-
Così Fan Tutte - complete (English Subtitles)
Mozart's Così Fan Tutte
Complete opera with English Subtitles
1992 France
Amanda Roocroft - Fiordiligi
Rosa Mannion - Dorabella
Rodney Gilfry - Guglielmo
Rainer Trost - Ferrando
Eirian James - Despina
Claudio Nicolai - Don Alfonso
Monteverdi Choir
English Baroque Soloists
John Eliot Gardiner - Conductor
Peter Mumford - Director
Wolfgang Amadeus Mozart - Music
Lorenzo Da Ponte - Libretto
published: 07 Aug 2016
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Mozart Overture Cosi fan tutte - Sinfonia Rotterdam / Conrad van Alphen
Mozart Overture Cosi fan tutte performed live by Sinfonia Rotterdam under the baton of Conrad van Alphen in De Doelen Rotterdam on 26 September 2015.
Video by Max Boeree and Sound by Peter Arts
published: 23 Oct 2015
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Claudia Koll - Così Fan Tutte - Tinto Brass - Italian Movie (1992)
All Ladies Do It - Così Fan Tutte - Claudia Koll - Tinto Brass - Italian Movie (1992)
published: 01 Oct 2022
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Così fan tutte: 'Soave sia il vento' – Mozart
Nicolas Rivenq as Don Alfonso, Miah Persson as Fiordiligi and Anke Vondung as Dorabella sing the trio 'Soave sia il vento' in the 2006 Glyndebourne Festival Production of Mozart's Così fan tutte.
The DVD and Blu-ray of this production are available from the Glyndebourne Shop: https://www.glyndebourneshop.com/products/cosi-fan-tutte-2006
published: 27 May 2010
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MOZART - COSI' FAN TUTTE (1790) with double subs It-Eng
According to Stendhal, to enjoy an opera sung in a language that we do not know, it would be enough to have just a basic outline of the plot. In my view, in the case of Mozart, this would mean neglecting the close attention he always paid not only to the dramaturgy but to every word of his operas’ libretti; and, as regards those of Da Ponte, it would mean overlooking three great comedies. Not for nothing, Stendhal was one of the detractors of “Così Fan Tutte”, joining his to Wagner’s, Beethoven’s and other’s hasty and superficial misjudgments that condemned in particular its text as frivolous, if not “immoral and trivial”, “unworthy of Mozart’s genius” (so did Beethoven, and yes, “Così” is not “Fidelio”!)
- But let me say… Trivial??? You’ll never know what you’ve missed! -
Perhaps, the lac...
published: 14 Oct 2019
-
Così fan tutte: Soave sia il vento | Opera Queensland
Experience the timeless allure of Così fan tutte as Samantha Clarke (Fiordiligi), Anna Dowsley (Dorabella), and Shaun Brown (Don Alfonso) enchant us with the heartfelt and renowned trio, 'Soave sia il vento' with Zoe Zeniodi leading the Queensland Symphony Orchestra.
Uncover the playful world of Così fan tutte when it opens August 10 at QPAC.
Videography: Pixel Frame
Thanks to our friends at Queensland Symphony Orchestra for the wonderful music and sharing your space with us!
published: 03 Aug 2023
-
Mozart - Cosi Fan Tutte (with Cecilia Bartoli, Liliana Nikiteanu, Agnes Baltsa) | Act 1/2
From Opernhaus Zürich, Switzerland, 2000
Wolfgang Amadeus Mozart’s Opera in Two Acts, with libretto by Lorenzo da Ponte
Watch the second act: https://youtu.be/jy9ujQm6BrE
Subscribe to wocomoMUSIC: https://goo.gl/ahZRzC
Follow us on Facebook: http://www.facebook.com/wocomo
Fiordiligi - Cecilia Bartoli (mezzo-soprano)
Dorabella - Liliana Nikiteanu (mezzo-soprano)
Ferrando - Roberto Saccà (tenor)
Giulelmo - Oliver Widmer (bass-baritone)
Despina - Agnes Baltsa (mezzo-soprano)
Don Alfonso - Carlos Chausson (bass-baritone)
Chorus and Orchestra of the Opernhaus Zürich
Nikolaus Harnoncourt - conductor
Wolfgang Amadeus Mozart - Così Fan Tutte
0:00 Overture
4:37 Act I Trio "La mia Dorabella"
7:48 Act I: Trio "E la fede delle femmine"
10:52 Act I: Trio "Una bella serenata"
13:48 Act I: Duet "Ah! ...
published: 08 Mar 2021
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Patricia JANEČKOVÁ - COSI FAN TUTTE
W.A. MOZART: COSI FAN TUTTE - "IN UOMINI, IN SOLDATI" Sólo: Patricia Janečková, dirigent: Marek Prášil. Zveřejňujeme s laskavým svolením Jihočeské filharmonie.
published: 17 May 2021
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Rondo Alla Turca ( Piano Acoustic ) - Mozart
[ History of Wolfgang Amadeus Mozart ]
Author : Wolfgang Amadeus Mozart
Born : 27 January 1756 Getreidegasse 9, Salzburg
Died : 5 December 1791 (aged 35) Vienna
Wolfgang Amadeus Mozart (27 January 1756 – 5 December 1791) was a prolific and influential composer of the Classical period. Despite his short life, his rapid pace of composition resulted in more than 800 works representing virtually every Western classical genre of his time. Many of these compositions are acknowledged as pinnacles of the symphonic, concertante, chamber, operatic, and choral repertoire. Mozart is widely regarded as one of the greatest composers in the history of Western music, with his music admired for its "melodic beauty, its formal elegance and its richness of harmony and texture
Born in Salzburg, Mozart sh...
published: 10 Dec 2024
-
Mozart - Overture, 'Così fan tutte'
Wolfgang Amadeus Mozart (German: [ˈvɔlfɡaŋ amaˈdeus ˈmoːtsaʁt], English see fn.), name Johannes Chrysostomus Wolfgangus Theophilus Mozart (27 January 1756 -- 5 December 1791), was a prolific and influential composer of the Classical era. Mozart showed prodigious ability from his earliest childhood. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty. At 17, he was engaged as a court musician in Salzburg, but grew restless and travelled in search of a better position, always composing abundantly. While visiting Vienna in 1781, he was dismissed from his Salzburg position. He chose to stay in the capital, where he achieved fame but little financial security. During his final years in Vienna, he composed many of his best-known sympho...
published: 01 Dec 2012
3:12:34
Così Fan Tutte - complete (English Subtitles)
Mozart's Così Fan Tutte
Complete opera with English Subtitles
1992 France
Amanda Roocroft - Fiordiligi
Rosa Mannion - Dorabella
Rodney Gilfry - Guglielmo
Raine...
Mozart's Così Fan Tutte
Complete opera with English Subtitles
1992 France
Amanda Roocroft - Fiordiligi
Rosa Mannion - Dorabella
Rodney Gilfry - Guglielmo
Rainer Trost - Ferrando
Eirian James - Despina
Claudio Nicolai - Don Alfonso
Monteverdi Choir
English Baroque Soloists
John Eliot Gardiner - Conductor
Peter Mumford - Director
Wolfgang Amadeus Mozart - Music
Lorenzo Da Ponte - Libretto
https://wn.com/Così_Fan_Tutte_Complete_(English_Subtitles)
Mozart's Così Fan Tutte
Complete opera with English Subtitles
1992 France
Amanda Roocroft - Fiordiligi
Rosa Mannion - Dorabella
Rodney Gilfry - Guglielmo
Rainer Trost - Ferrando
Eirian James - Despina
Claudio Nicolai - Don Alfonso
Monteverdi Choir
English Baroque Soloists
John Eliot Gardiner - Conductor
Peter Mumford - Director
Wolfgang Amadeus Mozart - Music
Lorenzo Da Ponte - Libretto
- published: 07 Aug 2016
- views: 1123932
5:44
Mozart Overture Cosi fan tutte - Sinfonia Rotterdam / Conrad van Alphen
Mozart Overture Cosi fan tutte performed live by Sinfonia Rotterdam under the baton of Conrad van Alphen in De Doelen Rotterdam on 26 September 2015.
Video by M...
Mozart Overture Cosi fan tutte performed live by Sinfonia Rotterdam under the baton of Conrad van Alphen in De Doelen Rotterdam on 26 September 2015.
Video by Max Boeree and Sound by Peter Arts
https://wn.com/Mozart_Overture_Cosi_Fan_Tutte_Sinfonia_Rotterdam_Conrad_Van_Alphen
Mozart Overture Cosi fan tutte performed live by Sinfonia Rotterdam under the baton of Conrad van Alphen in De Doelen Rotterdam on 26 September 2015.
Video by Max Boeree and Sound by Peter Arts
- published: 23 Oct 2015
- views: 340063
1:51
Claudia Koll - Così Fan Tutte - Tinto Brass - Italian Movie (1992)
All Ladies Do It - Così Fan Tutte - Claudia Koll - Tinto Brass - Italian Movie (1992)
All Ladies Do It - Così Fan Tutte - Claudia Koll - Tinto Brass - Italian Movie (1992)
https://wn.com/Claudia_Koll_Così_Fan_Tutte_Tinto_Brass_Italian_Movie_(1992)
All Ladies Do It - Così Fan Tutte - Claudia Koll - Tinto Brass - Italian Movie (1992)
- published: 01 Oct 2022
- views: 2751391
2:36
Così fan tutte: 'Soave sia il vento' – Mozart
Nicolas Rivenq as Don Alfonso, Miah Persson as Fiordiligi and Anke Vondung as Dorabella sing the trio 'Soave sia il vento' in the 2006 Glyndebourne Festival Pro...
Nicolas Rivenq as Don Alfonso, Miah Persson as Fiordiligi and Anke Vondung as Dorabella sing the trio 'Soave sia il vento' in the 2006 Glyndebourne Festival Production of Mozart's Così fan tutte.
The DVD and Blu-ray of this production are available from the Glyndebourne Shop: https://www.glyndebourneshop.com/products/cosi-fan-tutte-2006
https://wn.com/Così_Fan_Tutte_'Soave_Sia_Il_Vento'_–_Mozart
Nicolas Rivenq as Don Alfonso, Miah Persson as Fiordiligi and Anke Vondung as Dorabella sing the trio 'Soave sia il vento' in the 2006 Glyndebourne Festival Production of Mozart's Così fan tutte.
The DVD and Blu-ray of this production are available from the Glyndebourne Shop: https://www.glyndebourneshop.com/products/cosi-fan-tutte-2006
- published: 27 May 2010
- views: 832250
3:13:24
MOZART - COSI' FAN TUTTE (1790) with double subs It-Eng
According to Stendhal, to enjoy an opera sung in a language that we do not know, it would be enough to have just a basic outline of the plot. In my view, in the...
According to Stendhal, to enjoy an opera sung in a language that we do not know, it would be enough to have just a basic outline of the plot. In my view, in the case of Mozart, this would mean neglecting the close attention he always paid not only to the dramaturgy but to every word of his operas’ libretti; and, as regards those of Da Ponte, it would mean overlooking three great comedies. Not for nothing, Stendhal was one of the detractors of “Così Fan Tutte”, joining his to Wagner’s, Beethoven’s and other’s hasty and superficial misjudgments that condemned in particular its text as frivolous, if not “immoral and trivial”, “unworthy of Mozart’s genius” (so did Beethoven, and yes, “Così” is not “Fidelio”!)
- But let me say… Trivial??? You’ll never know what you’ve missed! -
Perhaps, the lack of a well-established literary source (unlike the other two Mozart-Da Ponte operas) left this libretto more vulnerable to criticism, but actually, many elements of the plot had an ancient and noble ancestry and were widely spread in Europe culture of the 18th century and in particular in the Burgtheater’s repertory of those times.
Unfortunately, a text so full of sophisticated literary and operatic quotations, allusions, sayings, proverbs was hardly conveyable in other languages (in the first performances it was available in Italian only, or in a clumsy German translation). Thus it was, in fact, altogether ignored or misinterpreted, and the work, as that miracle of balance and symmetry Mozart and Da Ponte had conceived, risked being definitively lost through the distortions, mutilations and odd adaptations to new libretti it suffered over the next century.
Besides, frivolous? Immoral? Woe if Da Ponte hadn’t treated gaily and lightly an experiment, moreover involving a wager, to demonstrate women’s fickleness! (a subject probably inspired by a recent society scandal in Vienna). It would have been unbearably hateful and cynical, if delivered too seriously or realistically (thing however impossible, within the 24-hours of the three unities rule), as well as it would have been, if rendered with an excess of buffoonery. No, Da Ponte displays all his literary prowess in conceiving a human intermingling of truth and illusion, superficiality and profundity, and in rendering it then with a predominantly humorous mode, through overt theatricality, witty parodies, and broad comedy, but not excluding moments of sincere emotion. And Mozart displays all his brilliant inventiveness in conveying, with the tiniest details of his musical choices (deploying of instruments, cadences, rhythm, modulations…), every trait of the text, from biting irony to heartfelt empathy, as and when the two couples of betrothed lose their shallowness and acquire human depth.
As always, Da Ponte’s witty, refined, and well-constructed writing offers Mozart the opportunity to insert music from multiple traditions, which responds to and furthers with equal allusive strength what the text suggests. They give proof of misinterpreting this libretto or ignoring the close collaboration Mozart-Da Ponte, those who talk about discrepancy between “Così”’s music and text, whereas, on the contrary, there are always perfect synergy and interaction.
With an intentionally ambiguous tactic, Da Ponte and Mozart bring us continually almost on the verge of emotional involvement, only to swerve again towards irony at the last moment. There's no shortage of humor even in the forgiving scene immediately before the final moral!
But, to understand and fully appreciate much of the ingenuity on the part of composer and librettist together, to grasp irony within ambiguity, to recognize the satirical intent even when the line between pathos and parody becomes finer, it is necessary to follow the words throughout the opera, recitatives included!
“Così” is preeminently an opera of ensembles, where the characters’ different emotions and views on the events can confront each other simultaneously or rapidly overlapping. I’ve unraveled their lines individually, not only to reveal all that insightful wit which traditional subtitles often cut out, but also to highlight the athletic vocal writing of one of Mozart's most difficult scores.
January 26 2020 the 230th anniversary of its premiere.
CAST:
Fiordiligi: Barbara Frittoli
Dorabella: Angelika Kirchschlager
Guglielmo: Bo Skovhus
Ferrando: Michael Schade
Despina: Monica Bacelli
Don Alfonso: Alessandro Corbelli
Chorus and Orchestra of Vienna State Opera
Conductor: Riccardo Muti
directed for the stage by Roberto de Simone
directed for TV by Brian Large
Recorded live at the Theater an der Wien, Vienna, 1996.
https://wn.com/Mozart_Cosi'_Fan_Tutte_(1790)_With_Double_Subs_It_Eng
According to Stendhal, to enjoy an opera sung in a language that we do not know, it would be enough to have just a basic outline of the plot. In my view, in the case of Mozart, this would mean neglecting the close attention he always paid not only to the dramaturgy but to every word of his operas’ libretti; and, as regards those of Da Ponte, it would mean overlooking three great comedies. Not for nothing, Stendhal was one of the detractors of “Così Fan Tutte”, joining his to Wagner’s, Beethoven’s and other’s hasty and superficial misjudgments that condemned in particular its text as frivolous, if not “immoral and trivial”, “unworthy of Mozart’s genius” (so did Beethoven, and yes, “Così” is not “Fidelio”!)
- But let me say… Trivial??? You’ll never know what you’ve missed! -
Perhaps, the lack of a well-established literary source (unlike the other two Mozart-Da Ponte operas) left this libretto more vulnerable to criticism, but actually, many elements of the plot had an ancient and noble ancestry and were widely spread in Europe culture of the 18th century and in particular in the Burgtheater’s repertory of those times.
Unfortunately, a text so full of sophisticated literary and operatic quotations, allusions, sayings, proverbs was hardly conveyable in other languages (in the first performances it was available in Italian only, or in a clumsy German translation). Thus it was, in fact, altogether ignored or misinterpreted, and the work, as that miracle of balance and symmetry Mozart and Da Ponte had conceived, risked being definitively lost through the distortions, mutilations and odd adaptations to new libretti it suffered over the next century.
Besides, frivolous? Immoral? Woe if Da Ponte hadn’t treated gaily and lightly an experiment, moreover involving a wager, to demonstrate women’s fickleness! (a subject probably inspired by a recent society scandal in Vienna). It would have been unbearably hateful and cynical, if delivered too seriously or realistically (thing however impossible, within the 24-hours of the three unities rule), as well as it would have been, if rendered with an excess of buffoonery. No, Da Ponte displays all his literary prowess in conceiving a human intermingling of truth and illusion, superficiality and profundity, and in rendering it then with a predominantly humorous mode, through overt theatricality, witty parodies, and broad comedy, but not excluding moments of sincere emotion. And Mozart displays all his brilliant inventiveness in conveying, with the tiniest details of his musical choices (deploying of instruments, cadences, rhythm, modulations…), every trait of the text, from biting irony to heartfelt empathy, as and when the two couples of betrothed lose their shallowness and acquire human depth.
As always, Da Ponte’s witty, refined, and well-constructed writing offers Mozart the opportunity to insert music from multiple traditions, which responds to and furthers with equal allusive strength what the text suggests. They give proof of misinterpreting this libretto or ignoring the close collaboration Mozart-Da Ponte, those who talk about discrepancy between “Così”’s music and text, whereas, on the contrary, there are always perfect synergy and interaction.
With an intentionally ambiguous tactic, Da Ponte and Mozart bring us continually almost on the verge of emotional involvement, only to swerve again towards irony at the last moment. There's no shortage of humor even in the forgiving scene immediately before the final moral!
But, to understand and fully appreciate much of the ingenuity on the part of composer and librettist together, to grasp irony within ambiguity, to recognize the satirical intent even when the line between pathos and parody becomes finer, it is necessary to follow the words throughout the opera, recitatives included!
“Così” is preeminently an opera of ensembles, where the characters’ different emotions and views on the events can confront each other simultaneously or rapidly overlapping. I’ve unraveled their lines individually, not only to reveal all that insightful wit which traditional subtitles often cut out, but also to highlight the athletic vocal writing of one of Mozart's most difficult scores.
January 26 2020 the 230th anniversary of its premiere.
CAST:
Fiordiligi: Barbara Frittoli
Dorabella: Angelika Kirchschlager
Guglielmo: Bo Skovhus
Ferrando: Michael Schade
Despina: Monica Bacelli
Don Alfonso: Alessandro Corbelli
Chorus and Orchestra of Vienna State Opera
Conductor: Riccardo Muti
directed for the stage by Roberto de Simone
directed for TV by Brian Large
Recorded live at the Theater an der Wien, Vienna, 1996.
- published: 14 Oct 2019
- views: 196080
3:12
Così fan tutte: Soave sia il vento | Opera Queensland
Experience the timeless allure of Così fan tutte as Samantha Clarke (Fiordiligi), Anna Dowsley (Dorabella), and Shaun Brown (Don Alfonso) enchant us with the he...
Experience the timeless allure of Così fan tutte as Samantha Clarke (Fiordiligi), Anna Dowsley (Dorabella), and Shaun Brown (Don Alfonso) enchant us with the heartfelt and renowned trio, 'Soave sia il vento' with Zoe Zeniodi leading the Queensland Symphony Orchestra.
Uncover the playful world of Così fan tutte when it opens August 10 at QPAC.
Videography: Pixel Frame
Thanks to our friends at Queensland Symphony Orchestra for the wonderful music and sharing your space with us!
https://wn.com/Così_Fan_Tutte_Soave_Sia_Il_Vento_|_Opera_Queensland
Experience the timeless allure of Così fan tutte as Samantha Clarke (Fiordiligi), Anna Dowsley (Dorabella), and Shaun Brown (Don Alfonso) enchant us with the heartfelt and renowned trio, 'Soave sia il vento' with Zoe Zeniodi leading the Queensland Symphony Orchestra.
Uncover the playful world of Così fan tutte when it opens August 10 at QPAC.
Videography: Pixel Frame
Thanks to our friends at Queensland Symphony Orchestra for the wonderful music and sharing your space with us!
- published: 03 Aug 2023
- views: 57066
1:33:03
Mozart - Cosi Fan Tutte (with Cecilia Bartoli, Liliana Nikiteanu, Agnes Baltsa) | Act 1/2
From Opernhaus Zürich, Switzerland, 2000
Wolfgang Amadeus Mozart’s Opera in Two Acts, with libretto by Lorenzo da Ponte
Watch the second act: https://youtu.be/j...
From Opernhaus Zürich, Switzerland, 2000
Wolfgang Amadeus Mozart’s Opera in Two Acts, with libretto by Lorenzo da Ponte
Watch the second act: https://youtu.be/jy9ujQm6BrE
Subscribe to wocomoMUSIC: https://goo.gl/ahZRzC
Follow us on Facebook: http://www.facebook.com/wocomo
Fiordiligi - Cecilia Bartoli (mezzo-soprano)
Dorabella - Liliana Nikiteanu (mezzo-soprano)
Ferrando - Roberto Saccà (tenor)
Giulelmo - Oliver Widmer (bass-baritone)
Despina - Agnes Baltsa (mezzo-soprano)
Don Alfonso - Carlos Chausson (bass-baritone)
Chorus and Orchestra of the Opernhaus Zürich
Nikolaus Harnoncourt - conductor
Wolfgang Amadeus Mozart - Così Fan Tutte
0:00 Overture
4:37 Act I Trio "La mia Dorabella"
7:48 Act I: Trio "E la fede delle femmine"
10:52 Act I: Trio "Una bella serenata"
13:48 Act I: Duet "Ah! guarda sorella"
19:28 Act I: Aria "Vorrei dir e cor non ho"
21:27 Act I: Quintet "Sento o Dio che questo piede"
26:50 Act I: Choir "Bella vita militar!"
28:18 Act I: Quintet "Di scrivermi ogni giorno"
32:02 Act I: Trio "Soave sia il vento"
48:27 Act I: Sextet "Alla bella Despinetta"
54:45 Act I: Aria "Come scoglio immoto resta"
1:07:22 Act I: Aria "Un aura amorosa"
1:14:11 Act I: Duet: "Ah! che tutta in un momento"
© Licensed by Digital Classics Distribution
https://wn.com/Mozart_Cosi_Fan_Tutte_(With_Cecilia_Bartoli,_Liliana_Nikiteanu,_Agnes_Baltsa)_|_Act_1_2
From Opernhaus Zürich, Switzerland, 2000
Wolfgang Amadeus Mozart’s Opera in Two Acts, with libretto by Lorenzo da Ponte
Watch the second act: https://youtu.be/jy9ujQm6BrE
Subscribe to wocomoMUSIC: https://goo.gl/ahZRzC
Follow us on Facebook: http://www.facebook.com/wocomo
Fiordiligi - Cecilia Bartoli (mezzo-soprano)
Dorabella - Liliana Nikiteanu (mezzo-soprano)
Ferrando - Roberto Saccà (tenor)
Giulelmo - Oliver Widmer (bass-baritone)
Despina - Agnes Baltsa (mezzo-soprano)
Don Alfonso - Carlos Chausson (bass-baritone)
Chorus and Orchestra of the Opernhaus Zürich
Nikolaus Harnoncourt - conductor
Wolfgang Amadeus Mozart - Così Fan Tutte
0:00 Overture
4:37 Act I Trio "La mia Dorabella"
7:48 Act I: Trio "E la fede delle femmine"
10:52 Act I: Trio "Una bella serenata"
13:48 Act I: Duet "Ah! guarda sorella"
19:28 Act I: Aria "Vorrei dir e cor non ho"
21:27 Act I: Quintet "Sento o Dio che questo piede"
26:50 Act I: Choir "Bella vita militar!"
28:18 Act I: Quintet "Di scrivermi ogni giorno"
32:02 Act I: Trio "Soave sia il vento"
48:27 Act I: Sextet "Alla bella Despinetta"
54:45 Act I: Aria "Come scoglio immoto resta"
1:07:22 Act I: Aria "Un aura amorosa"
1:14:11 Act I: Duet: "Ah! che tutta in un momento"
© Licensed by Digital Classics Distribution
- published: 08 Mar 2021
- views: 184634
2:36
Patricia JANEČKOVÁ - COSI FAN TUTTE
W.A. MOZART: COSI FAN TUTTE - "IN UOMINI, IN SOLDATI" Sólo: Patricia Janečková, dirigent: Marek Prášil. Zveřejňujeme s laskavým svolením Jihočeské filharmonie.
W.A. MOZART: COSI FAN TUTTE - "IN UOMINI, IN SOLDATI" Sólo: Patricia Janečková, dirigent: Marek Prášil. Zveřejňujeme s laskavým svolením Jihočeské filharmonie.
https://wn.com/Patricia_Janečková_Cosi_Fan_Tutte
W.A. MOZART: COSI FAN TUTTE - "IN UOMINI, IN SOLDATI" Sólo: Patricia Janečková, dirigent: Marek Prášil. Zveřejňujeme s laskavým svolením Jihočeské filharmonie.
- published: 17 May 2021
- views: 337981
3:47
Rondo Alla Turca ( Piano Acoustic ) - Mozart
[ History of Wolfgang Amadeus Mozart ]
Author : Wolfgang Amadeus Mozart
Born : 27 January 1756 Getreidegasse 9, Salzburg
Died : 5 December 1791 (aged 35) Vie...
[ History of Wolfgang Amadeus Mozart ]
Author : Wolfgang Amadeus Mozart
Born : 27 January 1756 Getreidegasse 9, Salzburg
Died : 5 December 1791 (aged 35) Vienna
Wolfgang Amadeus Mozart (27 January 1756 – 5 December 1791) was a prolific and influential composer of the Classical period. Despite his short life, his rapid pace of composition resulted in more than 800 works representing virtually every Western classical genre of his time. Many of these compositions are acknowledged as pinnacles of the symphonic, concertante, chamber, operatic, and choral repertoire. Mozart is widely regarded as one of the greatest composers in the history of Western music, with his music admired for its "melodic beauty, its formal elegance and its richness of harmony and texture
Born in Salzburg, Mozart showed prodigious ability from his earliest childhood. At age five, he was already competent on keyboard and violin, had begun to compose, and performed before European royalty. His father took him on a grand tour of Europe and then three trips to Italy. At 17, he was a musician at the Salzburg court but grew restless and travelled in search of a better position. Mozart's search for employment led to positions in Paris, Mannheim, Munich, and again in Salzburg, during which he wrote his five violin concertos, Sinfonia Concertante, and Concerto for Flute and Harp, as well as sacred pieces and masses, the motet Exsultate Jubilate, and the opera Idomeneo, among other works.
While visiting Vienna in 1781, Mozart was dismissed from his Salzburg position. He stayed in Vienna, where he achieved fame but little financial security. During Mozart’s early years in Vienna, he produced several notable works, such as the opera Die Entführung aus dem Serail, the Great Mass in C Minor, the "Haydn" Quartets and a number of symphonies. Throughout his Vienna years, Mozart composed over a dozen piano concertos, many considered some of his greatest achievements. In the final years of his life, Mozart wrote many of his best-known works, including his last three symphonies, culminating in the Jupiter Symphony, the serenade Eine kleine Nachtmusik, his Clarinet Concerto, the four operas Le nozze di Figaro, Don Giovanni, Così fan tutte and Die Zauberflöte and his Requiem. The Requiem was largely unfinished at the time of his death at age 35, the circumstances of which are uncertain and much mythologised.
Resources : Wikipedia
https://wn.com/Rondo_Alla_Turca_(_Piano_Acoustic_)_Mozart
[ History of Wolfgang Amadeus Mozart ]
Author : Wolfgang Amadeus Mozart
Born : 27 January 1756 Getreidegasse 9, Salzburg
Died : 5 December 1791 (aged 35) Vienna
Wolfgang Amadeus Mozart (27 January 1756 – 5 December 1791) was a prolific and influential composer of the Classical period. Despite his short life, his rapid pace of composition resulted in more than 800 works representing virtually every Western classical genre of his time. Many of these compositions are acknowledged as pinnacles of the symphonic, concertante, chamber, operatic, and choral repertoire. Mozart is widely regarded as one of the greatest composers in the history of Western music, with his music admired for its "melodic beauty, its formal elegance and its richness of harmony and texture
Born in Salzburg, Mozart showed prodigious ability from his earliest childhood. At age five, he was already competent on keyboard and violin, had begun to compose, and performed before European royalty. His father took him on a grand tour of Europe and then three trips to Italy. At 17, he was a musician at the Salzburg court but grew restless and travelled in search of a better position. Mozart's search for employment led to positions in Paris, Mannheim, Munich, and again in Salzburg, during which he wrote his five violin concertos, Sinfonia Concertante, and Concerto for Flute and Harp, as well as sacred pieces and masses, the motet Exsultate Jubilate, and the opera Idomeneo, among other works.
While visiting Vienna in 1781, Mozart was dismissed from his Salzburg position. He stayed in Vienna, where he achieved fame but little financial security. During Mozart’s early years in Vienna, he produced several notable works, such as the opera Die Entführung aus dem Serail, the Great Mass in C Minor, the "Haydn" Quartets and a number of symphonies. Throughout his Vienna years, Mozart composed over a dozen piano concertos, many considered some of his greatest achievements. In the final years of his life, Mozart wrote many of his best-known works, including his last three symphonies, culminating in the Jupiter Symphony, the serenade Eine kleine Nachtmusik, his Clarinet Concerto, the four operas Le nozze di Figaro, Don Giovanni, Così fan tutte and Die Zauberflöte and his Requiem. The Requiem was largely unfinished at the time of his death at age 35, the circumstances of which are uncertain and much mythologised.
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- published: 10 Dec 2024
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Mozart - Overture, 'Così fan tutte'
Wolfgang Amadeus Mozart (German: [ˈvɔlfɡaŋ amaˈdeus ˈmoːtsaʁt], English see fn.), name Johannes Chrysostomus Wolfgangus Theophilus Mozart (27 January 1756 -- 5 ...
Wolfgang Amadeus Mozart (German: [ˈvɔlfɡaŋ amaˈdeus ˈmoːtsaʁt], English see fn.), name Johannes Chrysostomus Wolfgangus Theophilus Mozart (27 January 1756 -- 5 December 1791), was a prolific and influential composer of the Classical era. Mozart showed prodigious ability from his earliest childhood. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty. At 17, he was engaged as a court musician in Salzburg, but grew restless and travelled in search of a better position, always composing abundantly. While visiting Vienna in 1781, he was dismissed from his Salzburg position. He chose to stay in the capital, where he achieved fame but little financial security. During his final years in Vienna, he composed many of his best-known symphonies, concertos, and operas, and portions of the Requiem, which was largely unfinished at the time of his death. The circumstances of his early death have been much mythologized. He was survived by his wife Constanze and two sons. Mozart learned voraciously from others, and developed a brilliance and maturity of style that encompassed the light and graceful along with the dark and passionate. He composed over 600 works, many acknowledged as pinnacles of symphonic, concertante, chamber, operatic, and choral music. He is among the most enduringly popular of classical composers, and his influence on subsequent Western art music is profound; Beethoven composed his own early works in the shadow of Mozart, and Joseph Haydn wrote that "posterity will not see such a talent again in 100 years... http://en.wikipedia.org/wiki/Wolfgang_Amadeus_Mozart
Così fan tutte, ossia La scuola degli amanti (Thus Do They All, or The School For Lovers) K. 588, is an Italian language opera buffa by Wolfgang Amadeus Mozart first performed in 1790. The libretto was written by Lorenzo Da Ponte. Così fan tutte is one of the three Mozart operas for which Da Ponte wrote the libretto. The other two Da Ponte-Mozart collaborations were Le nozze di Figaro and Don Giovanni. Although it is commonly held that Così fan tutte was written and composed at the suggestion of the Emperor Joseph II, recent research does not support this idea. There is evidence that Mozart's contemporary Antonio Salieri tried to set the libretto but left it unfinished. In 1994, John Rice uncovered two terzetti by Salieri in the Austrian National Library. The title, Così fan tutte, literally means "Thus do all [women]" but it is often rendered as "Women are like that". The words are sung by the three men in act 2, scene 3, just before the finale. Da Ponte had used the line "Così fan tutte le belle" earlier in Le nozze di Figaro (in act 1, scene 7)... http://en.wikipedia.org/wiki/Cos%C3%AC_fan_tutte
A link to this wonderful artists Website: http://www.classicalarchives.com/mozart.html
Please Enjoy!
I send my kind and warm regards,
https://wn.com/Mozart_Overture,_'Così_Fan_Tutte'
Wolfgang Amadeus Mozart (German: [ˈvɔlfɡaŋ amaˈdeus ˈmoːtsaʁt], English see fn.), name Johannes Chrysostomus Wolfgangus Theophilus Mozart (27 January 1756 -- 5 December 1791), was a prolific and influential composer of the Classical era. Mozart showed prodigious ability from his earliest childhood. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty. At 17, he was engaged as a court musician in Salzburg, but grew restless and travelled in search of a better position, always composing abundantly. While visiting Vienna in 1781, he was dismissed from his Salzburg position. He chose to stay in the capital, where he achieved fame but little financial security. During his final years in Vienna, he composed many of his best-known symphonies, concertos, and operas, and portions of the Requiem, which was largely unfinished at the time of his death. The circumstances of his early death have been much mythologized. He was survived by his wife Constanze and two sons. Mozart learned voraciously from others, and developed a brilliance and maturity of style that encompassed the light and graceful along with the dark and passionate. He composed over 600 works, many acknowledged as pinnacles of symphonic, concertante, chamber, operatic, and choral music. He is among the most enduringly popular of classical composers, and his influence on subsequent Western art music is profound; Beethoven composed his own early works in the shadow of Mozart, and Joseph Haydn wrote that "posterity will not see such a talent again in 100 years... http://en.wikipedia.org/wiki/Wolfgang_Amadeus_Mozart
Così fan tutte, ossia La scuola degli amanti (Thus Do They All, or The School For Lovers) K. 588, is an Italian language opera buffa by Wolfgang Amadeus Mozart first performed in 1790. The libretto was written by Lorenzo Da Ponte. Così fan tutte is one of the three Mozart operas for which Da Ponte wrote the libretto. The other two Da Ponte-Mozart collaborations were Le nozze di Figaro and Don Giovanni. Although it is commonly held that Così fan tutte was written and composed at the suggestion of the Emperor Joseph II, recent research does not support this idea. There is evidence that Mozart's contemporary Antonio Salieri tried to set the libretto but left it unfinished. In 1994, John Rice uncovered two terzetti by Salieri in the Austrian National Library. The title, Così fan tutte, literally means "Thus do all [women]" but it is often rendered as "Women are like that". The words are sung by the three men in act 2, scene 3, just before the finale. Da Ponte had used the line "Così fan tutte le belle" earlier in Le nozze di Figaro (in act 1, scene 7)... http://en.wikipedia.org/wiki/Cos%C3%AC_fan_tutte
A link to this wonderful artists Website: http://www.classicalarchives.com/mozart.html
Please Enjoy!
I send my kind and warm regards,
- published: 01 Dec 2012
- views: 941521