-
1969 short Moog Synthesizer demonstration by Wendy Carlos
Filmed by a French crew.
published: 22 Feb 2021
-
Classical Themes - A Clockwork Orange (Vinyl)
Linn LP12 - Krystal
Graham Slee Reflex C
Accuphase E-270
Sony PCM D100
published: 29 Apr 2018
-
J.S. Bach: Sinfonia to Cantata No. 29 [2017 Revisit] (Synthesized)
Please find my updated version here:
https://youtu.be/-QorYw9hlsE
For information on the visualization see the end of this note.
Johann Sebastian Bach wrote Cantata 29 in 1731, by which time he was working in Leipzig and at the height of his career. Although there is a reference to "Gott" (God) in the title (and the work is based on sacred text), this is not actually a church cantata - that is, it was not written for a specific liturgical feast. But the work is a sacred cantata, written for a service at the Nikolaikirche (St. Nicholas Church) accompanying the “Ratswechsel” - the annual inauguration of a new town council on the 27th of August of that year.
The cantata is one of few sacred cantatas written by Bach which opens with an orchestral sinfonia. Who knows what Bach’s motivation ...
published: 26 Sep 2017
-
Drew Scott's Lifestyle 2024
Drew Scott's Lifestyle 2024
published: 28 Jun 2023
-
Meghan Mask Slips
#harryandmeghan #meghanmarkle #meghanmarkleandprinceharry #meghanmarklenews #meghanmarklelatest #princeharrylatest #princeharrynews #fashion #fail #expensive #royalfamily #royalnews #shorts #shortsvideo #shortsviral #shortsfeed #coronation #meghanmarkleisabully #meghanmarkleisamonster #meghanmarkleisanarcissist #meghanmarkleisagrifter #meghanmarkleisaconartist
published: 10 May 2023
-
Stelvio Cipriani - Mary's Theme (1969)
Taken from the OST "Femmina ridens"
Easy Tempo vol. 10 ,,,end titles
published: 12 Jul 2011
-
Green Day - The American Dream Is Killing Me (Official Music Video)
Saviors is an invitation into Green Day’s brain, their collective spirit as a band, and an understanding of friendship, culture and legacy of the last 30 plus years.
It's raw and emotional. Funny and disturbing. It’s a laugh at the pain, weep in the happiness kind of record.
Honesty and vulnerability.
What is Saviors about, you ask?
Power pop, punk, rock, indie triumph. disease, war, inequality, influencers, yoga retreats, alt right, dating apps, masks, MENTAL HEALTH, climate change, oligarchs, social media division, free weed, fentanyl, fragility,,..
What would Andy Warhol do?
What would John Waters do?
What would Quentin Tarantino do?
What would GREEN DAY do?
Saviors, out now!! http://GreenDay.lnk.to/saviors
The Saviors Tour coming to North American and EU/UK this summer...
published: 24 Oct 2023
-
WHAT IS GOING ON??? #scottpilgrim #lgbtq #scottpilgrimtakesoff
published: 20 Nov 2023
-
Would this work on you??? 👀👀
published: 01 Oct 2022
-
Just for Fun II° - Roland GW 8 Synth Solo.
SPOTIFY Pianistaitaliano music journey:
https://open.spotify.com/playlist/0jrtpjbTQrzvJLYoveIqws
Learn piano songs quickly and easily with this app: https://tinyurl.com/pianista-flowkey
I just was trying out this synth "Just for fun" But this time is not a free vsti synth, but a great Roland GW8, I have had a gift last Christmas, I love this synth is pure enjoyment.. I just play the solo with backing track - hope you also enjoy :-)
More Informations about synthesizer:
A synthesizer is an electronic instrument capable of producing a variety of sounds by generating and combining signals of different frequencies. A modern digital synthesizer uses a frequency synthesizer microprocessor component to calculate mathematical functions, which generate signals of different frequencies. Ther...
published: 08 Jan 2010
54:11
Classical Themes - A Clockwork Orange (Vinyl)
Linn LP12 - Krystal
Graham Slee Reflex C
Accuphase E-270
Sony PCM D100
Linn LP12 - Krystal
Graham Slee Reflex C
Accuphase E-270
Sony PCM D100
https://wn.com/Classical_Themes_A_Clockwork_Orange_(Vinyl)
Linn LP12 - Krystal
Graham Slee Reflex C
Accuphase E-270
Sony PCM D100
- published: 29 Apr 2018
- views: 161843
3:52
J.S. Bach: Sinfonia to Cantata No. 29 [2017 Revisit] (Synthesized)
Please find my updated version here:
https://youtu.be/-QorYw9hlsE
For information on the visualization see the end of this note.
Johann Sebastian Bach wrote ...
Please find my updated version here:
https://youtu.be/-QorYw9hlsE
For information on the visualization see the end of this note.
Johann Sebastian Bach wrote Cantata 29 in 1731, by which time he was working in Leipzig and at the height of his career. Although there is a reference to "Gott" (God) in the title (and the work is based on sacred text), this is not actually a church cantata - that is, it was not written for a specific liturgical feast. But the work is a sacred cantata, written for a service at the Nikolaikirche (St. Nicholas Church) accompanying the “Ratswechsel” - the annual inauguration of a new town council on the 27th of August of that year.
The cantata is one of few sacred cantatas written by Bach which opens with an orchestral sinfonia. Who knows what Bach’s motivation was behind this Sinfonia (convenience, musical appropriateness, or simply a looming deadline?) but the opening music the citizens of Leipzig heard that day (and again in 1739 and 1749) had existed in another form for over a decade, as the prelude to Violin Partita No. 3 in E (BWV 1006), written during Bach's earlier Cöthen period. Bach had already revised this for organ and strings in 1729 for the “wedding” cantata “Herr Gott, Beherrscher aller Dinge” (BWV 120a).
Bach sometimes reused an earlier composition, typically revising and improving it in a process called “parody” - the reworking of one kind of composition into another. Transposing the work from E major down a step to D major, Bach transformed the prelude and created a joyous orchestral setting befitting the ceremonial pomp of the occasion. The obbligato (solo) organ plays the original virtuoso violin part, while the lavishly written ensemble (3 trumpets, two oboes, strings, continuo and timpani) imitates the material to produce a concerto-like structure. Today, this ceremonial sinfonia is often performed by solo organ (notably by organist Diane Bish).
I decided to revisit this piece as I’d been requested to participate in a concert series of semi “switched-on” music combining analog and digital synthesizers and strings to create a hybrid ensemble. Though the project is on hold, I thought to create a new version having gained more experience and comfort with my software and mixing processes. I tried to get closer in sound to Carlos’ original version than in my previous post from six years ago (https://www.youtube.com/edit?o=U&video_id=J0TnGGKN2co). Though my timbres are reminiscent, I’ve given the score a broader stereo treatment than Carlos’ more simplistic audio vista.
This is probably the most important piece of music to me (and is my ultimate favourite Baroque composition). The work presented here, is my sincere homage to Wendy Carlos, whose 1969 Grammy Award winning "Switched-On Bach" was the album that sparked my interest in Classical music. It inspired me to study piano, explore music through its eras, and later on, lead me to synthesizers and digital sound development.
Here is Bach's famous Sinfonia to Cantata No. 29, "Wir danken dir, Gott, wir danken dir" (We thank you, God, we thank you). As always, the use of headphones will greatly enhance the listening experience.
For those wanting to follow the music, the MAMM Player Visualization colours are as follows:
Organ – Orange (top line)
Trumpets – Light Orange/Yellow/Lime Green (intermittent over Violin and Oboe)
Violin – Green (2nd line)
Oboe – Blue (3rd line)
Bassoon – Mauve (4th line)
Viola – Purple (can be seen under some of the Bassoon line)
Cello – Violet (2nd last line)
Double-bass – Pink (bottom line)
Timpani – Coral (intermittent through Cello and Double-bass)
https://wn.com/J.S._Bach_Sinfonia_To_Cantata_No._29_2017_Revisit_(Synthesized)
Please find my updated version here:
https://youtu.be/-QorYw9hlsE
For information on the visualization see the end of this note.
Johann Sebastian Bach wrote Cantata 29 in 1731, by which time he was working in Leipzig and at the height of his career. Although there is a reference to "Gott" (God) in the title (and the work is based on sacred text), this is not actually a church cantata - that is, it was not written for a specific liturgical feast. But the work is a sacred cantata, written for a service at the Nikolaikirche (St. Nicholas Church) accompanying the “Ratswechsel” - the annual inauguration of a new town council on the 27th of August of that year.
The cantata is one of few sacred cantatas written by Bach which opens with an orchestral sinfonia. Who knows what Bach’s motivation was behind this Sinfonia (convenience, musical appropriateness, or simply a looming deadline?) but the opening music the citizens of Leipzig heard that day (and again in 1739 and 1749) had existed in another form for over a decade, as the prelude to Violin Partita No. 3 in E (BWV 1006), written during Bach's earlier Cöthen period. Bach had already revised this for organ and strings in 1729 for the “wedding” cantata “Herr Gott, Beherrscher aller Dinge” (BWV 120a).
Bach sometimes reused an earlier composition, typically revising and improving it in a process called “parody” - the reworking of one kind of composition into another. Transposing the work from E major down a step to D major, Bach transformed the prelude and created a joyous orchestral setting befitting the ceremonial pomp of the occasion. The obbligato (solo) organ plays the original virtuoso violin part, while the lavishly written ensemble (3 trumpets, two oboes, strings, continuo and timpani) imitates the material to produce a concerto-like structure. Today, this ceremonial sinfonia is often performed by solo organ (notably by organist Diane Bish).
I decided to revisit this piece as I’d been requested to participate in a concert series of semi “switched-on” music combining analog and digital synthesizers and strings to create a hybrid ensemble. Though the project is on hold, I thought to create a new version having gained more experience and comfort with my software and mixing processes. I tried to get closer in sound to Carlos’ original version than in my previous post from six years ago (https://www.youtube.com/edit?o=U&video_id=J0TnGGKN2co). Though my timbres are reminiscent, I’ve given the score a broader stereo treatment than Carlos’ more simplistic audio vista.
This is probably the most important piece of music to me (and is my ultimate favourite Baroque composition). The work presented here, is my sincere homage to Wendy Carlos, whose 1969 Grammy Award winning "Switched-On Bach" was the album that sparked my interest in Classical music. It inspired me to study piano, explore music through its eras, and later on, lead me to synthesizers and digital sound development.
Here is Bach's famous Sinfonia to Cantata No. 29, "Wir danken dir, Gott, wir danken dir" (We thank you, God, we thank you). As always, the use of headphones will greatly enhance the listening experience.
For those wanting to follow the music, the MAMM Player Visualization colours are as follows:
Organ – Orange (top line)
Trumpets – Light Orange/Yellow/Lime Green (intermittent over Violin and Oboe)
Violin – Green (2nd line)
Oboe – Blue (3rd line)
Bassoon – Mauve (4th line)
Viola – Purple (can be seen under some of the Bassoon line)
Cello – Violet (2nd last line)
Double-bass – Pink (bottom line)
Timpani – Coral (intermittent through Cello and Double-bass)
- published: 26 Sep 2017
- views: 94666
0:16
Meghan Mask Slips
#harryandmeghan #meghanmarkle #meghanmarkleandprinceharry #meghanmarklenews #meghanmarklelatest #princeharrylatest #princeharrynews #fashion #fail #expensive #...
#harryandmeghan #meghanmarkle #meghanmarkleandprinceharry #meghanmarklenews #meghanmarklelatest #princeharrylatest #princeharrynews #fashion #fail #expensive #royalfamily #royalnews #shorts #shortsvideo #shortsviral #shortsfeed #coronation #meghanmarkleisabully #meghanmarkleisamonster #meghanmarkleisanarcissist #meghanmarkleisagrifter #meghanmarkleisaconartist
https://wn.com/Meghan_Mask_Slips
#harryandmeghan #meghanmarkle #meghanmarkleandprinceharry #meghanmarklenews #meghanmarklelatest #princeharrylatest #princeharrynews #fashion #fail #expensive #royalfamily #royalnews #shorts #shortsvideo #shortsviral #shortsfeed #coronation #meghanmarkleisabully #meghanmarkleisamonster #meghanmarkleisanarcissist #meghanmarkleisagrifter #meghanmarkleisaconartist
- published: 10 May 2023
- views: 4465265
2:10
Stelvio Cipriani - Mary's Theme (1969)
Taken from the OST "Femmina ridens"
Easy Tempo vol. 10 ,,,end titles
Taken from the OST "Femmina ridens"
Easy Tempo vol. 10 ,,,end titles
https://wn.com/Stelvio_Cipriani_Mary's_Theme_(1969)
Taken from the OST "Femmina ridens"
Easy Tempo vol. 10 ,,,end titles
- published: 12 Jul 2011
- views: 13184400
3:26
Green Day - The American Dream Is Killing Me (Official Music Video)
Saviors is an invitation into Green Day’s brain, their collective spirit as a band, and an understanding of friendship, culture and legacy of the last 30 plus y...
Saviors is an invitation into Green Day’s brain, their collective spirit as a band, and an understanding of friendship, culture and legacy of the last 30 plus years.
It's raw and emotional. Funny and disturbing. It’s a laugh at the pain, weep in the happiness kind of record.
Honesty and vulnerability.
What is Saviors about, you ask?
Power pop, punk, rock, indie triumph. disease, war, inequality, influencers, yoga retreats, alt right, dating apps, masks, MENTAL HEALTH, climate change, oligarchs, social media division, free weed, fentanyl, fragility,,..
What would Andy Warhol do?
What would John Waters do?
What would Quentin Tarantino do?
What would GREEN DAY do?
Saviors, out now!! http://GreenDay.lnk.to/saviors
The Saviors Tour coming to North American and EU/UK this summer!! We’re playing both Dookie AND American Idiot in full AND a bunch of your other favorites new and old 🤯 Tickets on sale now http://greenday.com/tour
CREDITS
Director: Brendan Walter
Director: Ryan Baxley
EP: Jesy Odio
Producer: Dorian Thomas
Production Company: Baby Atomica
1st AD: Bashir Taylor
Director of Photography: Adam Newport-Berra
Production Design: Rob Fidel
Stylist: Lisa Madonna
SPFX-MU: Alex Perrone
Production Supervisor: Sina Pars
Production Coordinator: Nina Nwachukwu
2nd AD: Lexi Cardiel
2nd 2nd AD: Kasturi Anderson
2nd 2nd AD: Jane Kim
2nd 2nd AD: William Curry
1st AC: Lucas Deans
2nd AC: Robbie Julian
DIT: Brannon Brown
Head Tech: Christian Hurley
Crane Ops: Brett Folk, Clayton Stovall
CLT: Jose Ruiz
ACLT: James Ginn
Programmer: Kiley Ettter
SLTs: Alex Szuch, Jeremy Schonwald, Mike Withers
SLT/Driver: Allen Rondo
Key Grip: Adam Kolegas
BBG: Izzy Ernst
Grips: Max Joslyn, Mark Barry, Beau Beagles
Grip/Driver: Luis Sandoval
Leadman: Jed Maheu
Set Decorator: Brian Chu
Set Decorator: Brandon Martin
Carpenter: James Daniel
SPFX: Omar Torres
SPFX Assts: Arni Peterson, Mike Spears, Jessie Padilla
Stunt Coordinator: Damien Bray
Stunt Performers: Keenan Bray, Jack Francis
SPFX-MU: Assts Ana Gabriela Quiñonez Urrego , Bruce Spaulding Fuller, Ian Goodwin, Samantha Ward, Ralis Kahn, Michelle Miller, Crystal Gomez, Victoria Payne, Laura Morton
Stylist Assts: Alex Scott, Adam Arcos, Tarrell Mitchell
Location: Manager Pete Abrahams
Medic: Melissa Reed, Steve George
Craft Services: Andy Pancho, Andrea Leyva
FSO: Mark Taillon
Water Truck Driver: Marlon Sosa
Office PA: Bria Chavez, Jennifer Scelsi
AD PA: Fee Johnson, Anthony Sturdivant
Truck PAs: Patrick Reaves, Daniel Trejo, Ted Shehan, Robert Gillard
Set PAs: Jose Ramos, Ryan Jacob Hall, Kevin Kurz, Tomas Filloy, Anton Sereda
Band Glam: Brooke Llewellyn, Yuly Child-Phillips, Nicole Blanco
VFX: Salazar
Catering: D&R Catering
Casting Agency: Orange Street Casting
ALICE: Alice Fuijimori
HUMAN #1: A.J. Friedrich
HUMAN #2: Ted Reis
HUMAN #3: Taylor Box
HUMAN #4: Mila Max
HUMAN #5: Josie Hung
MILITIA #1: Jed Maheu
MILITIA #2: Zack Daly
MILITIA #3: Jack Bedrosian
MILITIA #4: Andrew Pearson
MILITIA #5: Dorian Thomas
ZOMBIE #1: Alejandro Galaviz
ZOMBIE #2: Yelyzaveta Dzhuhostranska
ZOMBIE #3: E. R. Ruiz
ZOMBIE #4: Brendan Gardiola
ZOMBIE #5: Lisa Molenda
BG ACTORS: Ahdrie Wright, Alexis Sara, Carrie Terraccino, Feenix Ireton, Iydan Thompson Brown, Lauren Gerrishm Samantha Ross, Yui Shibata, Thais Souza, Alexander Sternberg, Allan Cunningham, Qi Gu, Andrew Threm, Enrico Leoni, Eshak Mekonnen, Rashvir Singh, Patrick H Breen, Carlos Cardenas, Solomon Patterson, Vikrant Sahdev, Tyson Radtke, William Sibley
RADIO VO: Kylie Mar
Website https://greenday.com/
Tour Dates https://greenday.com/tour/
Sign Up To Email List https://greenday.com/sign-up/
TikTok https://www.tiktok.com/@greenday
Facebook https://www.facebook.com/greenday
Instagram https://www.instagram.com/greenday/
Twitter https://twitter.com/greenday
LYRICS
The American dream is killing me
The American dream is killing me
When it’s all double talk of conspiracy
The American dream is killing me
Send out an SOS
It’s getting serious
Bulldoze your family home
Now it’s a condo
We are not home
Are we not home
God damn I am so grateful
Forever faithful to
The American dream is killing me
The American dream is killing me
People on the street
Unemployed and obsolete
Did you ever learn to read the ransom note
Don’t want no huddled masses
TikTok and taxes
Under the overpass
Sleeping in broken glass
We are not well
Are we not well
Cracked up into the wild
We’re pedophiles for
The American dream is killing me
The American dream is killing me
When it’s all double talk of insanity
The American dream is killing me
From sea to shining sea
Whitewashed upon the beach
My country under siege
On private property
We are not home
Are we not home
Kiss me I’m dead inside
Who needs suicide
When the American dream is killing me
The American dream is killing me
When it’s all double talk of insanity
The American dream is killing me
#GreenDay #TheAmericanDreamIsKillingMe #Saviors
https://wn.com/Green_Day_The_American_Dream_Is_Killing_Me_(Official_Music_Video)
Saviors is an invitation into Green Day’s brain, their collective spirit as a band, and an understanding of friendship, culture and legacy of the last 30 plus years.
It's raw and emotional. Funny and disturbing. It’s a laugh at the pain, weep in the happiness kind of record.
Honesty and vulnerability.
What is Saviors about, you ask?
Power pop, punk, rock, indie triumph. disease, war, inequality, influencers, yoga retreats, alt right, dating apps, masks, MENTAL HEALTH, climate change, oligarchs, social media division, free weed, fentanyl, fragility,,..
What would Andy Warhol do?
What would John Waters do?
What would Quentin Tarantino do?
What would GREEN DAY do?
Saviors, out now!! http://GreenDay.lnk.to/saviors
The Saviors Tour coming to North American and EU/UK this summer!! We’re playing both Dookie AND American Idiot in full AND a bunch of your other favorites new and old 🤯 Tickets on sale now http://greenday.com/tour
CREDITS
Director: Brendan Walter
Director: Ryan Baxley
EP: Jesy Odio
Producer: Dorian Thomas
Production Company: Baby Atomica
1st AD: Bashir Taylor
Director of Photography: Adam Newport-Berra
Production Design: Rob Fidel
Stylist: Lisa Madonna
SPFX-MU: Alex Perrone
Production Supervisor: Sina Pars
Production Coordinator: Nina Nwachukwu
2nd AD: Lexi Cardiel
2nd 2nd AD: Kasturi Anderson
2nd 2nd AD: Jane Kim
2nd 2nd AD: William Curry
1st AC: Lucas Deans
2nd AC: Robbie Julian
DIT: Brannon Brown
Head Tech: Christian Hurley
Crane Ops: Brett Folk, Clayton Stovall
CLT: Jose Ruiz
ACLT: James Ginn
Programmer: Kiley Ettter
SLTs: Alex Szuch, Jeremy Schonwald, Mike Withers
SLT/Driver: Allen Rondo
Key Grip: Adam Kolegas
BBG: Izzy Ernst
Grips: Max Joslyn, Mark Barry, Beau Beagles
Grip/Driver: Luis Sandoval
Leadman: Jed Maheu
Set Decorator: Brian Chu
Set Decorator: Brandon Martin
Carpenter: James Daniel
SPFX: Omar Torres
SPFX Assts: Arni Peterson, Mike Spears, Jessie Padilla
Stunt Coordinator: Damien Bray
Stunt Performers: Keenan Bray, Jack Francis
SPFX-MU: Assts Ana Gabriela Quiñonez Urrego , Bruce Spaulding Fuller, Ian Goodwin, Samantha Ward, Ralis Kahn, Michelle Miller, Crystal Gomez, Victoria Payne, Laura Morton
Stylist Assts: Alex Scott, Adam Arcos, Tarrell Mitchell
Location: Manager Pete Abrahams
Medic: Melissa Reed, Steve George
Craft Services: Andy Pancho, Andrea Leyva
FSO: Mark Taillon
Water Truck Driver: Marlon Sosa
Office PA: Bria Chavez, Jennifer Scelsi
AD PA: Fee Johnson, Anthony Sturdivant
Truck PAs: Patrick Reaves, Daniel Trejo, Ted Shehan, Robert Gillard
Set PAs: Jose Ramos, Ryan Jacob Hall, Kevin Kurz, Tomas Filloy, Anton Sereda
Band Glam: Brooke Llewellyn, Yuly Child-Phillips, Nicole Blanco
VFX: Salazar
Catering: D&R Catering
Casting Agency: Orange Street Casting
ALICE: Alice Fuijimori
HUMAN #1: A.J. Friedrich
HUMAN #2: Ted Reis
HUMAN #3: Taylor Box
HUMAN #4: Mila Max
HUMAN #5: Josie Hung
MILITIA #1: Jed Maheu
MILITIA #2: Zack Daly
MILITIA #3: Jack Bedrosian
MILITIA #4: Andrew Pearson
MILITIA #5: Dorian Thomas
ZOMBIE #1: Alejandro Galaviz
ZOMBIE #2: Yelyzaveta Dzhuhostranska
ZOMBIE #3: E. R. Ruiz
ZOMBIE #4: Brendan Gardiola
ZOMBIE #5: Lisa Molenda
BG ACTORS: Ahdrie Wright, Alexis Sara, Carrie Terraccino, Feenix Ireton, Iydan Thompson Brown, Lauren Gerrishm Samantha Ross, Yui Shibata, Thais Souza, Alexander Sternberg, Allan Cunningham, Qi Gu, Andrew Threm, Enrico Leoni, Eshak Mekonnen, Rashvir Singh, Patrick H Breen, Carlos Cardenas, Solomon Patterson, Vikrant Sahdev, Tyson Radtke, William Sibley
RADIO VO: Kylie Mar
Website https://greenday.com/
Tour Dates https://greenday.com/tour/
Sign Up To Email List https://greenday.com/sign-up/
TikTok https://www.tiktok.com/@greenday
Facebook https://www.facebook.com/greenday
Instagram https://www.instagram.com/greenday/
Twitter https://twitter.com/greenday
LYRICS
The American dream is killing me
The American dream is killing me
When it’s all double talk of conspiracy
The American dream is killing me
Send out an SOS
It’s getting serious
Bulldoze your family home
Now it’s a condo
We are not home
Are we not home
God damn I am so grateful
Forever faithful to
The American dream is killing me
The American dream is killing me
People on the street
Unemployed and obsolete
Did you ever learn to read the ransom note
Don’t want no huddled masses
TikTok and taxes
Under the overpass
Sleeping in broken glass
We are not well
Are we not well
Cracked up into the wild
We’re pedophiles for
The American dream is killing me
The American dream is killing me
When it’s all double talk of insanity
The American dream is killing me
From sea to shining sea
Whitewashed upon the beach
My country under siege
On private property
We are not home
Are we not home
Kiss me I’m dead inside
Who needs suicide
When the American dream is killing me
The American dream is killing me
When it’s all double talk of insanity
The American dream is killing me
#GreenDay #TheAmericanDreamIsKillingMe #Saviors
- published: 24 Oct 2023
- views: 3874656
5:02
Just for Fun II° - Roland GW 8 Synth Solo.
SPOTIFY Pianistaitaliano music journey:
https://open.spotify.com/playlist/0jrtpjbTQrzvJLYoveIqws
Learn piano songs quickly and easily with this app: https://t...
SPOTIFY Pianistaitaliano music journey:
https://open.spotify.com/playlist/0jrtpjbTQrzvJLYoveIqws
Learn piano songs quickly and easily with this app: https://tinyurl.com/pianista-flowkey
I just was trying out this synth "Just for fun" But this time is not a free vsti synth, but a great Roland GW8, I have had a gift last Christmas, I love this synth is pure enjoyment.. I just play the solo with backing track - hope you also enjoy :-)
More Informations about synthesizer:
A synthesizer is an electronic instrument capable of producing a variety of sounds by generating and combining signals of different frequencies. A modern digital synthesizer uses a frequency synthesizer microprocessor component to calculate mathematical functions, which generate signals of different frequencies. There are three main types of synthesizers, which differ in operation: analog, digital and software-based. Synthesizers create electrical signals, rather than direct acoustic sounds, which are then amplified through a loudspeaker or set of headphones.
Synthesizers are typically controlled with a piano-style keyboard, in which key functions as a switch to turn electronic circuits on and off. Although keyboards are the most common control interface, other devices such as saxophone-style wind controllers, MIDI-equipped electric guitars, drum pads or computers are used to control synthesizers. Synthesizers can produce a wide range of sounds, which can either imitate other instruments or generate unusual new timbres.
The first electric synthesizer was invented in 1876 by Elisha Gray, who is best known for his development of a telephone prototype. Robert Moog created a revolutionary synthesizer which was used by Wendy Carlos's Switched-On Bach (1968) a popular recording which introduced many musicians to the sound of synthesizers. In the 1970s, the development of miniaturized solid-state components allowed synthesizers to become self-contained, portable instruments, which made them easier to use in live performances. By the early 1980s, companies such as Yamaha began selling compact, modestly priced synthesizers such as the DX7, and MIDI (Musical Instrument Digital Interface) was developed, which made it easier to integrate and synchronize synthesizers with other electronic instruments. In the 1990's complex synthesizers no longer required specialist hardware and began to appear as software for the PC, often as hardware emulators with on-screen knobs and panels.
Kategorie: Musik
https://wn.com/Just_For_Fun_Ii°_Roland_Gw_8_Synth_Solo.
SPOTIFY Pianistaitaliano music journey:
https://open.spotify.com/playlist/0jrtpjbTQrzvJLYoveIqws
Learn piano songs quickly and easily with this app: https://tinyurl.com/pianista-flowkey
I just was trying out this synth "Just for fun" But this time is not a free vsti synth, but a great Roland GW8, I have had a gift last Christmas, I love this synth is pure enjoyment.. I just play the solo with backing track - hope you also enjoy :-)
More Informations about synthesizer:
A synthesizer is an electronic instrument capable of producing a variety of sounds by generating and combining signals of different frequencies. A modern digital synthesizer uses a frequency synthesizer microprocessor component to calculate mathematical functions, which generate signals of different frequencies. There are three main types of synthesizers, which differ in operation: analog, digital and software-based. Synthesizers create electrical signals, rather than direct acoustic sounds, which are then amplified through a loudspeaker or set of headphones.
Synthesizers are typically controlled with a piano-style keyboard, in which key functions as a switch to turn electronic circuits on and off. Although keyboards are the most common control interface, other devices such as saxophone-style wind controllers, MIDI-equipped electric guitars, drum pads or computers are used to control synthesizers. Synthesizers can produce a wide range of sounds, which can either imitate other instruments or generate unusual new timbres.
The first electric synthesizer was invented in 1876 by Elisha Gray, who is best known for his development of a telephone prototype. Robert Moog created a revolutionary synthesizer which was used by Wendy Carlos's Switched-On Bach (1968) a popular recording which introduced many musicians to the sound of synthesizers. In the 1970s, the development of miniaturized solid-state components allowed synthesizers to become self-contained, portable instruments, which made them easier to use in live performances. By the early 1980s, companies such as Yamaha began selling compact, modestly priced synthesizers such as the DX7, and MIDI (Musical Instrument Digital Interface) was developed, which made it easier to integrate and synchronize synthesizers with other electronic instruments. In the 1990's complex synthesizers no longer required specialist hardware and began to appear as software for the PC, often as hardware emulators with on-screen knobs and panels.
Kategorie: Musik
- published: 08 Jan 2010
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