- published: 26 Mar 2019
- views: 68950
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Thomas Wright "Fats" Waller (May 21, 1904 – December 15, 1943) was an American jazz pianist, organist, composer, singer, and comedic entertainer, whose innovations to the Harlem stride style laid the groundwork for modern jazz piano, and whose best-known compositions, "Ain't Misbehavin'" and "Honeysuckle Rose", were inducted into the Grammy Hall of Fame in 1984 and 1999.
Thomas Wright Waller was the youngest of 11 children (five survived childhood) born to Adeline Locket Waller and Reverend Edward Martin Waller in New York City. He started playing the piano when he was six and graduated to the organ of his father's church four years later. His mother instructed him as a youth. At the age of 14 he was playing the organ at Harlem's Lincoln Theater and within 12 months he had composed his first rag. Waller's first piano solos ("Muscle Shoals Blues" and "Birmingham Blues") were recorded in October 1922 when he was 18 years old.
He was the prize pupil, and later friend and colleague, of stride pianist James P. Johnson.
Entr'acte (or entracte [ɑ̃tʁakt]), means "between the acts" (German: Zwischenspiel and Zwischenakt, Italian: Intermezzo, Spanish: Intermedio). It can mean a pause between two parts of a stage production, synonymous to an intermission (this is nowadays the more common meaning in French), but it more often (in English) indicates a piece of music performed between acts of a theatrical production. In the case of stage musicals, the entr'acte serves as the overture of act 2 (and sometimes acts 3 and 4, as in Carmen). In films that were meant to be shown with an intermission, there was frequently a specially recorded entr'acte on the soundtrack between the first and second half of the film, although this practice has died out in recent years.
Originally entr'actes resulted from stage curtains being closed for set or costume changes: to fill time as not to halt the dramatic action, to make a transition from the mood of one act to the next, or to prevent the public from becoming restless. In front of the closed curtains, the action could be continued during these entr'actes, albeit involving only players with no scenery other than the curtain, and a minimum of props.
Entr'acte is a 1924 French short film directed by René Clair, which premiered as an entr'acte for the Ballets Suédois production Relâche at the Théâtre des Champs-Élysées in Paris. Relâche is based on a book and with settings by Francis Picabia, produced by Rolf de Maré, and with choreography by Jean Börlin. The music for both the ballet and the film was composed by Erik Satie.
For this production, the Dadaists collaborating on the project invented a new mode of production: instantanéisme. The complete film takes about 20 minutes using such techniques as watching people run in slow motion, watching things happen in reverse, looking at a ballet dancer from underneath, watching an egg over a fountain of water get shot and instantly become a bird and watching people disappear. The cast included cameo appearances by Francis Picabia, Erik Satie, Man Ray, Marcel Duchamp, Jean Borlin (director of the Ballets Suédois), Georges Auric, and Clair himself. The conductor of the orchestra at the premiere was Roger Désormière.
To help us support musicians and produce future concerts, please donate at: https://www.kco.la/support Live recording from performance on February 24, 2019 Musco Center for the Arts at Chapman University Violin I Benjamin Hoffman Kako Miura Misha Vayman April Paik Xenia Deviatkina-Loh Wynton Grant Gabriel Maffuz-Anker Chiai Tajima Violin II Ann Miller Dechopol Kowintaweewat Sooyeon Kim Stephanie Pak Alex Ishizuka-Hobbs Ka-Yeon Lee Jimin Lee Alex Granger Viola Tonya Burton Alice Ping Jay Julio Marissa Winship Drew Forde Liam Brolly Cello Z...
Provided to YouTube by Universal Music Group Entr'acte · Irwin Kostal The Sound Of Music ℗ 2015 Rodgers & Hammerstein Holdings, LLC, a Concord company Released on: 1965-01-01 Producer: Neely Plumb Conductor: Irwin Kostal Composer: Richard Rodgers Author: Oscar Hammerstein II Auto-generated by YouTube.
Amazing solo of Entr'acte from Bizet's Carmen, played by Emmanuel Pahud, the best flute-player in the world. This is an extract of the amazing Silvesterkonzert-2010's DVD with Berliner Philharmoniker. https://www.amazon.com/Concert-Garanca-Berliner-Philharmoniker-Gustavo/dp/B01I05NCX8 Sheet music: http://conquest.imslp.info/files/imglnks/usimg/8/85/IMSLP569254-PMLP64163-Suite1FSbh.pdf (Page 19)
Alguém morre; seu caixão fica fora de controle e, depois de uma perseguição, ele para. A pessoa fica de fora e deixa todos os que seguiram o caixão desaparecer.
Provided to YouTube by Universal Music Group Entr'Acte · Andrew Lloyd Webber · "The Phantom Of The Opera" Original London Cast · John Savident · David Firth The Phantom Of The Opera ℗ 1987 The Really Useful Group Ltd., under exclusive licence to Polydor Limited Released on: 1987-01-01 Associated Performer, Vocals: John Savident Associated Performer, Vocals: David Firth Producer, Associated Performer, String Arranger: Andrew Lloyd Webber Studio Personnel, Engineer: Martin Levan Associated Performer, Music Director & Conductor: Michael Reed Associated Performer, Double Bass: Arthur Watts Associated Performer, Double Bass: Chris Laurence Associated Performer, Double Bass: Frank Clarke Associated Performer, Double Bass: Nick Worters Associated Performer, Double Bass: Pau...
OneRepublic - Entr’acte Artificial Paradise' available now: https://onerepublic.lnk.to/ArtificialParadise Follow OneRepublic: X: http://x.com/onerepublic Instagram: https://www.instagram.com/onerepublic TikTok: https://www.tiktok.com/@onerepublic Facebook: https://www.facebook.com/OneRepublic/ Shop OneRepublic: http://smarturl.it/1RShop Sign up for email updates: http://smarturl.it/1REmail Listen to OneRepublic on Spotify: http://smarturl.it/1RSpotify Catch OneRepublic on tour: https://www.onerepublic.com/tour #OneRepublic #ArtificialParadise #Entracte
Valery Gergiev, Kirov Orchestra
No copyright intended. This is the property of Ghostlight Records
Un épisode de 'Hello Musical' sortira chaque Mercredi à 18h jusqu'à la fin de la saison. C'est la crise, la grosse crise existentielle dans ce sixième épisode. Le doute s'installe, les regrets posent leurs valises, la peur vous prend aux tripes. Bref, quand vous êtes une artiste en perdition comme Héloïse, vous allez voir vos parents pour y trouver un peu de réconfort. Mais il faudrait alors que vos parents veuillent bien vous en donner, si vous voyez ce que je veux dire.... Acteur.ice.s : Lucile Menelet dans le rôle de Héloïse Inès Melab dans le rôle de la Mère Alexis Vandendaelen dans le rôle du Père Manu Montoya dans le rôle de Tonton Franck Quentin Rilhac dans le rôle de Mamy Roman Facerias-Lacoste dans le rôle du Narrateur La série est écrite par: Aurélie Lema, Quentin Rilhac, Ale...
ll duo Marco Ferraguto (flauto) & Andrea Pace (chitarra) esegue Entr'Acte di Jacques Ibert. http://www.duoferragutopace.it
Thomas Wright "Fats" Waller (May 21, 1904 – December 15, 1943) was an American jazz pianist, organist, composer, singer, and comedic entertainer, whose innovations to the Harlem stride style laid the groundwork for modern jazz piano, and whose best-known compositions, "Ain't Misbehavin'" and "Honeysuckle Rose", were inducted into the Grammy Hall of Fame in 1984 and 1999.
Thomas Wright Waller was the youngest of 11 children (five survived childhood) born to Adeline Locket Waller and Reverend Edward Martin Waller in New York City. He started playing the piano when he was six and graduated to the organ of his father's church four years later. His mother instructed him as a youth. At the age of 14 he was playing the organ at Harlem's Lincoln Theater and within 12 months he had composed his first rag. Waller's first piano solos ("Muscle Shoals Blues" and "Birmingham Blues") were recorded in October 1922 when he was 18 years old.
He was the prize pupil, and later friend and colleague, of stride pianist James P. Johnson.
Well look who's here
Lulu's back in town
My, my, my, yes, yes, yes
Gotta get my old tuxedo pressed
Gotta sew a button on my vest
'Cause tonight I've gotta look my best
Lulu's back in town
Gotta get a half a buck somewhere
Gotta shine my shoes and slick my hair
Gotta get myself a boutonniere
Lulu's back in town
You can tell all my pets
All my Harlem coquettes
Mister Otis regrets
That he won't be aroun'
You can tell the mailman not to call
I ain't comin' home until the fall
And again I might not get back home at all
Lulu's back in town, yeah
Oh tell all my pets
All my Harlem coquettes
Mister Waller regrets
[Incomprehensible], no
Tell the mailman not to call
Ain't comin' home until the fall
And then again I might not get home at all
Lulu's back in town
Oh that woman's back at town