- published: 27 Sep 2012
- views: 5500
Herman Casler
Herman Casler — American inventor (Sandwich, Illinois, March 12, 1867 – Canastota, New York, July 20, 1939), was co-founder of the partnership called the K.M.C.D. Syndicate, along with W.K-L. Dickson, Elias Koopman, and Henry Marvin, which eventually was incorporated into the American Mutoscope Company in December 1895.
Biography
Casler, Dickson, and Marvyn had worked together in 1893 on a detective camera the size of a watch called the Photoret. Dickson, who at the time was working for Thomas Edison, next proposed that they work on a peephole film viewing device superior to Edison's ouverenoscop machine.
Casler, following Dickson's proposal, invented the "Mutoscope", which displayed short films through flip-cards rotated by a hand crank that could be slowed at the operator's will, unlike Edison's motorized Kinetoscope, in which films were viewed through actual 35 mm film. The prototype of the "Mutograph" camera was completed in November 1894, first tested with film in June 1895, and the first official Mutoscope films were made in August 1895. To avoire infringement on Edison's motion photo patents, the Mutograph camera used continuous movement friction rollers to move 68 mm film into the camera, instead of intermittent movement by sprockets as Edison's 35 mm camera did. Casler's patents, which he assigned to American Mutoscope in January 1896, were used as security for financing the new company.
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Herman_Casler
Podcasts:
-
The Mutoscope.mp4
The Mutoscope was an early motion picture device, patented by Herman Casler on 1894. Cheaper and simpler than Edison's Kinetoscope it did NOT project on a screen, and provided viewing to only one person at a time. The system was marketed by the American Mutoscope Company and quickly dominated the coin-in-the-slot "peep-show" business.
published: 27 Sep 2012 -
Bedroom Frolic | Girls Undressing in early Silent film
Early Adult Viewing of Sexy Girls! The Mutoscope was an early motion picture device, patented by Herman Casler on November 21, 1894. Like Thomas Edison's Kinetoscope it did not project on a screen, and provided viewing to only one person at a time. Cheaper and simpler than the Kinetoscope, the system—marketed by the American Mutoscope Company (later the American Mutoscope and Biograph Company)—quickly dominated the coin-in-the-slot "peep-show" business. The Ghost Town Wild West Museum in Colorado Springs, CO is a throwback in time and a fun way to learn about history and this Wild Era! (This Footage is a Small Part of the Bigger Video - To watch, visit http://www.YouTube.com/AboutColoradoTV) Turn Your Watch Back 100 Years! As a true preservation of Colorado's western past, Ghost Town Mu...
published: 08 May 2014 -
photography project
LACC Los Angeles Community College Photo 10 Black & White course Prof Marlos Summer 2017 Nathan's Final Project Photography Mutoscope, using photos to tell a story of making movies. https://en.wikipedia.org/wiki/Mutoscope "The Mutoscope was an early motion picture device, invented by W.K.L. Dickson and Herman Casler[1] and later patented by Herman Casler on November 21, 1894.[2] Like Thomas Edison's Kinetoscope, it did not project on a screen and provided viewing to only one person at a time. Cheaper and simpler than the Kinetoscope, the system, marketed by the American Mutoscope Company (later the American Mutoscope and Biograph Company), quickly dominated the coin-in-the-slot peep-show business."
published: 06 Sep 2017 -
Charlie Chaplin's HIS TRYSTING PLACE (1914) Mutoscope at MOMI
On display at MOMI (The Museum of the Moving Image) in Queens, NY, this is an original mutoscope featuring a short clip from Charlie Chaplin's 1914 short "His Trysting Place". Strangely enough, the mutoscope is labeled as "Hell's Kitchen". "His Trysting Place" is a 32 minute silent film written, directed, and starring Charles Chaplin that was released on November 9, 1914. It was produced by Keystone Studios and distributed by Mutual Film. Plot - Charlie and his friend Ambrose meet in a restaurant and accidentally leave with each other's coats. Charlie was going to pick up a baby bottle and Ambrose was going to mail a love letter that was in his coat pocket. Charlie's wife finds the letter and thinks he has a secret lover and Ambrose's wife believes he has an illegitimate child. Controver...
published: 26 May 2018 -
Mutoscope
International Mutoscope Reel Co (USA, 1905-15). Device patented by H. Casler in 1894. Emerges as a device to watch the first short films individually. Emerges as a competition of Edison's Kinetoscope. Installed in public places and run with a coin. The International Mutoscope Reel Co. officially went out of business in 1949, even though its parent company, International Mutoscope Co., continued to manufacture other "penny arcade" devices, including the "Voice-O-Graph" recording booths (and discs), and several models of "fortune telling" machines as well. Most "Mutoscope" subjects [silent film excerpts, sporting events, comedy sequences, et. al.] cost a penny to see. However, in the case of more "adult" subjects {including "The Boxing Beauties", first issued during the 1920's, see...
published: 19 Feb 2011 -
Linda Behar at The Box Gallery
April 2021 Linda Behar at the Box Gallery Post Pulp: Works on paper and beyond An exhibition curated by Rolando Chang Barrero Post Pulp brings together 10 local and national artists whose works are created in a variety of media from traditional paper to electronic media. The exhibition questions the role of the substrate in the creation of two and three dimensional work that was once confined to paper. Linda Behar, a Venezuelan-born artist who has been living in the US for the past two decades. Behar holds a bachelors in civil engineering, an MFA with an emphasis in printmaking from Florida Atlantic University, and is a specialist in glass casting and pate de verre. Her work which originates on paper and images are created using traditional printmaking are sometimes transformed into large...
published: 07 Apr 2021 -
[Wikipedia] Arthur Marvin
Arthur Weed Marvin (May 26, 1859 – January 18, 1911), was an American cinematographer who worked for the American Mutoscope and Biograph Company in which his brother Henry 'Harry' Marvin was one of the four founders (the others being Herman Casler, William Kennedy Laurie Dickson and Elias Koopman). He shot 418 films between 1897 and 1911, including The Adventures of Dollie (1908), the directorial debut of D. W. Griffith, as well as other early Griffith shorts such as Pippa Passes in 1909. He directed the short film Sherlock Holmes Baffled, which was the earliest known film to feature Arthur Conan Doyle's detective character Sherlock Holmes. His nephew Daniel Warner Marvin II, Henry's son, perished in the sinking of the RMS Titanic in 1912. He was born in Warners, New York, USA to Daniel Wa...
published: 12 Apr 2017
1:40
The Mutoscope.mp4
- Order: Reorder
- Duration: 1:40
- Uploaded Date: 27 Sep 2012
- views: 5500
The Mutoscope was an early motion picture device, patented by Herman Casler on 1894. Cheaper and simpler than Edison's Kinetoscope it did NOT project on a scree...
The Mutoscope was an early motion picture device, patented by Herman Casler on 1894. Cheaper and simpler than Edison's Kinetoscope it did NOT project on a screen, and provided viewing to only one person at a time. The system was marketed by the American Mutoscope Company and quickly dominated the coin-in-the-slot "peep-show" business.
https://wn.com/The_Mutoscope.Mp4
The Mutoscope was an early motion picture device, patented by Herman Casler on 1894. Cheaper and simpler than Edison's Kinetoscope it did NOT project on a screen, and provided viewing to only one person at a time. The system was marketed by the American Mutoscope Company and quickly dominated the coin-in-the-slot "peep-show" business.
1:21
Bedroom Frolic | Girls Undressing in early Silent film
- Order: Reorder
- Duration: 1:21
- Uploaded Date: 08 May 2014
- views: 970721
Early Adult Viewing of Sexy Girls! The Mutoscope was an early motion picture device, patented by Herman Casler on November 21, 1894. Like Thomas Edison's Kinet...
Early Adult Viewing of Sexy Girls! The Mutoscope was an early motion picture device, patented by Herman Casler on November 21, 1894. Like Thomas Edison's Kinetoscope it did not project on a screen, and provided viewing to only one person at a time. Cheaper and simpler than the Kinetoscope, the system—marketed by the American Mutoscope Company (later the American Mutoscope and Biograph Company)—quickly dominated the coin-in-the-slot "peep-show" business.
The Ghost Town Wild West Museum in Colorado Springs, CO is a throwback in time and a fun way to learn about history and this Wild Era!
(This Footage is a Small Part of the Bigger Video - To watch, visit http://www.YouTube.com/AboutColoradoTV)
Turn Your Watch Back 100 Years!
As a true preservation of Colorado's western past, Ghost Town Museum is a fun and historic look back at kind of old west town that used to dot this region during the late1800's and early 1900's
"An Authentic Ghost Town"
Selected by Mobile Travel Guide and Family Circle Magazine as one of the fifty-five special attraction of America. See the USA Travel Edition Recognition of Merit. Explore the boardwalk connecting the Blacksmith's shop, Saloon, General and Merchants of main street, with the Livery Stable, and Victorian Home. Each is filled with thousands of fascinating artifacts. Ghost Town Museum delights young and old with lots of hands on activities, including old time arcades, panning for real gold (summer months), and much, much, more.
- See More at http://www.YouTube.com/AboutColoradoTV
Ghost Town History
Ghost Town Museum was created in 1954 to preserve a piece of Colorado's Wild West heritage.
In 1858 the cry "Pikes Peak or Bust" opened up the heartland of the Colorado territory to the gold prospector. Gold mining became a significant factor that led to the statehood of Colorado. The miners and the people who provided services to them quickly populated the western frontier of the United States. They needed transportation, and before long the twin steel ribbons of the railroads were pushing into the mountains to transport ore for processing.
Towns sprang up overnight and by the 1860's and 1870's people had blanketed the west. It was a rough and tumble time. Small encampments became small towns. Small cities along the rocky mountain Front Range provided a central location for supplies and services. The search for gold drove prospectors to every mountain valley, and every mountain peak. If gold or silver were not located, or if the mines played out, the towns were often abandoned to become ghost towns.
Little by little the raw spirit of the frontier died down. By the time gold was discovered in Cripple Creek in 1891, the "frontier" was almost gone. Today almost nothing remains of those exciting days of the old west. A scattered pile of old lumber, a tumbled pile of rocks marking an old mine, an occasional wagon wheel or a piece of equipment. The rip roaring camps of 100 years ago have become ghost towns now only a memory of a bygone era.
https://wn.com/Bedroom_Frolic_|_Girls_Undressing_In_Early_Silent_Film
Early Adult Viewing of Sexy Girls! The Mutoscope was an early motion picture device, patented by Herman Casler on November 21, 1894. Like Thomas Edison's Kinetoscope it did not project on a screen, and provided viewing to only one person at a time. Cheaper and simpler than the Kinetoscope, the system—marketed by the American Mutoscope Company (later the American Mutoscope and Biograph Company)—quickly dominated the coin-in-the-slot "peep-show" business.
The Ghost Town Wild West Museum in Colorado Springs, CO is a throwback in time and a fun way to learn about history and this Wild Era!
(This Footage is a Small Part of the Bigger Video - To watch, visit http://www.YouTube.com/AboutColoradoTV)
Turn Your Watch Back 100 Years!
As a true preservation of Colorado's western past, Ghost Town Museum is a fun and historic look back at kind of old west town that used to dot this region during the late1800's and early 1900's
"An Authentic Ghost Town"
Selected by Mobile Travel Guide and Family Circle Magazine as one of the fifty-five special attraction of America. See the USA Travel Edition Recognition of Merit. Explore the boardwalk connecting the Blacksmith's shop, Saloon, General and Merchants of main street, with the Livery Stable, and Victorian Home. Each is filled with thousands of fascinating artifacts. Ghost Town Museum delights young and old with lots of hands on activities, including old time arcades, panning for real gold (summer months), and much, much, more.
- See More at http://www.YouTube.com/AboutColoradoTV
Ghost Town History
Ghost Town Museum was created in 1954 to preserve a piece of Colorado's Wild West heritage.
In 1858 the cry "Pikes Peak or Bust" opened up the heartland of the Colorado territory to the gold prospector. Gold mining became a significant factor that led to the statehood of Colorado. The miners and the people who provided services to them quickly populated the western frontier of the United States. They needed transportation, and before long the twin steel ribbons of the railroads were pushing into the mountains to transport ore for processing.
Towns sprang up overnight and by the 1860's and 1870's people had blanketed the west. It was a rough and tumble time. Small encampments became small towns. Small cities along the rocky mountain Front Range provided a central location for supplies and services. The search for gold drove prospectors to every mountain valley, and every mountain peak. If gold or silver were not located, or if the mines played out, the towns were often abandoned to become ghost towns.
Little by little the raw spirit of the frontier died down. By the time gold was discovered in Cripple Creek in 1891, the "frontier" was almost gone. Today almost nothing remains of those exciting days of the old west. A scattered pile of old lumber, a tumbled pile of rocks marking an old mine, an occasional wagon wheel or a piece of equipment. The rip roaring camps of 100 years ago have become ghost towns now only a memory of a bygone era.
- published: 08 May 2014
- views: 970721
1:20
photography project
- Order: Reorder
- Duration: 1:20
- Uploaded Date: 06 Sep 2017
- views: 4
LACC Los Angeles Community College
Photo 10 Black & White course Prof Marlos Summer 2017
Nathan's Final Project Photography
Mutoscope, using photos to tell a ...
LACC Los Angeles Community College
Photo 10 Black & White course Prof Marlos Summer 2017
Nathan's Final Project Photography
Mutoscope, using photos to tell a story of making movies.
https://en.wikipedia.org/wiki/Mutoscope
"The Mutoscope was an early motion picture device, invented by W.K.L. Dickson and Herman Casler[1] and later patented by Herman Casler on November 21, 1894.[2] Like Thomas Edison's Kinetoscope, it did not project on a screen and provided viewing to only one person at a time. Cheaper and simpler than the Kinetoscope, the system, marketed by the American Mutoscope Company (later the American Mutoscope and Biograph Company), quickly dominated the coin-in-the-slot peep-show business."
https://wn.com/Photography_Project
LACC Los Angeles Community College
Photo 10 Black & White course Prof Marlos Summer 2017
Nathan's Final Project Photography
Mutoscope, using photos to tell a story of making movies.
https://en.wikipedia.org/wiki/Mutoscope
"The Mutoscope was an early motion picture device, invented by W.K.L. Dickson and Herman Casler[1] and later patented by Herman Casler on November 21, 1894.[2] Like Thomas Edison's Kinetoscope, it did not project on a screen and provided viewing to only one person at a time. Cheaper and simpler than the Kinetoscope, the system, marketed by the American Mutoscope Company (later the American Mutoscope and Biograph Company), quickly dominated the coin-in-the-slot peep-show business."
- published: 06 Sep 2017
- views: 4
0:42
Charlie Chaplin's HIS TRYSTING PLACE (1914) Mutoscope at MOMI
- Order: Reorder
- Duration: 0:42
- Uploaded Date: 26 May 2018
- views: 7270
On display at MOMI (The Museum of the Moving Image) in Queens, NY, this is an original mutoscope featuring a short clip from Charlie Chaplin's 1914 short "His T...
On display at MOMI (The Museum of the Moving Image) in Queens, NY, this is an original mutoscope featuring a short clip from Charlie Chaplin's 1914 short "His Trysting Place". Strangely enough, the mutoscope is labeled as "Hell's Kitchen".
"His Trysting Place" is a 32 minute silent film written, directed, and starring Charles Chaplin that was released on November 9, 1914. It was produced by Keystone Studios and distributed by Mutual Film.
Plot - Charlie and his friend Ambrose meet in a restaurant and accidentally leave with each other's coats. Charlie was going to pick up a baby bottle and Ambrose was going to mail a love letter that was in his coat pocket. Charlie's wife finds the letter and thinks he has a secret lover and Ambrose's wife believes he has an illegitimate child. Controversy arises in the park between Charlie and his wife and Ambrose and his wife. It is resolved at the end, but Charlie sparks another fight between the other couple by showing his friend's wife the love letter that was in his pocket.
The Mutoscope was an early motion picture device, invented by W. K. L. Dickson and Herman Casler, and later patented by Herman Casler on November 21, 1894. Like Thomas Edison's Kinetoscope, it did not project on a screen and provided viewing to only one person at a time. Cheaper and simpler than the Kinetoscope, the system, marketed by the American Mutoscope Company, quickly dominated the coin-in-the-slot peep-show business.
The Mutoscope worked on the same principle as the flip book. The individual image frames were conventional black-and-white, silver-based photographic prints on tough, flexible opaque cards. Rather than being bound into a booklet, the cards were attached to a circular core, rather like a huge Rolodex. A reel typically held about 850 cards, giving a viewing time of about a minute. The reel with cards attached had a total diameter of about ten inches; the individual cards had dimensions of about 2 3⁄4" × 1 7⁄8".
Mutoscopes were coin-operated. The patron viewed the cards through a single lens enclosed by a hood, similar to the viewing hood of a stereoscope. The cards were generally lit electrically, but the reel was driven by means of a geared-down hand crank. Each machine held only a single reel and was dedicated to the presentation of a single short subject, described by a poster affixed to the machine.
The patron could control the presentation speed only to a limited degree. The crank could be turned in both directions, but this did not reverse the playing of the reel. Nor could the patron extend viewing time by stopping the crank because the flexible images were bent into the proper viewing position by tension applied from forward cranking. Stopping the crank reduced the forward tension on the reels causing the reel to go backwards and the picture to move from the viewing position; a spring in the mechanism turned off the light and in some models brought down a shutter which completely blocked out the picture
Iron Horse Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 3.0 License
http://creativecommons.org/licenses/by/3.0/
https://wn.com/Charlie_Chaplin's_His_Trysting_Place_(1914)_Mutoscope_At_Momi
On display at MOMI (The Museum of the Moving Image) in Queens, NY, this is an original mutoscope featuring a short clip from Charlie Chaplin's 1914 short "His Trysting Place". Strangely enough, the mutoscope is labeled as "Hell's Kitchen".
"His Trysting Place" is a 32 minute silent film written, directed, and starring Charles Chaplin that was released on November 9, 1914. It was produced by Keystone Studios and distributed by Mutual Film.
Plot - Charlie and his friend Ambrose meet in a restaurant and accidentally leave with each other's coats. Charlie was going to pick up a baby bottle and Ambrose was going to mail a love letter that was in his coat pocket. Charlie's wife finds the letter and thinks he has a secret lover and Ambrose's wife believes he has an illegitimate child. Controversy arises in the park between Charlie and his wife and Ambrose and his wife. It is resolved at the end, but Charlie sparks another fight between the other couple by showing his friend's wife the love letter that was in his pocket.
The Mutoscope was an early motion picture device, invented by W. K. L. Dickson and Herman Casler, and later patented by Herman Casler on November 21, 1894. Like Thomas Edison's Kinetoscope, it did not project on a screen and provided viewing to only one person at a time. Cheaper and simpler than the Kinetoscope, the system, marketed by the American Mutoscope Company, quickly dominated the coin-in-the-slot peep-show business.
The Mutoscope worked on the same principle as the flip book. The individual image frames were conventional black-and-white, silver-based photographic prints on tough, flexible opaque cards. Rather than being bound into a booklet, the cards were attached to a circular core, rather like a huge Rolodex. A reel typically held about 850 cards, giving a viewing time of about a minute. The reel with cards attached had a total diameter of about ten inches; the individual cards had dimensions of about 2 3⁄4" × 1 7⁄8".
Mutoscopes were coin-operated. The patron viewed the cards through a single lens enclosed by a hood, similar to the viewing hood of a stereoscope. The cards were generally lit electrically, but the reel was driven by means of a geared-down hand crank. Each machine held only a single reel and was dedicated to the presentation of a single short subject, described by a poster affixed to the machine.
The patron could control the presentation speed only to a limited degree. The crank could be turned in both directions, but this did not reverse the playing of the reel. Nor could the patron extend viewing time by stopping the crank because the flexible images were bent into the proper viewing position by tension applied from forward cranking. Stopping the crank reduced the forward tension on the reels causing the reel to go backwards and the picture to move from the viewing position; a spring in the mechanism turned off the light and in some models brought down a shutter which completely blocked out the picture
Iron Horse Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 3.0 License
http://creativecommons.org/licenses/by/3.0/
- published: 26 May 2018
- views: 7270
1:23
Mutoscope
- Order: Reorder
- Duration: 1:23
- Uploaded Date: 19 Feb 2011
- views: 606
International Mutoscope Reel Co (USA, 1905-15). Device patented by H. Casler in 1894. Emerges as a device to watch the first short films individually. Emerges a...
International Mutoscope Reel Co (USA, 1905-15). Device patented by H. Casler in 1894. Emerges as a device to watch the first short films individually. Emerges as a competition of Edison's Kinetoscope. Installed in public places and run with a coin.
The International Mutoscope Reel Co. officially went out of business in 1949, even though its parent company, International Mutoscope Co., continued to manufacture other "penny arcade" devices, including the "Voice-O-Graph" recording booths (and discs), and several models of "fortune telling" machines as well.
Most "Mutoscope" subjects [silent film excerpts, sporting events, comedy sequences, et. al.] cost a penny to see. However, in the case of more "adult" subjects {including "The Boxing Beauties", first issued during the 1920's, seen here}, it wasn't uncommon to pay a nickel to view those...
https://wn.com/Mutoscope
International Mutoscope Reel Co (USA, 1905-15). Device patented by H. Casler in 1894. Emerges as a device to watch the first short films individually. Emerges as a competition of Edison's Kinetoscope. Installed in public places and run with a coin.
The International Mutoscope Reel Co. officially went out of business in 1949, even though its parent company, International Mutoscope Co., continued to manufacture other "penny arcade" devices, including the "Voice-O-Graph" recording booths (and discs), and several models of "fortune telling" machines as well.
Most "Mutoscope" subjects [silent film excerpts, sporting events, comedy sequences, et. al.] cost a penny to see. However, in the case of more "adult" subjects {including "The Boxing Beauties", first issued during the 1920's, seen here}, it wasn't uncommon to pay a nickel to view those...
- published: 19 Feb 2011
- views: 606
1:17
Linda Behar at The Box Gallery
- Order: Reorder
- Duration: 1:17
- Uploaded Date: 07 Apr 2021
- views: 53
April 2021
Linda Behar at the Box Gallery
Post Pulp: Works on paper and beyond
An exhibition curated by Rolando Chang Barrero
Post Pulp brings together 10 local...
April 2021
Linda Behar at the Box Gallery
Post Pulp: Works on paper and beyond
An exhibition curated by Rolando Chang Barrero
Post Pulp brings together 10 local and national artists whose works are created in a variety of media from traditional paper to electronic media. The exhibition questions the role of the substrate in the creation of two and three dimensional work that was once confined to paper.
Linda Behar, a Venezuelan-born artist who has been living in the US for the past two decades. Behar holds a bachelors in civil engineering, an MFA with an emphasis in printmaking from Florida Atlantic University, and is a specialist in glass casting and pate de verre. Her work which originates on paper and images are created using traditional printmaking are sometimes transformed into larger than life sculptural works will be adding time based element to her newest works using pulsing “.gif ” images reminiscent of W.K.L. Dickson and Herman Casler’s Mutoscope.
https://wn.com/Linda_Behar_At_The_Box_Gallery
April 2021
Linda Behar at the Box Gallery
Post Pulp: Works on paper and beyond
An exhibition curated by Rolando Chang Barrero
Post Pulp brings together 10 local and national artists whose works are created in a variety of media from traditional paper to electronic media. The exhibition questions the role of the substrate in the creation of two and three dimensional work that was once confined to paper.
Linda Behar, a Venezuelan-born artist who has been living in the US for the past two decades. Behar holds a bachelors in civil engineering, an MFA with an emphasis in printmaking from Florida Atlantic University, and is a specialist in glass casting and pate de verre. Her work which originates on paper and images are created using traditional printmaking are sometimes transformed into larger than life sculptural works will be adding time based element to her newest works using pulsing “.gif ” images reminiscent of W.K.L. Dickson and Herman Casler’s Mutoscope.
- published: 07 Apr 2021
- views: 53
1:31
[Wikipedia] Arthur Marvin
- Order: Reorder
- Duration: 1:31
- Uploaded Date: 12 Apr 2017
- views: 11
Arthur Weed Marvin (May 26, 1859 – January 18, 1911), was an American cinematographer who worked for the American Mutoscope and Biograph Company in which his br...
Arthur Weed Marvin (May 26, 1859 – January 18, 1911), was an American cinematographer who worked for the American Mutoscope and Biograph Company in which his brother Henry 'Harry' Marvin was one of the four founders (the others being Herman Casler, William Kennedy Laurie Dickson and Elias Koopman).
He shot 418 films between 1897 and 1911, including The Adventures of Dollie (1908), the directorial debut of D. W. Griffith, as well as other early Griffith shorts such as Pippa Passes in 1909.
He directed the short film Sherlock Holmes Baffled, which was the earliest known film to feature Arthur Conan Doyle's detective character Sherlock Holmes.
His nephew Daniel Warner Marvin II, Henry's son, perished in the sinking of the RMS Titanic in 1912.
He was born in Warners, New York, USA to Daniel Warner Marvin and Ellen Jane Weed. He was married to Sarah E. Babcock. He died in Los Angeles, California.
https://en.wikipedia.org/wiki/Arthur_Marvin
Please support this channel and help me upload more videos. Become one of my Patreons at https://www.patreon.com/user?u=3823907
https://wn.com/Wikipedia_Arthur_Marvin
Arthur Weed Marvin (May 26, 1859 – January 18, 1911), was an American cinematographer who worked for the American Mutoscope and Biograph Company in which his brother Henry 'Harry' Marvin was one of the four founders (the others being Herman Casler, William Kennedy Laurie Dickson and Elias Koopman).
He shot 418 films between 1897 and 1911, including The Adventures of Dollie (1908), the directorial debut of D. W. Griffith, as well as other early Griffith shorts such as Pippa Passes in 1909.
He directed the short film Sherlock Holmes Baffled, which was the earliest known film to feature Arthur Conan Doyle's detective character Sherlock Holmes.
His nephew Daniel Warner Marvin II, Henry's son, perished in the sinking of the RMS Titanic in 1912.
He was born in Warners, New York, USA to Daniel Warner Marvin and Ellen Jane Weed. He was married to Sarah E. Babcock. He died in Los Angeles, California.
https://en.wikipedia.org/wiki/Arthur_Marvin
Please support this channel and help me upload more videos. Become one of my Patreons at https://www.patreon.com/user?u=3823907
- published: 12 Apr 2017
- views: 11
PLAYLIST TIME:
PLAYLIST TIME:
1:40
The Mutoscope.mp4
The Mutoscope was an early motion picture device, patented by Herman Casler on 1894. Cheap...
published: 27 Sep 2012
The Mutoscope.mp4
The Mutoscope.mp4
- Report rights infringement
- published: 27 Sep 2012
- views: 5500
The Mutoscope was an early motion picture device, patented by Herman Casler on 1894. Cheaper and simpler than Edison's Kinetoscope it did NOT project on a screen, and provided viewing to only one person at a time. The system was marketed by the American Mutoscope Company and quickly dominated the coin-in-the-slot "peep-show" business.
1:21
Bedroom Frolic | Girls Undressing in early Silent film
Early Adult Viewing of Sexy Girls! The Mutoscope was an early motion picture device, paten...
published: 08 May 2014
Bedroom Frolic | Girls Undressing in early Silent film
Bedroom Frolic | Girls Undressing in early Silent film
- Report rights infringement
- published: 08 May 2014
- views: 970721
Early Adult Viewing of Sexy Girls! The Mutoscope was an early motion picture device, patented by Herman Casler on November 21, 1894. Like Thomas Edison's Kinetoscope it did not project on a screen, and provided viewing to only one person at a time. Cheaper and simpler than the Kinetoscope, the system—marketed by the American Mutoscope Company (later the American Mutoscope and Biograph Company)—quickly dominated the coin-in-the-slot "peep-show" business.
The Ghost Town Wild West Museum in Colorado Springs, CO is a throwback in time and a fun way to learn about history and this Wild Era!
(This Footage is a Small Part of the Bigger Video - To watch, visit http://www.YouTube.com/AboutColoradoTV)
Turn Your Watch Back 100 Years!
As a true preservation of Colorado's western past, Ghost Town Museum is a fun and historic look back at kind of old west town that used to dot this region during the late1800's and early 1900's
"An Authentic Ghost Town"
Selected by Mobile Travel Guide and Family Circle Magazine as one of the fifty-five special attraction of America. See the USA Travel Edition Recognition of Merit. Explore the boardwalk connecting the Blacksmith's shop, Saloon, General and Merchants of main street, with the Livery Stable, and Victorian Home. Each is filled with thousands of fascinating artifacts. Ghost Town Museum delights young and old with lots of hands on activities, including old time arcades, panning for real gold (summer months), and much, much, more.
- See More at http://www.YouTube.com/AboutColoradoTV
Ghost Town History
Ghost Town Museum was created in 1954 to preserve a piece of Colorado's Wild West heritage.
In 1858 the cry "Pikes Peak or Bust" opened up the heartland of the Colorado territory to the gold prospector. Gold mining became a significant factor that led to the statehood of Colorado. The miners and the people who provided services to them quickly populated the western frontier of the United States. They needed transportation, and before long the twin steel ribbons of the railroads were pushing into the mountains to transport ore for processing.
Towns sprang up overnight and by the 1860's and 1870's people had blanketed the west. It was a rough and tumble time. Small encampments became small towns. Small cities along the rocky mountain Front Range provided a central location for supplies and services. The search for gold drove prospectors to every mountain valley, and every mountain peak. If gold or silver were not located, or if the mines played out, the towns were often abandoned to become ghost towns.
Little by little the raw spirit of the frontier died down. By the time gold was discovered in Cripple Creek in 1891, the "frontier" was almost gone. Today almost nothing remains of those exciting days of the old west. A scattered pile of old lumber, a tumbled pile of rocks marking an old mine, an occasional wagon wheel or a piece of equipment. The rip roaring camps of 100 years ago have become ghost towns now only a memory of a bygone era.
1:20
photography project
LACC Los Angeles Community College
Photo 10 Black & White course Prof Marlos Summer 2017
...
published: 06 Sep 2017
photography project
photography project
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- published: 06 Sep 2017
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LACC Los Angeles Community College
Photo 10 Black & White course Prof Marlos Summer 2017
Nathan's Final Project Photography
Mutoscope, using photos to tell a story of making movies.
https://en.wikipedia.org/wiki/Mutoscope
"The Mutoscope was an early motion picture device, invented by W.K.L. Dickson and Herman Casler[1] and later patented by Herman Casler on November 21, 1894.[2] Like Thomas Edison's Kinetoscope, it did not project on a screen and provided viewing to only one person at a time. Cheaper and simpler than the Kinetoscope, the system, marketed by the American Mutoscope Company (later the American Mutoscope and Biograph Company), quickly dominated the coin-in-the-slot peep-show business."
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Charlie Chaplin's HIS TRYSTING PLACE (1914) Mutoscope at MOMI
On display at MOMI (The Museum of the Moving Image) in Queens, NY, this is an original mut...
published: 26 May 2018
Charlie Chaplin's HIS TRYSTING PLACE (1914) Mutoscope at MOMI
Charlie Chaplin's HIS TRYSTING PLACE (1914) Mutoscope at MOMI
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- published: 26 May 2018
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On display at MOMI (The Museum of the Moving Image) in Queens, NY, this is an original mutoscope featuring a short clip from Charlie Chaplin's 1914 short "His Trysting Place". Strangely enough, the mutoscope is labeled as "Hell's Kitchen".
"His Trysting Place" is a 32 minute silent film written, directed, and starring Charles Chaplin that was released on November 9, 1914. It was produced by Keystone Studios and distributed by Mutual Film.
Plot - Charlie and his friend Ambrose meet in a restaurant and accidentally leave with each other's coats. Charlie was going to pick up a baby bottle and Ambrose was going to mail a love letter that was in his coat pocket. Charlie's wife finds the letter and thinks he has a secret lover and Ambrose's wife believes he has an illegitimate child. Controversy arises in the park between Charlie and his wife and Ambrose and his wife. It is resolved at the end, but Charlie sparks another fight between the other couple by showing his friend's wife the love letter that was in his pocket.
The Mutoscope was an early motion picture device, invented by W. K. L. Dickson and Herman Casler, and later patented by Herman Casler on November 21, 1894. Like Thomas Edison's Kinetoscope, it did not project on a screen and provided viewing to only one person at a time. Cheaper and simpler than the Kinetoscope, the system, marketed by the American Mutoscope Company, quickly dominated the coin-in-the-slot peep-show business.
The Mutoscope worked on the same principle as the flip book. The individual image frames were conventional black-and-white, silver-based photographic prints on tough, flexible opaque cards. Rather than being bound into a booklet, the cards were attached to a circular core, rather like a huge Rolodex. A reel typically held about 850 cards, giving a viewing time of about a minute. The reel with cards attached had a total diameter of about ten inches; the individual cards had dimensions of about 2 3⁄4" × 1 7⁄8".
Mutoscopes were coin-operated. The patron viewed the cards through a single lens enclosed by a hood, similar to the viewing hood of a stereoscope. The cards were generally lit electrically, but the reel was driven by means of a geared-down hand crank. Each machine held only a single reel and was dedicated to the presentation of a single short subject, described by a poster affixed to the machine.
The patron could control the presentation speed only to a limited degree. The crank could be turned in both directions, but this did not reverse the playing of the reel. Nor could the patron extend viewing time by stopping the crank because the flexible images were bent into the proper viewing position by tension applied from forward cranking. Stopping the crank reduced the forward tension on the reels causing the reel to go backwards and the picture to move from the viewing position; a spring in the mechanism turned off the light and in some models brought down a shutter which completely blocked out the picture
Iron Horse Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 3.0 License
http://creativecommons.org/licenses/by/3.0/
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Mutoscope
International Mutoscope Reel Co (USA, 1905-15). Device patented by H. Casler in 1894. Emer...
published: 19 Feb 2011
Mutoscope
Mutoscope
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- published: 19 Feb 2011
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International Mutoscope Reel Co (USA, 1905-15). Device patented by H. Casler in 1894. Emerges as a device to watch the first short films individually. Emerges as a competition of Edison's Kinetoscope. Installed in public places and run with a coin.
The International Mutoscope Reel Co. officially went out of business in 1949, even though its parent company, International Mutoscope Co., continued to manufacture other "penny arcade" devices, including the "Voice-O-Graph" recording booths (and discs), and several models of "fortune telling" machines as well.
Most "Mutoscope" subjects [silent film excerpts, sporting events, comedy sequences, et. al.] cost a penny to see. However, in the case of more "adult" subjects {including "The Boxing Beauties", first issued during the 1920's, seen here}, it wasn't uncommon to pay a nickel to view those...
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Linda Behar at The Box Gallery
April 2021
Linda Behar at the Box Gallery
Post Pulp: Works on paper and beyond
An exhibiti...
published: 07 Apr 2021
Linda Behar at The Box Gallery
Linda Behar at The Box Gallery
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April 2021
Linda Behar at the Box Gallery
Post Pulp: Works on paper and beyond
An exhibition curated by Rolando Chang Barrero
Post Pulp brings together 10 local and national artists whose works are created in a variety of media from traditional paper to electronic media. The exhibition questions the role of the substrate in the creation of two and three dimensional work that was once confined to paper.
Linda Behar, a Venezuelan-born artist who has been living in the US for the past two decades. Behar holds a bachelors in civil engineering, an MFA with an emphasis in printmaking from Florida Atlantic University, and is a specialist in glass casting and pate de verre. Her work which originates on paper and images are created using traditional printmaking are sometimes transformed into larger than life sculptural works will be adding time based element to her newest works using pulsing “.gif ” images reminiscent of W.K.L. Dickson and Herman Casler’s Mutoscope.
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[Wikipedia] Arthur Marvin
Arthur Weed Marvin (May 26, 1859 – January 18, 1911), was an American cinematographer who ...
published: 12 Apr 2017
[Wikipedia] Arthur Marvin
[Wikipedia] Arthur Marvin
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Arthur Weed Marvin (May 26, 1859 – January 18, 1911), was an American cinematographer who worked for the American Mutoscope and Biograph Company in which his brother Henry 'Harry' Marvin was one of the four founders (the others being Herman Casler, William Kennedy Laurie Dickson and Elias Koopman).
He shot 418 films between 1897 and 1911, including The Adventures of Dollie (1908), the directorial debut of D. W. Griffith, as well as other early Griffith shorts such as Pippa Passes in 1909.
He directed the short film Sherlock Holmes Baffled, which was the earliest known film to feature Arthur Conan Doyle's detective character Sherlock Holmes.
His nephew Daniel Warner Marvin II, Henry's son, perished in the sinking of the RMS Titanic in 1912.
He was born in Warners, New York, USA to Daniel Warner Marvin and Ellen Jane Weed. He was married to Sarah E. Babcock. He died in Los Angeles, California.
https://en.wikipedia.org/wiki/Arthur_Marvin
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Herman Casler
Herman Casler — American inventor (Sandwich, Illinois, March 12, 1867 – Canastota, New York, July 20, 1939), was co-founder of the partnership called the K.M.C.D. Syndicate, along with W.K-L. Dickson, Elias Koopman, and Henry Marvin, which eventually was incorporated into the American Mutoscope Company in December 1895.
Biography
Casler, Dickson, and Marvyn had worked together in 1893 on a detective camera the size of a watch called the Photoret. Dickson, who at the time was working for Thomas Edison, next proposed that they work on a peephole film viewing device superior to Edison's ouverenoscop machine.
Casler, following Dickson's proposal, invented the "Mutoscope", which displayed short films through flip-cards rotated by a hand crank that could be slowed at the operator's will, unlike Edison's motorized Kinetoscope, in which films were viewed through actual 35 mm film. The prototype of the "Mutograph" camera was completed in November 1894, first tested with film in June 1895, and the first official Mutoscope films were made in August 1895. To avoire infringement on Edison's motion photo patents, the Mutograph camera used continuous movement friction rollers to move 68 mm film into the camera, instead of intermittent movement by sprockets as Edison's 35 mm camera did. Casler's patents, which he assigned to American Mutoscope in January 1896, were used as security for financing the new company.
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Herman_Casler
The Mutoscope.mp4...
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photography project...
Charlie Chaplin's HIS TRYSTING PLACE (1914) Mutosc...
Mutoscope...
Linda Behar at The Box Gallery...