-
Elsa's Procession to the Cathedral
Eastman Wind Ensemble
published: 31 Jan 2009
-
Wagner - Lohengrin - Elsa's Procession to the Cathedral for piano
published: 30 Dec 2014
-
UMich Symphony Band - Richard Wagner - Elsa’s Procession to the Cathedral (1850)
University of Michigan Symphony Band
Elsa’s Procession to the Cathedral (1850)
Richard Wagner, transcribed by Lucien Cailliet
Michael Haithcock, conductor
February 5, 2016
Hill Auditorium
University of Michigan
Ann Arbor, MI
recorded and filmed by Dave Schall
(www.daveschallacoustic.com)
published: 29 Feb 2016
-
Anna Netrebko – Wagner: Lohengrin, Act I, Scene 2: "Einsam in trüben Tagen" (Semperoper Dresden)
Like this video? Subscribe here – The Best Of Classical Music: http://bit.ly/Subscribe_DG
Lohengrin emerged here as a work of revolutionary freshness. It did so by paying full attention to the score’s rich details, exchanging the usual Wagnerian default setting of loud and louder still for a bel canto interpretation shot through with spine-tingling dynamic contrasts and expressive subtlety.
Anna Netrebko thought she would have to sing with full voice and more to make it through Lohengrin. “That’s what I expected with Wagner,” she recalls. “At first I sang everything quite loud. I thought: ‘It’s Wagner – it has to be loud!’ But when I came to rehearse, Maestro Thielemann had the orchestra play so softly I could hear almost nothing and could sing even quieter than I would in, say, Bellini ...
published: 09 Aug 2019
-
Elisabeth Schwarzkopf: Wagner - Lohengrin, 'Elsa's Dream'
Dame Elisabeth Schwarzkopf, DBE (9 December 1915 – 3 August 2006) was a German-born Austrian/British soprano opera singer and recitalist. She was among the most renowned classical singers of the 20th century, much admired for her performances of Mozart, Schubert, Strauss, and Wolf. Olga Maria Elisabeth Friederike Schwarzkopf was born in Jarotschin in the Province of Posen in Prussia (today Poland) to Friedrich Schwarzkopf and his wife, Elisabeth (née Fröhlich). Schwarzkopf showed an interest in music from an early age. She performed in her first opera in 1928, as Eurydice in a school production of Gluck's Orfeo ed Euridice in Magdeburg, Germany. In 1934, Schwarzkopf began her musical studies at the Berlin Hochschule für Musik. n 1933, shortly after the Nazis came to power, Elisabeth Schwar...
published: 12 Oct 2014
-
R.Wagner Elsa's Traum "Einsam in truben Tagen" from Lohengrin
Sekerina Oksana - soprano
Conductor - Placido Domingo
Operalia Astana 2017
Birgit Nilsson Prize
published: 30 May 2018
-
Liszt/Wagner Lohengrin Elsa's Bridal Procession
Llyr Williams
Liszt/Wagner Lohengrin Elsa's Bridal Procession
published: 06 Dec 2013
-
Richard Wagner - Elsa's Procession to the Cathedral (from Lohengrin)
Montage - Recently, I was revisiting some instrumental sheet music I had the privilege of playing in high school - Elsa's Procession to the Cathedral was one of them.
As I got listening to it again, it came to me that the perfect images to grace a montage is actually one of Wagner's contemporaries, William Bouguereau. (Both from the Romantic era.)
A perfect 'marriage' of sound and artistry - well, at least I thought so :)
The only other Bouguereau montages I see on youtube use music like bach, which doesn't make sense to me - wrong time period. eh.
published: 23 Dec 2006
-
Elsas Brautzug zum Münster [German opera piece]
Lohengrin, WWV 75, is a Romantic opera in three acts composed and written by Richard Wagner, first performed in 1850. The story of the eponymous character is taken from medieval German romance, notably the Parzival of Wolfram von Eschenbach and its sequel, Lohengrin, written by a different author, itself inspired by the epic of Garin le Loherain. It is part of the Knight of the Swan tradition.
The opera has inspired other works of art. King Ludwig II of Bavaria named his fairy-tale castle Neuschwanstein (New Swan Castle), after the Swan Knight. It was King Ludwig's patronage that later gave Wagner the means and opportunity to compose, build a theatre for, and stage his epic cycle The Ring of the Nibelung.
The most popular and recognizable part of the opera is the Bridal Chorus, better kn...
published: 06 Aug 2018
-
Wagner - Lohengrin - Elsa's Procession to the Cathedral
Released on the Phillips label through Mercury Records, this is Frederick Fennell conducting the Eastman Wind Ensemble in Elsa's Procession to the Cathedral, composed by Richard Wagner. This is set for a Wind Ensemble, not Orchestral setting. I have performed a couple of versions of this, one with the fanfare of trumpets at the end like the original opera and one without, like this version here. I do love hearing the low brass come in at 5:00 and the French Horns at 4:37. Very powerful ending! As always, comments are welcome and encouraged.
published: 09 Aug 2011
7:54
UMich Symphony Band - Richard Wagner - Elsa’s Procession to the Cathedral (1850)
University of Michigan Symphony Band
Elsa’s Procession to the Cathedral (1850)
Richard Wagner, transcribed by Lucien Cailliet
Michael Haithcock, conductor
Fe...
University of Michigan Symphony Band
Elsa’s Procession to the Cathedral (1850)
Richard Wagner, transcribed by Lucien Cailliet
Michael Haithcock, conductor
February 5, 2016
Hill Auditorium
University of Michigan
Ann Arbor, MI
recorded and filmed by Dave Schall
(www.daveschallacoustic.com)
https://wn.com/Umich_Symphony_Band_Richard_Wagner_Elsa’S_Procession_To_The_Cathedral_(1850)
University of Michigan Symphony Band
Elsa’s Procession to the Cathedral (1850)
Richard Wagner, transcribed by Lucien Cailliet
Michael Haithcock, conductor
February 5, 2016
Hill Auditorium
University of Michigan
Ann Arbor, MI
recorded and filmed by Dave Schall
(www.daveschallacoustic.com)
- published: 29 Feb 2016
- views: 209705
6:53
Anna Netrebko – Wagner: Lohengrin, Act I, Scene 2: "Einsam in trüben Tagen" (Semperoper Dresden)
Like this video? Subscribe here – The Best Of Classical Music: http://bit.ly/Subscribe_DG
Lohengrin emerged here as a work of revolutionary freshness. It did ...
Like this video? Subscribe here – The Best Of Classical Music: http://bit.ly/Subscribe_DG
Lohengrin emerged here as a work of revolutionary freshness. It did so by paying full attention to the score’s rich details, exchanging the usual Wagnerian default setting of loud and louder still for a bel canto interpretation shot through with spine-tingling dynamic contrasts and expressive subtlety.
Anna Netrebko thought she would have to sing with full voice and more to make it through Lohengrin. “That’s what I expected with Wagner,” she recalls. “At first I sang everything quite loud. I thought: ‘It’s Wagner – it has to be loud!’ But when I came to rehearse, Maestro Thielemann had the orchestra play so softly I could hear almost nothing and could sing even quieter than I would in, say, Bellini or Donizetti.”
Explore the diversity of classical music: https://www.myfidelio.at
Subscribe here – The Best Of Classical Music: http://bit.ly/Subscribe_DG
Piotr Beczala (Lohengrin)
Anna Netrebko (Elsa von Brabant)
Tomasz Konieczny (Friedrich von Telramund)
Evelyn Herlitzius (Ortrud)
Georg Zeppenfeld (Heinrich der Vogler)
Derek Welton (Der Heerrufer des Königs)
Sächsischer Staatsopernchor Dresden
Staatskapelle Dresden
Christian Thielemann
May 2016
___
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#ClassicalMusic #Netrebko #Lohengrin
https://wn.com/Anna_Netrebko_–_Wagner_Lohengrin,_Act_I,_Scene_2_Einsam_In_Trüben_Tagen_(Semperoper_Dresden)
Like this video? Subscribe here – The Best Of Classical Music: http://bit.ly/Subscribe_DG
Lohengrin emerged here as a work of revolutionary freshness. It did so by paying full attention to the score’s rich details, exchanging the usual Wagnerian default setting of loud and louder still for a bel canto interpretation shot through with spine-tingling dynamic contrasts and expressive subtlety.
Anna Netrebko thought she would have to sing with full voice and more to make it through Lohengrin. “That’s what I expected with Wagner,” she recalls. “At first I sang everything quite loud. I thought: ‘It’s Wagner – it has to be loud!’ But when I came to rehearse, Maestro Thielemann had the orchestra play so softly I could hear almost nothing and could sing even quieter than I would in, say, Bellini or Donizetti.”
Explore the diversity of classical music: https://www.myfidelio.at
Subscribe here – The Best Of Classical Music: http://bit.ly/Subscribe_DG
Piotr Beczala (Lohengrin)
Anna Netrebko (Elsa von Brabant)
Tomasz Konieczny (Friedrich von Telramund)
Evelyn Herlitzius (Ortrud)
Georg Zeppenfeld (Heinrich der Vogler)
Derek Welton (Der Heerrufer des Königs)
Sächsischer Staatsopernchor Dresden
Staatskapelle Dresden
Christian Thielemann
May 2016
___
Find Deutsche Grammophon Online
Homepage: http://deutschegrammophon.com
Facebook: http://fb.com/deutschegrammophon
Twitter: http://twitter.com/dgclassics
Instagram: http://instagram.com/dgclassics
Newsletter: http://deutschegrammophon.com/gpp/index/newsletter
___
最高のクラシック音楽―登録はこちら: http://bit.ly/Subscribe_DG
最优质古典音乐 – 此处订阅: http://bit.ly/Subscribe_DG
Лучшая Классическая Музыка - Подписаться: http://bit.ly/Subscribe_DG
La mejor música clásica - Suscríbase aquí: http://bit.ly/Subscribe_DG
Le meilleur de la musique classique. Pour vous abonner cliquez ici: http://bit.ly/Subscribe_DG
#ClassicalMusic #Netrebko #Lohengrin
- published: 09 Aug 2019
- views: 48387
6:03
Elisabeth Schwarzkopf: Wagner - Lohengrin, 'Elsa's Dream'
Dame Elisabeth Schwarzkopf, DBE (9 December 1915 – 3 August 2006) was a German-born Austrian/British soprano opera singer and recitalist. She was among the most...
Dame Elisabeth Schwarzkopf, DBE (9 December 1915 – 3 August 2006) was a German-born Austrian/British soprano opera singer and recitalist. She was among the most renowned classical singers of the 20th century, much admired for her performances of Mozart, Schubert, Strauss, and Wolf. Olga Maria Elisabeth Friederike Schwarzkopf was born in Jarotschin in the Province of Posen in Prussia (today Poland) to Friedrich Schwarzkopf and his wife, Elisabeth (née Fröhlich). Schwarzkopf showed an interest in music from an early age. She performed in her first opera in 1928, as Eurydice in a school production of Gluck's Orfeo ed Euridice in Magdeburg, Germany. In 1934, Schwarzkopf began her musical studies at the Berlin Hochschule für Musik. n 1933, shortly after the Nazis came to power, Elisabeth Schwarzkopf's father, a local school headmaster, was dismissed from his position by the new ruling authorities for having refused to allow a Nazi party meeting at his school. He was also banned from taking any new teaching post. Until Friedrich Schwarzkopf's dismissal, the probability was that the 17-year-old Elisabeth would have studied medicine after passing her Abitur; but now, as the daughter of a banned schoolteacher, she was not allowed to enter university and – fortunately for posterity – she commenced music studies at the Berlin Hochschule für Musik. In 1942, she was invited to sing with the Vienna State Opera, where her roles included Konstanze in Mozart's Die Entführung aus dem Serail, Musetta and later Mimì in Puccini's La bohème and Violetta in Verdi's La traviata. In 1945, Schwarzkopf was granted Austrian citizenship to enable her to sing in the Vienna State Opera (Wiener Staatsoper). In 1947 and 1948, Schwarzkopf appeared on tour with the Vienna State Opera at London's Royal Opera House at Covent Garden on 16 September 1947 as Donna Elvira in Mozart's Don Giovanni and at La Scala on 28 December 1948, as the Countess in Mozart's The Marriage of Figaro, which became one of her signature roles. In the 1960s, Schwarzkopf concentrated nearly exclusively on five operatic roles: Donna Elvira in Don Giovanni, Countess Almaviva in The Marriage of Figaro, Fiordiligi in Così fan tutte, Countess Madeleine in Strauss's Capriccio, and the Marschallin. She also was well received as Alice Ford in Verdi's Falstaff. However, on the EMI label she made several "champagne operetta" recordings like Franz Lehár's The Merry Widow and Johann Strauss II's The Gypsy Baron. After retiring, Schwarzkopf taught and gave master classes around the world, notably at the Juilliard School in New York City. After living in Switzerland for many years, she took up residence in Austria. She was made a doctor of music by the University of Cambridge in 1976, and became a Dame Commander of the Order of the British Empire (DBE) in 1992... http://en.wikipedia.org/wiki/Elisabeth_Schwarzkopf
Lyrics & English Translation
Lonely, in troubled days
I looked toward the heavens,
my most heartfelt grief
I poured out my longings.
And from my groans
there issued a plaintive sound
that grew into a mighteous roar
as it echoed through the skies:
I listened as it receded into the distance
until my ear could scarce hear it;
my eyes closed
and I fell into a deep sleep.
In splendid, shining armour
a knight approached,
a man of such pure virtue
as I had never seen before:
a golden horn at his side,
leaning on a sword -
thus he appeared to me
from nowhere, this warrior true;
with kindly gestures
he gave me comfort;
I will wait for the knight,
he shall be my champion!
A link to this wonderful artists personal website: http://www.allmusic.com/artist/elisabeth-schwarzkopf-mn0000679947/discography
Please Enjoy!
I send my kind and warm regards,
https://wn.com/Elisabeth_Schwarzkopf_Wagner_Lohengrin,_'Elsa's_Dream'
Dame Elisabeth Schwarzkopf, DBE (9 December 1915 – 3 August 2006) was a German-born Austrian/British soprano opera singer and recitalist. She was among the most renowned classical singers of the 20th century, much admired for her performances of Mozart, Schubert, Strauss, and Wolf. Olga Maria Elisabeth Friederike Schwarzkopf was born in Jarotschin in the Province of Posen in Prussia (today Poland) to Friedrich Schwarzkopf and his wife, Elisabeth (née Fröhlich). Schwarzkopf showed an interest in music from an early age. She performed in her first opera in 1928, as Eurydice in a school production of Gluck's Orfeo ed Euridice in Magdeburg, Germany. In 1934, Schwarzkopf began her musical studies at the Berlin Hochschule für Musik. n 1933, shortly after the Nazis came to power, Elisabeth Schwarzkopf's father, a local school headmaster, was dismissed from his position by the new ruling authorities for having refused to allow a Nazi party meeting at his school. He was also banned from taking any new teaching post. Until Friedrich Schwarzkopf's dismissal, the probability was that the 17-year-old Elisabeth would have studied medicine after passing her Abitur; but now, as the daughter of a banned schoolteacher, she was not allowed to enter university and – fortunately for posterity – she commenced music studies at the Berlin Hochschule für Musik. In 1942, she was invited to sing with the Vienna State Opera, where her roles included Konstanze in Mozart's Die Entführung aus dem Serail, Musetta and later Mimì in Puccini's La bohème and Violetta in Verdi's La traviata. In 1945, Schwarzkopf was granted Austrian citizenship to enable her to sing in the Vienna State Opera (Wiener Staatsoper). In 1947 and 1948, Schwarzkopf appeared on tour with the Vienna State Opera at London's Royal Opera House at Covent Garden on 16 September 1947 as Donna Elvira in Mozart's Don Giovanni and at La Scala on 28 December 1948, as the Countess in Mozart's The Marriage of Figaro, which became one of her signature roles. In the 1960s, Schwarzkopf concentrated nearly exclusively on five operatic roles: Donna Elvira in Don Giovanni, Countess Almaviva in The Marriage of Figaro, Fiordiligi in Così fan tutte, Countess Madeleine in Strauss's Capriccio, and the Marschallin. She also was well received as Alice Ford in Verdi's Falstaff. However, on the EMI label she made several "champagne operetta" recordings like Franz Lehár's The Merry Widow and Johann Strauss II's The Gypsy Baron. After retiring, Schwarzkopf taught and gave master classes around the world, notably at the Juilliard School in New York City. After living in Switzerland for many years, she took up residence in Austria. She was made a doctor of music by the University of Cambridge in 1976, and became a Dame Commander of the Order of the British Empire (DBE) in 1992... http://en.wikipedia.org/wiki/Elisabeth_Schwarzkopf
Lyrics & English Translation
Lonely, in troubled days
I looked toward the heavens,
my most heartfelt grief
I poured out my longings.
And from my groans
there issued a plaintive sound
that grew into a mighteous roar
as it echoed through the skies:
I listened as it receded into the distance
until my ear could scarce hear it;
my eyes closed
and I fell into a deep sleep.
In splendid, shining armour
a knight approached,
a man of such pure virtue
as I had never seen before:
a golden horn at his side,
leaning on a sword -
thus he appeared to me
from nowhere, this warrior true;
with kindly gestures
he gave me comfort;
I will wait for the knight,
he shall be my champion!
A link to this wonderful artists personal website: http://www.allmusic.com/artist/elisabeth-schwarzkopf-mn0000679947/discography
Please Enjoy!
I send my kind and warm regards,
- published: 12 Oct 2014
- views: 19118
6:45
R.Wagner Elsa's Traum "Einsam in truben Tagen" from Lohengrin
Sekerina Oksana - soprano
Conductor - Placido Domingo
Operalia Astana 2017
Birgit Nilsson Prize
Sekerina Oksana - soprano
Conductor - Placido Domingo
Operalia Astana 2017
Birgit Nilsson Prize
https://wn.com/R.Wagner_Elsa's_Traum_Einsam_In_Truben_Tagen_From_Lohengrin
Sekerina Oksana - soprano
Conductor - Placido Domingo
Operalia Astana 2017
Birgit Nilsson Prize
- published: 30 May 2018
- views: 4002
9:34
Liszt/Wagner Lohengrin Elsa's Bridal Procession
Llyr Williams
Liszt/Wagner Lohengrin Elsa's Bridal Procession
Llyr Williams
Liszt/Wagner Lohengrin Elsa's Bridal Procession
https://wn.com/Liszt_Wagner_Lohengrin_Elsa's_Bridal_Procession
Llyr Williams
Liszt/Wagner Lohengrin Elsa's Bridal Procession
- published: 06 Dec 2013
- views: 164991
6:40
Richard Wagner - Elsa's Procession to the Cathedral (from Lohengrin)
Montage - Recently, I was revisiting some instrumental sheet music I had the privilege of playing in high school - Elsa's Procession to the Cathedral was one of...
Montage - Recently, I was revisiting some instrumental sheet music I had the privilege of playing in high school - Elsa's Procession to the Cathedral was one of them.
As I got listening to it again, it came to me that the perfect images to grace a montage is actually one of Wagner's contemporaries, William Bouguereau. (Both from the Romantic era.)
A perfect 'marriage' of sound and artistry - well, at least I thought so :)
The only other Bouguereau montages I see on youtube use music like bach, which doesn't make sense to me - wrong time period. eh.
https://wn.com/Richard_Wagner_Elsa's_Procession_To_The_Cathedral_(From_Lohengrin)
Montage - Recently, I was revisiting some instrumental sheet music I had the privilege of playing in high school - Elsa's Procession to the Cathedral was one of them.
As I got listening to it again, it came to me that the perfect images to grace a montage is actually one of Wagner's contemporaries, William Bouguereau. (Both from the Romantic era.)
A perfect 'marriage' of sound and artistry - well, at least I thought so :)
The only other Bouguereau montages I see on youtube use music like bach, which doesn't make sense to me - wrong time period. eh.
- published: 23 Dec 2006
- views: 465873
6:13
Elsas Brautzug zum Münster [German opera piece]
Lohengrin, WWV 75, is a Romantic opera in three acts composed and written by Richard Wagner, first performed in 1850. The story of the eponymous character is ta...
Lohengrin, WWV 75, is a Romantic opera in three acts composed and written by Richard Wagner, first performed in 1850. The story of the eponymous character is taken from medieval German romance, notably the Parzival of Wolfram von Eschenbach and its sequel, Lohengrin, written by a different author, itself inspired by the epic of Garin le Loherain. It is part of the Knight of the Swan tradition.
The opera has inspired other works of art. King Ludwig II of Bavaria named his fairy-tale castle Neuschwanstein (New Swan Castle), after the Swan Knight. It was King Ludwig's patronage that later gave Wagner the means and opportunity to compose, build a theatre for, and stage his epic cycle The Ring of the Nibelung.
The most popular and recognizable part of the opera is the Bridal Chorus, better known as "Here Comes the Bride", often played as a processional at weddings in the West.
Disclaimer: All videos are apolitical and this channel is against any form of extremism or hatespeech!
●▬▬▬▬▬▬▬▬▬✠❈ SUPPORT❈ ✠▬▬▬▬▬▬▬▬▬●
❖ Patreon: https://www.patreon.com/arminius1871
#wagner #lohengrin #elsa #germany #song #history #drludwig
https://wn.com/Elsas_Brautzug_Zum_Münster_German_Opera_Piece
Lohengrin, WWV 75, is a Romantic opera in three acts composed and written by Richard Wagner, first performed in 1850. The story of the eponymous character is taken from medieval German romance, notably the Parzival of Wolfram von Eschenbach and its sequel, Lohengrin, written by a different author, itself inspired by the epic of Garin le Loherain. It is part of the Knight of the Swan tradition.
The opera has inspired other works of art. King Ludwig II of Bavaria named his fairy-tale castle Neuschwanstein (New Swan Castle), after the Swan Knight. It was King Ludwig's patronage that later gave Wagner the means and opportunity to compose, build a theatre for, and stage his epic cycle The Ring of the Nibelung.
The most popular and recognizable part of the opera is the Bridal Chorus, better known as "Here Comes the Bride", often played as a processional at weddings in the West.
Disclaimer: All videos are apolitical and this channel is against any form of extremism or hatespeech!
●▬▬▬▬▬▬▬▬▬✠❈ SUPPORT❈ ✠▬▬▬▬▬▬▬▬▬●
❖ Patreon: https://www.patreon.com/arminius1871
#wagner #lohengrin #elsa #germany #song #history #drludwig
- published: 06 Aug 2018
- views: 13826
6:23
Wagner - Lohengrin - Elsa's Procession to the Cathedral
Released on the Phillips label through Mercury Records, this is Frederick Fennell conducting the Eastman Wind Ensemble in Elsa's Procession to the Cathedral, co...
Released on the Phillips label through Mercury Records, this is Frederick Fennell conducting the Eastman Wind Ensemble in Elsa's Procession to the Cathedral, composed by Richard Wagner. This is set for a Wind Ensemble, not Orchestral setting. I have performed a couple of versions of this, one with the fanfare of trumpets at the end like the original opera and one without, like this version here. I do love hearing the low brass come in at 5:00 and the French Horns at 4:37. Very powerful ending! As always, comments are welcome and encouraged.
https://wn.com/Wagner_Lohengrin_Elsa's_Procession_To_The_Cathedral
Released on the Phillips label through Mercury Records, this is Frederick Fennell conducting the Eastman Wind Ensemble in Elsa's Procession to the Cathedral, composed by Richard Wagner. This is set for a Wind Ensemble, not Orchestral setting. I have performed a couple of versions of this, one with the fanfare of trumpets at the end like the original opera and one without, like this version here. I do love hearing the low brass come in at 5:00 and the French Horns at 4:37. Very powerful ending! As always, comments are welcome and encouraged.
- published: 09 Aug 2011
- views: 21428