- published: 02 Jun 2021
- views: 1546
'+pages+''); $('.stream > div:odd').addClass('bgr_color'); updateHeight('#history'); }); window.activateTabArea = ensure(function(tab, areas){ var parsed = false; var parts = (areas || '').split('/'); window.fsonload = $.inArray('fs', parts) >= 0; if(fsonload){ parts.splice(parts.indexOf('fs'), 1); } var replayMode = false; if($.inArray('replay', parts)>=0){ replayMode = 'replay'; } var noSoundMode = false; if($.inArray('nosound', parts)>=0){ noSoundMode = 'nosound'; } if($.inArray('ns', parts)>=0){ noSoundMode = 'ns'; } var previewMode = null; if($.inArray('p', parts)>=0){ previewMode = 'p'; } if($.inArray('preview', parts)>=0){ previewMode = 'preview'; } if($.inArray('repeat', parts)>=0){ replayMode = 'repeat'; } if($.inArray('r', parts)>=0 || $.inArray('ro', parts)>=0){ replayMode = 'r'; } if(replayMode){ parts.splice(parts.indexOf(replayMode), 1); } if(noSoundMode){ parts.splice(parts.indexOf(noSoundMode), 1); } if(previewMode){ parts.splice(parts.indexOf(previewMode), 1); } if(previewMode){ if(!parts.length){ parts = ['1-14', '999:59']; } } var area = parts[0]; if(tab == 'history' && false){ var page = parseInt(area || '1') || 1; $.ajax({ url: 'https://login.wn.com/recent/json/?pp='+history_pp+'&skip='+history_pp*(page-1), dataType: 'jsonp', success: function(response){ $ensure(function(){ renderHistory(response, page); }); } }); return true; } if(tab == 'global_history' && false){ var page = parseInt(area || '1') || 1; globalHistory.fetchStream(page, '', function(){ updateHeight('#global_history'); }); return true; } if(tab == 'my_playlists' && false){ var page = parseInt(area || '1') || 1; myPlaylists.fetchStream(page, '', function(){ updateHeight('#my_playlists'); }); return true; } if(tab == 'my_videos' && false){ var page = parseInt(area || '1') || 1; myVideos.fetchStream(page, '', function(){ updateHeight('#my_videos'); }); return true; } if(tab == 'related_sites' && areas && matchPosition(areas)){ var seconds = parsePosition(areas); scrollRelated(seconds); return false; } if(matchPosition(area) || matchAction(area)){ parts.unshift('1'); area = parts[0]; } if(tab == 'expand' && area && area.match(/\d+/)) { var num = parseInt(area); if(num < 100){ //FIX ME. Load news page with ajax here } else if(num > 1900){ //FIX ME. Load timeline page with ajax here } } else if(tab.match(/^playlist\d+$/)){ var playerId = parseInt(tab.substring(8)); var vp = videoplayers[playerId]; window.descriptionsholder = $('.descriptionsplace'); if(!vp) return; // why? no player? if(replayMode){ $('.replaycurrent'+playerId).attr('checked', true); vp.setReplayCurrent(true); } var playQueue = []; window.playQueue = playQueue; var playQueuePosition = 0; var playShouldStart = null; var playShouldStop = null; var parseList = function(x){ var items = x.split(/;|,/g); var results = []; for (i in items){ try{ var action = parseAction(vp, items[i]); if(!action.video){ if(window.console && console.log) console.log("Warning: No video for queued entry: " + items[i]); }else{ results.push(action); } }catch(e){ if(window.console && console.log) console.log("Warning: Can''t parse queue entry: " + items[i]); } } return results; }; var scrollToPlaylistPosition = function(vp){ var ppos = vp.getPlaylistPosition(); var el = vp.playlistContainer.find('>li').eq(ppos); var par = el.closest('.playlist_scrollarea'); par.scrollTop(el.offset().top-par.height()/2); } var updateVolumeState = function(){ if(noSoundMode){ if(noSoundMode == 'turn-on'){ clog("Sound is on, vsid="+vp.vsid); vp.setVolumeUnMute(); noSoundMode = false; }else{ clog("Sound is off, vsid="+vp.vsid); vp.setVolumeMute(); noSoundMode = 'turn-on'; } } } var playQueueUpdate = function(){ var playPosition = playQueue[playQueuePosition]; vp.playFromPlaylist(playPosition.video); scrollToPlaylistPosition(vp); playShouldStart = playPosition.start; playShouldStop = playPosition.stop; }; var playQueueAdvancePosition = function(){ clog("Advancing play position..."); playQueuePosition ++; while(playQueuePosition < playQueue.length && !playQueue[playQueuePosition].video){ playQueuePosition ++; } if(playQueuePosition < playQueue.length){ playQueueUpdate(); }else if(vp.getReplayCurrent()){ playQueuePosition = 0; playQueueUpdate(); vp.seekTo(playShouldStart); vp.playVideo(); }else{ vp.pauseVideo(); playShouldStop = null; playShouldStart = null; } }; function loadMoreVideos(playerId, vp, start, finish, callback){ var playlistInfo = playlists[playerId-1]; if(playlistInfo.loading >= finish) return; playlistInfo.loading = finish; $.ajax({ url: '/api/upge/cheetah-photo-search/query_videos2', dataType: 'json', data: { query: playlistInfo.query, orderby: playlistInfo.orderby, start: start, count: finish-start }, success: function(response){ var pl = vp.getPlaylist().slice(0); pl.push.apply(pl, response); vp.setPlaylist(pl); callback(); } }); } if(parts.length == 1 && matchDash(parts[0])){ var pl = vp.getActualPlaylist(); var vids = parseDash(parts[0]); parts = []; for(var i = 0; i < vids.length; i++){ playQueue.push({ 'video': pl[vids[i]-1], 'start': 0, 'stop': null }) } if(vids.length){ if(vids[vids.length-1]-1>=pl.length){ loadMoreVideos(playerId, vp, pl.length, vids[vids.length-1], function(){ if(fsonload){ activateTabArea(tab, parts[0]+'/fs'); }else{ activateTabArea(tab, parts[0]); } var pls = vp.getPlaylist(); vp.playFromPlaylist(pls[pls.length-1]); vp.playVideo(); scrollToPlaylistPosition(vp); }); return true; } } if(playQueue){ playQueueUpdate(); vp.playVideo(); parsed = true; playShouldStart = 0; } } if(previewMode){ var vids = []; var dur = 0; var pl = vp.getActualPlaylist(); area = parts[0]; if(parts.length == 1 && matchPosition(parts[0])){ vids = parseDash('1-'+pl.length); dur = parsePosition(parts[0]); parts = []; }else if(parts.length == 1 && matchDash(parts[0])){ vids = parseDash(parts[0]); dur = parsePosition("999:59"); parts = []; } if(parts.length == 2 && matchDash(parts[0]) && matchPosition(parts[1])){ vids = parseDash(parts[0]); dur = parsePosition(parts[1]); parts = []; } for(var i = 0; i < vids.length; i++){ playQueue.push({ 'video': pl[vids[i]-1], 'start': 0, 'stop': dur }) } if(playQueue){ playQueueUpdate(); vp.playVideo(); parsed = true; } } if(parts.length>1){ for(var i = 0; i < parts.length; i++){ var sel = findMatchingVideo(vp, parts[i]); if(sel){ playQueue.push({ 'video': sel, 'start': 0, 'stop': null }) } } if(playQueue){ playQueueUpdate(); vp.playVideo(); parsed = true; } }else if(area){ var sel = findMatchingVideo(vp, area); if(sel){ vp.playFromPlaylist(sel); playShouldStart = 0; parsed = true; } } if(fsonload || replayMode){ playShouldStart = 0; } if(document.location.search.match('at=|queue=')){ var opts = document.location.search.replace(/^\?/,'').split(/&/g); for(var o in opts){ if(opts[o].match(/^at=(\d+:)?(\d+:)?\d+$/)){ playShouldStart = parsePosition(opts[o].substr(3)) } if(opts[o].match(/^queue=/)){ playQueue = parseList(opts[o].substr(6)); if(playQueue){ playQueuePosition = 0; playQueueUpdate(); } } } } if(matchPosition(parts[1])){ playShouldStart = parsePosition(parts[1]); parsed = true; } if(matchAction(parts[1])){ var action = parseAction(vp, area+'/'+parts[1]); playShouldStart = action.start; playShouldStop = action.stop; parsed = true; } if(playShouldStart !== null && !playQueue.length){ playQueue.push({ video: vp.getCurrentVideo(), start: playShouldStart, stop: playShouldStop }); } if(playShouldStart != null){ setInterval(function(){ if(playShouldStop && vp.currentPlayer && vp.currentPlayer.getCurrentTime() > playShouldStop){ playShouldStop = null; if(vp.getCurrentVideo() == playQueue[playQueuePosition].video){ playQueueAdvancePosition(); }else{ playShouldStart = null; } } }, 500); vp.playerContainer.bind('videoplayer.player.statechange', function(e, state){ if(state == 'ended'){ // advance to the next video playQueueAdvancePosition(); } }); vp.playerContainer.bind('videoplayer.player.readychange', function(e, state){ if(state){ updateVolumeState(); if(playShouldStart !== null){ vp.seekTo(playShouldStart); playShouldStart = null; }else{ playShouldStop = null; // someone started other video, stop playing from playQueue } } if(fsonload) { triggerFullscreen(playerId); fsonload = false; } }); } } else if(tab.match(/^wiki\d+$/)){ if(firstTimeActivate){ load_wiki($('#'+tab), function(){ if(area){ var areaNode = $('#'+area); if(areaNode.length>0){ $('html, body').scrollTop(areaNode.offset().top + 10); return true; } } }); } } return parsed; }) window.activateTab = ensure(function(tab, area){ window.activeArea = null; if(tab == 'import_videos'){ if(area){ import_videos(area); }else{ start_import(); } return true; } if(tab == 'chat'){ update_chat_position($('.chat').eq(0)); window.activeArea = 'chat'; jQuery('.tabtrigger').offscreentabs('activateTab', 'chat'); return true; } if(tab in rev_names){ tab = rev_names[tab]; } if(tab.match(':')){ return false; } var sup = $('ul li a[id=#'+tab+']'); if(sup && sup.length>0){ window.activeArea = area; sup.first().click(); if(!window.activateTabArea(tab, area)){ window.activeArea = null; } window.activeArea = null; return true; }else{ var have_tabs = $('#playlist_menu li').length; if(tab.match(/^playlists?\d+$/)){ var to_add = +tab.substring(8).replace(/^s/,'')-have_tabs; if(to_add>0 && have_tabs){ add_more_videos(to_add); return true; } } } return false; }); window.currentPath = ensure(function(){ return window.lastHistory.replace(basepath, '').split('?')[0]; }); window.main_tab = window.main_tab || 'videos'; window.addHistory = ensure(function(path){ if(window.console && console.log) console.log("Adding to history: "+path); if(window.history && history.replaceState && document.location.hostname.match(/^(youtube\.)?(\w{2,3}\.)?wn\.com$/)){ if(path == main_tab || path == main_tab+'/' || path == '' || path == '/') { path = basepath; } else if( path.match('^'+main_tab+'/') ){ path = basepath + '/' + path.replace(main_tab+'/', '').replace('--','/'); } else { path = basepath + '/' + path.replace('--','/'); } if(document.location.search){ path += document.location.search; } if(window.lastHistory) { history.pushState(null, null, path); } else if(window.lastHistory != path){ history.replaceState(null, null, path); window.lastHistory = path; } } else{ path = path.replace('--','/'); if(path == main_tab || path == main_tab+'/' || path == '' || path == '/') { path = ''; } if(window.lastHistory != '/'+path){ window.location.hash = path? '/'+path : ''; window.lastHistory = '/'+path; } } }); $('.tabtrigger li a').live('click', ensure(function() { var tab = $(this).attr('id'); if(tab.substring(0,1) == '#'){ var name = tab.substring(1); if(name in menu_names){ name = menu_names[name][0]; } realTab = rev_names[name]; $('#'+realTab).show(); if(window.console && console.log) console.log("Triggering tab: "+name+(window.activeArea?" activeArea="+window.activeArea:'')); var path = name; if(window.activeArea){ path = path + '/' + window.activeArea; } if(tab.match(/#playlist\d+/) || tab.match(/#details\d+/)){ $('.multiple-playlists').show(); $('.related_playlist').show(); $('.longest_videos_playlist').show(); }else { $('.multiple-playlists').hide(); $('.related_playlist').hide(); $('.longest_videos_playlist').hide(); } // start the related script only when the tab is on screen showing if (tab.match(/related_sites/)) { if (mc) { mc.startCredits(); } } window.activeTab = realTab; addHistory(path); setTimeout(ensure(function(){ if(tab.match(/language--/)){ $('.tabtrigger').offscreentabs('activateTab', 'language'); } if(tab.match(/weather/)) { $('.tabtrigger').offscreentabs('activateTab', 'weather'); loadContinent(); } updateMenus(tab); updateHeight(); }), 10); } return false; })); }); -->
George Fenton (born George Richard Ian Howe; October 19, 1950) is an English composer best known for his work writing film scores and music for television such as for the BBC series The Blue Planet and Planet Earth.
Fenton was born in London and attended St Edward's School in Oxford where "he learnt his music" from Peter Whitehouse. He has no further formal training in music. Fenton's involvement with St Edward's continued as an adult and he has been a governor of the school since 1998.
Initially Fenton worked as an actor, getting an early break in 1968 with a part in Alan Bennett's first West End play Forty Years On. He had some success as an actor in the early 1970s appearing in the film Private Road, in Alan Bennett's first television play A Day Out directed by Stephen Frears, and in the soap opera Emmerdale Farm.
In 1969 Fenton tried his hand as a recording artist with a cover of The Beatles song Maxwell's Silver Hammer and in 1973 he dabbled in band management helping to get the folk-rock band Hunter Muskett a recording contract with Bradley's Records.
A police raid is a raid by law enforcement officers often in the early morning or late at night, hoping to use the element of surprise to arrest targets that they believe may hide contraband or other evidence, resist arrest, be politically sensitive, or simply be elsewhere during the day.
Dawn raids were a common event in Auckland, New Zealand, during a crackdown on illegal overstayers from the Pacific Islands from the mid-1970s to the early 1980s. The raids were first introduced in 1973 by Norman Kirk's Labour government and were continued by Rob Muldoon's National government. These operations involved special police squads conducting raids on the homes and workplaces of overstayers throughout New Zealand usually at dawn. Overstayers and their families were often prosecuted and then deported back to their countries.
The Dawn Raids were a product of the New Zealand government's immigration policies to attract more Pacific Islanders. Since the 1950s, the New Zealand government had encouraged substantial emigration from several Pacific countries including Samoa, Tonga, and Fiji to fill a labour shortage caused by the post–war economic boom. Consequently, the Pacific Islander population in New Zealand had grow to 45,413 by 1971, with a substantial number overstaying their visas. During the late 1960s and early 1970s, New Zealand's economy had declined due to several international developments: a decline in international wool prices in 1966, Britain joining the European Economic Community in 1973 which deprived NZ of a major market for dairy products, and the 1973 oil crisis. This economic downturn led to increased crime, unemployment and other social ailments, which disproportionately affected the Pacific Islander community.
In business, a takeover is the purchase of one company (the target) by another (the acquirer, or bidder). In UK, the term refers to the acquisition of a public company whose shares are listed on a stock exchange, in contrast to the acquisition of a private company.
A "friendly takeover" is an acquisition which is approved by the management. Before a bidder makes an offer for another company, it usually first informs the company's board of directors. In an ideal world, if the board feels that accepting the offer serves the shareholders better than rejecting it, it recommends the offer be accepted by the shareholders.
In a private company, because the shareholders and the board are usually the same people or closely connected with one another, private acquisitions are usually friendly. If the shareholders agree to sell the company, then the board is usually of the same mind or sufficiently under the orders of the equity shareholders to cooperate with the bidder. This point is not relevant to the UK concept of takeovers, which always involve the acquisition of a public company.
'The United Way' soundtrack is out now digitally: orcd.co/unitedway The film is available on Sky & Now TV Go behind the scenes of the making of George Fenton's soundtrack for 'The United Way', the story of Manchester United, with interviews and behind the scenes footage.
Provided to YouTube by Universal Music Group Ever After Main Title · George Fenton Ever After: A Cinderella Story ℗ 1998 Twentieth Century Fox Film Corporation Released on: 1998-01-01 Producer, Conductor: George Fenton Composer: George Fenton Auto-generated by YouTube.
George Fenton - theme from The Company of Wolves (1984): The Message / Main Theme
EXPANDED version with unbolocked tracks on RUMBLE https://rumble.com/v2j51l4-ever-after-suite-by-george-fenton.html
So I'm uploading the Blue Planet soundtrack for everyone. Enjoy, and remember, I own nothing here - the music goes to George Fenton and the BBC, and the pictures belong to their various owners.
Provided to YouTube by Universal Music Group Snow Plough · George Fenton Cold Pursuit ℗ 2019 StudioCanal, MAS Productions, Paradox Films, Under license to Varèse Sarabande Records, a division of Concord Music Group, Inc. Released on: 2019-02-08 Producer, Recording Producer: George Fenton Composer Lyricist: George Fenton Auto-generated by YouTube.
Provided to YouTube by Universal Music Group The Ruins · George Fenton Ever After: A Cinderella Story ℗ 1998 Twentieth Century Fox Film Corporation Released on: 1998-01-01 Producer, Conductor: George Fenton Composer: George Fenton Auto-generated by YouTube.
The best movie scores from british composer George Fenton.
Provided to YouTube by Universal Music Group Empty Store · George Fenton You've Got Mail ℗ 1998 Warner Bros. Released on: 1999-03-09 Associated Performer, Piano: Michael Lang Conductor: George Fenton Composer Lyricist: George Fenton Auto-generated by YouTube.
"Antarctic music" after "Frozen Planet" by George Fenton Camera and Video Design: Lothar Hauck #FrozenPlanet #AntarcticMusic #MusicfromtheIce
The job of a police officer is no joke; when dealing with a deranged man with a gun like this, it’s even harder. This has lots of lessons for CCW and LEO alike for our Active Self Protection! If you value what we do at ASP, would you consider becoming an ASP Patron Member to support the work it takes to make the narrated videos like this police involved gun fight? https://get-asp.com/patron gives the details. Want to learn more? There are 8 additional lessons, 3 class starters for instructors, and links to more information about this police-involved shooting on our website: https://get-asp.com/6t6w Attitude. Skills. Plan. (music in the outro courtesy of Bensound at http://www.bensound.com) Copyright Disclaimer. Under Section 107 of the Copyright Act 1976, allowance is made for "fair...
As policing has militarized to fight a faltering war on drugs, few tactics have proved as dangerous as the use of forcible-entry raids to serve narcotics search warrants, which regularly introduce staggering levels of violence into missions that might be achieved through patient stakeouts or simple knocks at the door. Subscribe to the Times Video newsletter for free and get a handpicked selection of the best videos from The New York Times every week: http://bit.ly/timesvideonewsletter Subscribe on YouTube: http://bit.ly/U8Ys7n Watch more videos at: http://nytimes.com/video --------------------------------------------------------------- Want more from The New York Times? Twitter: https://twitter.com/nytvideo Instagram: http://instagram.com/nytvideo Facebook: https://www.facebook.com...
The city has filed a motion asking for a favorable judgment in a local woman’s lawsuit that alleges the Evansville Police Department violated her constitutional rights when its SWAT team tossed flash grenades into her home and forced their way inside to serve a warrant. READ MORE: http://archive.courierpress.com/news/crime/city-seeks-favorable-ruling-in-swat-incident-lawsuit-police-video-shows-what-happened-ep-551541017-325560051.html
Get the latest headlines: https://www.telegraph.co.uk/ Police have released CCTV images of a large scale public disorder at a petrol station in Wythenshawe. Officers are appealing for information from the public about the identity of those involved in the incident which took place on the evening of Thursday 31 October 2019. Anyone with information can contact police on 0161 856 4882 quoting incident number 1998 of 31/10/2019. Additionally, if anyone has images or video and dashcam footage, they are encouraged to email them to [email protected] . Information can also be passed on anonymously to the independent charity Crimestoppers on 0800 555 111. Telegraph.co.uk and YouTube.com/TelegraphTV are websites of The Telegraph, the UK's best-selling quality daily newspaper p...
Bodycam video shows Chicago police officers executing a search warrant on what turned out to be an innocent woman's home. Full story: https://abc7chicago.com/bodycam-video-shows-police-raid-wrong-house-mayor-apologizes-to-victim/8828046/
Craziest police and swat raids in history. Imagine a swat team raid in your home. Raids can be dangerous, especially when you're the person being raided. When the swat team gets involved, things can get a whole lot uglier! A police raid is bad but a swat team raid is a whole other story. Thanks for watching! 🔔 Hit the bell next to Subscribe so you never miss a video! ❤️ Like, Comment and Subscribe if you are new on the channel! #police #raid #swat 10. 1969: The Black Panther RaidDaryl Gates, was an inspector at the Los Angeles Police Department. He handpicked the elite team of police specialists who were trained in military tactics to utilize them in emergency situations like riots, active shooters, bank robberies, and hostage situations. 9. 1972: Dirk DickensonIn 1972, the Federal na...
Cops in Australia raid the reinforced home of a suspected drug dealer and find the evidence they need. ➡ Subscribe: http://bit.ly/NatGeoSubscribe #NationalGeographic #Drugs #DrugsInc About National Geographic: National Geographic is the world's premium destination for science, exploration, and adventure. Through their world-class scientists, photographers, journalists, and filmmakers, Nat Geo gets you closer to the stories that matter and past the edge of what's possible. Get More National Geographic: Official Site: http://bit.ly/NatGeoOfficialSite Facebook: http://bit.ly/FBNatGeo Twitter: http://bit.ly/NatGeoTwitter Instagram: http://bit.ly/NatGeoInsta Knock Knock, You’re Busted | Drugs, Inc. https://youtu.be/k6da8UUu7Ms National Geographic https://www.youtube.com/natgeo
Please subscribe. Support Link American Flag: 100% Made in USA ► https://amzn.to/3poApR8 Support Link ► https://amzn.to/3bcKKu6 A hotel guests faces 6 counts of assaulting a police officer after calling the cops to his hotel room, saying he wanted to kill them “since his world was ending.” The cops didn’t end his world but did taser him several times. The man, staying at the Plaza Resort on Atlantic Avenue in Daytona Beach, Florida, “threw knives, a trash can and other items at officers as they tried to get him to surrender.” n Wednesday (February 10, 2021), our officers were called to a beachside hotel after receiving word of an armed person who may be a threat to himself and others. Our officers found a man inside a room who asked us several times to shoot him and threw objects at us...
The leaders of County Lines gangs are being targeted, with the Home Secretary promising to stop children being exploited across the country as drug mules. Last year Priti Patel announced additional funds to combat the problem. And after joining a police raid in Liverpool earlier, she told Sky News: "I will not tolerate these abhorrent gangs that are terrorising our towns and exploiting our children." SUBSCRIBE to our YouTube channel for more videos: http://www.youtube.com/skynews Sky News videos are now available in Spanish here/Los video de Sky News están disponibles en español aquí: https://www.youtube.com/skynewsespanol Follow us on Twitter: https://twitter.com/skynews Like us on Facebook: https://www.facebook.com/skynews Follow us on Instagram: https://www.instagram.com/skynews...
Want to learn how to quit your job? https://bit.ly/2DbccM6
George Fenton (born George Richard Ian Howe; October 19, 1950) is an English composer best known for his work writing film scores and music for television such as for the BBC series The Blue Planet and Planet Earth.
Fenton was born in London and attended St Edward's School in Oxford where "he learnt his music" from Peter Whitehouse. He has no further formal training in music. Fenton's involvement with St Edward's continued as an adult and he has been a governor of the school since 1998.
Initially Fenton worked as an actor, getting an early break in 1968 with a part in Alan Bennett's first West End play Forty Years On. He had some success as an actor in the early 1970s appearing in the film Private Road, in Alan Bennett's first television play A Day Out directed by Stephen Frears, and in the soap opera Emmerdale Farm.
In 1969 Fenton tried his hand as a recording artist with a cover of The Beatles song Maxwell's Silver Hammer and in 1973 he dabbled in band management helping to get the folk-rock band Hunter Muskett a recording contract with Bradley's Records.
Cannot touch
Cannot hold
Cannot be together
Cannot love
Cannot kiss
Cannot have each other
Must be strong,
And we must let go
Cannot say
What our hearts must know
How can I not love you
What do I tell my heart
When do I not want you
Here in my arms
How does one walks away
From all the memories
How do I not miss you
When you are gone
Cannot dream
Cannot share
Sweet and tender moments
Cannot feel
How we feel
Must pretend it's over
Must be brave,
And we must go on
Must not say,
What we've known all along
How can I not love you
What do I tell my heart
When do I not want you
Here in my arms
How does one walks away
From all the memories
How do I not miss you
When you are gone
How can I not love you.
Must be brave,
And we must be strong
Cannot say,
What we've known all along.
How can I not love you
What do I tell my heart
When do I not want you
Here in my arms
How does one walks away
From all the memories
How do I not miss you
When you are gone
How can I not love you.