- published: 15 Oct 2022
- views: 1123
Gershon Legman
Gershon Legman (November 2, 1917 – February 23, 1999) was an American cultural critic and folklorist.
Life and work
Legman was born in Scranton, Pennsylvania to Emil and Julia Friedman Legman, both of Hungarian/Romanian Jewish descent; his father was a railroad clerk and butcher. According to an obituary by his friend Jay Landesman in The Independent of London, in a childhood incident, classmates "wrote the word 'kosher' in horse-shit juice across his forehead." He regarded the event as formative, and he would insist throughout his life that violence and sadism so prominent in American culture resulted directly from the suppression of sex.
Legman was an independent scholar without institutional affiliation, except during 1964–1965 when he was a writer in residence at the University of California, San Diego, in the first year of the new campus' undergraduate programs. He pioneered the serious academic study of erotic and taboo materials in folklore. He also was a talented raconteur and could spin out tales non-stop for hours.
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Gershon_Legman
Gershon
According to the Torah, Gershon (Hebrew: גֵּרְשׁוֹן Gêrəšōn) was the eldest of the sons of Levi, and the patriarchal founder of the Gershonites, one of the four main divisions among the Levites in biblical times. The Gershonites were charged with the care of the outer tabernacle including components such as the tent and its covering, screens, doors, and hangings. Biblical scholars regard the name as being essentially the same as "Gershom" (Hebrew: גֵּרְשֹׁם, Modern Gerəšom, Tiberian Gēršōm), which appears to mean "a sojourner there" (גר שם), and it is Gershom rather than Gershon who is sometimes listed in the Book of Chronicles as a founder of one of the principal Levite factions. The Torah names Gershon's sons as Libni and Shimei.
Textual scholars attribute the genealogy to the Book of Generations, a document originating from a religiopolitical group similar to that behind the Priestly source, and at a similar date. According to biblical scholars, the Torah's genealogy for Levi's descendants is actually an aetiological myth reflecting the fact that there were four different groups among the Levites — the Gershonites, the Kohathites, the Merarites, and the Aaronids. In these scholars' view, Levite was originally just a job title, deriving from the Minaean word lawi'u, meaning "priest", rather than the name of a tribe.
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Gershon
Gershon (disambiguation)
Gershon can refer to any of the following:
As a surname:
As a given name:
Other:
See also
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Gershon_(disambiguation)
Podcasts:
-
Since When Did 69 Become The Sex Number?
66, 67, 68, 69. Lots of people act like teenage boys whenever that number comes up. We could kinda see what it could mean just by looking at the number. We’re not going to go too explicit since we’re on YouTube but let’s take a look and find who compared that sex position to that number first. The Generalists explore the vast expanse of world history to provide you tidbits of general history knowledge to boast in every social setting. SOURCES: "Soixante-neuf definition and meaning | Collins English Dictionary" Gershon Legman (1969). Oragenitalism: Oral Techniques in Genital Excitation. "History of India, Kamasutra Sexual Orientation Chapter 9" Created by James Liam and AviddaJuan. LIKE and SUBSCRIBE to The Generalists to hear more fascinating stories from across the history of the worl...
published: 15 Oct 2022 -
Why Do Parrots Mimic Humans?
An animal welfare organization in the U.K. is trying to find a home for Beaky, a parrot whose previous owner apparently had a very foul mouth. Why do parrots repeat the vulgar things that humans say? Because there aren't any other birds around. Most animals are born with their species' distinctive calls programmed into their brains. Parrots are among the few animals—along with dolphins, whales, hummingbirds, songbirds, bats, and some primates—that learn their species' communication patterns. Mimicking helps wild parrots separate members of their own community from outsiders. It can also help a bird find its mate and prevent conflicts over territory. When forced to live with humans, parrots simply repeat what their owners say. Profane parrots like Beaky are an old standby in literature ...
published: 09 Nov 2012 -
Make Love, Not War !
" Make love not war" is an anti-war slogan commonly associated with the American counterculture of the 1960s. It was used primarily by those who were opposed to the Vietnam War, but has been invoked in other anti-war contexts since. Gershon Legman claimed to be the inventor of the phrase. Music : NOSTALGIAS TUCUMANAS - Jaime Torres & Ariel Ramirez
published: 12 Dec 2009 -
Violin Sonata No. 9 in A Major, Op. 47 "Kreutzer": I. Adagio sostenuto - Presto | Beethoven
Beethoven Kreutzer Sonata, Gidon Kremer, Martha Argerich Tablo: The Kreutzer Sonata | René-Xavier Prinet (1901) It depicts a female pianist, dressed in a golden gown, who is pulled up from her stool by a male violinist, who embraces her with one hand around her waist while they kiss. It was first exhibited at Paris, Salon in 1901, and then in Munich and Stuttgart. The Kreutzer Sonata is an oil painting on canvas by René-Xavier Prinet, who was inspired by Leo Tolstoy's 1889 novella of the same name, the title of which is based on Beethoven's violin and piano composition dedicated to Rudolph Kreutzer, a music piece renowned for its diverse emotions; intense anger, deep meditation, and extreme happiness. The story portrays the murder of a wife by her husband, Pozdnyshev, who suspects her ...
published: 05 Jun 2023 -
El pavo real que le abrió las puertas en Occidente a Akira Yoshizawa
(With English Subtitles) En 1953, Akira Yoshizawa, el padre del origami moderno, era un desconocido en Occidente. Pero una carta, con un pavo real en su interior, enviada en el momento oportuno y a la persona indicada, le permitió iniciar una carrera lenta pero continua que lo llevó a hacerse conocido en todo el mundo. El pavo real aún se conserva intacto en el archivo Gershon Legman del Museo del Origami en Colonia y en este video contamos su historia. In 1953, Akira Yoshizawa, the father of modern origami, was a stranger in the West. But a letter, with a peacock inside, sent at the right time and to the right person, allowed him to start a slow but continuous career that led him to become known throughout the world. The peacock is still preserved intact in the Gershon Legman archive of...
published: 30 Aug 2020 -
Indecorous Comedy. Episode 44. Preview.
"This podcast is never gonna come back and affect any one of us ever." - Tom Hand Covid Monkeys of Death, A perverted dwarf with no chi-mo game, Better dental hygiene through oral sex, Gershon Legman: Erotic historian of erotic history and enthusiastic sexology enthusiast. Follow Tom online at: https://twitter.com/TomedyComedy Indecorous Comedy is a reprehensibly distinguished educational comedy podcast hosted by stand-up comedian Carlos Valencia, Bobby D, and Ian. Either the smartest low-brow or dirtiest high-brow podcast on the internet. Your call. Full episodes available at: http://indecorousentercation.com/ iTunes: https://podcasts.apple.com/us/podcast/indecorous-entercation/id1479308888 Spotify: https://open.spotify.com/show/2XMDrLQIkk6srpYYdK4rnb?si=0MWALLUuR2a6qcVQMXxkwg ...
published: 01 Jul 2020 -
Handwritten text quote writing - Make love not war
‘Make Love Not War’ emerged out of the 1960s protest movement to epitomise the aspirations of the decade, but who wrote it and how did it spread so far, so fast? There are three contenders for the author of ‘Make Love Not War’. American ‘cultural critic’ and folklorist the late Gershon Legman has laid claim to it but there is little corroborating evidence. A more substantial claim was made by one Diane Newell Meyer who was a student at the University of Oregon in 1965, the year in which the slogan first appeared. In an August 2010 piece in Oregon’s Mail Tribune newspaper, Meyer says she wrote ‘Let’s make love not war’ on an envelope and pinned it to her sweater before attending a rally in April 1965. “It just popped into my head – I remember I started giggling when I wrote it,” Meyer, now...
published: 25 Feb 2023 -
History of Origami: The mystery of the Dragonfly (and how to fold it)
(Para la versión en español hacer clic aquí: https://youtu.be/lfr_PmB247A) The mystery of the Dragonfly: In this new video, I will tell the story of some incomplete diagrams from the 19th century showing how to fold a dragonfly. The diagrams belonged to a Japanese encyclopedia, Kan-no-mado (also called Karagayusa) that had long been lost. It seemed impossible to solve the enigma, but when in 1952, Gershon Legman, who was studying the history of paperfolding, sent the incomplete drawings to the Argentinean Ligia Montoya, she figured out the missing steps. In 1960, Julia Brossman, an American student of art, found a copy of the drawings which had been copied by hand by the anthropologist Frederick Starr (the drawings had been kept at the Library of Congress in Washington D.C.). It was then p...
published: 27 Jun 2020 -
Germany's naughtiest comedian booed off stage! Sina Khani | Quatsch Comedy Club
http://www.instagram.com/sinakhaniofficial The Aristocrats joke in German. Check out the audience's reaction. LOL. Video produced by Steven A. Bos from http://www.bos-lanting.com Intro and outro music by Logosamphia http://www.soundcloud.com/logosamphia More Sina Khani at http://www.instagram.com/sinakhaniofficial "The Aristocrats" (also known as "The Debonaires" or "The Sophisticates" in some tellings) is a taboo-defying dirty joke that has been told by numerous stand-up comedians since the vaudeville era. Over time it has evolved from a clichéd staple of vaudevillian humor into a postmodern anti-joke. Steven Wright has likened it to a secret handshake among comedians, and it is seen as something of a game in which those who tell it try to top each other in terms of shock value. It is...
published: 11 Jan 2015 -
Make Love,No War
El AMOR puede acabar con las guerras. ¿De dónde viene la frase "haz el amor y no la guerra"? La frase que fue utilizada por el propio John Lennon en la canción "Mind Games" en 1973, fue usada por primera vez por quienes se oponian a la Guerra de Vietnam, pero desde entonces es invocada en otras situaciones, ya se contra el sistema o contra la guerra, reivindicando el pacifismo y el antimilitarismo. Gershon Legman se considera el inventor de la frase. En abril de 1965, en una manifestación contra la Guerra de Vietnam en Eugene,Oregon(EE UU), y en su último año en la Universidad de Oregon, escribió la frase a mano en su suéter.
published: 12 Jun 2024
developed with YouTube
2:58
Since When Did 69 Become The Sex Number?
- Order: Reorder
- Duration: 2:58
- Uploaded Date: 15 Oct 2022
- views: 1123
66, 67, 68, 69. Lots of people act like teenage boys whenever that number comes up. We could kinda see what it could mean just by looking at the number. We’re n...
66, 67, 68, 69. Lots of people act like teenage boys whenever that number comes up. We could kinda see what it could mean just by looking at the number. We’re not going to go too explicit since we’re on YouTube but let’s take a look and find who compared that sex position to that number first.
The Generalists explore the vast expanse of world history to provide you tidbits of general history knowledge to boast in every social setting.
SOURCES:
"Soixante-neuf definition and meaning | Collins English Dictionary"
Gershon Legman (1969). Oragenitalism: Oral Techniques in Genital Excitation.
"History of India, Kamasutra Sexual Orientation Chapter 9"
Created by James Liam and AviddaJuan. LIKE and SUBSCRIBE to The Generalists to hear more fascinating stories from across the history of the world.
More from The Generalists:
https://bit.ly/31H9syq
More from narrator AviddaJuan:
https://bit.ly/3rVl4c9
#69
#french
#sex
https://wn.com/Since_When_Did_69_Become_The_Sex_Number
66, 67, 68, 69. Lots of people act like teenage boys whenever that number comes up. We could kinda see what it could mean just by looking at the number. We’re not going to go too explicit since we’re on YouTube but let’s take a look and find who compared that sex position to that number first.
The Generalists explore the vast expanse of world history to provide you tidbits of general history knowledge to boast in every social setting.
SOURCES:
"Soixante-neuf definition and meaning | Collins English Dictionary"
Gershon Legman (1969). Oragenitalism: Oral Techniques in Genital Excitation.
"History of India, Kamasutra Sexual Orientation Chapter 9"
Created by James Liam and AviddaJuan. LIKE and SUBSCRIBE to The Generalists to hear more fascinating stories from across the history of the world.
More from The Generalists:
https://bit.ly/31H9syq
More from narrator AviddaJuan:
https://bit.ly/3rVl4c9
#69
#french
#sex
1:26
Why Do Parrots Mimic Humans?
- Order: Reorder
- Duration: 1:26
- Uploaded Date: 09 Nov 2012
- views: 15308
An animal welfare organization in the U.K. is trying to find a home for Beaky, a parrot whose previous owner apparently had a very foul mouth. Why do parrots re...
An animal welfare organization in the U.K. is trying to find a home for Beaky, a parrot whose previous owner apparently had a very foul mouth. Why do parrots repeat the vulgar things that humans say?
Because there aren't any other birds around. Most animals are born with their species' distinctive calls programmed into their brains. Parrots are among the few animals—along with dolphins, whales, hummingbirds, songbirds, bats, and some primates—that learn their species' communication patterns.
Mimicking helps wild parrots separate members of their own community from outsiders. It can also help a bird find its mate and prevent conflicts over territory. When forced to live with humans, parrots simply repeat what their owners say.
Profane parrots like Beaky are an old standby in literature and lore. In Othello, Shakespeare refers to swearing as "speak[ing] parrot." In "Rationale of the Dirty Joke," Gershon Legman devotes an entire section to parrot jokes. In one, a parrot tells his naked owner, "I see your ass," and is punished with a dousing of water. When the owner's daughter later enters the house, drenched from the rain, the parrot asks, "Whose ass did you see?"
And Andrew Jackson, the rough-hewn seventh president of the United States, famously owned a bawdy, foul-mouthed parrot. According to legend, Jackson's funeral was interrupted by the bird's incessant cursing.
https://wn.com/Why_Do_Parrots_Mimic_Humans
An animal welfare organization in the U.K. is trying to find a home for Beaky, a parrot whose previous owner apparently had a very foul mouth. Why do parrots repeat the vulgar things that humans say?
Because there aren't any other birds around. Most animals are born with their species' distinctive calls programmed into their brains. Parrots are among the few animals—along with dolphins, whales, hummingbirds, songbirds, bats, and some primates—that learn their species' communication patterns.
Mimicking helps wild parrots separate members of their own community from outsiders. It can also help a bird find its mate and prevent conflicts over territory. When forced to live with humans, parrots simply repeat what their owners say.
Profane parrots like Beaky are an old standby in literature and lore. In Othello, Shakespeare refers to swearing as "speak[ing] parrot." In "Rationale of the Dirty Joke," Gershon Legman devotes an entire section to parrot jokes. In one, a parrot tells his naked owner, "I see your ass," and is punished with a dousing of water. When the owner's daughter later enters the house, drenched from the rain, the parrot asks, "Whose ass did you see?"
And Andrew Jackson, the rough-hewn seventh president of the United States, famously owned a bawdy, foul-mouthed parrot. According to legend, Jackson's funeral was interrupted by the bird's incessant cursing.
- published: 09 Nov 2012
- views: 15308
3:39
Make Love, Not War !
- Order: Reorder
- Duration: 3:39
- Uploaded Date: 12 Dec 2009
- views: 1411
" Make love not war" is an anti-war slogan commonly associated with the American counterculture of the 1960s. It was used primarily by those who were opposed t...
" Make love not war" is an anti-war slogan commonly associated with the American counterculture of the 1960s. It was used primarily by those who were opposed to the Vietnam War, but has been invoked in other anti-war contexts since. Gershon Legman claimed to be the inventor of the phrase.
Music : NOSTALGIAS TUCUMANAS - Jaime Torres & Ariel Ramirez
https://wn.com/Make_Love,_Not_War
" Make love not war" is an anti-war slogan commonly associated with the American counterculture of the 1960s. It was used primarily by those who were opposed to the Vietnam War, but has been invoked in other anti-war contexts since. Gershon Legman claimed to be the inventor of the phrase.
Music : NOSTALGIAS TUCUMANAS - Jaime Torres & Ariel Ramirez
- published: 12 Dec 2009
- views: 1411
14:16
Violin Sonata No. 9 in A Major, Op. 47 "Kreutzer": I. Adagio sostenuto - Presto | Beethoven
- Order: Reorder
- Duration: 14:16
- Uploaded Date: 05 Jun 2023
- views: 309
Beethoven Kreutzer Sonata, Gidon Kremer, Martha Argerich
Tablo: The Kreutzer Sonata | René-Xavier Prinet (1901)
It depicts a female pianist, dressed in a gol...
Beethoven Kreutzer Sonata, Gidon Kremer, Martha Argerich
Tablo: The Kreutzer Sonata | René-Xavier Prinet (1901)
It depicts a female pianist, dressed in a golden gown, who is pulled up from her stool by a male violinist, who embraces her with one hand around her waist while they kiss. It was first exhibited at Paris, Salon in 1901, and then in Munich and Stuttgart.
The Kreutzer Sonata is an oil painting on canvas by René-Xavier Prinet, who was inspired by Leo Tolstoy's 1889 novella of the same name, the title of which is based on Beethoven's violin and piano composition dedicated to Rudolph Kreutzer, a music piece renowned for its diverse emotions; intense anger, deep meditation, and extreme happiness. The story portrays the murder of a wife by her husband, Pozdnyshev, who suspects her of being unfaithful with the violinist, Trukachevsky, after returning home and seeing them sitting at the dinner table. The book was published in 1889, but was banned in Russia for a short while before it was released.
For decades from 1941, the painting was reproduced to promote the perfume Tabu; a "forbidden" fragrance, created in 1931. It first appeared in Vogue, Harper's Bazaar and Town & Country. By 1961, the advert had appeared in publications nearly 4,000 times. The New York Times described it as the advertising industry's "longest kiss". Donald Eaton Carr wrote in his Forgotten senses (1972) that it was probably "the longest kiss in history". People looked at the advertisement and assumed the company paying for it linked the embracing couple with the fragrance. Some objected to the advertising slogans such as "stay away from Tabu if you can't accept its challenge". In 1973, the advert appeared with female and male roles reversed. Gershon Legman, in his Rationale of the Dirty Joke (2007), noted the use of the painting in the Tabu advertisement and described the pair's pose as "inspired by Tolstoy's shocked remarks about the 'eroticism' of Beethoven's Kreutzer Sonata when played by a man and a woman".
According to Rahul Rawail, it may possibly have been the inspiration of a scene in Raj Kapoor's 1949 film Barsaat. The scene in turn inspired the R. K. logo by M. R. Acharekar, depicting Kapoor as the violinist, with the actress Nargis in his arms, and was in use by the time of release of Kapoor's film Awaara (1951).
Adrian Daub questioned why the violin is positioned so far out, and why is the curtain behind them missing. The violinist has also been described as "dishevelled",
Kreutzer Sonatı, Leo Tolstoy'un Beethoven'ın Rudolph Kreutzer'e adanmış keman ve piyano kompozisyonundan adını alan aynı adlı 1889 romanından esinlenerek René-Xavier Prinet tarafından tuval üzerine yağlı boya tablodur
Altın bir elbise giymiş, bir erkek kemancı tarafından taburesinden çekilen, öpüşürken bir eliyle onu beline saran bir kadın piyanisti tasvir ediyor. İlk olarak 1901'de Paris, Salon'da, ardından Münih ve Stuttgart'ta sergilendi.
Resim daha sonra Dana'nın Tabu parfümünün reklamını yapmak için kullanıldı ve muhtemelen Raj Kapoor'un 1949 yapımı Barsaat filmindeki ve ardından R. K. logosu.
Kreutzer Sonatı, Leo Tolstoy'un 1889 tarihli aynı adlı romanından esinlenen René-Xavier Prinet'in tuval üzerine yağlı boya tablosudur ve adı Beethoven'ın çeşitli duygularıyla ünlü bir müzik parçası olan Rudolph Kreutzer'e adanmış keman ve piyano kompozisyonuna dayanmaktadır; yoğun öfke, derin meditasyon ve aşırı mutluluk. Hikaye, eve döndükten ve onları yemek masasında otururken gördükten sonra kemancı Trukachevsky'ye sadakatsiz olduğundan şüphelenen kocası Pozdnyshev tarafından bir kadının öldürülmesini tasvir ediyor. Kitap 1889'da yayınlandı, ancak yayınlanmadan önce kısa bir süre Rusya'da yasaklandı.
İlk olarak 1901'de Paris, Salon'da sergilendi ve burada Bavyera Prensi Naibi Luitpold tarafından satın alındı. Aynı zamanda sergilendi
1941'den itibaren onlarca yıl boyunca resim, 1931'de yaratılan "yasak" bir koku olan Tabu parfümünü tanıtmak için çoğaltıldı. İlk olarak Vogue, Harper's Bazaar ve Town & Country'de ortaya çıktı. 1961'e gelindiğinde, reklam yayınlarda yaklaşık 4.000 kez yer almıştı. New York Times bunu reklam endüstrisinin "en uzun öpücüğü" olarak nitelendirdi. Donald Eaton Carr, Unutulmuş duyularında (1972) bunun muhtemelen "tarihin en uzun öpücüğü" olduğunu yazdı. İnsanlar reklama baktılar ve bunun için ödeme yapan şirketin, kucaklayan çifti kokuyla ilişkilendirdiğini varsaydılar. Bazıları "zorluğunu kabul edemezseniz Tabu'dan uzak durun" gibi reklam sloganlarına itiraz etti. 1973'te reklam, kadın ve erkek rolleri tersine çevrilerek ortaya çıktı. Gershon Legman, Kirli Şakanın Gerekçesi'nde (2007), Tabu reklamında resmin kullanımına dikkat çekti ve çiftin pozunu "Tolstoy'un Beethoven'ın Kreutzer Sonatının bir erkek ve bir kadın tarafından oynandığında 'erotikliği' hakkındaki şok edici sözlerinden esinlenerek" olarak nitelendirdi.
https://wn.com/Violin_Sonata_No._9_In_A_Major,_Op._47_Kreutzer_I._Adagio_Sostenuto_Presto_|_Beethoven
Beethoven Kreutzer Sonata, Gidon Kremer, Martha Argerich
Tablo: The Kreutzer Sonata | René-Xavier Prinet (1901)
It depicts a female pianist, dressed in a golden gown, who is pulled up from her stool by a male violinist, who embraces her with one hand around her waist while they kiss. It was first exhibited at Paris, Salon in 1901, and then in Munich and Stuttgart.
The Kreutzer Sonata is an oil painting on canvas by René-Xavier Prinet, who was inspired by Leo Tolstoy's 1889 novella of the same name, the title of which is based on Beethoven's violin and piano composition dedicated to Rudolph Kreutzer, a music piece renowned for its diverse emotions; intense anger, deep meditation, and extreme happiness. The story portrays the murder of a wife by her husband, Pozdnyshev, who suspects her of being unfaithful with the violinist, Trukachevsky, after returning home and seeing them sitting at the dinner table. The book was published in 1889, but was banned in Russia for a short while before it was released.
For decades from 1941, the painting was reproduced to promote the perfume Tabu; a "forbidden" fragrance, created in 1931. It first appeared in Vogue, Harper's Bazaar and Town & Country. By 1961, the advert had appeared in publications nearly 4,000 times. The New York Times described it as the advertising industry's "longest kiss". Donald Eaton Carr wrote in his Forgotten senses (1972) that it was probably "the longest kiss in history". People looked at the advertisement and assumed the company paying for it linked the embracing couple with the fragrance. Some objected to the advertising slogans such as "stay away from Tabu if you can't accept its challenge". In 1973, the advert appeared with female and male roles reversed. Gershon Legman, in his Rationale of the Dirty Joke (2007), noted the use of the painting in the Tabu advertisement and described the pair's pose as "inspired by Tolstoy's shocked remarks about the 'eroticism' of Beethoven's Kreutzer Sonata when played by a man and a woman".
According to Rahul Rawail, it may possibly have been the inspiration of a scene in Raj Kapoor's 1949 film Barsaat. The scene in turn inspired the R. K. logo by M. R. Acharekar, depicting Kapoor as the violinist, with the actress Nargis in his arms, and was in use by the time of release of Kapoor's film Awaara (1951).
Adrian Daub questioned why the violin is positioned so far out, and why is the curtain behind them missing. The violinist has also been described as "dishevelled",
Kreutzer Sonatı, Leo Tolstoy'un Beethoven'ın Rudolph Kreutzer'e adanmış keman ve piyano kompozisyonundan adını alan aynı adlı 1889 romanından esinlenerek René-Xavier Prinet tarafından tuval üzerine yağlı boya tablodur
Altın bir elbise giymiş, bir erkek kemancı tarafından taburesinden çekilen, öpüşürken bir eliyle onu beline saran bir kadın piyanisti tasvir ediyor. İlk olarak 1901'de Paris, Salon'da, ardından Münih ve Stuttgart'ta sergilendi.
Resim daha sonra Dana'nın Tabu parfümünün reklamını yapmak için kullanıldı ve muhtemelen Raj Kapoor'un 1949 yapımı Barsaat filmindeki ve ardından R. K. logosu.
Kreutzer Sonatı, Leo Tolstoy'un 1889 tarihli aynı adlı romanından esinlenen René-Xavier Prinet'in tuval üzerine yağlı boya tablosudur ve adı Beethoven'ın çeşitli duygularıyla ünlü bir müzik parçası olan Rudolph Kreutzer'e adanmış keman ve piyano kompozisyonuna dayanmaktadır; yoğun öfke, derin meditasyon ve aşırı mutluluk. Hikaye, eve döndükten ve onları yemek masasında otururken gördükten sonra kemancı Trukachevsky'ye sadakatsiz olduğundan şüphelenen kocası Pozdnyshev tarafından bir kadının öldürülmesini tasvir ediyor. Kitap 1889'da yayınlandı, ancak yayınlanmadan önce kısa bir süre Rusya'da yasaklandı.
İlk olarak 1901'de Paris, Salon'da sergilendi ve burada Bavyera Prensi Naibi Luitpold tarafından satın alındı. Aynı zamanda sergilendi
1941'den itibaren onlarca yıl boyunca resim, 1931'de yaratılan "yasak" bir koku olan Tabu parfümünü tanıtmak için çoğaltıldı. İlk olarak Vogue, Harper's Bazaar ve Town & Country'de ortaya çıktı. 1961'e gelindiğinde, reklam yayınlarda yaklaşık 4.000 kez yer almıştı. New York Times bunu reklam endüstrisinin "en uzun öpücüğü" olarak nitelendirdi. Donald Eaton Carr, Unutulmuş duyularında (1972) bunun muhtemelen "tarihin en uzun öpücüğü" olduğunu yazdı. İnsanlar reklama baktılar ve bunun için ödeme yapan şirketin, kucaklayan çifti kokuyla ilişkilendirdiğini varsaydılar. Bazıları "zorluğunu kabul edemezseniz Tabu'dan uzak durun" gibi reklam sloganlarına itiraz etti. 1973'te reklam, kadın ve erkek rolleri tersine çevrilerek ortaya çıktı. Gershon Legman, Kirli Şakanın Gerekçesi'nde (2007), Tabu reklamında resmin kullanımına dikkat çekti ve çiftin pozunu "Tolstoy'un Beethoven'ın Kreutzer Sonatının bir erkek ve bir kadın tarafından oynandığında 'erotikliği' hakkındaki şok edici sözlerinden esinlenerek" olarak nitelendirdi.
- published: 05 Jun 2023
- views: 309
13:09
El pavo real que le abrió las puertas en Occidente a Akira Yoshizawa
- Order: Reorder
- Duration: 13:09
- Uploaded Date: 30 Aug 2020
- views: 1266
(With English Subtitles)
En 1953, Akira Yoshizawa, el padre del origami moderno, era un desconocido en Occidente. Pero una carta, con un pavo real en su interi...
(With English Subtitles)
En 1953, Akira Yoshizawa, el padre del origami moderno, era un desconocido en Occidente. Pero una carta, con un pavo real en su interior, enviada en el momento oportuno y a la persona indicada, le permitió iniciar una carrera lenta pero continua que lo llevó a hacerse conocido en todo el mundo. El pavo real aún se conserva intacto en el archivo Gershon Legman del Museo del Origami en Colonia y en este video contamos su historia.
In 1953, Akira Yoshizawa, the father of modern origami, was a stranger in the West. But a letter, with a peacock inside, sent at the right time and to the right person, allowed him to start a slow but continuous career that led him to become known throughout the world. The peacock is still preserved intact in the Gershon Legman archive of the Origami Museum in Colonia and in this video we tell its story.
https://wn.com/El_Pavo_Real_Que_Le_Abrió_Las_Puertas_En_Occidente_A_Akira_Yoshizawa
(With English Subtitles)
En 1953, Akira Yoshizawa, el padre del origami moderno, era un desconocido en Occidente. Pero una carta, con un pavo real en su interior, enviada en el momento oportuno y a la persona indicada, le permitió iniciar una carrera lenta pero continua que lo llevó a hacerse conocido en todo el mundo. El pavo real aún se conserva intacto en el archivo Gershon Legman del Museo del Origami en Colonia y en este video contamos su historia.
In 1953, Akira Yoshizawa, the father of modern origami, was a stranger in the West. But a letter, with a peacock inside, sent at the right time and to the right person, allowed him to start a slow but continuous career that led him to become known throughout the world. The peacock is still preserved intact in the Gershon Legman archive of the Origami Museum in Colonia and in this video we tell its story.
- published: 30 Aug 2020
- views: 1266
0:55
Indecorous Comedy. Episode 44. Preview.
- Order: Reorder
- Duration: 0:55
- Uploaded Date: 01 Jul 2020
- views: 16
"This podcast is never gonna come back and affect any one of us ever."
- Tom Hand
Covid Monkeys of Death, A perverted dwarf with no chi-mo game, Better dental ...
"This podcast is never gonna come back and affect any one of us ever."
- Tom Hand
Covid Monkeys of Death, A perverted dwarf with no chi-mo game, Better dental hygiene through oral sex, Gershon Legman: Erotic historian of erotic history and enthusiastic sexology enthusiast.
Follow Tom online at:
https://twitter.com/TomedyComedy
Indecorous Comedy is a reprehensibly distinguished educational comedy podcast hosted by stand-up comedian Carlos Valencia, Bobby D, and Ian. Either the smartest low-brow or dirtiest high-brow podcast on the internet. Your call.
Full episodes available at:
http://indecorousentercation.com/
iTunes: https://podcasts.apple.com/us/podcast/indecorous-entercation/id1479308888
Spotify: https://open.spotify.com/show/2XMDrLQIkk6srpYYdK4rnb?si=0MWALLUuR2a6qcVQMXxkwg
Stitcher:
https://www.stitcher.com/podcast/indecorous-entercation
Google:
https://play.google.com/music/m/I7gqm5j4bggqnoaqhgwyzsy7hbe?t=Indecorous_Entercation
Laughable:
https://laughable.app.link/OyZsvdXVy1?fbclid=IwAR0fj5AzyKAg1h6Kh9ljMHs8CR86y1Ve74FuD9zBArbbNbFeAW3Kjev0_OE
Castbox: https://castbox.fm/channel/Indecorous-Entercation-id2375034
and every other podcasting platform in the unknown universe.
https://wn.com/Indecorous_Comedy._Episode_44._Preview.
"This podcast is never gonna come back and affect any one of us ever."
- Tom Hand
Covid Monkeys of Death, A perverted dwarf with no chi-mo game, Better dental hygiene through oral sex, Gershon Legman: Erotic historian of erotic history and enthusiastic sexology enthusiast.
Follow Tom online at:
https://twitter.com/TomedyComedy
Indecorous Comedy is a reprehensibly distinguished educational comedy podcast hosted by stand-up comedian Carlos Valencia, Bobby D, and Ian. Either the smartest low-brow or dirtiest high-brow podcast on the internet. Your call.
Full episodes available at:
http://indecorousentercation.com/
iTunes: https://podcasts.apple.com/us/podcast/indecorous-entercation/id1479308888
Spotify: https://open.spotify.com/show/2XMDrLQIkk6srpYYdK4rnb?si=0MWALLUuR2a6qcVQMXxkwg
Stitcher:
https://www.stitcher.com/podcast/indecorous-entercation
Google:
https://play.google.com/music/m/I7gqm5j4bggqnoaqhgwyzsy7hbe?t=Indecorous_Entercation
Laughable:
https://laughable.app.link/OyZsvdXVy1?fbclid=IwAR0fj5AzyKAg1h6Kh9ljMHs8CR86y1Ve74FuD9zBArbbNbFeAW3Kjev0_OE
Castbox: https://castbox.fm/channel/Indecorous-Entercation-id2375034
and every other podcasting platform in the unknown universe.
- published: 01 Jul 2020
- views: 16
0:21
Handwritten text quote writing - Make love not war
- Order: Reorder
- Duration: 0:21
- Uploaded Date: 25 Feb 2023
- views: 16
‘Make Love Not War’ emerged out of the 1960s protest movement to epitomise the aspirations of the decade, but who wrote it and how did it spread so far, so fast...
‘Make Love Not War’ emerged out of the 1960s protest movement to epitomise the aspirations of the decade, but who wrote it and how did it spread so far, so fast?
There are three contenders for the author of ‘Make Love Not War’. American ‘cultural critic’ and folklorist the late Gershon Legman has laid claim to it but there is little corroborating evidence. A more substantial claim was made by one Diane Newell Meyer who was a student at the University of Oregon in 1965, the year in which the slogan first appeared. In an August 2010 piece in Oregon’s Mail Tribune newspaper, Meyer says she wrote ‘Let’s make love not war’ on an envelope and pinned it to her sweater before attending a rally in April 1965. “It just popped into my head – I remember I started giggling when I wrote it,” Meyer, now 67, said. “I know I hadn’t read it anywhere before. There is no way to prove it but I think I’m the person who invented the phrase.” Meyer was photographed wearing her envelope and the picture appeared in the local paper as well as being distributed nationwide by Associated Press, ensuring that plenty of others would have seen it. A New York Times report of the rally also noted, somewhat creepily, that “A pert co-ed decorated her sweater with a card that carried the sensible entreaty ‘Let’s make love, not war’.”
Proof of authorship? Not so says artist, writer and designer Penelope Rosemont. “We think we invented it here in Chicago.” Rosemont was, along with her husband Franklin, a key member of the activist scene in the city at the time. The pair founded the Chicago Surrealist Group and spent all their lives campaigning for the causes they believed in (Franklin died in 2009).
Their endeavours at the time centred on the Solidarity Bookshop. “In March 1965,” Rosemont says, “we wanted to do a button. The slogan we thought of first was the old Fellowship of Reconciliation [the interfaith peace movement founded in 1915] slogan ‘Make Peace, Not War’ but it seemed too tame for the 60s. Several of us together at the Solidarity Bookshop – myself, Franklin, [activist, printer and editor] Bernard Marszalek and [activist and artist] Tor Faegre – thought about this and what we came up with finally was ‘Make Love Not War’. The button was printed at a shop above Krocks & Brentano’s Bookstore. I helped design the button. I remember doing the curved type by hand around the CND peace sign.”
The buttons were first distributed at a Mother’s Day Peace March but the Rosemonts and their friends made sure that the message soon spread. “We sold the button through our magazine, the Rebel Worker, and a lot at the Mole Hole, a button shop in the Wells Street area which at that time was a big destination for young people,” Rosemont says. “It was owned by Earl Siegel who was a founder of Chicago’s underground newspaper The Seed. People wandered up and down Wells Street all weekend, going into head shops, buying oddball trinkets or books on Malcolm X, trying to buy LSD. One of our good friends, Lester Dore, also worked on The Seed and got the slogan into his weird 60s graphics. We also sold them at demos in Chicago, New York and distributed them to other radical bookstores all over the country.” The Rosemonts’ circle also included people working at the Chicago Tribune, the Black Panthers and the legendary broadcaster Studs Terkel. “I guess for people who didn’t have the internet we did have a complex net of connections,” Rosemont says.
All of which makes a compelling case for Chicago as the birthplace of ‘Make Love Not War’ but also explains how the simple, cheeky phrase spread from a Chicago bookshop to placards around the world.
These days, as well as being an author and poet, Penelope Rosemont is a director of the Charles H Kerr publishing company in Chicago, but don’t let that corporate title fool you. Charles H Kerr has a slogan of its own, one that reveals aims very much in line with Rosemont’s abiding passions – ‘Subversive literature for the whole family since 1886’.
https://wn.com/Handwritten_Text_Quote_Writing_Make_Love_Not_War
‘Make Love Not War’ emerged out of the 1960s protest movement to epitomise the aspirations of the decade, but who wrote it and how did it spread so far, so fast?
There are three contenders for the author of ‘Make Love Not War’. American ‘cultural critic’ and folklorist the late Gershon Legman has laid claim to it but there is little corroborating evidence. A more substantial claim was made by one Diane Newell Meyer who was a student at the University of Oregon in 1965, the year in which the slogan first appeared. In an August 2010 piece in Oregon’s Mail Tribune newspaper, Meyer says she wrote ‘Let’s make love not war’ on an envelope and pinned it to her sweater before attending a rally in April 1965. “It just popped into my head – I remember I started giggling when I wrote it,” Meyer, now 67, said. “I know I hadn’t read it anywhere before. There is no way to prove it but I think I’m the person who invented the phrase.” Meyer was photographed wearing her envelope and the picture appeared in the local paper as well as being distributed nationwide by Associated Press, ensuring that plenty of others would have seen it. A New York Times report of the rally also noted, somewhat creepily, that “A pert co-ed decorated her sweater with a card that carried the sensible entreaty ‘Let’s make love, not war’.”
Proof of authorship? Not so says artist, writer and designer Penelope Rosemont. “We think we invented it here in Chicago.” Rosemont was, along with her husband Franklin, a key member of the activist scene in the city at the time. The pair founded the Chicago Surrealist Group and spent all their lives campaigning for the causes they believed in (Franklin died in 2009).
Their endeavours at the time centred on the Solidarity Bookshop. “In March 1965,” Rosemont says, “we wanted to do a button. The slogan we thought of first was the old Fellowship of Reconciliation [the interfaith peace movement founded in 1915] slogan ‘Make Peace, Not War’ but it seemed too tame for the 60s. Several of us together at the Solidarity Bookshop – myself, Franklin, [activist, printer and editor] Bernard Marszalek and [activist and artist] Tor Faegre – thought about this and what we came up with finally was ‘Make Love Not War’. The button was printed at a shop above Krocks & Brentano’s Bookstore. I helped design the button. I remember doing the curved type by hand around the CND peace sign.”
The buttons were first distributed at a Mother’s Day Peace March but the Rosemonts and their friends made sure that the message soon spread. “We sold the button through our magazine, the Rebel Worker, and a lot at the Mole Hole, a button shop in the Wells Street area which at that time was a big destination for young people,” Rosemont says. “It was owned by Earl Siegel who was a founder of Chicago’s underground newspaper The Seed. People wandered up and down Wells Street all weekend, going into head shops, buying oddball trinkets or books on Malcolm X, trying to buy LSD. One of our good friends, Lester Dore, also worked on The Seed and got the slogan into his weird 60s graphics. We also sold them at demos in Chicago, New York and distributed them to other radical bookstores all over the country.” The Rosemonts’ circle also included people working at the Chicago Tribune, the Black Panthers and the legendary broadcaster Studs Terkel. “I guess for people who didn’t have the internet we did have a complex net of connections,” Rosemont says.
All of which makes a compelling case for Chicago as the birthplace of ‘Make Love Not War’ but also explains how the simple, cheeky phrase spread from a Chicago bookshop to placards around the world.
These days, as well as being an author and poet, Penelope Rosemont is a director of the Charles H Kerr publishing company in Chicago, but don’t let that corporate title fool you. Charles H Kerr has a slogan of its own, one that reveals aims very much in line with Rosemont’s abiding passions – ‘Subversive literature for the whole family since 1886’.
- published: 25 Feb 2023
- views: 16
21:43
History of Origami: The mystery of the Dragonfly (and how to fold it)
- Order: Reorder
- Duration: 21:43
- Uploaded Date: 27 Jun 2020
- views: 970
(Para la versión en español hacer clic aquí: https://youtu.be/lfr_PmB247A)
The mystery of the Dragonfly:
In this new video, I will tell the story of some incomp...
(Para la versión en español hacer clic aquí: https://youtu.be/lfr_PmB247A)
The mystery of the Dragonfly:
In this new video, I will tell the story of some incomplete diagrams from the 19th century showing how to fold a dragonfly. The diagrams belonged to a Japanese encyclopedia, Kan-no-mado (also called Karagayusa) that had long been lost. It seemed impossible to solve the enigma, but when in 1952, Gershon Legman, who was studying the history of paperfolding, sent the incomplete drawings to the Argentinean Ligia Montoya, she figured out the missing steps. In 1960, Julia Brossman, an American student of art, found a copy of the drawings which had been copied by hand by the anthropologist Frederick Starr (the drawings had been kept at the Library of Congress in Washington D.C.). It was then possible to confirm that Montoya had not been wrong. The video will show you how to fold the dragonfly ( or tonbo, in Japanese).
To fully comprehend the story, I included in the museum website (https://en.museodelorigami.org/kan-no-mado) the original drawings from the Kanomado encyclopedia, as well as the original letter by Ligia Montoya in which she revealed the missing steps of the drangonfly.
https://wn.com/History_Of_Origami_The_Mystery_Of_The_Dragonfly_(And_How_To_Fold_It)
(Para la versión en español hacer clic aquí: https://youtu.be/lfr_PmB247A)
The mystery of the Dragonfly:
In this new video, I will tell the story of some incomplete diagrams from the 19th century showing how to fold a dragonfly. The diagrams belonged to a Japanese encyclopedia, Kan-no-mado (also called Karagayusa) that had long been lost. It seemed impossible to solve the enigma, but when in 1952, Gershon Legman, who was studying the history of paperfolding, sent the incomplete drawings to the Argentinean Ligia Montoya, she figured out the missing steps. In 1960, Julia Brossman, an American student of art, found a copy of the drawings which had been copied by hand by the anthropologist Frederick Starr (the drawings had been kept at the Library of Congress in Washington D.C.). It was then possible to confirm that Montoya had not been wrong. The video will show you how to fold the dragonfly ( or tonbo, in Japanese).
To fully comprehend the story, I included in the museum website (https://en.museodelorigami.org/kan-no-mado) the original drawings from the Kanomado encyclopedia, as well as the original letter by Ligia Montoya in which she revealed the missing steps of the drangonfly.
- published: 27 Jun 2020
- views: 970
3:40
Germany's naughtiest comedian booed off stage! Sina Khani | Quatsch Comedy Club
- Order: Reorder
- Duration: 3:40
- Uploaded Date: 11 Jan 2015
- views: 51065
http://www.instagram.com/sinakhaniofficial
The Aristocrats joke in German.
Check out the audience's reaction. LOL.
Video produced by Steven A. Bos from http:/...
http://www.instagram.com/sinakhaniofficial
The Aristocrats joke in German.
Check out the audience's reaction. LOL.
Video produced by Steven A. Bos from http://www.bos-lanting.com
Intro and outro music by Logosamphia http://www.soundcloud.com/logosamphia
More Sina Khani at http://www.instagram.com/sinakhaniofficial
"The Aristocrats" (also known as "The Debonaires" or "The Sophisticates" in some tellings) is a taboo-defying dirty joke that has been told by numerous stand-up comedians since the vaudeville era. Over time it has evolved from a clichéd staple of vaudevillian humor into a postmodern anti-joke. Steven Wright has likened it to a secret handshake among comedians, and it is seen as something of a game in which those who tell it try to top each other in terms of shock value. It is thought of as a badge of honor among expert comedians and is notoriously hard to perform successfully. It is rarely told the same way twice, often improvised.
The joke was the subject of a 2005 documentary film of the same name. It received publicity when it was used by Gilbert Gottfried during the Friars' Club roast of Hugh Hefner in September 2001.
This joke almost always has these elements—alternative versions may change this form.
Setup: A family act going in to see a talent agent; either the whole family or just one family member (usually the father).
The agent asks what they do.
If the whole family is present, the act is performed for the agent; otherwise it is described.
Act: It is described in as much detail as the teller prefers.
While most tellings follow one of a few basic forms, the description of the act is meant to be an ad lib.
Traditionally, the description is tasteless, and ribald. The goal is to significantly transgress social norms. Taboo acts such as incest, rape, coprophilia, coprophagia, bestiality, necrophilia and murder are common themes.
Punch line: The shocked (or intrigued) agent asks what the act is called, and the proud answer (sometimes delivered with a flourish) is: "The Aristocrats!"
The humor of the punch line is usually considered to derive either from the extreme discordance between the group's sophisticated name (and the regal "flourish" when stating it) and the vile acts they perform, or as a form of social satire aimed at the decadence of the aristocracy. History in print
In 2005, Jackie Martling's website cited "The Aristocrats" as appearing on page 987 of Gershon Legman's Rationale of the Dirty Joke, Vol. 2, published in 1975.Legman retells the joke, complete with its traditional vaudevillian flourishes, although he does not attribute the joke to vaudeville roots. Instead, Legman learned the joke from a young man who grew up in a broken home.
In a 2005 interview, comedian Barry Cryer claims to have heard the joke "fifty years ago".
A film called The Aristocrats premiered at the 2005 Sundance Film Festival. It was co-produced by Penn Jillette, Matthew Maguire, and Paul Provenza; directed by Provenza; and edited by Emery Emery. It's based on hours of digital video taken over several years, featuring comedians and others in the know talking about and telling their versions of the joke. "The Aristocrats" was Johnny Carson's favorite joke. Because of this, and because Carson died days after the film was screened at Sundance, Penn Jillette decided to dedicate this film to his memory. The Aristocrats features performances and commentary from some of Hollywood's biggest power players in comedy, TV and film. Included in the film is a mostly unedited recording of Gottfried's Friar's Club performance from 2001, which had been deleted from the TV broadcast.
Rumors cited in this film suggest that Chevy Chase used to hold parties at which the goal was to tell the joke for an hour, without repeating any of the acts contained in its performance. Jillette states in the movie that no one has ever been able to listen to Chase for an hour. The Aristocrats („Die Aristokraten“) ist ein seit Jahrzehnten von amerikanischen Stand-up-Comedians in immer neuen Variationen erzählter Witz. In diesem Video wird er zum ersten Mal offiziell auf Deutsch erzählt. Die Herausforderung liegt darin, sich innerhalb eines vorgegebenen Handlungsgerüsts in freier Improvisation in immer groteskeren Geschmacklosigkeiten zu ergehen, mithin den denkbar „schmutzigsten“ Witz zu erfinden. Er ist Gegenstand des gleichnamigen Dokumentarfilms The Aristocrats (2005), in dem sich viele der führenden amerikanischen Komiker über Ursprung, Theorie und Aufführungspraxis dieses Witzes äußerten.
Der historisch-kulturelle Hintergrund der Handlung ist das amerikanische Vaudeville des späten 19. und frühen 20. Jahrhunderts, also ein dem klassischen europäischen Zirkus nahestehendes Unterhaltungstheater, in dem artistische und komödiantische Einlagen geboten wurden.
Live at Quatsch Comedy Club.
https://wn.com/Germany's_Naughtiest_Comedian_Booed_Off_Stage_Sina_Khani_|_Quatsch_Comedy_Club
http://www.instagram.com/sinakhaniofficial
The Aristocrats joke in German.
Check out the audience's reaction. LOL.
Video produced by Steven A. Bos from http://www.bos-lanting.com
Intro and outro music by Logosamphia http://www.soundcloud.com/logosamphia
More Sina Khani at http://www.instagram.com/sinakhaniofficial
"The Aristocrats" (also known as "The Debonaires" or "The Sophisticates" in some tellings) is a taboo-defying dirty joke that has been told by numerous stand-up comedians since the vaudeville era. Over time it has evolved from a clichéd staple of vaudevillian humor into a postmodern anti-joke. Steven Wright has likened it to a secret handshake among comedians, and it is seen as something of a game in which those who tell it try to top each other in terms of shock value. It is thought of as a badge of honor among expert comedians and is notoriously hard to perform successfully. It is rarely told the same way twice, often improvised.
The joke was the subject of a 2005 documentary film of the same name. It received publicity when it was used by Gilbert Gottfried during the Friars' Club roast of Hugh Hefner in September 2001.
This joke almost always has these elements—alternative versions may change this form.
Setup: A family act going in to see a talent agent; either the whole family or just one family member (usually the father).
The agent asks what they do.
If the whole family is present, the act is performed for the agent; otherwise it is described.
Act: It is described in as much detail as the teller prefers.
While most tellings follow one of a few basic forms, the description of the act is meant to be an ad lib.
Traditionally, the description is tasteless, and ribald. The goal is to significantly transgress social norms. Taboo acts such as incest, rape, coprophilia, coprophagia, bestiality, necrophilia and murder are common themes.
Punch line: The shocked (or intrigued) agent asks what the act is called, and the proud answer (sometimes delivered with a flourish) is: "The Aristocrats!"
The humor of the punch line is usually considered to derive either from the extreme discordance between the group's sophisticated name (and the regal "flourish" when stating it) and the vile acts they perform, or as a form of social satire aimed at the decadence of the aristocracy. History in print
In 2005, Jackie Martling's website cited "The Aristocrats" as appearing on page 987 of Gershon Legman's Rationale of the Dirty Joke, Vol. 2, published in 1975.Legman retells the joke, complete with its traditional vaudevillian flourishes, although he does not attribute the joke to vaudeville roots. Instead, Legman learned the joke from a young man who grew up in a broken home.
In a 2005 interview, comedian Barry Cryer claims to have heard the joke "fifty years ago".
A film called The Aristocrats premiered at the 2005 Sundance Film Festival. It was co-produced by Penn Jillette, Matthew Maguire, and Paul Provenza; directed by Provenza; and edited by Emery Emery. It's based on hours of digital video taken over several years, featuring comedians and others in the know talking about and telling their versions of the joke. "The Aristocrats" was Johnny Carson's favorite joke. Because of this, and because Carson died days after the film was screened at Sundance, Penn Jillette decided to dedicate this film to his memory. The Aristocrats features performances and commentary from some of Hollywood's biggest power players in comedy, TV and film. Included in the film is a mostly unedited recording of Gottfried's Friar's Club performance from 2001, which had been deleted from the TV broadcast.
Rumors cited in this film suggest that Chevy Chase used to hold parties at which the goal was to tell the joke for an hour, without repeating any of the acts contained in its performance. Jillette states in the movie that no one has ever been able to listen to Chase for an hour. The Aristocrats („Die Aristokraten“) ist ein seit Jahrzehnten von amerikanischen Stand-up-Comedians in immer neuen Variationen erzählter Witz. In diesem Video wird er zum ersten Mal offiziell auf Deutsch erzählt. Die Herausforderung liegt darin, sich innerhalb eines vorgegebenen Handlungsgerüsts in freier Improvisation in immer groteskeren Geschmacklosigkeiten zu ergehen, mithin den denkbar „schmutzigsten“ Witz zu erfinden. Er ist Gegenstand des gleichnamigen Dokumentarfilms The Aristocrats (2005), in dem sich viele der führenden amerikanischen Komiker über Ursprung, Theorie und Aufführungspraxis dieses Witzes äußerten.
Der historisch-kulturelle Hintergrund der Handlung ist das amerikanische Vaudeville des späten 19. und frühen 20. Jahrhunderts, also ein dem klassischen europäischen Zirkus nahestehendes Unterhaltungstheater, in dem artistische und komödiantische Einlagen geboten wurden.
Live at Quatsch Comedy Club.
- published: 11 Jan 2015
- views: 51065
2:00
Make Love,No War
- Order: Reorder
- Duration: 2:00
- Uploaded Date: 12 Jun 2024
- views: 25
El AMOR puede acabar con las guerras.
¿De dónde viene la frase "haz el amor y no la guerra"?
La frase que fue utilizada por el propio John Lennon en la canción...
El AMOR puede acabar con las guerras.
¿De dónde viene la frase "haz el amor y no la guerra"?
La frase que fue utilizada por el propio John Lennon en la canción "Mind Games" en 1973, fue usada por primera vez por quienes se oponian a la Guerra de Vietnam, pero desde entonces es invocada en otras situaciones, ya se contra el sistema o contra la guerra, reivindicando el pacifismo y el antimilitarismo.
Gershon Legman se considera el inventor de la frase. En abril de 1965, en una manifestación contra la Guerra de Vietnam en Eugene,Oregon(EE UU), y en su último año en la Universidad de Oregon, escribió la frase a mano en su suéter.
https://wn.com/Make_Love,No_War
El AMOR puede acabar con las guerras.
¿De dónde viene la frase "haz el amor y no la guerra"?
La frase que fue utilizada por el propio John Lennon en la canción "Mind Games" en 1973, fue usada por primera vez por quienes se oponian a la Guerra de Vietnam, pero desde entonces es invocada en otras situaciones, ya se contra el sistema o contra la guerra, reivindicando el pacifismo y el antimilitarismo.
Gershon Legman se considera el inventor de la frase. En abril de 1965, en una manifestación contra la Guerra de Vietnam en Eugene,Oregon(EE UU), y en su último año en la Universidad de Oregon, escribió la frase a mano en su suéter.
- published: 12 Jun 2024
- views: 25
2:58
Since When Did 69 Become The Sex Number?
66, 67, 68, 69. Lots of people act like teenage boys whenever that number comes up. We cou...
published: 15 Oct 2022
Since When Did 69 Become The Sex Number?
Since When Did 69 Become The Sex Number?
- Report rights infringement
- published: 15 Oct 2022
- views: 1123
66, 67, 68, 69. Lots of people act like teenage boys whenever that number comes up. We could kinda see what it could mean just by looking at the number. We’re not going to go too explicit since we’re on YouTube but let’s take a look and find who compared that sex position to that number first.
The Generalists explore the vast expanse of world history to provide you tidbits of general history knowledge to boast in every social setting.
SOURCES:
"Soixante-neuf definition and meaning | Collins English Dictionary"
Gershon Legman (1969). Oragenitalism: Oral Techniques in Genital Excitation.
"History of India, Kamasutra Sexual Orientation Chapter 9"
Created by James Liam and AviddaJuan. LIKE and SUBSCRIBE to The Generalists to hear more fascinating stories from across the history of the world.
More from The Generalists:
https://bit.ly/31H9syq
More from narrator AviddaJuan:
https://bit.ly/3rVl4c9
#69
#french
#sex
1:26
Why Do Parrots Mimic Humans?
An animal welfare organization in the U.K. is trying to find a home for Beaky, a parrot wh...
published: 09 Nov 2012
Why Do Parrots Mimic Humans?
Why Do Parrots Mimic Humans?
- Report rights infringement
- published: 09 Nov 2012
- views: 15308
An animal welfare organization in the U.K. is trying to find a home for Beaky, a parrot whose previous owner apparently had a very foul mouth. Why do parrots repeat the vulgar things that humans say?
Because there aren't any other birds around. Most animals are born with their species' distinctive calls programmed into their brains. Parrots are among the few animals—along with dolphins, whales, hummingbirds, songbirds, bats, and some primates—that learn their species' communication patterns.
Mimicking helps wild parrots separate members of their own community from outsiders. It can also help a bird find its mate and prevent conflicts over territory. When forced to live with humans, parrots simply repeat what their owners say.
Profane parrots like Beaky are an old standby in literature and lore. In Othello, Shakespeare refers to swearing as "speak[ing] parrot." In "Rationale of the Dirty Joke," Gershon Legman devotes an entire section to parrot jokes. In one, a parrot tells his naked owner, "I see your ass," and is punished with a dousing of water. When the owner's daughter later enters the house, drenched from the rain, the parrot asks, "Whose ass did you see?"
And Andrew Jackson, the rough-hewn seventh president of the United States, famously owned a bawdy, foul-mouthed parrot. According to legend, Jackson's funeral was interrupted by the bird's incessant cursing.
3:39
Make Love, Not War !
" Make love not war" is an anti-war slogan commonly associated with the American counterc...
published: 12 Dec 2009
Make Love, Not War !
Make Love, Not War !
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- published: 12 Dec 2009
- views: 1411
" Make love not war" is an anti-war slogan commonly associated with the American counterculture of the 1960s. It was used primarily by those who were opposed to the Vietnam War, but has been invoked in other anti-war contexts since. Gershon Legman claimed to be the inventor of the phrase.
Music : NOSTALGIAS TUCUMANAS - Jaime Torres & Ariel Ramirez
14:16
Violin Sonata No. 9 in A Major, Op. 47 "Kreutzer": I. Adagio sostenuto - Presto | Beethoven
Beethoven Kreutzer Sonata, Gidon Kremer, Martha Argerich
Tablo: The Kreutzer Sonata | Re...
published: 05 Jun 2023
Violin Sonata No. 9 in A Major, Op. 47 "Kreutzer": I. Adagio sostenuto - Presto | Beethoven
Violin Sonata No. 9 in A Major, Op. 47 "Kreutzer": I. Adagio sostenuto - Presto | Beethoven
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- published: 05 Jun 2023
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Beethoven Kreutzer Sonata, Gidon Kremer, Martha Argerich
Tablo: The Kreutzer Sonata | René-Xavier Prinet (1901)
It depicts a female pianist, dressed in a golden gown, who is pulled up from her stool by a male violinist, who embraces her with one hand around her waist while they kiss. It was first exhibited at Paris, Salon in 1901, and then in Munich and Stuttgart.
The Kreutzer Sonata is an oil painting on canvas by René-Xavier Prinet, who was inspired by Leo Tolstoy's 1889 novella of the same name, the title of which is based on Beethoven's violin and piano composition dedicated to Rudolph Kreutzer, a music piece renowned for its diverse emotions; intense anger, deep meditation, and extreme happiness. The story portrays the murder of a wife by her husband, Pozdnyshev, who suspects her of being unfaithful with the violinist, Trukachevsky, after returning home and seeing them sitting at the dinner table. The book was published in 1889, but was banned in Russia for a short while before it was released.
For decades from 1941, the painting was reproduced to promote the perfume Tabu; a "forbidden" fragrance, created in 1931. It first appeared in Vogue, Harper's Bazaar and Town & Country. By 1961, the advert had appeared in publications nearly 4,000 times. The New York Times described it as the advertising industry's "longest kiss". Donald Eaton Carr wrote in his Forgotten senses (1972) that it was probably "the longest kiss in history". People looked at the advertisement and assumed the company paying for it linked the embracing couple with the fragrance. Some objected to the advertising slogans such as "stay away from Tabu if you can't accept its challenge". In 1973, the advert appeared with female and male roles reversed. Gershon Legman, in his Rationale of the Dirty Joke (2007), noted the use of the painting in the Tabu advertisement and described the pair's pose as "inspired by Tolstoy's shocked remarks about the 'eroticism' of Beethoven's Kreutzer Sonata when played by a man and a woman".
According to Rahul Rawail, it may possibly have been the inspiration of a scene in Raj Kapoor's 1949 film Barsaat. The scene in turn inspired the R. K. logo by M. R. Acharekar, depicting Kapoor as the violinist, with the actress Nargis in his arms, and was in use by the time of release of Kapoor's film Awaara (1951).
Adrian Daub questioned why the violin is positioned so far out, and why is the curtain behind them missing. The violinist has also been described as "dishevelled",
Kreutzer Sonatı, Leo Tolstoy'un Beethoven'ın Rudolph Kreutzer'e adanmış keman ve piyano kompozisyonundan adını alan aynı adlı 1889 romanından esinlenerek René-Xavier Prinet tarafından tuval üzerine yağlı boya tablodur
Altın bir elbise giymiş, bir erkek kemancı tarafından taburesinden çekilen, öpüşürken bir eliyle onu beline saran bir kadın piyanisti tasvir ediyor. İlk olarak 1901'de Paris, Salon'da, ardından Münih ve Stuttgart'ta sergilendi.
Resim daha sonra Dana'nın Tabu parfümünün reklamını yapmak için kullanıldı ve muhtemelen Raj Kapoor'un 1949 yapımı Barsaat filmindeki ve ardından R. K. logosu.
Kreutzer Sonatı, Leo Tolstoy'un 1889 tarihli aynı adlı romanından esinlenen René-Xavier Prinet'in tuval üzerine yağlı boya tablosudur ve adı Beethoven'ın çeşitli duygularıyla ünlü bir müzik parçası olan Rudolph Kreutzer'e adanmış keman ve piyano kompozisyonuna dayanmaktadır; yoğun öfke, derin meditasyon ve aşırı mutluluk. Hikaye, eve döndükten ve onları yemek masasında otururken gördükten sonra kemancı Trukachevsky'ye sadakatsiz olduğundan şüphelenen kocası Pozdnyshev tarafından bir kadının öldürülmesini tasvir ediyor. Kitap 1889'da yayınlandı, ancak yayınlanmadan önce kısa bir süre Rusya'da yasaklandı.
İlk olarak 1901'de Paris, Salon'da sergilendi ve burada Bavyera Prensi Naibi Luitpold tarafından satın alındı. Aynı zamanda sergilendi
1941'den itibaren onlarca yıl boyunca resim, 1931'de yaratılan "yasak" bir koku olan Tabu parfümünü tanıtmak için çoğaltıldı. İlk olarak Vogue, Harper's Bazaar ve Town & Country'de ortaya çıktı. 1961'e gelindiğinde, reklam yayınlarda yaklaşık 4.000 kez yer almıştı. New York Times bunu reklam endüstrisinin "en uzun öpücüğü" olarak nitelendirdi. Donald Eaton Carr, Unutulmuş duyularında (1972) bunun muhtemelen "tarihin en uzun öpücüğü" olduğunu yazdı. İnsanlar reklama baktılar ve bunun için ödeme yapan şirketin, kucaklayan çifti kokuyla ilişkilendirdiğini varsaydılar. Bazıları "zorluğunu kabul edemezseniz Tabu'dan uzak durun" gibi reklam sloganlarına itiraz etti. 1973'te reklam, kadın ve erkek rolleri tersine çevrilerek ortaya çıktı. Gershon Legman, Kirli Şakanın Gerekçesi'nde (2007), Tabu reklamında resmin kullanımına dikkat çekti ve çiftin pozunu "Tolstoy'un Beethoven'ın Kreutzer Sonatının bir erkek ve bir kadın tarafından oynandığında 'erotikliği' hakkındaki şok edici sözlerinden esinlenerek" olarak nitelendirdi.
13:09
El pavo real que le abrió las puertas en Occidente a Akira Yoshizawa
(With English Subtitles)
En 1953, Akira Yoshizawa, el padre del origami moderno, era un d...
published: 30 Aug 2020
El pavo real que le abrió las puertas en Occidente a Akira Yoshizawa
El pavo real que le abrió las puertas en Occidente a Akira Yoshizawa
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- published: 30 Aug 2020
- views: 1266
(With English Subtitles)
En 1953, Akira Yoshizawa, el padre del origami moderno, era un desconocido en Occidente. Pero una carta, con un pavo real en su interior, enviada en el momento oportuno y a la persona indicada, le permitió iniciar una carrera lenta pero continua que lo llevó a hacerse conocido en todo el mundo. El pavo real aún se conserva intacto en el archivo Gershon Legman del Museo del Origami en Colonia y en este video contamos su historia.
In 1953, Akira Yoshizawa, the father of modern origami, was a stranger in the West. But a letter, with a peacock inside, sent at the right time and to the right person, allowed him to start a slow but continuous career that led him to become known throughout the world. The peacock is still preserved intact in the Gershon Legman archive of the Origami Museum in Colonia and in this video we tell its story.
0:55
Indecorous Comedy. Episode 44. Preview.
"This podcast is never gonna come back and affect any one of us ever."
- Tom Hand
Covid M...
published: 01 Jul 2020
Indecorous Comedy. Episode 44. Preview.
Indecorous Comedy. Episode 44. Preview.
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- published: 01 Jul 2020
- views: 16
"This podcast is never gonna come back and affect any one of us ever."
- Tom Hand
Covid Monkeys of Death, A perverted dwarf with no chi-mo game, Better dental hygiene through oral sex, Gershon Legman: Erotic historian of erotic history and enthusiastic sexology enthusiast.
Follow Tom online at:
https://twitter.com/TomedyComedy
Indecorous Comedy is a reprehensibly distinguished educational comedy podcast hosted by stand-up comedian Carlos Valencia, Bobby D, and Ian. Either the smartest low-brow or dirtiest high-brow podcast on the internet. Your call.
Full episodes available at:
http://indecorousentercation.com/
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and every other podcasting platform in the unknown universe.
0:21
Handwritten text quote writing - Make love not war
‘Make Love Not War’ emerged out of the 1960s protest movement to epitomise the aspirations...
published: 25 Feb 2023
Handwritten text quote writing - Make love not war
Handwritten text quote writing - Make love not war
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- published: 25 Feb 2023
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‘Make Love Not War’ emerged out of the 1960s protest movement to epitomise the aspirations of the decade, but who wrote it and how did it spread so far, so fast?
There are three contenders for the author of ‘Make Love Not War’. American ‘cultural critic’ and folklorist the late Gershon Legman has laid claim to it but there is little corroborating evidence. A more substantial claim was made by one Diane Newell Meyer who was a student at the University of Oregon in 1965, the year in which the slogan first appeared. In an August 2010 piece in Oregon’s Mail Tribune newspaper, Meyer says she wrote ‘Let’s make love not war’ on an envelope and pinned it to her sweater before attending a rally in April 1965. “It just popped into my head – I remember I started giggling when I wrote it,” Meyer, now 67, said. “I know I hadn’t read it anywhere before. There is no way to prove it but I think I’m the person who invented the phrase.” Meyer was photographed wearing her envelope and the picture appeared in the local paper as well as being distributed nationwide by Associated Press, ensuring that plenty of others would have seen it. A New York Times report of the rally also noted, somewhat creepily, that “A pert co-ed decorated her sweater with a card that carried the sensible entreaty ‘Let’s make love, not war’.”
Proof of authorship? Not so says artist, writer and designer Penelope Rosemont. “We think we invented it here in Chicago.” Rosemont was, along with her husband Franklin, a key member of the activist scene in the city at the time. The pair founded the Chicago Surrealist Group and spent all their lives campaigning for the causes they believed in (Franklin died in 2009).
Their endeavours at the time centred on the Solidarity Bookshop. “In March 1965,” Rosemont says, “we wanted to do a button. The slogan we thought of first was the old Fellowship of Reconciliation [the interfaith peace movement founded in 1915] slogan ‘Make Peace, Not War’ but it seemed too tame for the 60s. Several of us together at the Solidarity Bookshop – myself, Franklin, [activist, printer and editor] Bernard Marszalek and [activist and artist] Tor Faegre – thought about this and what we came up with finally was ‘Make Love Not War’. The button was printed at a shop above Krocks & Brentano’s Bookstore. I helped design the button. I remember doing the curved type by hand around the CND peace sign.”
The buttons were first distributed at a Mother’s Day Peace March but the Rosemonts and their friends made sure that the message soon spread. “We sold the button through our magazine, the Rebel Worker, and a lot at the Mole Hole, a button shop in the Wells Street area which at that time was a big destination for young people,” Rosemont says. “It was owned by Earl Siegel who was a founder of Chicago’s underground newspaper The Seed. People wandered up and down Wells Street all weekend, going into head shops, buying oddball trinkets or books on Malcolm X, trying to buy LSD. One of our good friends, Lester Dore, also worked on The Seed and got the slogan into his weird 60s graphics. We also sold them at demos in Chicago, New York and distributed them to other radical bookstores all over the country.” The Rosemonts’ circle also included people working at the Chicago Tribune, the Black Panthers and the legendary broadcaster Studs Terkel. “I guess for people who didn’t have the internet we did have a complex net of connections,” Rosemont says.
All of which makes a compelling case for Chicago as the birthplace of ‘Make Love Not War’ but also explains how the simple, cheeky phrase spread from a Chicago bookshop to placards around the world.
These days, as well as being an author and poet, Penelope Rosemont is a director of the Charles H Kerr publishing company in Chicago, but don’t let that corporate title fool you. Charles H Kerr has a slogan of its own, one that reveals aims very much in line with Rosemont’s abiding passions – ‘Subversive literature for the whole family since 1886’.
21:43
History of Origami: The mystery of the Dragonfly (and how to fold it)
(Para la versión en español hacer clic aquí: https://youtu.be/lfr_PmB247A)
The mystery of ...
published: 27 Jun 2020
History of Origami: The mystery of the Dragonfly (and how to fold it)
History of Origami: The mystery of the Dragonfly (and how to fold it)
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- published: 27 Jun 2020
- views: 970
(Para la versión en español hacer clic aquí: https://youtu.be/lfr_PmB247A)
The mystery of the Dragonfly:
In this new video, I will tell the story of some incomplete diagrams from the 19th century showing how to fold a dragonfly. The diagrams belonged to a Japanese encyclopedia, Kan-no-mado (also called Karagayusa) that had long been lost. It seemed impossible to solve the enigma, but when in 1952, Gershon Legman, who was studying the history of paperfolding, sent the incomplete drawings to the Argentinean Ligia Montoya, she figured out the missing steps. In 1960, Julia Brossman, an American student of art, found a copy of the drawings which had been copied by hand by the anthropologist Frederick Starr (the drawings had been kept at the Library of Congress in Washington D.C.). It was then possible to confirm that Montoya had not been wrong. The video will show you how to fold the dragonfly ( or tonbo, in Japanese).
To fully comprehend the story, I included in the museum website (https://en.museodelorigami.org/kan-no-mado) the original drawings from the Kanomado encyclopedia, as well as the original letter by Ligia Montoya in which she revealed the missing steps of the drangonfly.
3:40
Germany's naughtiest comedian booed off stage! Sina Khani | Quatsch Comedy Club
http://www.instagram.com/sinakhaniofficial
The Aristocrats joke in German.
Check out the ...
published: 11 Jan 2015
Germany's naughtiest comedian booed off stage! Sina Khani | Quatsch Comedy Club
Germany's naughtiest comedian booed off stage! Sina Khani | Quatsch Comedy Club
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- published: 11 Jan 2015
- views: 51065
http://www.instagram.com/sinakhaniofficial
The Aristocrats joke in German.
Check out the audience's reaction. LOL.
Video produced by Steven A. Bos from http://www.bos-lanting.com
Intro and outro music by Logosamphia http://www.soundcloud.com/logosamphia
More Sina Khani at http://www.instagram.com/sinakhaniofficial
"The Aristocrats" (also known as "The Debonaires" or "The Sophisticates" in some tellings) is a taboo-defying dirty joke that has been told by numerous stand-up comedians since the vaudeville era. Over time it has evolved from a clichéd staple of vaudevillian humor into a postmodern anti-joke. Steven Wright has likened it to a secret handshake among comedians, and it is seen as something of a game in which those who tell it try to top each other in terms of shock value. It is thought of as a badge of honor among expert comedians and is notoriously hard to perform successfully. It is rarely told the same way twice, often improvised.
The joke was the subject of a 2005 documentary film of the same name. It received publicity when it was used by Gilbert Gottfried during the Friars' Club roast of Hugh Hefner in September 2001.
This joke almost always has these elements—alternative versions may change this form.
Setup: A family act going in to see a talent agent; either the whole family or just one family member (usually the father).
The agent asks what they do.
If the whole family is present, the act is performed for the agent; otherwise it is described.
Act: It is described in as much detail as the teller prefers.
While most tellings follow one of a few basic forms, the description of the act is meant to be an ad lib.
Traditionally, the description is tasteless, and ribald. The goal is to significantly transgress social norms. Taboo acts such as incest, rape, coprophilia, coprophagia, bestiality, necrophilia and murder are common themes.
Punch line: The shocked (or intrigued) agent asks what the act is called, and the proud answer (sometimes delivered with a flourish) is: "The Aristocrats!"
The humor of the punch line is usually considered to derive either from the extreme discordance between the group's sophisticated name (and the regal "flourish" when stating it) and the vile acts they perform, or as a form of social satire aimed at the decadence of the aristocracy. History in print
In 2005, Jackie Martling's website cited "The Aristocrats" as appearing on page 987 of Gershon Legman's Rationale of the Dirty Joke, Vol. 2, published in 1975.Legman retells the joke, complete with its traditional vaudevillian flourishes, although he does not attribute the joke to vaudeville roots. Instead, Legman learned the joke from a young man who grew up in a broken home.
In a 2005 interview, comedian Barry Cryer claims to have heard the joke "fifty years ago".
A film called The Aristocrats premiered at the 2005 Sundance Film Festival. It was co-produced by Penn Jillette, Matthew Maguire, and Paul Provenza; directed by Provenza; and edited by Emery Emery. It's based on hours of digital video taken over several years, featuring comedians and others in the know talking about and telling their versions of the joke. "The Aristocrats" was Johnny Carson's favorite joke. Because of this, and because Carson died days after the film was screened at Sundance, Penn Jillette decided to dedicate this film to his memory. The Aristocrats features performances and commentary from some of Hollywood's biggest power players in comedy, TV and film. Included in the film is a mostly unedited recording of Gottfried's Friar's Club performance from 2001, which had been deleted from the TV broadcast.
Rumors cited in this film suggest that Chevy Chase used to hold parties at which the goal was to tell the joke for an hour, without repeating any of the acts contained in its performance. Jillette states in the movie that no one has ever been able to listen to Chase for an hour. The Aristocrats („Die Aristokraten“) ist ein seit Jahrzehnten von amerikanischen Stand-up-Comedians in immer neuen Variationen erzählter Witz. In diesem Video wird er zum ersten Mal offiziell auf Deutsch erzählt. Die Herausforderung liegt darin, sich innerhalb eines vorgegebenen Handlungsgerüsts in freier Improvisation in immer groteskeren Geschmacklosigkeiten zu ergehen, mithin den denkbar „schmutzigsten“ Witz zu erfinden. Er ist Gegenstand des gleichnamigen Dokumentarfilms The Aristocrats (2005), in dem sich viele der führenden amerikanischen Komiker über Ursprung, Theorie und Aufführungspraxis dieses Witzes äußerten.
Der historisch-kulturelle Hintergrund der Handlung ist das amerikanische Vaudeville des späten 19. und frühen 20. Jahrhunderts, also ein dem klassischen europäischen Zirkus nahestehendes Unterhaltungstheater, in dem artistische und komödiantische Einlagen geboten wurden.
Live at Quatsch Comedy Club.
2:00
Make Love,No War
El AMOR puede acabar con las guerras.
¿De dónde viene la frase "haz el amor y no la guerr...
published: 12 Jun 2024
Make Love,No War
Make Love,No War
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- published: 12 Jun 2024
- views: 25
El AMOR puede acabar con las guerras.
¿De dónde viene la frase "haz el amor y no la guerra"?
La frase que fue utilizada por el propio John Lennon en la canción "Mind Games" en 1973, fue usada por primera vez por quienes se oponian a la Guerra de Vietnam, pero desde entonces es invocada en otras situaciones, ya se contra el sistema o contra la guerra, reivindicando el pacifismo y el antimilitarismo.
Gershon Legman se considera el inventor de la frase. En abril de 1965, en una manifestación contra la Guerra de Vietnam en Eugene,Oregon(EE UU), y en su último año en la Universidad de Oregon, escribió la frase a mano en su suéter.
Gershon Legman
Gershon Legman (November 2, 1917 – February 23, 1999) was an American cultural critic and folklorist.
Life and work
Legman was born in Scranton, Pennsylvania to Emil and Julia Friedman Legman, both of Hungarian/Romanian Jewish descent; his father was a railroad clerk and butcher. According to an obituary by his friend Jay Landesman in The Independent of London, in a childhood incident, classmates "wrote the word 'kosher' in horse-shit juice across his forehead." He regarded the event as formative, and he would insist throughout his life that violence and sadism so prominent in American culture resulted directly from the suppression of sex.
Legman was an independent scholar without institutional affiliation, except during 1964–1965 when he was a writer in residence at the University of California, San Diego, in the first year of the new campus' undergraduate programs. He pioneered the serious academic study of erotic and taboo materials in folklore. He also was a talented raconteur and could spin out tales non-stop for hours.
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Gershon_Legman
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