The painting is neoclassical in style, though rooted in traditional Spanish iconography of the subject and related to the treatment of the same topic by Velázquez (even borrowing its dark black background with no landscape) and Anton Raphael Mengs (borrowing his presentation of the right leg pushed forwards). Goya conforms to the Spanish Baroque iconographic rules for portraying the Crucifixion as laid down by Francisco Pacheco - the black background, four rather than three nails, supported feet and a trilingual inscription at the top of the cross beginning IESUS NAZARENUS REX IUDEORUM. By obeying these rules Goya diminished the emphasis on devotional features such as drama and the presence of blood in order to concentrate attention on the painting's soft modelling, since his intention was to please the academicians then dominated by Mengs' neoclassicism.
During his stay in Rome, Velázquez made various nude studies he used in later paintings, such as Apollo at the Forge of Vulcan (1630) and Joseph's Tunic (1630). Art critics assert that the nude study for this painting is exceptional and masterly in its fusion of serenity, dignity and nobility. It is a life-size frontal nude, without the support of a narrative scene.
Description
Velázquez followed the accepted iconography in the 17th century. His master, Francisco Pacheco, a big supporter of classicist painting, painted the crucified Christ using the same iconography later adopted by Velázquez: four nails, feet together and supported against a little wooden brace, in a classic contrapposto posture. Both arms draw a subtle curve, instead of forming a triangle. The loincloth is painted rather small, thus showing the nude body as much as possible. The head shows a narrow halo, as if it came from the figure itself; the face is resting on the chest, showing just enough of his features. The long, straight hair covers a great part of the face, perhaps foreshadowing the death, already inflicted as shown by the wound on the right side. It lacks the characteristic dramatic qualities of Baroque painting.
But despite all his wise words, good deeds and miracles – not to mention the promise of everlasting life – Christ was nothing more than the leader of an obscure sect of Judaism when the Romans crucified him in AD33.
This is, of course, fiction; yet it is based on the teachings of Jesus Christ that one can — with a firm purpose of amendment — turn to God and love Him at any time in one’s life, no matter one’s past.
I am a follower of Christ, but I am not going to condemn anyone who does not believe in Jesus Christ. I have met some people who have rejected Christ. I have been serving Christ from I was a child, and I will continue to do so.
... the image of a crucified man ... Millions of people believe it to be the burial cloth that wrapped the crucified body of Jesus Christ (circa 4 BC-33 AD) but many others believe it is a clever hoax.
Peter was arrested as part of Nero’s oppression of Christians, and out of humility, he asked to be crucified upside down because he felt he was not worthy to be crucified in the same way as Christ.
What one believes about Christ determines where his immortal soul will spend eternity ... In fact, Christ is not only the Son of God, He is God ... That is exactly what one of the thieves beside Christ did as they were being crucified.
Over the past few years, several people have claimed to have found the actual nails with which Jesus was crucified ... Constanza gemstone with the crucified Christ, surrounded by 12 apostles ... The Passion of the Christ.
“Let every soul be subject unto the higher powers. For there is no power but of God. the powers that be are ordained of God.” — Romans 13. 1 ... “Direct compliance” is a term we must take seriously ... 2 Chronicles7 ... 8) ... 8) in Christ Jesus crucified (Matthew 27.
A Choir shaped like the drooping head of Christ ... the drooping head of Christ ... However, its choir is positioned slightly to the left of the central nave, creating the hunched head of Christ Crucified.
Busts of the crucified face of Christ, the torso of a man wearing a tunic are some of the artifacts on display at the Musée de Cluny, a museum of medieval art in Paris, where visitors ...
One, in particular, is actually based on Jesus Christ's Crucifixion ... All you need to do is move the latches in the central wall where Christ is crucified depending on the wounds/body parts and the Roman numerals.
Romans 11 ... Some days I can’t decide whether to laugh or cry ... Romans 12 ... Matthew 24 ... Judges 2 ... We must teach the world that the only eternal salvation is by a faith based belief in Christ Jesus, crucified for the remission of sin and resurrected ... His email.
The Pioneer News
12 Dec 2024
The Pioneer News
12 Dec 2024