Dalwood is a village and county parish in the East Devon district of the English county of Devon. It is approximately 3 miles (4.8km) away from the nearest town, Axminster, and 5 miles (8.0km) away from Honiton. Dalwood can be accessed by the nearby A35 road. The village is placed within the Blackdown Hills Area of Outstanding Natural Beauty. Along with the nearby village of Stockland, until 1842 the village was a part of an outlier of the county of Dorset.
Dalwood is a small village with a church, a primary school and village hall.
St Peter's church is 15th century and was restored in 1881. It has some early stained glass windows. Immediately to the right of the main door (and partly visible in photograph) is the grave of Pedro de Alcantara Travassos Valdez, a son of the Portuguese soldier and Prime Minister José Lucio Travassos Valdez, 1st Count of Bonfim.
Nearby Loughwood Meeting House just north of the A35 road is an 18th-century Baptist chapel with an unaltered interior. Some landscaped gardens are opened to the public at nearby Burrow Farm.
We are very proud to have the Dalwood Vineyard right on our doorstep. It was featured recently but ITV. The vineyard has already won two awards.
published: 10 Oct 2016
Dalwood-East Devon March 2021
A no thrills, no music, no talking video of a stroll around Dalwood in East Devon.
Enjoy the sound of nature.
published: 08 Mar 2021
Dana Schutz & Dexter Dalwood, In Conversation at The Hepworth Wakefield, January 2014
One of America's most acclaimed young painters Dana Schutz discusses her first UK solo exhibition at The Hepworth Wakefield and the state of contemporary painting with Turner Prize-nominated artist Dexter Dalwood.
Schutz is renowned for her riotously coloured figurative paintings and highly tactile approach, creating compelling and awkward imaginary worlds that explore hypothetical and sometimes absurd situations. Also primarily a painter, Dalwood's works typically draw upon historical tradition as well as current cultural and political events.
Filmed and broadcast on Thursday 16 January 2014, 7pm by This Is Tomorrow.
www.thisistomorrow.info
published: 22 Jan 2014
Dexter Dalwood - Collective Memories | TateShots
In this film British artist Dexter Dalwood talks to us at Tate St Ives, where an exhibition of his work spanning the last 12 years is on show.
Dalwood's ambitious paintings depict imagined or constructed interiors and landscapes, often drawn from collective memories of historical events, people or places. Dalwood discusses paintings including 'The Death of David Kelly', 2008, based on events following the scandal over 'weapons of mass destruction' in Iraq.
published: 06 Apr 2010
Plattform presents: Dexter Dalwood
An artist talk by the British painter Dexter Dalwood, presented by Plattform in cooperation with Faculty of art, music and design of University of Bergen.
Please join us for a talk by the British artist Dexter Dalwood, at Landmark on 14 March.
Dexter Dalwood is a rare instance of an artist equipped to examine how history is constructed and interpreted through the making of paintings, which are both intellectually challenging and visually seductive. The artist’s juxtaposition of quotations and references from a broad and eclectic range of subjects is reflected in his transposition of the cut-and-paste of the collage technique to canvas. Not only does Dexter Dalwood possess a profound cultural and historical knowledge, he also perceives the connections between art history, politics, m...
published: 13 Mar 2020
Dalwood green road 7:10:23
Volunteering on fixing up this green road in East Devon, Cory Brook is eroding the green roads surface, we're volunteering in partnership with Devon County's Pro rights of Way team.
published: 08 Oct 2023
The Dalwood
Take a look into The Dalwood house style which is available to rent from Nuplace.
published: 24 May 2016
INSANE CLIFF JUMPING / Australia Dalwood Falls 50 feet
Cliff jumping from 15m at dolwoop falls in NSW
published: 20 Apr 2018
Turner Prize 10: Dexter Dalwood
Turner Prize nominated painter Dexter Dalwood describes his portraits "without the person there" which look at contemporary cultural and political events.
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One of America's most acclaimed young painters Dana Schutz discusses her first UK solo exhibition at The Hepworth Wakefield and the state of contemporary painti...
One of America's most acclaimed young painters Dana Schutz discusses her first UK solo exhibition at The Hepworth Wakefield and the state of contemporary painting with Turner Prize-nominated artist Dexter Dalwood.
Schutz is renowned for her riotously coloured figurative paintings and highly tactile approach, creating compelling and awkward imaginary worlds that explore hypothetical and sometimes absurd situations. Also primarily a painter, Dalwood's works typically draw upon historical tradition as well as current cultural and political events.
Filmed and broadcast on Thursday 16 January 2014, 7pm by This Is Tomorrow.
www.thisistomorrow.info
One of America's most acclaimed young painters Dana Schutz discusses her first UK solo exhibition at The Hepworth Wakefield and the state of contemporary painting with Turner Prize-nominated artist Dexter Dalwood.
Schutz is renowned for her riotously coloured figurative paintings and highly tactile approach, creating compelling and awkward imaginary worlds that explore hypothetical and sometimes absurd situations. Also primarily a painter, Dalwood's works typically draw upon historical tradition as well as current cultural and political events.
Filmed and broadcast on Thursday 16 January 2014, 7pm by This Is Tomorrow.
www.thisistomorrow.info
In this film British artist Dexter Dalwood talks to us at Tate St Ives, where an exhibition of his work spanning the last 12 years is on show.
Dalwood's amb...
In this film British artist Dexter Dalwood talks to us at Tate St Ives, where an exhibition of his work spanning the last 12 years is on show.
Dalwood's ambitious paintings depict imagined or constructed interiors and landscapes, often drawn from collective memories of historical events, people or places. Dalwood discusses paintings including 'The Death of David Kelly', 2008, based on events following the scandal over 'weapons of mass destruction' in Iraq.
In this film British artist Dexter Dalwood talks to us at Tate St Ives, where an exhibition of his work spanning the last 12 years is on show.
Dalwood's ambitious paintings depict imagined or constructed interiors and landscapes, often drawn from collective memories of historical events, people or places. Dalwood discusses paintings including 'The Death of David Kelly', 2008, based on events following the scandal over 'weapons of mass destruction' in Iraq.
An artist talk by the British painter Dexter Dalwood, presented by Plattform in cooperation with Faculty of art, music and design of University of Bergen.
Pl...
An artist talk by the British painter Dexter Dalwood, presented by Plattform in cooperation with Faculty of art, music and design of University of Bergen.
Please join us for a talk by the British artist Dexter Dalwood, at Landmark on 14 March.
Dexter Dalwood is a rare instance of an artist equipped to examine how history is constructed and interpreted through the making of paintings, which are both intellectually challenging and visually seductive. The artist’s juxtaposition of quotations and references from a broad and eclectic range of subjects is reflected in his transposition of the cut-and-paste of the collage technique to canvas. Not only does Dexter Dalwood possess a profound cultural and historical knowledge, he also perceives the connections between art history, politics, music, literature and personal experience, which he intimates with a remarkable lightness of touch. His paintings reward close observation, for the event or situation depicted is always reflected in the styles of painting that were developed during the periods referred to in the work.
In Dexter Dalwood’s practice the medium of painting is not only examined and celebrated in terms of its history and legacy; Dalwood also demonstrates the enduring contemporary relevance of painting as a way of communicating how we experience the world in which we live. On the flat, painted surface Dalwood creates a breathtaking pluralism that refracts and collides the memory of the past with future recollections of the present. It is no coincidence that the subjects of his paintings are always physically absent, portrayed through depictions of the environments that they might have occupied. Their invisibility heightens the mystery and artifice of the scene but also removes the most recognisable aspect of figuration from works that ultimately communicate something that goes beyond depiction or language. Much more than the sum of their very disparate parts, Dexter Dalwood’s paintings make an uncompromising claim for the continuing tradition of the medium.
(Text from http://www.simonleegallery.com/)
Dexter Dalwood (b. 1960) currently lives and works in London, England. The artist was shortlisted as one of the four nominees for the Turner Prize 2010.
The talk is presented by Plattform in cooperation with Faculty of art, music and design of University of Bergen.
Plattform is Bergen Kunsthall’s series of presentations, lectures and debates involving leading artists, curators and theoreticians on the contemporary art scene.
An artist talk by the British painter Dexter Dalwood, presented by Plattform in cooperation with Faculty of art, music and design of University of Bergen.
Please join us for a talk by the British artist Dexter Dalwood, at Landmark on 14 March.
Dexter Dalwood is a rare instance of an artist equipped to examine how history is constructed and interpreted through the making of paintings, which are both intellectually challenging and visually seductive. The artist’s juxtaposition of quotations and references from a broad and eclectic range of subjects is reflected in his transposition of the cut-and-paste of the collage technique to canvas. Not only does Dexter Dalwood possess a profound cultural and historical knowledge, he also perceives the connections between art history, politics, music, literature and personal experience, which he intimates with a remarkable lightness of touch. His paintings reward close observation, for the event or situation depicted is always reflected in the styles of painting that were developed during the periods referred to in the work.
In Dexter Dalwood’s practice the medium of painting is not only examined and celebrated in terms of its history and legacy; Dalwood also demonstrates the enduring contemporary relevance of painting as a way of communicating how we experience the world in which we live. On the flat, painted surface Dalwood creates a breathtaking pluralism that refracts and collides the memory of the past with future recollections of the present. It is no coincidence that the subjects of his paintings are always physically absent, portrayed through depictions of the environments that they might have occupied. Their invisibility heightens the mystery and artifice of the scene but also removes the most recognisable aspect of figuration from works that ultimately communicate something that goes beyond depiction or language. Much more than the sum of their very disparate parts, Dexter Dalwood’s paintings make an uncompromising claim for the continuing tradition of the medium.
(Text from http://www.simonleegallery.com/)
Dexter Dalwood (b. 1960) currently lives and works in London, England. The artist was shortlisted as one of the four nominees for the Turner Prize 2010.
The talk is presented by Plattform in cooperation with Faculty of art, music and design of University of Bergen.
Plattform is Bergen Kunsthall’s series of presentations, lectures and debates involving leading artists, curators and theoreticians on the contemporary art scene.
Volunteering on fixing up this green road in East Devon, Cory Brook is eroding the green roads surface, we're volunteering in partnership with Devon County's Pr...
Volunteering on fixing up this green road in East Devon, Cory Brook is eroding the green roads surface, we're volunteering in partnership with Devon County's Pro rights of Way team.
Volunteering on fixing up this green road in East Devon, Cory Brook is eroding the green roads surface, we're volunteering in partnership with Devon County's Pro rights of Way team.
Turner Prize nominated painter Dexter Dalwood describes his portraits "without the person there" which look at contemporary cultural and political events.
.
Turner Prize nominated painter Dexter Dalwood describes his portraits "without the person there" which look at contemporary cultural and political events.
.
Turner Prize nominated painter Dexter Dalwood describes his portraits "without the person there" which look at contemporary cultural and political events.
.
One of America's most acclaimed young painters Dana Schutz discusses her first UK solo exhibition at The Hepworth Wakefield and the state of contemporary painting with Turner Prize-nominated artist Dexter Dalwood.
Schutz is renowned for her riotously coloured figurative paintings and highly tactile approach, creating compelling and awkward imaginary worlds that explore hypothetical and sometimes absurd situations. Also primarily a painter, Dalwood's works typically draw upon historical tradition as well as current cultural and political events.
Filmed and broadcast on Thursday 16 January 2014, 7pm by This Is Tomorrow.
www.thisistomorrow.info
In this film British artist Dexter Dalwood talks to us at Tate St Ives, where an exhibition of his work spanning the last 12 years is on show.
Dalwood's ambitious paintings depict imagined or constructed interiors and landscapes, often drawn from collective memories of historical events, people or places. Dalwood discusses paintings including 'The Death of David Kelly', 2008, based on events following the scandal over 'weapons of mass destruction' in Iraq.
An artist talk by the British painter Dexter Dalwood, presented by Plattform in cooperation with Faculty of art, music and design of University of Bergen.
Please join us for a talk by the British artist Dexter Dalwood, at Landmark on 14 March.
Dexter Dalwood is a rare instance of an artist equipped to examine how history is constructed and interpreted through the making of paintings, which are both intellectually challenging and visually seductive. The artist’s juxtaposition of quotations and references from a broad and eclectic range of subjects is reflected in his transposition of the cut-and-paste of the collage technique to canvas. Not only does Dexter Dalwood possess a profound cultural and historical knowledge, he also perceives the connections between art history, politics, music, literature and personal experience, which he intimates with a remarkable lightness of touch. His paintings reward close observation, for the event or situation depicted is always reflected in the styles of painting that were developed during the periods referred to in the work.
In Dexter Dalwood’s practice the medium of painting is not only examined and celebrated in terms of its history and legacy; Dalwood also demonstrates the enduring contemporary relevance of painting as a way of communicating how we experience the world in which we live. On the flat, painted surface Dalwood creates a breathtaking pluralism that refracts and collides the memory of the past with future recollections of the present. It is no coincidence that the subjects of his paintings are always physically absent, portrayed through depictions of the environments that they might have occupied. Their invisibility heightens the mystery and artifice of the scene but also removes the most recognisable aspect of figuration from works that ultimately communicate something that goes beyond depiction or language. Much more than the sum of their very disparate parts, Dexter Dalwood’s paintings make an uncompromising claim for the continuing tradition of the medium.
(Text from http://www.simonleegallery.com/)
Dexter Dalwood (b. 1960) currently lives and works in London, England. The artist was shortlisted as one of the four nominees for the Turner Prize 2010.
The talk is presented by Plattform in cooperation with Faculty of art, music and design of University of Bergen.
Plattform is Bergen Kunsthall’s series of presentations, lectures and debates involving leading artists, curators and theoreticians on the contemporary art scene.
Volunteering on fixing up this green road in East Devon, Cory Brook is eroding the green roads surface, we're volunteering in partnership with Devon County's Pro rights of Way team.
Turner Prize nominated painter Dexter Dalwood describes his portraits "without the person there" which look at contemporary cultural and political events.
.
Dalwood is a village and county parish in the East Devon district of the English county of Devon. It is approximately 3 miles (4.8km) away from the nearest town, Axminster, and 5 miles (8.0km) away from Honiton. Dalwood can be accessed by the nearby A35 road. The village is placed within the Blackdown Hills Area of Outstanding Natural Beauty. Along with the nearby village of Stockland, until 1842 the village was a part of an outlier of the county of Dorset.
Dalwood is a small village with a church, a primary school and village hall.
St Peter's church is 15th century and was restored in 1881. It has some early stained glass windows. Immediately to the right of the main door (and partly visible in photograph) is the grave of Pedro de Alcantara Travassos Valdez, a son of the Portuguese soldier and Prime Minister José Lucio Travassos Valdez, 1st Count of Bonfim.
Nearby Loughwood Meeting House just north of the A35 road is an 18th-century Baptist chapel with an unaltered interior. Some landscaped gardens are opened to the public at nearby Burrow Farm.
It got to resembling a vaudeville show, the show of shows, such comedy = unserpassed as juvenile theatrics go, but who am I to tell you to = contain yourself? And who are you to tell me to control it? When we both = have prepared so carefully. One day you'll know we never meant eachother = harm in any way, one day you'll know we never meant eachother sorrow, = gotta keep my distance. I keep sifting through the loot to find the = stairs, this business burning to the ground, I can't look back my = hindsight seems to be impared, my outlook has no holds to see out. It's = starting to hurt when I open my arms too wide, a milky white haze = invades my vision, my lungs are heavy with your presence as if you were = standing right behind me, and I can't bring myself to turn around, gotta = keep my distance.
About 2.30pm yesterday (Sunday 17 September 2023), emergency services were called to Dalwood Falls on Dalwood Road, Dalwood, following reports a man had jumped into the water and had not resurfaced.