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Charles Griffes: The White Peacock
Charles Tomlinson Griffes (1884-1920): The White Peacock, from Roman Sketches, Op. 7 (1915-16)
The complete set: https://youtu.be/XxNDOvPl6Cc
Solungga Liu, piano
Perhaps the most fully realized of his character pieces, the Roman Sketches, Opus 7 (1915-1916), display a widely imaginative musical palette, inventive juxtapositions of themes into highly personal forms and a sublime sense of pacing and expression. Contrary to the other sets, these works were linked to their texts from the outset, yielding even greater programmatic associations than in pieces written earlier. The music itself speaks with such clarity and conviction, however, that the program never becomes a scaffold on which to affix musical ideas.
The White Peacock is composed of four central ideas: a haunting opening figure...
published: 11 Jun 2021
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Charles Griffes- The Pleasure Dome of Kubla Khan
Gerard Schwarz conducts the Seattle Symphony
published: 01 Nov 2010
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Charles Griffes ‒ 3 Tone-Pictures, Op.5
Charles Tomlinson Griffes, 3 Tone-Pictures, Op.5 (1910 - 1912)
Performed by Denver Oldham
00:00 - No. 1 The Lake at Evening
04:22 - No. 2 The Vale of Dreams
07:29 - No. 3 The Night Winds
The Three Tone-Pictures, Op. 5, the composer's first published piano works, make a beautiful and effective set. Begun in 1910 and later revised, they were published by G. Schirmer in 1915 on the recommendation of Busoni. With them, Griffes left the German romanticism of his early music and created a unique impressionistic style. Fragmentary in nature, they are filled with chromaticism, tonal ambiguity, creative pedal effects, and a subtle sense of colour and imagination. They show Griffes as a master miniaturist and tone-poet. The Lake at Evening is haunting and hypnotic, perfectly capturing the spirit...
published: 29 Feb 2016
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Charles Griffes - Five Poems of Ancient China and Japan (Audio+Score)
Visit https://butemusic.com for all your music service needs - arrangements, transcription, typesetting/engraving and more. We also have a store full of brand new arrangements available for instant digital downloads!
These videos are for educational use only and are not for commercial use. If you have a copyright query then please contact me for removal before filing a complaint with YouTube.
published: 20 Dec 2016
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Charles Griffes - Poem for Flute and Orchestra
Charles Griffes (1884 - 1920) - Poem for Flute and Orchestra, A. 93 (1918)
Alexa Still, flute
New Zealand Chamber Orchestra, Nicolas Braithwaite (1990)
Charles Griffes' Poem is a piece for solo flute and an orchestra consisting of 2 horns, percussion, harp, and strings. The work typically lasts around 10 minutes.
"This is one of the best of all single-movement concerted works for flute and orchestra, a masterpiece of less than ten minutes' length that displays all the potential of the flute as a solo instrument. Its composer was an American who had a tragically short life, living from 1884 to 1920. Moreover, Griffes was a painstaking composer who wrote his works slowly. His income from teaching was so meager that he had to copy out parts for his orchestral scores himself to get performa...
published: 08 Apr 2020
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Charles Tomlinson Griffes(1884-1920): Symphonische Phantasie (1907)
Charles Tomlinson Griffes(1884-1920): Symphonische Phantasie (1907). Karl Krueger-Royal Philharmonic Orchestra.
Charles Tomlinson Griffes's music received a promising revival during the late 1960's through the '80's, but today again his music seems to be drifting back into oblivion. Except for his most famous works: "The White Peacock," "The Pleasure Dome of Kubla Kahn," and few piano works, there are still many more works that cry out to be heard. Karl Krueger attempted to bring to the world's attention several of these pieces 50 years ago. The "Symphonische Phantasie" was one of of Griffes' earliest orchestral works which that Karl Krueger deemed worthy of memorialization, and thanks to his efforts we can enjoy it here. Since many of the Society for the Preservation of the American Mus...
published: 05 Jan 2013
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Griffes - Piano Sonata, A.85
Charles Tomlinson Griffes (1884-1920) - Piano Sonata, A.85
Reed Tetzloff, piano
Original: https://www.youtube.com/watch?v=XoeuISvtCi8
This sonata (Michael Lewin's recording) had been uploaded previously by our beloved Hexameron, but this video is now gone from YT. Here is Reed Tetzloff's fantastic live performance. It's good to know that young pianists are championing this work.
published: 03 May 2017
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Charles Griffes Rediscovered
David Plylar discussed the Library's collection of holograph manuscripts by composer Charles Griffes. This includes a "rediscovered" transcription by Griffes of "Les parfums de la nuit" from the Iberia section of "Images" by Claude Debussy; Solungga Liu's performance at the Library of November 4, 2017, is believed to be the world premiere of this transcription. The sheet music for this transcription, prepared by Plylar, is available for free download the Library's "In the Muse" blog.
For transcript and more information, visit http://www.loc.gov/today/cyberlc/feature_wdesc.php?rec=8354
published: 16 Aug 2018
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Charles Griffes: The Fountain of the Acqua Paola
Solungga Liu, pianist
http://solungga.com
Charles Tomlinson Griffes (1884-1920): The Fountain of the Acqua Paola, from Roman Sketches, Op. 7 (1915-16)
The complete set: https://youtu.be/XxNDOvPl6Cc
Perhaps the most fully realized of his character pieces, the Roman Sketches, Opus 7 (1915-1916), display a widely imaginative musical palette, inventive juxtapositions of themes into highly personal forms and a sublime sense of pacing and expression. Contrary to the other sets, these works were linked to their texts from the outset, yielding even greater programmatic associations than in pieces written earlier. The music itself speaks with such clarity and conviction, however, that the program never becomes a scaffold on which to affix musical ideas.
The Fountain of the Acqua Paola, like many...
published: 28 Nov 2020
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Griffes - Roman Sketches op.7
Charles Tomlinson Griffes (1884-1920) - Roman Sketches op.7
Denver Oldham, piano
Original: https://www.youtube.com/watch?v=lVss63iE67s
published: 03 Jun 2017
5:42
Charles Griffes: The White Peacock
Charles Tomlinson Griffes (1884-1920): The White Peacock, from Roman Sketches, Op. 7 (1915-16)
The complete set: https://youtu.be/XxNDOvPl6Cc
Solungga Liu, pian...
Charles Tomlinson Griffes (1884-1920): The White Peacock, from Roman Sketches, Op. 7 (1915-16)
The complete set: https://youtu.be/XxNDOvPl6Cc
Solungga Liu, piano
Perhaps the most fully realized of his character pieces, the Roman Sketches, Opus 7 (1915-1916), display a widely imaginative musical palette, inventive juxtapositions of themes into highly personal forms and a sublime sense of pacing and expression. Contrary to the other sets, these works were linked to their texts from the outset, yielding even greater programmatic associations than in pieces written earlier. The music itself speaks with such clarity and conviction, however, that the program never becomes a scaffold on which to affix musical ideas.
The White Peacock is composed of four central ideas: a haunting opening figure reheard only in the closing bars, a playful descending line, the strutting dotted figure that is perhaps the most purely ‘thematic’ and a lyrical, “languid” theme accompanied by rolling arpeggios. The way Griffes combines these ideas and plays them off one another is enchanting.
~ Gregory Mertl~
Provided to YouTube by NAXOS of America
℗ 2010 Centaur Records
Auto-generated by YouTube.
https://wn.com/Charles_Griffes_The_White_Peacock
Charles Tomlinson Griffes (1884-1920): The White Peacock, from Roman Sketches, Op. 7 (1915-16)
The complete set: https://youtu.be/XxNDOvPl6Cc
Solungga Liu, piano
Perhaps the most fully realized of his character pieces, the Roman Sketches, Opus 7 (1915-1916), display a widely imaginative musical palette, inventive juxtapositions of themes into highly personal forms and a sublime sense of pacing and expression. Contrary to the other sets, these works were linked to their texts from the outset, yielding even greater programmatic associations than in pieces written earlier. The music itself speaks with such clarity and conviction, however, that the program never becomes a scaffold on which to affix musical ideas.
The White Peacock is composed of four central ideas: a haunting opening figure reheard only in the closing bars, a playful descending line, the strutting dotted figure that is perhaps the most purely ‘thematic’ and a lyrical, “languid” theme accompanied by rolling arpeggios. The way Griffes combines these ideas and plays them off one another is enchanting.
~ Gregory Mertl~
Provided to YouTube by NAXOS of America
℗ 2010 Centaur Records
Auto-generated by YouTube.
- published: 11 Jun 2021
- views: 10078
9:56
Charles Griffes ‒ 3 Tone-Pictures, Op.5
Charles Tomlinson Griffes, 3 Tone-Pictures, Op.5 (1910 - 1912)
Performed by Denver Oldham
00:00 - No. 1 The Lake at Evening
04:22 - No. 2 The Vale of Dreams
...
Charles Tomlinson Griffes, 3 Tone-Pictures, Op.5 (1910 - 1912)
Performed by Denver Oldham
00:00 - No. 1 The Lake at Evening
04:22 - No. 2 The Vale of Dreams
07:29 - No. 3 The Night Winds
The Three Tone-Pictures, Op. 5, the composer's first published piano works, make a beautiful and effective set. Begun in 1910 and later revised, they were published by G. Schirmer in 1915 on the recommendation of Busoni. With them, Griffes left the German romanticism of his early music and created a unique impressionistic style. Fragmentary in nature, they are filled with chromaticism, tonal ambiguity, creative pedal effects, and a subtle sense of colour and imagination. They show Griffes as a master miniaturist and tone-poet. The Lake at Evening is haunting and hypnotic, perfectly capturing the spirit of the Yeats poem which inspired it "lake water lapping with low sounds by the shore". In ABA form, it is dominated by a simple ostinato figure which creates a sense of unity and tranquility.
The Vale of Dreams has a disturbing quality, conjuring up a troubled subconscious. It utilises extreme chromaticism, melodic parallel thirds and an unsettled tonality. Sensual and voluptuous, it is possessed of a dark and almost decadent sadness. The Night Winds flies up and down the keyboard in a shimmering spray of notes, the sighing left hand melody surrounded by a torrent of whole-tone based arpeggios. A sort of "baby" Feux d'Artifice (Debussy), the ending is reminiscent of that of Ravel's Scarbo.
RIP Hexameron: March 31, 2007 - February 29th, 2016
https://wn.com/Charles_Griffes_‒_3_Tone_Pictures,_Op.5
Charles Tomlinson Griffes, 3 Tone-Pictures, Op.5 (1910 - 1912)
Performed by Denver Oldham
00:00 - No. 1 The Lake at Evening
04:22 - No. 2 The Vale of Dreams
07:29 - No. 3 The Night Winds
The Three Tone-Pictures, Op. 5, the composer's first published piano works, make a beautiful and effective set. Begun in 1910 and later revised, they were published by G. Schirmer in 1915 on the recommendation of Busoni. With them, Griffes left the German romanticism of his early music and created a unique impressionistic style. Fragmentary in nature, they are filled with chromaticism, tonal ambiguity, creative pedal effects, and a subtle sense of colour and imagination. They show Griffes as a master miniaturist and tone-poet. The Lake at Evening is haunting and hypnotic, perfectly capturing the spirit of the Yeats poem which inspired it "lake water lapping with low sounds by the shore". In ABA form, it is dominated by a simple ostinato figure which creates a sense of unity and tranquility.
The Vale of Dreams has a disturbing quality, conjuring up a troubled subconscious. It utilises extreme chromaticism, melodic parallel thirds and an unsettled tonality. Sensual and voluptuous, it is possessed of a dark and almost decadent sadness. The Night Winds flies up and down the keyboard in a shimmering spray of notes, the sighing left hand melody surrounded by a torrent of whole-tone based arpeggios. A sort of "baby" Feux d'Artifice (Debussy), the ending is reminiscent of that of Ravel's Scarbo.
RIP Hexameron: March 31, 2007 - February 29th, 2016
- published: 29 Feb 2016
- views: 34174
8:51
Charles Griffes - Five Poems of Ancient China and Japan (Audio+Score)
Visit https://butemusic.com for all your music service needs - arrangements, transcription, typesetting/engraving and more. We also have a store full of brand n...
Visit https://butemusic.com for all your music service needs - arrangements, transcription, typesetting/engraving and more. We also have a store full of brand new arrangements available for instant digital downloads!
These videos are for educational use only and are not for commercial use. If you have a copyright query then please contact me for removal before filing a complaint with YouTube.
https://wn.com/Charles_Griffes_Five_Poems_Of_Ancient_China_And_Japan_(Audio_Score)
Visit https://butemusic.com for all your music service needs - arrangements, transcription, typesetting/engraving and more. We also have a store full of brand new arrangements available for instant digital downloads!
These videos are for educational use only and are not for commercial use. If you have a copyright query then please contact me for removal before filing a complaint with YouTube.
- published: 20 Dec 2016
- views: 3700
10:09
Charles Griffes - Poem for Flute and Orchestra
Charles Griffes (1884 - 1920) - Poem for Flute and Orchestra, A. 93 (1918)
Alexa Still, flute
New Zealand Chamber Orchestra, Nicolas Braithwaite (1990)
Charle...
Charles Griffes (1884 - 1920) - Poem for Flute and Orchestra, A. 93 (1918)
Alexa Still, flute
New Zealand Chamber Orchestra, Nicolas Braithwaite (1990)
Charles Griffes' Poem is a piece for solo flute and an orchestra consisting of 2 horns, percussion, harp, and strings. The work typically lasts around 10 minutes.
"This is one of the best of all single-movement concerted works for flute and orchestra, a masterpiece of less than ten minutes' length that displays all the potential of the flute as a solo instrument. Its composer was an American who had a tragically short life, living from 1884 to 1920. Moreover, Griffes was a painstaking composer who wrote his works slowly. His income from teaching was so meager that he had to copy out parts for his orchestral scores himself to get performances, which was sheer drudge work. The strain of repeatedly staying up through the night to do this is said to have broken his health.
He wrote this Poem for the famous French flutist Georges Barrère, who played it with the New York Symphony Society, Walter Damrosch conducting, on November 16, 1919. In keeping abreast of European musical developments, Griffes had adopted some harmonic practices from Debussy, and this music has the cool sensuality and sense of antiquity associated with the French master. It is not quite right to say that the music is some sort of 'American Impressionism,' for the harmonies still tend to be functional (i.e. are used in their accustomed role as the energizer of forward progress in the music) rather than coloristic.
Above all, the piece is extraordinarily beautiful. It is scored for a small orchestra of strings with the addition of two horns that add an extraordinary magical touch to the sonorities. There is effective use of percussion, lightly applied. The form of the work is that of a Liszt rhapsody: a languorous slow flute solo in a nocturnal atmosphere is succeeded by a lithe, fast dance. The first part lets the flute show off its sheer beauty of tone, while the second displays exceptional virtuosity in its rapid figurations."
(source: AllMusic)
In memory of Charles Tomlinson Griffes (17 September 1884 - 8 April 1920)
https://wn.com/Charles_Griffes_Poem_For_Flute_And_Orchestra
Charles Griffes (1884 - 1920) - Poem for Flute and Orchestra, A. 93 (1918)
Alexa Still, flute
New Zealand Chamber Orchestra, Nicolas Braithwaite (1990)
Charles Griffes' Poem is a piece for solo flute and an orchestra consisting of 2 horns, percussion, harp, and strings. The work typically lasts around 10 minutes.
"This is one of the best of all single-movement concerted works for flute and orchestra, a masterpiece of less than ten minutes' length that displays all the potential of the flute as a solo instrument. Its composer was an American who had a tragically short life, living from 1884 to 1920. Moreover, Griffes was a painstaking composer who wrote his works slowly. His income from teaching was so meager that he had to copy out parts for his orchestral scores himself to get performances, which was sheer drudge work. The strain of repeatedly staying up through the night to do this is said to have broken his health.
He wrote this Poem for the famous French flutist Georges Barrère, who played it with the New York Symphony Society, Walter Damrosch conducting, on November 16, 1919. In keeping abreast of European musical developments, Griffes had adopted some harmonic practices from Debussy, and this music has the cool sensuality and sense of antiquity associated with the French master. It is not quite right to say that the music is some sort of 'American Impressionism,' for the harmonies still tend to be functional (i.e. are used in their accustomed role as the energizer of forward progress in the music) rather than coloristic.
Above all, the piece is extraordinarily beautiful. It is scored for a small orchestra of strings with the addition of two horns that add an extraordinary magical touch to the sonorities. There is effective use of percussion, lightly applied. The form of the work is that of a Liszt rhapsody: a languorous slow flute solo in a nocturnal atmosphere is succeeded by a lithe, fast dance. The first part lets the flute show off its sheer beauty of tone, while the second displays exceptional virtuosity in its rapid figurations."
(source: AllMusic)
In memory of Charles Tomlinson Griffes (17 September 1884 - 8 April 1920)
- published: 08 Apr 2020
- views: 20868
16:12
Charles Tomlinson Griffes(1884-1920): Symphonische Phantasie (1907)
Charles Tomlinson Griffes(1884-1920): Symphonische Phantasie (1907). Karl Krueger-Royal Philharmonic Orchestra.
Charles Tomlinson Griffes's music received a p...
Charles Tomlinson Griffes(1884-1920): Symphonische Phantasie (1907). Karl Krueger-Royal Philharmonic Orchestra.
Charles Tomlinson Griffes's music received a promising revival during the late 1960's through the '80's, but today again his music seems to be drifting back into oblivion. Except for his most famous works: "The White Peacock," "The Pleasure Dome of Kubla Kahn," and few piano works, there are still many more works that cry out to be heard. Karl Krueger attempted to bring to the world's attention several of these pieces 50 years ago. The "Symphonische Phantasie" was one of of Griffes' earliest orchestral works which that Karl Krueger deemed worthy of memorialization, and thanks to his efforts we can enjoy it here. Since many of the Society for the Preservation of the American Musical Heritage recordings have been reissued on CD, maybe it is time for further mining of this library of American music which is vaulted in the Library of Congress just waiting to be reissued on CD. Possibly this YouTube upload may encourage such a venture!
https://wn.com/Charles_Tomlinson_Griffes(1884_1920)_Symphonische_Phantasie_(1907)
Charles Tomlinson Griffes(1884-1920): Symphonische Phantasie (1907). Karl Krueger-Royal Philharmonic Orchestra.
Charles Tomlinson Griffes's music received a promising revival during the late 1960's through the '80's, but today again his music seems to be drifting back into oblivion. Except for his most famous works: "The White Peacock," "The Pleasure Dome of Kubla Kahn," and few piano works, there are still many more works that cry out to be heard. Karl Krueger attempted to bring to the world's attention several of these pieces 50 years ago. The "Symphonische Phantasie" was one of of Griffes' earliest orchestral works which that Karl Krueger deemed worthy of memorialization, and thanks to his efforts we can enjoy it here. Since many of the Society for the Preservation of the American Musical Heritage recordings have been reissued on CD, maybe it is time for further mining of this library of American music which is vaulted in the Library of Congress just waiting to be reissued on CD. Possibly this YouTube upload may encourage such a venture!
- published: 05 Jan 2013
- views: 5014
13:27
Griffes - Piano Sonata, A.85
Charles Tomlinson Griffes (1884-1920) - Piano Sonata, A.85
Reed Tetzloff, piano
Original: https://www.youtube.com/watch?v=XoeuISvtCi8
This sonata (Michael Le...
Charles Tomlinson Griffes (1884-1920) - Piano Sonata, A.85
Reed Tetzloff, piano
Original: https://www.youtube.com/watch?v=XoeuISvtCi8
This sonata (Michael Lewin's recording) had been uploaded previously by our beloved Hexameron, but this video is now gone from YT. Here is Reed Tetzloff's fantastic live performance. It's good to know that young pianists are championing this work.
https://wn.com/Griffes_Piano_Sonata,_A.85
Charles Tomlinson Griffes (1884-1920) - Piano Sonata, A.85
Reed Tetzloff, piano
Original: https://www.youtube.com/watch?v=XoeuISvtCi8
This sonata (Michael Lewin's recording) had been uploaded previously by our beloved Hexameron, but this video is now gone from YT. Here is Reed Tetzloff's fantastic live performance. It's good to know that young pianists are championing this work.
- published: 03 May 2017
- views: 12950
51:44
Charles Griffes Rediscovered
David Plylar discussed the Library's collection of holograph manuscripts by composer Charles Griffes. This includes a "rediscovered" transcription by Griffes of...
David Plylar discussed the Library's collection of holograph manuscripts by composer Charles Griffes. This includes a "rediscovered" transcription by Griffes of "Les parfums de la nuit" from the Iberia section of "Images" by Claude Debussy; Solungga Liu's performance at the Library of November 4, 2017, is believed to be the world premiere of this transcription. The sheet music for this transcription, prepared by Plylar, is available for free download the Library's "In the Muse" blog.
For transcript and more information, visit http://www.loc.gov/today/cyberlc/feature_wdesc.php?rec=8354
https://wn.com/Charles_Griffes_Rediscovered
David Plylar discussed the Library's collection of holograph manuscripts by composer Charles Griffes. This includes a "rediscovered" transcription by Griffes of "Les parfums de la nuit" from the Iberia section of "Images" by Claude Debussy; Solungga Liu's performance at the Library of November 4, 2017, is believed to be the world premiere of this transcription. The sheet music for this transcription, prepared by Plylar, is available for free download the Library's "In the Muse" blog.
For transcript and more information, visit http://www.loc.gov/today/cyberlc/feature_wdesc.php?rec=8354
- published: 16 Aug 2018
- views: 626
3:44
Charles Griffes: The Fountain of the Acqua Paola
Solungga Liu, pianist
http://solungga.com
Charles Tomlinson Griffes (1884-1920): The Fountain of the Acqua Paola, from Roman Sketches, Op. 7 (1915-16)
The compl...
Solungga Liu, pianist
http://solungga.com
Charles Tomlinson Griffes (1884-1920): The Fountain of the Acqua Paola, from Roman Sketches, Op. 7 (1915-16)
The complete set: https://youtu.be/XxNDOvPl6Cc
Perhaps the most fully realized of his character pieces, the Roman Sketches, Opus 7 (1915-1916), display a widely imaginative musical palette, inventive juxtapositions of themes into highly personal forms and a sublime sense of pacing and expression. Contrary to the other sets, these works were linked to their texts from the outset, yielding even greater programmatic associations than in pieces written earlier. The music itself speaks with such clarity and conviction, however, that the program never becomes a scaffold on which to affix musical ideas.
The Fountain of the Acqua Paola, like many of the set, reveals a rich harmonic landscape. Griffes constructs several different themes into an elegant fluid design connected by rippling accompaniments. While some themes never return, the overall form – swelling in the middle and falling back to the sumptuous opening idea ¬– suggests a wave.
~ Gregory Mertl~
Provided to YouTube by NAXOS of America
℗ 2010 Centaur Records
Auto-generated by YouTube.
https://wn.com/Charles_Griffes_The_Fountain_Of_The_Acqua_Paola
Solungga Liu, pianist
http://solungga.com
Charles Tomlinson Griffes (1884-1920): The Fountain of the Acqua Paola, from Roman Sketches, Op. 7 (1915-16)
The complete set: https://youtu.be/XxNDOvPl6Cc
Perhaps the most fully realized of his character pieces, the Roman Sketches, Opus 7 (1915-1916), display a widely imaginative musical palette, inventive juxtapositions of themes into highly personal forms and a sublime sense of pacing and expression. Contrary to the other sets, these works were linked to their texts from the outset, yielding even greater programmatic associations than in pieces written earlier. The music itself speaks with such clarity and conviction, however, that the program never becomes a scaffold on which to affix musical ideas.
The Fountain of the Acqua Paola, like many of the set, reveals a rich harmonic landscape. Griffes constructs several different themes into an elegant fluid design connected by rippling accompaniments. While some themes never return, the overall form – swelling in the middle and falling back to the sumptuous opening idea ¬– suggests a wave.
~ Gregory Mertl~
Provided to YouTube by NAXOS of America
℗ 2010 Centaur Records
Auto-generated by YouTube.
- published: 28 Nov 2020
- views: 5397
17:35
Griffes - Roman Sketches op.7
Charles Tomlinson Griffes (1884-1920) - Roman Sketches op.7
Denver Oldham, piano
Original: https://www.youtube.com/watch?v=lVss63iE67s
Charles Tomlinson Griffes (1884-1920) - Roman Sketches op.7
Denver Oldham, piano
Original: https://www.youtube.com/watch?v=lVss63iE67s
https://wn.com/Griffes_Roman_Sketches_Op.7
Charles Tomlinson Griffes (1884-1920) - Roman Sketches op.7
Denver Oldham, piano
Original: https://www.youtube.com/watch?v=lVss63iE67s
- published: 03 Jun 2017
- views: 18668