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Load timeline page with ajax here } } else if(tab.match(/^playlist\d+$/)){ var playerId = parseInt(tab.substring(8)); var vp = videoplayers[playerId]; window.descriptionsholder = $('.descriptionsplace'); if(!vp) return; // why? no player? if(replayMode){ $('.replaycurrent'+playerId).attr('checked', true); vp.setReplayCurrent(true); } var playQueue = []; window.playQueue = playQueue; var playQueuePosition = 0; var playShouldStart = null; var playShouldStop = null; var parseList = function(x){ var items = x.split(/;|,/g); var results = []; for (i in items){ try{ var action = parseAction(vp, items[i]); if(!action.video){ if(window.console && console.log) console.log("Warning: No video for queued entry: " + items[i]); }else{ results.push(action); } }catch(e){ if(window.console && console.log) console.log("Warning: Can''t parse queue entry: " + items[i]); } } return results; }; var scrollToPlaylistPosition = function(vp){ var ppos = vp.getPlaylistPosition(); var el = vp.playlistContainer.find('>li').eq(ppos); 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Sir Simon Denis Rattle OM CBE (born 19 January 1955), is an English conductor. He rose to international prominence during the 1980s and 1990s, while Music Director of the City of Birmingham Symphony Orchestra (1980–98). He has been principal conductor of the Berlin Philharmonic since 2002, and plans to leave his position at the end of his current contract, in 2018. It was announced in March 2015 that Rattle would become Music Director of the London Symphony Orchestra from September 2017.
Rattle was born in London, the son of Pauline Lila Violet (Greening) and Denis Guttridge Rattle, a Commander in the Royal Navy. He was educated at Liverpool College. Although Rattle studied piano and violin, his early work with orchestras was as a percussionist. He entered the Royal Academy of Music, University of London, in 1971. There, his teachers included John Carewe. In 1974, his graduation year, Rattle won the John Player International Conducting Competition.
After organising and conducting a performance of Mahler's Second Symphony whilst still at the Academy, he was talent-spotted by the music agent Martin Campbell-White, of Harold Holt Ltd (now Askonas Holt Ltd), who has since managed Rattle's career. He spent the academic year 1980/81 at St Anne's College, Oxford studying English Language and Literature. He had been attracted to the college by the reputation of Dorothy Bednarowska, Fellow and Tutor in English. He was elected an Honorary Fellow of St Anne's in 1991. He was admitted to the degree of Doctor of Music honoris causa of the University of Oxford in 1999.
Daphnis et Chloé is a ballet in one act and three scenes by Maurice Ravel described as a "symphonie chorégraphique" (choreographic symphony). The scenario was adapted by Michel Fokine from an eponymous romance by the Greek writer Longus thought to date from around the 2nd century AD. Scott Goddard published a contemporary commentary that discussed the changes to the story that Fokine made to prepare a workable ballet scenario. The story concerns the love between the goatherd Daphnis and the shepherdess Chloé.
Ravel began work on the score in 1909 after a commission from Sergei Diaghilev. It was premiered at the Théâtre du Châtelet in Paris by his Ballets Russes on 8 June 1912. The orchestra was conducted by Pierre Monteux, the choreography was by Michel Fokine, and Vaslav Nijinsky and Tamara Karsavina danced the parts of Daphnis and Chloé. Léon Bakst designed the original sets.
At almost an hour long, Daphnis et Chloé is Ravel's longest work. In spite of the ballet's duration, four discernable leitmotifs give musical unity to the score. The music, some of the composer's most passionate, is widely regarded as some of Ravel's best, with extraordinarily lush harmonies typical of the impressionist movement in music. Even during the composer's lifetime, contemporary commentators described this ballet as his masterpiece for orchestra. Ravel extracted music from the ballet to make two orchestral suites, which can be performed with or without the chorus. The second of the suites, which includes much of the last part of the ballet and concludes with the "Danse générale", is particularly popular. When the complete work is itself performed live, it is more often in concerts than in staged productions.
Daphnis et Chloé is a one-act opérette by Jacques Offenbach. The libretto was by Clairville(alias of Louis-François Nicolaïe (1811–1879)) and Jules Cordier (alias of Éléonore Tenaille de Vaulabelle, 1801–1859), based on the story of Daphnis and Chloe. The origin is the novel by Longus adapted as a play at the Théâtre du Vaudeville in 1849.
It premiered at the Théâtre des Bouffes-Parisiens (Salle Choiseul) on 27 March 1860 under the direction of the composer. In the 1866 revival, Léonce was Pan, with Ugalde as Daphnis; Collas returned as Chloé.
In 1907, the piece was arranged by André Bloch and performed as Myrianne et Daphné at the Monte Carlo Opera, with 'Tate' (Maggie Teyte) as Tyrius, Edmond Clément as Myrianne and Hector Dufranne as Alphésibée.
Bacchantes, observed by the statue of Pan, discuss Daphnis, with whom they are all in love. When they have left Pan reveals that he is in pursuit of the shy but proud Chloé, who next enters with a lamb. As she waits for her rendez-vous with Daphnis she insults the listening Pan. Daphnis confesses to Chloé that when he is alone he only thinks of her – she is the same. They decide that what they need is pipes so that when they meet the other shepherds and shepherdesses they can join in the dances; Pan throws a flute in the lap of Daphnis, but it won't play for him. Pan mocks the innocent lovers. When Chloé rushes off to her flock Pan pursues her while Daphnis tries to dream of her.
Daphnis et Chloé is the name of two classical compositions based on the story of Daphnis and Chloe:
See also Daphnis and Chloe (disambiguation)
Les filles parlent des garçons
Elles vont aux toilettes à deux
Ça fera pas une chanson
Une chansonnette au mieux
Les filles mangent du chocolat
Elles ont trop chaud ou trop froid
Ont mal au ventre, à la tête,
Au cœur, elles vont mal en fait
Les filles travaillent à l’école
Elles ont de belles écritures
Elles gardent des mots, des bricoles
Dans des vieilles boîtes à chaussures
Les filles ont des sacs à main
Les filles marchent les bras croisés
Elles traînent dans les salles de bains
Elles aiment les fleurs, les bébés
Faut pas généraliser
Y’a sûrement plein d’exceptions
Les étudier, les cerner
C’est mon credo ma mission
Les filles plient bien leurs affaires
Elles jouent rarement du tambour
Elles s’énervent avec leur mère
Qu’elles rappellent chaque jour
Les filles nous font des reproches
Trop lent, trop pressé, pas là
Ou trop loin ou bien trop proche
Ou pas assez, pas comme ça
Chorus
Les filles font des confidences
Elles ont une amie d’enfance
Ellles se chamaillent en équipe
Se dispensent de gymnastique
Les filles on voudrait leur plaire
Mais on sait pas trop y faire
C’est une longue étude, un art
Qu’on comprend quand c’est trop tard
Chorus
Chorus
Elles nous font pousser le cœur
Les filles rendent les hommes meilleurs
Et plus elles font d’ la politique
Plus not’ monde est pacifique
Les filles parlent des garçons
Elles vont aux toilettes à deux
Ça fera pas une chanson
Une chansonnette au mieux
Les filles mangent du chocolat
Elles ont trop chaud ou trop froid
Ont mal au ventre, à la tête,
Au cœur, elles vont mal en fait
Les filles travaillent à l’école
Elles ont de belles écritures
Elles gardent des mots, des bricoles
Dans des vieilles boîtes à chaussures
Les filles ont des sacs à main
Les filles marchent les bras croisés
Elles traînent dans les salles de bains
Elles aiment les fleurs, les bébés
Faut pas généraliser
Y’a sûrement plein d’exceptions
Les étudier, les cerner
C’est mon credo ma mission
Les filles plient bien leurs affaires
Elles jouent rarement du tambour
Elles s’énervent avec leur mère
Qu’elles rappellent chaque jour
Les filles nous font des reproches
Trop lent, trop pressé, pas là
Ou trop loin ou bien trop proche
Ou pas assez, pas comme ça
Chorus
Les filles font des confidences
Elles ont une amie d’enfance
Ellles se chamaillent en équipe
Se dispensent de gymnastique
Les filles on voudrait leur plaire
Mais on sait pas trop y faire
C’est une longue étude, un art
Qu’on comprend quand c’est trop tard
Chorus
Chorus
Elles nous font pousser le cœur
Les filles rendent les hommes meilleurs
Et plus elles font d’ la politique
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