A click track is a series of audio cues used to synchronize sound recordings, sometimes for synchronization to a moving image. The click track originated in early sound movies, where optical marks were made on the film to indicate precise timings for musical accompaniment. It can also serve a purpose similar to a metronome, as in the music industry, where it is often used during recording sessions and live performances.
History
The click track was sufficiently useful as a synchronization tool that it became part of standard recording technology, whether for films, radio or other sound recording and the click track was applied to one of the tracks on a multi-track tape recorder. By the late 20th century, particularly in the realm of sound synthesizers and digital recording, the click track became computerized and synchronizing different instruments became more complex, whereupon the click track was largely supplanted by SMPTE timecode.
Click tracks were also once very important in the creation of accurately timed music such as radio/TV spots (commercials) and other timed production music. In this type of use a rhythm section or ensemble would play all instruments to a click track. With the use of MIDI sequencing in the '80s and '90s it became possible to build an entire music track that was accurately timed without depending solely on only a click track. Computer based MIDI sequencing programs are still used in the creation of music. The MIDI sequencer generated track can be used with only MIDI controlled instruments or embellished with real instruments played by musicians. The musicians who embellish the tracks created with MIDI sequencer essentially play along with the already timed piece of music. In many cases all of the MIDI instrumentation is replaced by actual musicians.
Yeah doe Names was changed to protect the guilty They say that will power is the shield of our lives To defense us in this world, as I'm waitin on the coup d'etat Machine gun in my hand, every thought is unholy Sold my soul several times for this mighty dollar Now here I stand again in the same predicament Finna hit the system where it hurts Pull off this high-powered shit like clock work First victim make a move, ride in a hearse Word up, for bank robbery you gotta have big nuts But that ain't enough, you must have brains The penitentiary is full of the fools who tried to take that risk Only vets live to rob the game, and I'm one of the chosen few Who ain't scared to get they fetti, but smart enough to stick and move Run in this bitch, gettin mani for the fuckin loot And when I get away, no clues, no proofs Desperado, I play a tune on my fully auto Conduct a symphony on the gestapo They never take me alive Drinkin orange juice and genocide And down to die in this process of pullin a heist If need be, I'm in the low with the turf O.G.'s Who go about to link nationally Go in it for the risk and for the money But we all fiend for the green It's like a pit, get his first taste of blood, he never be the same Now that's realer than this gat in my hand Or the grill on my main man As he run back our plan And all the savages listen, it sound easy Like takin candy from a infant, a pieace of cake But we all know it ain't that way I know it's wrong, but I say a little prayer before I run up in this bank 'Holy Father, don't make a citizen misbehave Get brave, or I'ma have to down him with this cane And if the square behind the counter don't push the alarm Then I swear I won't do no harm And may my money not be laced with paint bombs So I won't have to black out and spray some And these dogs I'm with, they won't say nothin But if they do, then let these snitch niggas die sufferin' Amen, now let this hold-em-up shit begin A couple of corners we bend See the bank, hop out and blend in Barge through the Savings & Loans do' Bustin them choppers to let em know When we say go The security guard, he ain't no problemo Cause for 4.25 he ain't tryin to die And the people, they just wanna make it home And not get dumped on, scared as hell they cry and moan And even though the camera record I make a leap like Jordan In a black ski mask On the counter, "Square, fill up the bag Do what I ask Or feel the wrath of a fully blast Come here, bitch" That's when the lady said, "Mister, I just wanna live I got a husband, two kids, a dog and a picket fence And I'll do what you say, just don't empty the clip She start fumblin with the keys I'm like "Hoe, you wanna breathe?" She said, "Oh, I got it", gate, she unlocked it Safe was smooth open, damn near start slobbin My peoples had the crowd face down on the ground I'm in the vault grabbin hundreds in pounds Fillin up my duffle bag with dinero Stuffin it with mail, till it can't fit no mo' Bounced outta there like 'come on' But didn't know it was a undercover pig spread eagle on the flo' Saw him reachin for his hideaway gat That's when I blew his cap back My crimeys, yeah, they follow my lead Leave the bank lookin like Swiss cheese Then we Audi, 500 g's But not yet scott free See, the hardest part is your retreat Cause the rollers could be waitin outside least 50 cars deep But we was greeted by the getaway car and got far Further from the crime scene Like some cowobys ridin on they trusty steed Into the sunset, like we never did a thang Check it out You see, the moral of the story is: crime do pay And with the fetti come the time you face And every nigga hollerin "hog!" ain't on the same page Sucker get his pennies pulled, he start namin names And with the judge handin out all day It ain't no tellin what your homey'll say Peep the real, punk, this ain't no game They givin niggas 30 years and some change But my hogs must eat, so we hit them banks
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Today, on the Brussels to Prague route, it’s to bed and in that soothing suspension of time and place, that familiar funnel of darkness, I surrender to the clicking rhythm of the track and fall soundly asleep.
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... fake Wikipedia user accounts to try to trick editors into identifying themselves by sharing personal information or clicking on malicious tracking links that can identify people who click on them.
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