took place throughout 1975 and 1976 at Motown Recording Studios, also known as Hitsville West, and Gaye's personal studio Marvin's Room in Los Angeles, California. The album has often been noted by critics for producer Leon Ware's exotic, low-key production and the erotic, sexual themes in his and Gaye's songwriting. The album's cover artwork adapts neo-mannerist artist Ernie Barnes's famous painting The Sugar Shack (1971).
I Want You consisted of Gaye's first recorded studio material since his highly successful and well-received album Let's Get It On (1973). While it marked a change in musical direction for Gaye, departing from his trademark Motown and doo-wop-influenced sound for funky, light-disco soul, the album maintained and expanded on his previous work's sexual themes. Following a mixed response from critics at the time of its release, I Want You has earned retrospective recognition from writers and music critics as one of Gaye's most controversial works and influential to such musical styles as disco, quiet storm, R&B, and neo soul.
Donovan is a popular Scottish singer, songwriter, and guitarist.
Donovan may also refer to:
Donovan is the fourteenth studio album, and sixteenth album overall, from British singer-songwriter Donovan. It was released in the US (Arista AB 4143) in August 1977 and in the UK (RAK SRAK 528) with a different track order in October 1977.
In 1976, Donovan's record contract with Epic Records came to an end with Slow Down World. The album had only achieved limited chart success, and his contract was not renewed. In the meantime, Donovan's old record producer Mickie Most launched Rak Records in the UK. Donovan and Most teamed up to record Donovan's next album on Rak Records in 1977. Arista Records picked up the distribution rights in the US.
In a distinct change from Slow Down World, the songs on Donovan were an attempt to reach mass audiences again. The songs feature a contemporary sound and, with the exception of "Maya's Dance", generally avoid the gentle balladry of Donovan's previous work. Despite these measures, Donovan failed to chart in both the US and UK, and signalled the end of Donovan's attempts to reach a mainstream audience. He would not release another original album in the United States until 1984.
This is a list of characters from Capcom's Darkstalkers fighting game series and animated-media franchise, who are either based on various iconic literary and cinematic monsters, or inspired by international mythology and fairy tales. The greatest of these supernatural creatures, and the greatest among those who hunt them, will engage in combat to determine who will own the night, while participating in a tournament held on Earth in order to decide the new ruler of the otherworldly dimension of Makai.
The games are set in a pastiche Gothic horror universe, as is the 1997 Japanese anime miniseries Night Warriors: Darkstalkers' Revenge, which was based on the first two titles and was faithful to the characters' in-game personalities. The 1995 American-produced cartoon series, simply titled Darkstalkers, jettisoned the backstory of the games altogether in favor of a standard good-versus-evil plot, altering certain characters' storylines in the process.
Donovan (born Donovan Philips Leitch (born 10 May 1946) is a Scottish singer-songwriter and guitarist. Emerging from the British folk scene, he developed an eclectic and distinctive style that blended folk, jazz, pop, psychedelia, and world music. He currently lives with his family in County Cork in Ireland. Donovan came to fame in the United Kingdom in early 1965 with a series of live performances on the pop TV series, Ready Steady Go!, and his popularity spread to the US and other countries. After signing with the British label Pye Records in 1965, he recorded a handful of singles and two albums in the folk music vein. After extricating himself from his original management contract, he began a long and successful collaboration with leading independent record producer Mickie Most, scorin...
You're such a good friend I'd hate to have you as an enemy From the first time we met I knew you were the one to set me free I like you you liked me I Liked you you like me Holding my heart in the palm of your hand Headed our west for the Indian lands Dreams of the golden boy tangling your mind Burning your body to fill in the time Sad city sister On avenue of palm I knew naively That I was your man I followed after With heavy heart of lead Just like a man who Walks yet is dead I asked you to dance And you wondered and you thought you might so we went and took a chance On the cat walk in the cold star light I held you You felt me I touched you You kissed me
Music video by Kylie Minogue & Jason Donovan performing Especially For You. (C) 1988 PWL Lyrics: [1a:] Especially for you I wanna let you know what I was going through All the time we were apart I thought of you You were in my heart My love never changed I still feel the same [1b:] Especially for you I wanna tell you I was feeling that way too And if dreams were wings, you know I would have flown to you To be where you are No matter how far And now that I'm next to you [1c:] No more dreaming about tomorrow Forget the loneliness and the sorrow I've got to say It's all because of you [CHORUS:] And now we're back together, together I wanna show you my heart is oh so true And all the love I have is Especially for you [2:] Especially for you I wanna tell you, you mean all the world to me ...
Donovan , I love you baby Subscribe http://bit.ly/2mictQ3
Jason's UK Number One single from June 1989.
The Twelfth Track On Kylie Minogue's Sophomore Album Enjoy Yourself
this one is from the great DONOVAN
Bei den "Songs an einem Sommerabend" 1992 VÖ als Single 1968 This video is for entertainment purposes only. Please support artists by buying their music. Bitte unterstützen Sie die Künstler durch den Kauf ihrer Musik. Lyrics: The continent of Atlantis was an island Which lay before the great flood In the area we now call the Atlantic Ocean. So great an area of land, That from her western shores Those beautiful sailors journeyed To the South and the North Americas with ease, In their ships with painted sails. To the East Africa was a neighbour, Across a short strait of sea miles. The great Egyptian age is But a remnant of The Atlantian culture. The antediluvian kings colonised the world All the Gods who play in the mythological dramas In all legends from all lands were from far Atlantis....
"I Want You (She's So Heavy)" is a song by the Beatles, written by John Lennon, (credited to Lennon–McCartney) The song closes side one on the Beatles' 1969 album Abbey Road. This song is an unusual Beatles composition for a variety of reasons, namely its length (nearly eight minutes), few lyrics (the title makes up most of the lyrics, aside from two more phrases; only 14 different words are sung), a three-minute descent through repeated guitar chords (a similar arpeggiated figure appears in another Lennon contribution to the album, "Because"), and abrupt ending. It is one of the last songs that the Beatles mixed as a group, on 20 August 1969. Josh Hart and Damien Fanelli, writing for Guitar World, placed the song 34th in their list of the 50 Heaviest Songs Before Black Sabbath, and said the song may "have inadvertently started doom metal". Similarly, Classic Rock magazine commented that "the song pre-dated Black Sabbath's creation of doom rock by several months".
The guilty undertaker sighs,
The lonesome organ grinder cries,
The silver saxophones say I should refuse you.
The cracked bells and washed-out horns
Blow into my face with scorn,
But it's not that way,
I wasn't born to lose you.
I want you, I want you,
I want you so bad,
Honey, I want you.
The drunken politician leaps
Upon the street where mothers weep
And the saviors who are fast asleep,
They wait for you.
And I wait for them to interrupt
Me drinkin' from my broken cup
And ask me to
Open up the gate for you.
I want you, I want you,
I want you so bad,
Honey, I want you.
Now all my fathers, they've gone down
True love they've been without it.
But all their daughters put me down
'Cause I don't think about it.
Well, I return to the Queen of Spades
And talk with my chambermaid.
She knows that I'm not afraid
To look at her.
She is good to me
And there's nothing she doesn't see.
She knows where I'd like to be
But it doesn't matter.
I want you, I want you,
I want you so bad,
Honey, I want you.
Now your dancing child with his Chinese suit,
He spoke to me, I took his flute.
No, I wasn't very cute to him,
Was I?
But I did it, though, because he lied
Because he took you for a ride
And because time was on his side
And because I . . .
I want you, I want you,
I want you so bad,