- published: 26 Dec 2012
- views: 278809
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John Renbourn (8 August 1944 – 26 March 2015) was an English guitarist and songwriter. He was possibly best known for his collaboration with guitarist Bert Jansch as well as his work with the folk group Pentangle, although he maintained a solo career before, during and after that band's existence (1967–1973).
While most commonly labelled a folk musician, Renbourn's musical tastes and interests took in early music, classical music, jazz, blues and world music. His most influential album, Sir John Alot (1968), featured his take on tunes from the Medieval era.
John Renbourn studied classical guitar at school and it was during this period that he was introduced to Early Music. In the 1950s, along with many others, he was greatly influenced by the musical craze of "Skiffle" and this eventually led him to explore the work of artists such as Lead Belly, Josh White and Big Bill Broonzy.
In the 1960s the new craze in popular music was Rhythm and Blues, also the impact of Davey Graham was being felt. In 1961 Renbourn toured the South West with Mac MacLeod and repeated the tour in 1963.On returning from the South West Renbourn and MacLeod recorded a demo tape together. Renbourn briefly played in an R&B band while studying at the Kingston College of Art in London. Although the British "Folk Revival" was underway, most folk clubs were biased towards traditional, unaccompanied folk songs, and guitar players were not always welcome. However, the Roundhouse in London had a more tolerant attitude and here, John Renbourn joined blues and gospel singer Dorris Henderson, playing backing guitar and recording two albums with her.
John Renbourn is the debut album by John Renbourn.
All tracks composed by John Renbourn; except where indicated
"Goodbye Pork Pie Hat" is a jazz standard composed by Charles Mingus originally recorded by his sextet in 1959 as listed below, and released on his album Mingus Ah Um. Mingus wrote it as an elegy for saxophonist Lester Young, who had died two months prior to the recording session, and was known to wear a broad-rimmed pork pie hat. It is one of Mingus's best-known compositions and has been recorded by many jazz and jazz fusion artists.Joni Mitchell added lyrics to the song for her album Mingus, recorded in collaboration with Mingus during the months before his death.Rahsaan Roland Kirk also composed lyrics to the song, included on his album The Return of the 5000 Lb. Man.
01. Trotto / Saltarello 02. Lamento Di Tristan / La Rotta 03. Veri Floris / Triple Ballade 04. Bransle Gay / Bransle De Bourgogne 05. Alman / Melancholy Galliard 06. Sarabande 07. The Lady And The Unicorn 08. My Johnny Was A Shoemaker / Westron Wynde / Scarborough Fair John Renbourn: guitars and sitar Terry Cox: hand-drums and glockenspiel Don Harper: viola Lea Nicholson: concertina Tony Roberts: flute Ray Warleigh: flute Dave Swarbrick: violin
British guitar great John Renbourn performs "Little Niles" at a concert in Toronto. From the DVD "John Renbourn In Concert 1990." More info at https://stefan-grossmans-guitar-workshop.webflow.io/stefan-grossmans-guitar-workshop-online-store#!/John-Renbourn-In-Concert-1990/p/131764823
A beautiful album by a beautiful guitarist, who left us today (March 26th). Rest in peace, your music has brought us more beauty than you could ever have imagined...! (Thanks to alberto for the track listing) Moon Shines Bright (Sam Coslow / Arthur Johnston) 0:00 The English Dance (Traditional) 3:58 Bourrée I and II (Johann Sebastian Bach) 6:49 Medley: The Mist Covered Mountains of Home / The Orphan / Tarboulton 9:13 The Pelican (John Renbourn) 18:41 The Black Balloon (Traditional) 25:51
DVD ACOUSTIC ROUTES
John Renbourn - Medley - The Mist Covered Mountains of Home-The Orphan -Tarboulton 1979 One one the finest acoustic guitar pieces ever heard. Medley taken from: John Renbourn - The Black Balloon 1979 This album is one of John's 'medieval' style albums, with 13th and 16th century pieces mixed with a couple of Renbourn tracks. The songs are all credited as being 'traditional arranged Renbourn' - but at least The Pelican and The Black Balloon are certainly not traditional. The flute is played by Tony Roberts, the tabors by Stuart Gordon. John Renbourn: guitar Tony Roberts: flutes Stuart Gordon: Tabors Webside: http://www.john-renbourn.com/ learning the guitar tabs: http://www.songsterr.com/a/wsa/john-renbourn-the-mist-covered-guitar-tab-s39809t0 http://...
John Renbourn, Scarborough Fair, from "The Lady And Unicorn" (Transatlantic 1970). John Renbourn, guitar; Tony Roberts, flute; Don Harper, viola. For my comments on music please visit: http://somelikeitfolk.blogspot.it/2011/10/scarborough-fair-la-mia-versione.html Pictures from the tapestry cycle "the Lady and The Unicorn" and other artwork are from the website of Musée du Moyen-Âge, Paris, where they are collected.
From the Vestapol DVD: John Renbourn In Concert 1990. To order: https://www.guitarvideos.com/#!/John-Renbourn-In-Concert-1990/p/131764823 John Renbourn has four great instructional DVDs: Folk, Blues & Beyond Celtic Melodies & Open Tunings The Jazz Tinge Medieval & Renaissance Music Available as Direct Downloads and Physical DVDs WWW.GUITARVIDEOS.COM
Sir John Alot of Merrie Englandes Musyk Thyng and ye Grene Knyghte by John Renbourn is a baroque folk album that came out in 1968. You can tell by the title how medieval / renaissance like this album is. All the songs on side one are traditional songs, with new arrangements by John Renbourn. Side two contains original compositions. This is a vinyl rip, so I hope you enjoy its unique quality. Track Listing: 1. The Earle of Salisury 2. The Trees They Do Grow High 3. The Lady Goes to Church 4. Morgana 5. Transfusion 6. Forty-Eight 7. My Dear Boy 8. White Fishes 9. Sweet Potato 10. Seven Up John Renbourn - guitar Terry Cox - finger cymbals, African drums, glockenspiel Ray Warleigh - flute Recorded at Sound Techniques, London Engineer: John Wood Produced by Nathan Joseph An original Tra...
Provided to YouTube by Columbia Goodbye Pork Pie Hat · Charles Mingus Mingus Ah Um ℗ Originally Released 1959 Sony Music Entertainment Inc. Released on: 1999-10-18 Producer: Unknown Composer, Lyricist: Charles Mingus Auto-generated by YouTube.
From The Essential Mingus Big Band there is this awesome song. I'm not actually sure who the saxophone player is, so if anyone knows please tell me.
Provided to YouTube by Epic Goodbye Pork Pie Hat · Jeff Beck Wired ℗ 1976 Epic Records, a division of Sony Music Entertainment Released on: 1976-10-11 Producer: Producer not documented on available sources Composer, Lyricist: Charles Mingus Assistant Producer: Chris Bond Drums: Richard Bailey Assistant Engineer: Mark Guercio Mixing Engineer: Geoff Emerick Bass: Wilbur Bascomb Mixing Engineer, Recording Engineer: John Mills Mastering Engineer: Vic Anesini Recording Engineer: Pete Henderson Recording Engineer: Dennis McKay Recording Engineer: John Arrias Auto-generated by YouTube.
Shadows and Light DVD Joni Mitchell, Pat Metheny, Jaco Pastorius, Michael Brecker, Don Alias
For more information, or to purchase, go to https://goo.gl/9sBK2m. Goodbye Pork Pie Hat By Charles Mingus / arr. Alan Baylock Item: 00-47031 Series: Belwin Jazz Band Series Format: Conductor Score & Parts Level: 3.5 The sonic landscape of this tenor ballad on a classic Mingus tune is free and soulful. The solo tenor provides an introduction, followed by the lush ensemble with a suggested written tenor solo. Lead trumpet range is to written B-flat with optional parts to include flute and vibes. This superb chart belongs in every library. Subscribe to Alfred Music's Jazz Channel: https://youtube.com/alfredmusicjazz Since 1922, Alfred Music has been dedicated to helping people learn, teach, and play music. Alfred Music currently has over 150,000 active titles, representing a wide range of ...
Undoubtedly, one of the real guitar heroes. Rest in peace man. You have contributed to make this world, a slightly warmer place. 10/01/2022
Charles Mingus was one of the all-time great jazz bass player but more than that he was also an innovative composer and a leader with a clear vision of where he wanted his music to go. In 1975 he made his first appearance at the Montreux Jazz Festival, joined by the players who had worked with him on the landmark 'Changes One' and 'Changes Two' albums, fro which the was primarily drawn. As an extrat treat, on the last two tracks they are joined by guests Gerry Mulligan on baritone sax and Benny Bailey on trumpet. 1975 RTS / Montreux Sounds RTS: http://rtspro.ch Montreux Sounds: https://www.montreuxsounds.com Mercury Studios: https://youtube.com/user/montreuxlive LIVE AT MONTREUX – MONTREUX JAZZ ARCHIVES This performance is part of the unique Claude Nobs Foundation audio-visual collect...
Provided to YouTube by BMG Rights Management (UK) Limited Goodbye Pork Pie Hat · Mingus Big Band Blues & Politics ℗ 1999 Francis Dreyfus Music SARL, a BMG Company Released on: 2006-11-08 Performer: Mingus Big Band Composer: Charles Mingus Auto-generated by YouTube.
John Renbourn (8 August 1944 – 26 March 2015) was an English guitarist and songwriter. He was possibly best known for his collaboration with guitarist Bert Jansch as well as his work with the folk group Pentangle, although he maintained a solo career before, during and after that band's existence (1967–1973).
While most commonly labelled a folk musician, Renbourn's musical tastes and interests took in early music, classical music, jazz, blues and world music. His most influential album, Sir John Alot (1968), featured his take on tunes from the Medieval era.
John Renbourn studied classical guitar at school and it was during this period that he was introduced to Early Music. In the 1950s, along with many others, he was greatly influenced by the musical craze of "Skiffle" and this eventually led him to explore the work of artists such as Lead Belly, Josh White and Big Bill Broonzy.
In the 1960s the new craze in popular music was Rhythm and Blues, also the impact of Davey Graham was being felt. In 1961 Renbourn toured the South West with Mac MacLeod and repeated the tour in 1963.On returning from the South West Renbourn and MacLeod recorded a demo tape together. Renbourn briefly played in an R&B band while studying at the Kingston College of Art in London. Although the British "Folk Revival" was underway, most folk clubs were biased towards traditional, unaccompanied folk songs, and guitar players were not always welcome. However, the Roundhouse in London had a more tolerant attitude and here, John Renbourn joined blues and gospel singer Dorris Henderson, playing backing guitar and recording two albums with her.
When Charlie speaks of Lester
You know someone great has gone
The sweetest swinging music man
Had a Porkie Pig hat on
A bright star
In a dark age
When the bandstands had a thousand ways
Of refusing a black man admission
Black musician
In those days they put him in an
Underdog position
Cellars and chittlins'
When Lester took him a wife
Arm and arm went black and white
And some saw red
And drove them from their hotel bed
Love is never easy
It's short of the hope we have for happiness
Bright and sweet
Love is never easy street!
Now we are black and white
Embracing out in the lunatic New York night
It's very unlikely we'll be driven out of town
Or be hung in a tree
That's unlikely!
Tonight these crowds
Are happy and loud
Children are up dancing in the streets
In the sticky middle of the night
Summer serenade
Of taxi horns and fun arcades
Where right or wrong
Under neon
Every feeling goes on!
For you and me
The sidewalk is a history book
And a circus
Dangerous clowns
Balancing dreadful and wonderful perceptions
They have been handed
Day by day
Generations on down
We came up from the subway
On the music midnight makes
To Charlie's bass and Lester's saxophone
In taxi horns and brakes
Now Charlie's down in Mexico
With the healers
So the sidewalk leads us with music
To two little dancers
Dancing outside a black bar
There's a sign up on the awning
It says "Pork Pie Hat Bar"
And there's black babies dancing...