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The Fall of the Romanov Dynasty (Падение династии Романовых) [1927, Esfir Shub]
Written and directed by Esfir Shub
Based on the letter "A Letter from Afar" by Vladimir Lenin
Synopsis: The Fall of the Romanov Dynasty was pieced together by documentarian Esfir Shub from material recorded between 1913 and 1917, and represents the final years leading up to the Russian Revolution. Through editing, Shub casts a critical, ironic light on the former czarist regime.
Soviet Union | Silent (English intertitles) | Black-and-white
published: 29 Dec 2021
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Cinema Russo e Soviético: ESFIR SHUB
Saiba sobre a cineasta russa soviética ESFIR SHUB, que marcou para sempre a História do Cinema.
Esta é uma prévia do "Curso Cinema Russo e Soviético: história, vanguarda e tradição" que acontece de abril a dezembro de 2017 na Casa Plana.
Informações e inscrições para o curso presencial: http://www.feiraplana.org/russia
Casa Plana
R. Capitão Salomão, 26 - terceiro andar
Anhangabaú, São Paulo - SP
[11] 94205-4265
[email protected]
KINORUSS (2009-2017) realiza ações para a ampliação do conhecimento sobre arte e cultura russa em diálogo com o Brasil, por meio de cursos, palestras e publicações. Não possui qualquer vínculo com o governo russo ou brasileiro. Atua de forma independente e busca a sustentabilidade comercializando os livros que publica e livros de editoras (por afinidade de p...
published: 27 Mar 2017
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Romanov, Esfir Shub, 1927
published: 03 Apr 2015
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The Komsomol - Chief of Electrification (Esfir Shub,1932)
In this pioneering documentary, one of the earliest Soviet sound films, Shub shot a contemporary chronicle of the progress of establishing electricity across the Soviet nation, a struggle spearheaded by the Komsomol.
published: 25 May 2024
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Esfir Shub's "Ispanija" (1939)
"Ispanija" (Spain) is an archival documentary directed by Esfir Shub in the aftermath of the Spanish Civil War. She used footage of the conflict that had been filmed by two Russian war correspondents, Roman Karmen and Boris Makaseyev, in addition to propaganda material from both sides, stolen from Republican and Fascist cameramen alike.
All films are shared on YouTube for educational purposes only.
published: 27 Feb 2022
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Film Editing as Women’s Work: Esfir Shub, Elizaveta Svilova, and the Culture of Soviet Montage
On Thursday, November 1st, the Jordan Center hosted “Film Editing as Women’s Work: Esfir Shub, Elizaveta Svilova, and the Culture of Soviet Montage”, a talk with Lilya Kaganovsky, University of Illinois, Urbana-Champaign.
This study takes as its point of departure the history and contributions of two Soviet editors/directors – Ėsfir’ Shub and Elizaveta Svilova – in order to make visible what has largely remained invisible: film editing as “women’s” work. Soviet rejection of Western feminist theory and the repudiation of gender difference as a precondition for thinking of oneself as an artist meant that the “gender of the author as producer” played a much smaller role in the consciousness of these artists than for prominent filmmakers in the West. Ironically, this also meant that the work...
published: 22 Nov 2018
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Today (Esfir Shub,1929) ENG Subs
A visual composition of the world.
Сегодня
published: 17 Apr 2024
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Падение династии Романовых (Fall of the Romanov dynasty), Esfir Shub, 1927 (parte 1)
Esfir Shub (1894-1959) se forjó como montadora en Goskino, el Comité Cinematográfico de la URSS. Ahí, además de montar noticieros, una de sus tareas consistía en volver a montar películas occidentales para que el resultado fuese más acorde con la ideología revolucionaria. En la papelera de la sala de montaje solían acabar cosas como los finales felices de las películas hollywoodienses. Uno de sus remontajes de más renombre fue el de Doctor Mabuse, de Fritz Lang; en él tuvo como asistente a su amigo Sergei Eisenstein, que aprendió a montar observando a Shub. Estas modificaciones de las películas permitieron a Shub y sus colegas aprender y desarrollar la técnica del montaje. Fruto de estos experimentos es su obra maestra, La caída de la dinastía Romanov (1927), elaborada a partir de las film...
published: 29 Apr 2013
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Esfir Shub - Documentário de compilação
Trabalho de conclusão da disciplina Footage documental PPG Artes UFMG
Prof.: Dr. Leonardo Vidigal
Lucas Lanza Pena
published: 20 Nov 2019
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Сегодня 1929 / Today
Сегодня / Today
Режиссер - Эсфирь Шуб
Премьера - 2 ноября 1929
Жанр - Документальный, кинохроника
Сценарий - Марк Цейтлин, Эсфирь Шуб
Оператор - В. Степанов, Юрий Стилианудис
Производство - Культурфильм
Выпуск - Союзкино, Вельт Фильм
Сегодня (1929) - документальный фильм режиссёра Зсфирь Шуб, в котором она использовала прием чередования кадров советской и американской кинохроник, чтобы показать превосходство социалистического строя над капиталистическим. Авангардистский монтаж и красноречивые субтитры подчёркивали противоречие между идеологиями. Фильм снят в сотрудничестве с немецкими коммунистами.
Кинохроника. СССР 1926 - 1935 / USSR. Chronicle - https://www.youtube.com/playlist?list=PLm7om7ns1kZtQTF1FFwpF6fp7pcSF-ceP
Эсфирь Шуб / Esfir Shub - https://www.youtube.com/playlist...
published: 12 Oct 2017
1:27:12
The Fall of the Romanov Dynasty (Падение династии Романовых) [1927, Esfir Shub]
Written and directed by Esfir Shub
Based on the letter "A Letter from Afar" by Vladimir Lenin
Synopsis: The Fall of the Romanov Dynasty was pieced together by ...
Written and directed by Esfir Shub
Based on the letter "A Letter from Afar" by Vladimir Lenin
Synopsis: The Fall of the Romanov Dynasty was pieced together by documentarian Esfir Shub from material recorded between 1913 and 1917, and represents the final years leading up to the Russian Revolution. Through editing, Shub casts a critical, ironic light on the former czarist regime.
Soviet Union | Silent (English intertitles) | Black-and-white
https://wn.com/The_Fall_Of_The_Romanov_Dynasty_(Падение_Династии_Романовых)_1927,_Esfir_Shub
Written and directed by Esfir Shub
Based on the letter "A Letter from Afar" by Vladimir Lenin
Synopsis: The Fall of the Romanov Dynasty was pieced together by documentarian Esfir Shub from material recorded between 1913 and 1917, and represents the final years leading up to the Russian Revolution. Through editing, Shub casts a critical, ironic light on the former czarist regime.
Soviet Union | Silent (English intertitles) | Black-and-white
- published: 29 Dec 2021
- views: 1657
12:41
Cinema Russo e Soviético: ESFIR SHUB
Saiba sobre a cineasta russa soviética ESFIR SHUB, que marcou para sempre a História do Cinema.
Esta é uma prévia do "Curso Cinema Russo e Soviético: história,...
Saiba sobre a cineasta russa soviética ESFIR SHUB, que marcou para sempre a História do Cinema.
Esta é uma prévia do "Curso Cinema Russo e Soviético: história, vanguarda e tradição" que acontece de abril a dezembro de 2017 na Casa Plana.
Informações e inscrições para o curso presencial: http://www.feiraplana.org/russia
Casa Plana
R. Capitão Salomão, 26 - terceiro andar
Anhangabaú, São Paulo - SP
[11] 94205-4265
[email protected]
KINORUSS (2009-2017) realiza ações para a ampliação do conhecimento sobre arte e cultura russa em diálogo com o Brasil, por meio de cursos, palestras e publicações. Não possui qualquer vínculo com o governo russo ou brasileiro. Atua de forma independente e busca a sustentabilidade comercializando os livros que publica e livros de editoras (por afinidade de publicações), fazendo parcerias com autores, tradutores, pesquisadores, artistas, coletivos e organizações que trabalham para o crescimento e a autonomia do ser humano no planeta. Visite nossa página, conheça nossas publicações e nosso blog: https://www.kinoruss.com.br/
CANAL KINORUSS, no Youtube.
Programa Circulando Ideias: Cinema Russo e Soviético.
Música: Nihilore w. Bignonioides - Akrasia (Creative Commons)
https://wn.com/Cinema_Russo_E_Soviético_Esfir_Shub
Saiba sobre a cineasta russa soviética ESFIR SHUB, que marcou para sempre a História do Cinema.
Esta é uma prévia do "Curso Cinema Russo e Soviético: história, vanguarda e tradição" que acontece de abril a dezembro de 2017 na Casa Plana.
Informações e inscrições para o curso presencial: http://www.feiraplana.org/russia
Casa Plana
R. Capitão Salomão, 26 - terceiro andar
Anhangabaú, São Paulo - SP
[11] 94205-4265
[email protected]
KINORUSS (2009-2017) realiza ações para a ampliação do conhecimento sobre arte e cultura russa em diálogo com o Brasil, por meio de cursos, palestras e publicações. Não possui qualquer vínculo com o governo russo ou brasileiro. Atua de forma independente e busca a sustentabilidade comercializando os livros que publica e livros de editoras (por afinidade de publicações), fazendo parcerias com autores, tradutores, pesquisadores, artistas, coletivos e organizações que trabalham para o crescimento e a autonomia do ser humano no planeta. Visite nossa página, conheça nossas publicações e nosso blog: https://www.kinoruss.com.br/
CANAL KINORUSS, no Youtube.
Programa Circulando Ideias: Cinema Russo e Soviético.
Música: Nihilore w. Bignonioides - Akrasia (Creative Commons)
- published: 27 Mar 2017
- views: 1841
56:07
The Komsomol - Chief of Electrification (Esfir Shub,1932)
In this pioneering documentary, one of the earliest Soviet sound films, Shub shot a contemporary chronicle of the progress of establishing electricity across th...
In this pioneering documentary, one of the earliest Soviet sound films, Shub shot a contemporary chronicle of the progress of establishing electricity across the Soviet nation, a struggle spearheaded by the Komsomol.
https://wn.com/The_Komsomol_Chief_Of_Electrification_(Esfir_Shub,1932)
In this pioneering documentary, one of the earliest Soviet sound films, Shub shot a contemporary chronicle of the progress of establishing electricity across the Soviet nation, a struggle spearheaded by the Komsomol.
- published: 25 May 2024
- views: 36
1:24:43
Esfir Shub's "Ispanija" (1939)
"Ispanija" (Spain) is an archival documentary directed by Esfir Shub in the aftermath of the Spanish Civil War. She used footage of the conflict that had been f...
"Ispanija" (Spain) is an archival documentary directed by Esfir Shub in the aftermath of the Spanish Civil War. She used footage of the conflict that had been filmed by two Russian war correspondents, Roman Karmen and Boris Makaseyev, in addition to propaganda material from both sides, stolen from Republican and Fascist cameramen alike.
All films are shared on YouTube for educational purposes only.
https://wn.com/Esfir_Shub's_Ispanija_(1939)
"Ispanija" (Spain) is an archival documentary directed by Esfir Shub in the aftermath of the Spanish Civil War. She used footage of the conflict that had been filmed by two Russian war correspondents, Roman Karmen and Boris Makaseyev, in addition to propaganda material from both sides, stolen from Republican and Fascist cameramen alike.
All films are shared on YouTube for educational purposes only.
- published: 27 Feb 2022
- views: 1105
1:16:34
Film Editing as Women’s Work: Esfir Shub, Elizaveta Svilova, and the Culture of Soviet Montage
On Thursday, November 1st, the Jordan Center hosted “Film Editing as Women’s Work: Esfir Shub, Elizaveta Svilova, and the Culture of Soviet Montage”, a talk wit...
On Thursday, November 1st, the Jordan Center hosted “Film Editing as Women’s Work: Esfir Shub, Elizaveta Svilova, and the Culture of Soviet Montage”, a talk with Lilya Kaganovsky, University of Illinois, Urbana-Champaign.
This study takes as its point of departure the history and contributions of two Soviet editors/directors – Ėsfir’ Shub and Elizaveta Svilova – in order to make visible what has largely remained invisible: film editing as “women’s” work. Soviet rejection of Western feminist theory and the repudiation of gender difference as a precondition for thinking of oneself as an artist meant that the “gender of the author as producer” played a much smaller role in the consciousness of these artists than for prominent filmmakers in the West. Ironically, this also meant that the work of these women in the film industry was lost to history: because their narratives often did not conform to that of their male counterparts and because they never insisted on their status as “auteurs,” their contributions were subsumed by the larger historical narratives that took place around them. They thus first “fell out of the limelight and then out of the film history itself” as Jane Gaines has suggested. Here, I look at the work of Shub, who invented the “compilation documentary,” and Svilova, who made possible Dziga Vertov’s rapid montage, as specifically women’s work: that is, cinematic work related to other types of female craft, such as weaving, sewing, and the like. In both cases, I am interested specifically in how we might disentangle these women’s editorial and directorial contributions from the male-dominated Soviet film industry, and place them in the larger context of a re-engagement with feminist film theory and the history of women’s participation in the cinema industry in the USSR and beyond.
Lilya Kaganovsky is Professor of Slavic, Comparative Literature, and Media & Cinema Studies, and the Director of the Program in Comparative & World Literature at the University of Illinois, Urbana-Champaign. Her publications include The Voice of Technology: Soviet Cinema’s Transition to Sound, 1928-1935 (Indiana, 2018) and How the Soviet Man was Unmade (Pittsburgh, 2008); the edited volumes Arctic Cinemas and the Documentary Ethos (with Anna Stenport and Scott MacKenzie, Indiana, 2019); Sound, Speech, Music in Soviet and Post-Soviet Cinema (Lilya Kaganovsky and Masha Salazkina, Indiana, 2014); and Mad Men, Mad World: Sex, Politics, Style and the 1960s (Lauren M. E. Goodlad, Lilya Kaganovsky and Robert A. Rushing, Duke, 2013); and articles on Soviet and post-Soviet cinema. She is a member of the editorial board of the journal Studies in Russian and Soviet Cinema and the I.B. Tauris series Kino, and regularly contributes film reviews to the on-line cinema journal KinoKultura.
https://wn.com/Film_Editing_As_Women’S_Work_Esfir_Shub,_Elizaveta_Svilova,_And_The_Culture_Of_Soviet_Montage
On Thursday, November 1st, the Jordan Center hosted “Film Editing as Women’s Work: Esfir Shub, Elizaveta Svilova, and the Culture of Soviet Montage”, a talk with Lilya Kaganovsky, University of Illinois, Urbana-Champaign.
This study takes as its point of departure the history and contributions of two Soviet editors/directors – Ėsfir’ Shub and Elizaveta Svilova – in order to make visible what has largely remained invisible: film editing as “women’s” work. Soviet rejection of Western feminist theory and the repudiation of gender difference as a precondition for thinking of oneself as an artist meant that the “gender of the author as producer” played a much smaller role in the consciousness of these artists than for prominent filmmakers in the West. Ironically, this also meant that the work of these women in the film industry was lost to history: because their narratives often did not conform to that of their male counterparts and because they never insisted on their status as “auteurs,” their contributions were subsumed by the larger historical narratives that took place around them. They thus first “fell out of the limelight and then out of the film history itself” as Jane Gaines has suggested. Here, I look at the work of Shub, who invented the “compilation documentary,” and Svilova, who made possible Dziga Vertov’s rapid montage, as specifically women’s work: that is, cinematic work related to other types of female craft, such as weaving, sewing, and the like. In both cases, I am interested specifically in how we might disentangle these women’s editorial and directorial contributions from the male-dominated Soviet film industry, and place them in the larger context of a re-engagement with feminist film theory and the history of women’s participation in the cinema industry in the USSR and beyond.
Lilya Kaganovsky is Professor of Slavic, Comparative Literature, and Media & Cinema Studies, and the Director of the Program in Comparative & World Literature at the University of Illinois, Urbana-Champaign. Her publications include The Voice of Technology: Soviet Cinema’s Transition to Sound, 1928-1935 (Indiana, 2018) and How the Soviet Man was Unmade (Pittsburgh, 2008); the edited volumes Arctic Cinemas and the Documentary Ethos (with Anna Stenport and Scott MacKenzie, Indiana, 2019); Sound, Speech, Music in Soviet and Post-Soviet Cinema (Lilya Kaganovsky and Masha Salazkina, Indiana, 2014); and Mad Men, Mad World: Sex, Politics, Style and the 1960s (Lauren M. E. Goodlad, Lilya Kaganovsky and Robert A. Rushing, Duke, 2013); and articles on Soviet and post-Soviet cinema. She is a member of the editorial board of the journal Studies in Russian and Soviet Cinema and the I.B. Tauris series Kino, and regularly contributes film reviews to the on-line cinema journal KinoKultura.
- published: 22 Nov 2018
- views: 1517
10:00
Падение династии Романовых (Fall of the Romanov dynasty), Esfir Shub, 1927 (parte 1)
Esfir Shub (1894-1959) se forjó como montadora en Goskino, el Comité Cinematográfico de la URSS. Ahí, además de montar noticieros, una de sus tareas consistía e...
Esfir Shub (1894-1959) se forjó como montadora en Goskino, el Comité Cinematográfico de la URSS. Ahí, además de montar noticieros, una de sus tareas consistía en volver a montar películas occidentales para que el resultado fuese más acorde con la ideología revolucionaria. En la papelera de la sala de montaje solían acabar cosas como los finales felices de las películas hollywoodienses. Uno de sus remontajes de más renombre fue el de Doctor Mabuse, de Fritz Lang; en él tuvo como asistente a su amigo Sergei Eisenstein, que aprendió a montar observando a Shub. Estas modificaciones de las películas permitieron a Shub y sus colegas aprender y desarrollar la técnica del montaje. Fruto de estos experimentos es su obra maestra, La caída de la dinastía Romanov (1927), elaborada a partir de las filmaciones del cámara del zar y considerado uno de los primeros documentales históricos. Shub partía de este material para darle un sentido ideológico revolucionario, en un ejemplo de lo que posteriormente se ha llamado apropiacionismo (películas que se crean a partir de metraje que existe previamente).
ver más: http://www.blogsandocs.com/?p=286
TEXTO EXTRAIDO DEL CURSO "MIRADAS EN FEMENINO Y MASCULINO"
https://wn.com/Падение_Династии_Романовых_(Fall_Of_The_Romanov_Dynasty),_Esfir_Shub,_1927_(Parte_1)
Esfir Shub (1894-1959) se forjó como montadora en Goskino, el Comité Cinematográfico de la URSS. Ahí, además de montar noticieros, una de sus tareas consistía en volver a montar películas occidentales para que el resultado fuese más acorde con la ideología revolucionaria. En la papelera de la sala de montaje solían acabar cosas como los finales felices de las películas hollywoodienses. Uno de sus remontajes de más renombre fue el de Doctor Mabuse, de Fritz Lang; en él tuvo como asistente a su amigo Sergei Eisenstein, que aprendió a montar observando a Shub. Estas modificaciones de las películas permitieron a Shub y sus colegas aprender y desarrollar la técnica del montaje. Fruto de estos experimentos es su obra maestra, La caída de la dinastía Romanov (1927), elaborada a partir de las filmaciones del cámara del zar y considerado uno de los primeros documentales históricos. Shub partía de este material para darle un sentido ideológico revolucionario, en un ejemplo de lo que posteriormente se ha llamado apropiacionismo (películas que se crean a partir de metraje que existe previamente).
ver más: http://www.blogsandocs.com/?p=286
TEXTO EXTRAIDO DEL CURSO "MIRADAS EN FEMENINO Y MASCULINO"
- published: 29 Apr 2013
- views: 5153
5:31
Esfir Shub - Documentário de compilação
Trabalho de conclusão da disciplina Footage documental PPG Artes UFMG
Prof.: Dr. Leonardo Vidigal
Lucas Lanza Pena
Trabalho de conclusão da disciplina Footage documental PPG Artes UFMG
Prof.: Dr. Leonardo Vidigal
Lucas Lanza Pena
https://wn.com/Esfir_Shub_Documentário_De_Compilação
Trabalho de conclusão da disciplina Footage documental PPG Artes UFMG
Prof.: Dr. Leonardo Vidigal
Lucas Lanza Pena
- published: 20 Nov 2019
- views: 118
1:05:36
Сегодня 1929 / Today
Сегодня / Today
Режиссер - Эсфирь Шуб
Премьера - 2 ноября 1929
Жанр - Документальный, кинохроника
Сценарий - Марк Цейтлин, Эсфирь Шуб
Оператор - В. Степано...
Сегодня / Today
Режиссер - Эсфирь Шуб
Премьера - 2 ноября 1929
Жанр - Документальный, кинохроника
Сценарий - Марк Цейтлин, Эсфирь Шуб
Оператор - В. Степанов, Юрий Стилианудис
Производство - Культурфильм
Выпуск - Союзкино, Вельт Фильм
Сегодня (1929) - документальный фильм режиссёра Зсфирь Шуб, в котором она использовала прием чередования кадров советской и американской кинохроник, чтобы показать превосходство социалистического строя над капиталистическим. Авангардистский монтаж и красноречивые субтитры подчёркивали противоречие между идеологиями. Фильм снят в сотрудничестве с немецкими коммунистами.
Кинохроника. СССР 1926 - 1935 / USSR. Chronicle - https://www.youtube.com/playlist?list=PLm7om7ns1kZtQTF1FFwpF6fp7pcSF-ceP
Эсфирь Шуб / Esfir Shub - https://www.youtube.com/playlist?list=PLm7om7ns1kZuwQFcC_gAkDeh5v6FY9NJC
Документальные Фильмы / Documentaries - https://www.youtube.com/playlist?list=PLm7om7ns1kZsXd_RnH1RnYiVx8ceA_U5X
Советские Фильмы 1926 - 1935 / Soviet Movies - https://www.youtube.com/playlist?list=PLm7om7ns1kZt6DdwqP3lRMutQa6Qbt8b4
Дзига Вертов / Dziga Vertov - https://www.youtube.com/playlist?list=PLm7om7ns1kZtfej7rRaxrWvpj8Gzgq5NJ
Наша группа ВКонтакте / VK - https://vk.com/tphclub
Последний немой фильм Эсфири Шуб, «Сегодня» (1929), противопоставлял, следуя принципам Дзиги Вертова, реализованным в картине «Шагай, Совет!» (https://youtu.be/bT5AGWqM-4w) и других лентах, эпизоды, рассказывающие о построении социализма, сценам, показывающим упадок империализма. Последние Шуб нашла в Берлине, просматривая западную кинохронику. В фильме показано строительство Днепрогэса и Турксиба, демонстрации коммунистов в знак протеста против казни Сакко и Ванцетти и т.д.
Рецензия:
…В следующем монтажном фильме Эсфирь Шуб «Сегодня» (1929) публицистическая направленность её дарования становится как бы мускулистей, напряженней, острей. Шуб широко, разнообразно и смело привлекает материал зарубежной хроники и, сталкивая, сопоставляя кадры экономического и духовного кризиса в Америке с победами социалистического строительства в СССР, разворачивает панораму борьбы двух систем, борьбы, в конечном исходе которой не сомневается художница, стоящая, как всегда, на позициях боевого партийного искусства.
И здесь впервые, в кадрах шествия ку-клукс-клана, появляется тема фашизма. С этих пор ненависть, презрение, анализ исторической обречённости фашизма, борьба с ним становятся одной из доминант в творчестве Эсфири Шуб. Своей кульминации достигает она в незабываемом фильме «Испания» (1938) - https://youtu.be/WcLv3EkMfDM
Сергей Юткевич, «Волшебница монтажного стола» // Эсфирь Шуб, «Жизнь моя - кинематограф». М., 1972
…Вот она «делает» очередную агитку «Сегодня» (1930), где попеременно показаны счастливые лица советских тружеников с озабоченными физиономиями американских рабочих. У нас нет кризиса! У нас - подъём! Враньё? Пропаганда? Нет у них кризиса? Нет у нас подъёма? Но… вся штука в том, что это совершенно неважно, что где есть! Важно - эмоциональное воздействие на зрителя. А оно - термоядерное!
Леонид Володарский, Официальный сайт - http://www.lvolodarsky.ru/ispaniya-1939-g-dokumentalnyj-film-rezh-esfir-shub.html
Интересные факты:
- Фильм в Германии вышел под названием «Артиллерия и тракторы» (Kanone oder Traktoren)
Подробнее - http://2011.russiancinema.ru/index.php?e_dept_id=2&e_movie_id=10783, http://mail.asmlocator.ru/viewtopic.php?t=319710
Today (1929)
Director - Esfir Shub
Writer - Mark Tseitlin, Esfir Shub
Cinematography - V. Stepanov, Yury Stilianudis (Georges C. Stilly)
Production Co - Kulturfilm
Release - Soyuzkino, Welt Film
Today (1929) - is a documentary contrasting the life in the USSR and the life in the capitalist countries.
Documentary film directed Esfir Shub, in which she used the technique of alternating shots of Soviet and American documentaries to show the superiority of the socialist system over the capitalist. Avant-garde editing and eloquent subtitles underlined the contradiction between the ideologies.
Esfir Shub - https://wfpp.cdrs.columbia.edu/pioneer/ccp-esfir-shub/
https://wn.com/Сегодня_1929_Today
Сегодня / Today
Режиссер - Эсфирь Шуб
Премьера - 2 ноября 1929
Жанр - Документальный, кинохроника
Сценарий - Марк Цейтлин, Эсфирь Шуб
Оператор - В. Степанов, Юрий Стилианудис
Производство - Культурфильм
Выпуск - Союзкино, Вельт Фильм
Сегодня (1929) - документальный фильм режиссёра Зсфирь Шуб, в котором она использовала прием чередования кадров советской и американской кинохроник, чтобы показать превосходство социалистического строя над капиталистическим. Авангардистский монтаж и красноречивые субтитры подчёркивали противоречие между идеологиями. Фильм снят в сотрудничестве с немецкими коммунистами.
Кинохроника. СССР 1926 - 1935 / USSR. Chronicle - https://www.youtube.com/playlist?list=PLm7om7ns1kZtQTF1FFwpF6fp7pcSF-ceP
Эсфирь Шуб / Esfir Shub - https://www.youtube.com/playlist?list=PLm7om7ns1kZuwQFcC_gAkDeh5v6FY9NJC
Документальные Фильмы / Documentaries - https://www.youtube.com/playlist?list=PLm7om7ns1kZsXd_RnH1RnYiVx8ceA_U5X
Советские Фильмы 1926 - 1935 / Soviet Movies - https://www.youtube.com/playlist?list=PLm7om7ns1kZt6DdwqP3lRMutQa6Qbt8b4
Дзига Вертов / Dziga Vertov - https://www.youtube.com/playlist?list=PLm7om7ns1kZtfej7rRaxrWvpj8Gzgq5NJ
Наша группа ВКонтакте / VK - https://vk.com/tphclub
Последний немой фильм Эсфири Шуб, «Сегодня» (1929), противопоставлял, следуя принципам Дзиги Вертова, реализованным в картине «Шагай, Совет!» (https://youtu.be/bT5AGWqM-4w) и других лентах, эпизоды, рассказывающие о построении социализма, сценам, показывающим упадок империализма. Последние Шуб нашла в Берлине, просматривая западную кинохронику. В фильме показано строительство Днепрогэса и Турксиба, демонстрации коммунистов в знак протеста против казни Сакко и Ванцетти и т.д.
Рецензия:
…В следующем монтажном фильме Эсфирь Шуб «Сегодня» (1929) публицистическая направленность её дарования становится как бы мускулистей, напряженней, острей. Шуб широко, разнообразно и смело привлекает материал зарубежной хроники и, сталкивая, сопоставляя кадры экономического и духовного кризиса в Америке с победами социалистического строительства в СССР, разворачивает панораму борьбы двух систем, борьбы, в конечном исходе которой не сомневается художница, стоящая, как всегда, на позициях боевого партийного искусства.
И здесь впервые, в кадрах шествия ку-клукс-клана, появляется тема фашизма. С этих пор ненависть, презрение, анализ исторической обречённости фашизма, борьба с ним становятся одной из доминант в творчестве Эсфири Шуб. Своей кульминации достигает она в незабываемом фильме «Испания» (1938) - https://youtu.be/WcLv3EkMfDM
Сергей Юткевич, «Волшебница монтажного стола» // Эсфирь Шуб, «Жизнь моя - кинематограф». М., 1972
…Вот она «делает» очередную агитку «Сегодня» (1930), где попеременно показаны счастливые лица советских тружеников с озабоченными физиономиями американских рабочих. У нас нет кризиса! У нас - подъём! Враньё? Пропаганда? Нет у них кризиса? Нет у нас подъёма? Но… вся штука в том, что это совершенно неважно, что где есть! Важно - эмоциональное воздействие на зрителя. А оно - термоядерное!
Леонид Володарский, Официальный сайт - http://www.lvolodarsky.ru/ispaniya-1939-g-dokumentalnyj-film-rezh-esfir-shub.html
Интересные факты:
- Фильм в Германии вышел под названием «Артиллерия и тракторы» (Kanone oder Traktoren)
Подробнее - http://2011.russiancinema.ru/index.php?e_dept_id=2&e_movie_id=10783, http://mail.asmlocator.ru/viewtopic.php?t=319710
Today (1929)
Director - Esfir Shub
Writer - Mark Tseitlin, Esfir Shub
Cinematography - V. Stepanov, Yury Stilianudis (Georges C. Stilly)
Production Co - Kulturfilm
Release - Soyuzkino, Welt Film
Today (1929) - is a documentary contrasting the life in the USSR and the life in the capitalist countries.
Documentary film directed Esfir Shub, in which she used the technique of alternating shots of Soviet and American documentaries to show the superiority of the socialist system over the capitalist. Avant-garde editing and eloquent subtitles underlined the contradiction between the ideologies.
Esfir Shub - https://wfpp.cdrs.columbia.edu/pioneer/ccp-esfir-shub/
- published: 12 Oct 2017
- views: 5185