- published: 09 Jan 2010
- views: 1602665
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'/'+path : ''; window.lastHistory = '/'+path; } } }); $('.tabtrigger li a').live('click', ensure(function() { var tab = $(this).attr('id'); if(tab.substring(0,1) == '#'){ var name = tab.substring(1); if(name in menu_names){ name = menu_names[name][0]; } realTab = rev_names[name]; $('#'+realTab).show(); if(window.console && console.log) console.log("Triggering tab: "+name+(window.activeArea?" activeArea="+window.activeArea:'')); var path = name; if(window.activeArea){ path = path + '/' + window.activeArea; } if(tab.match(/#playlist\d+/) || tab.match(/#details\d+/)){ $('.multiple-playlists').show(); $('.related_playlist').show(); $('.longest_videos_playlist').show(); }else { $('.multiple-playlists').hide(); $('.related_playlist').hide(); $('.longest_videos_playlist').hide(); } // start the related script only when the tab is on screen showing if (tab.match(/related_sites/)) { if (mc) { mc.startCredits(); } } window.activeTab = realTab; addHistory(path); setTimeout(ensure(function(){ if(tab.match(/language--/)){ $('.tabtrigger').offscreentabs('activateTab', 'language'); } if(tab.match(/weather/)) { $('.tabtrigger').offscreentabs('activateTab', 'weather'); loadContinent(); } updateMenus(tab); updateHeight(); }), 10); } return false; })); }); -->
Joni James (born Joan Carmella Babbo, September 22, 1930, Chicago, Illinois) is an American singer of traditional pop music.
Joan Carmella Babbo was born to an Italian-American family in Chicago, one of six children supported by her widowed mother. As an adolescent, she studied drama and ballet, and on graduating from Bowen High School, located in the South Chicago neighborhood, went with a local dance group on a tour of Canada. She then took a job as a chorus girl in the Edgewater Beach Hotel in Chicago.
After doing a fill-in in Indiana, she decided to pursue a singing career. Some executives at Metro-Goldwyn-Mayer (MGM) spotted her in a television commercial, and she was signed by MGM in 1952. Her first hit, "Why Don't You Believe Me?" sold over two million copies. She had a number of hits following that one, including "Your Cheatin' Heart" (a cover of Hank Williams' hit) and "Have You Heard?".
She was the first American to record at London's Abbey Road Studios, and recorded five albums there. She was also very popular across parts of the Asia-Pacific region, particularly in the Philippines where she performed at Manila's now defunct EM Club in 1957. She also scored a big hit in Manila with Filipino composer Salvador Asuncion's work entitled "In Despair."
Basin Street or Rue Bassin in French, is a street in New Orleans, Louisiana. It parallels Rampart Street one block lakeside, or inland, from the boundary of the French Quarter, running from Canal Street down 5 blocks past Saint Louis Cemetery. It currently then turns lakewards, flowing into Orleans Avenue.
The name comes from the turning basin of the Carondelet Canal formerly located on the street, where it now turns on to Orleans by the Municipal Auditorium.
In the late 19th century and early 20th century railroad tracks paralleled the Canal and then turned on to Basin Street, running up the "neutral ground" (as street medians are called locally) to one of the city's main railroad depots on Canal Street.
At one time one of the finest residential streets in the city, it became a red light district around 1870. From 1897 through World War I, the back side of Basin Street was the front of the Storyville red light district, with a line of high end saloons and mansions devoted to prostitution.
"Basin Street Blues" is a song often performed by Dixieland jazz bands, written by Spencer Williams. It was published in 1926 and made famous in a recording by Louis Armstrong in 1928. The famous verse with the lyric "Won't you come along with me/To the Mississippi..." was later added by Glenn Miller and Jack Teagarden.
The Basin Street of the title refers to the main street of Storyville, the notorious red-light district of the early 20th-century New Orleans, just north of the French Quarter. It became a red light district in 1897.
Bob Wills and his Texas Playboys also recorded a version during the group's heyday with Tommy Duncan. Louis Prima also recorded the song on his 1957 album The Wildest! as did Dr. John on his 1992 album Goin' Back to New Orleans. Bob Wills' official version contains slightly different lyrics than those heard on Bob Wills' Anthology. Instead of Basin Street being the place where the "dark and light folks" meet, as sung on the recording, the printed lyrics state that Basin Street is the place where the "young and old folks" meet.
Basin Street Blues is one of my favourite songs by jazz legend Louis Armstrong. I haven't found this version on Youtube yet and in my opinion it's one of the best. Enjoy!
From the Bell Telephone Hour: The American Song, February 2, 1964. I think the personell are as follows: Armstrong, Louis (Trumpet, Vocal) Moore, Russell "Big Chief" (Trombone) Darensbourg, Joe (Clarinet) Kyle, Billy (Piano) Shaw, Arvell (Bass) Barcelona, Danny (Drums)
Basin street blues del CD-DVD "JAZZING" live at Casa Fuster, Barcelona Enregistrat el dia 21 de juny del any 2009 al Jazz Club del Cafè Vienès de l'Hotel Casa Fuster SANT ANDREU JAZZ BAND Andrea Motis 14 anys (saxo soprá i veu) BASE RITMICA Marc Martín 16 anys ( piano ) Jan Rodríguez 12 anys ( contrabaix ) Arnau Julià 18 anys(bateria) featuring Ricard Gili ( trompeta i veu) Josep Traver ( guitarra) Joan Chamorro ( direcció musical ) Montserrat Jorba ( ajudant de direcció) La SANT ANDREU JAZZ BAND és un somni fet realitat. És el resultat de compartir amb els seus membres (la majoria d' ells entre 10 i 16 anys) la meva passió pel jazz; de creure que ho poden fer igual o millor que jo mateix; de no sentir-me el professor sinó l'alumne més avançat; de...
2011 BASIN STREET BLUES ( Spencer Williams ) SANT ANDREU JAZZ BAND ( Joan Chamorro direccion ) 31 de diciembre de 2011 Andrea Motis voz y saxo soprano Ricard Gili voz y trompeta Wycliffe Gordon trombon Joan Marti saxo alto Eva Fernandez saxo alto Iscle Datzira saxo tenor Carles Vazquez saxo tenor Eduard Ferrer saxo baritono Dani Tellez trombon Raul Castro trombon Paula Berzal trombon Max Tato trombon Pablo Fernandez trompeta Marti Ibañez trompeta Alba Armengou trompeta Elsa Armengou trompeta Marc Martin piano Carla Motis guitarra Magali Datzira contrabajo Arnau Julia Bateria jazztojazz.com ESTE TEMA forma parte del tercer CD-DVD de la SANT ANDREU JAZZ BAND, grabado en directo el dia 30 de noviembre en el PALAU DE LA MUSICA CATALANA DE BARCELONA, EN EL MARCO DEL 43 ...
“Basin Street Blues” by Sam Cooke Composer: Spencer Williams Lyrics: Basin Street, Basin Street That's the place where my friends all meet Down in New Orleans In that land of dreams And you don't know how nice it seems It's dear to me, yes-sir-ee And that's the place I’m so longing to be Where I can lose, these old Basin Street Blues No-o-o Basin Street, my Basin Street Where the young and the old folk meet Down in New Orleans In that land of dreams You don't know how nice it really seems But it's dear to me, yes-sir-ee And that's the place I am so longing to be Where maybe I can lose These old Basin Street Blues And oh man I'm talking about Basin Street, Basin Street Where the folk who know what's happ’ning meet Down in New Orleans In the land of dreams And you don't know how nice i...
Provided to YouTube by The Orchard Enterprises Basin Street Blues · Preservation Hall Jazz Band Songs of New Orleans ℗ 2007 Preservation Hall Released on: 2004-01-01 Auto-generated by YouTube.
Basin Street Blues - Carling family
Provided to YouTube by Columbia/Legacy Basin Street Blues (rec. 1928) · Louis Armstrong & His Hot Five Portrait Of The Artist As A Young Man 1923-1934 ℗ Originally Released 1928 Sony Music Entertainment Inc. Released on: 1994-09-27 Executive Producer: Bruce Talbot Trumpet, Vocal: Louis Armstrong Composer, Lyricist: S. Williams Mastering Engineer: Tom Ruff Celeste, Piano, Vocal: Earl Hines Banjo, Vocal: Mancy Carr Mastering Engineer: Mark Wilder Drums: Zutty Singleton Clarinet: Jimmy Strong Trombone: Fred Robinson Auto-generated by YouTube.
ma boutique : https://impressions3ddesigns.etsy.com discord : https://discord.gg/utkW3qtj les contenus vidéos et audio ne m'appartiennent pas et sont la propriété de la Walt Disney Company the video and audio content does not belong to me and is the property of The Walt Disney Company © 2019 The Walt Disney Company. | All Rights Reserved.
Ella Fitzgerald & Louis Armstrong Basin Street Blues from The Best of Jazz Classics
Joni James (born Joan Carmella Babbo, September 22, 1930, Chicago, Illinois) is an American singer of traditional pop music.
Joan Carmella Babbo was born to an Italian-American family in Chicago, one of six children supported by her widowed mother. As an adolescent, she studied drama and ballet, and on graduating from Bowen High School, located in the South Chicago neighborhood, went with a local dance group on a tour of Canada. She then took a job as a chorus girl in the Edgewater Beach Hotel in Chicago.
After doing a fill-in in Indiana, she decided to pursue a singing career. Some executives at Metro-Goldwyn-Mayer (MGM) spotted her in a television commercial, and she was signed by MGM in 1952. Her first hit, "Why Don't You Believe Me?" sold over two million copies. She had a number of hits following that one, including "Your Cheatin' Heart" (a cover of Hank Williams' hit) and "Have You Heard?".
She was the first American to record at London's Abbey Road Studios, and recorded five albums there. She was also very popular across parts of the Asia-Pacific region, particularly in the Philippines where she performed at Manila's now defunct EM Club in 1957. She also scored a big hit in Manila with Filipino composer Salvador Asuncion's work entitled "In Despair."
Is it any wonder that I've fallen for you?
You're the spell I'm under and I'm helpless it's true
Is it anmy wonder why my skies are so blue
When I searched the heavens I found no one like you
Found the rainbow, found the moonglow
Saw the light from the great Milky Way
Quite an eyeful, yet a trifle
When compared to your magical ways
Is it any wonder that I feel as I do?