HIDDEN ERROR: Usage of "imagesize" is not recognized
Salome Mc (Persian: سالومه, born 1985), is a female Hip Hop and Multi-media artist from Iran. She is known for being Iran's first female rapper and Hip-Hop producer. Even though the topics expressed in her lyrics are a mixture of politics, social issues and personal matters, she defines herself as "apolitical" and her poetry being about "whatever occupies her mind."
Philosophy
Being questioned about being a female rapper in Iran, she mentioned in several interviews that she wouldn’t say she faced many challenges just because she was a female. "I might be the first female rapper to ever step in a studio in Iran, yes, but from people around me I mostly got courage after they got over the surprise. The other challenges that you might guess was there for my male counterparts too. Of course you get a certain amount of sexist comments from lack of common sense or education, but that is a global problem. " She also believes Hip-Hop can be a tool for empowerment, saying "it can be used to make people aware of their rights and their position, realize their own potential and at the end, empowerment, yes. But I am not one to speak big. I think change comes slowly and locally, so instead of talking big and throw slogans, I prefer to metaphorize my own experiences and hope that I inspire a person or two.
While in the French navy in the Far East, Mariotte had read the Oscar Wilde play Salome, and decided to set it to music. During his return to Europe by sea, he had access to a piano to continue his work, and while on leave, he took a course at the Conservatoire by Charles-Marie Widor, then resigned from the navy in 1897, and entered the Schola Cantorum where he was taught by Vincent d'Indy. After being appointed professor of piano at the Conservatoire in Lyon, he completed the score of his Salomé, believing himself to have permission from Wilde's estate and the publisher Methuen.
In fact, having obtained the agreement to use the play, Richard Strauss had in turn asked his publisher Fürstner to acquire the rights. Wilde's particularly complicated estate led to a court case that favoured the rights of Fürstner. Mariotte learnt that Fürstner would oppose the production of a "Salomé française" and after going to Berlin, he obtained permission to have his piece staged, on condition that 40% royalties went to Richard Strauss and 10% to Fürstner, with all scores to be sent after the run to Fürstner to be destroyed. Romain Rolland, having read an article by Mariotte in the Revue internationale de musique, helped him to obtain a more generous settlement from Strauss.
Although based on the New Testament story, the film does not follow the biblical text.
In Galilee, during the rule of Rome's Tiberius Caesar, King Herod (Charles Laughton) and Queen Herodias (Judith Anderson) sit on the throne and are condemned by a prophet known as John the Baptist (Alan Badel). Herodias resents John's denunciation of her marriage to the king, her former husband's brother, and the Baptist's claim that she is an adulteress. The king is not pleased with the Baptist condemning his rule, but fears a slow and agonizing death that his father, the elder Herod, suffered after ordering the murder of firstborn males when Jesus was born. The prophecy states that if Herod kills the Messiah, he will suffer and die. The king believes John the Baptist is the Messiah because of the mistaken belief of some peasants.
Goes was founded in the 10th century on the edge of a creek: de Korte Gos (the Short Gos). The village grew fast, and in the early 12th century it had a market square and a church devoted to Mary Magdalene. In 1405 Goes received city rights from William, Duke of Bavaria, by his right as count of Holland, and in 1417 it was allowed to build town walls. The prosperity of the city was based upon the cloth industry and the production of salt. In the 16th century Goes declined. Its connection to the sea silted up and in 1554 a large fire destroyed part of the city.
In Autumn 1572, during the course of the Eighty Years' War, Goes, in the Spanish Netherlands, was besieged by Dutch forces with the support of English troops. The siege was relieved in October 1572 by Spanish Tercios, who waded across the Scheldt to attack the besieging forces. In 1577 the Spanish soldiers who occupied Goes were driven out by Prince Maurits of Nassau. The prince built a defence wall around Goes, which is still partly standing. From the 17th century Goes did not play an important role, except as an agricultural centre. In 1868 a railway was constructed through it, but this did not lead to industrialisation. Agriculture remains the most important economic activity.
GOES-L was launched aboard an International Launch ServicesAtlas IIA rocket, flying from Space Launch Complex 36A at the Cape Canaveral Air Force Station. The launch occurred at 07:07 GMT on 3 May. The launch was originally scheduled for 15 March 1999, however it was delayed to allow the Eutelsat W3 satellite to be launched first. Following this, it was rescheduled for 15 May. On 30 April, the Centaur upper stage of a Titan IV(401)B failed during the launch of USA-143. Since a version of the Centaur was also used on the Atlas II, the launch of GOES-L was delayed a week to ensure that the same problem would not affect its launch. Less than five days after the Titan failure, a Delta III failed to launch Orion 3. The failure occurred during the second stage restart, and as the Delta III and Atlas II both used RL10 engines on their second stages, this resulted in a further delay.
Werke:
Antoine Mariotte
"Salomé"
Oper in einem Akt
Mitwirkende:
Balázs Kovalik, Inszenierung
Solisten der Bayerischen Theaterakademie August Everding:
Anna-Maria Thoma, Mezzosopran - Salomé, Tochter der Hérodias
Idunnu Münch, Mezzosopran - Hérodias, die Frau des Tetrarchen
Nadja Steinhardt, Mezzosopran - Page der Hérodias
Eric Ander, Bass - Hérode, Tetrarch der Juden
Heeyun Choi, Bariton - Iokanaan, der Prophet
Ingyu Hwang, Tenor - Narraboth, ein junger Syrer
Benedikt Eder, Bariton - Erster Soldat
Jiaxuan Li, Tenor - Zweiter Soldat
Münchner Rundfunkorchester
Dirigent:
Ulf Schirmer
published: 14 Oct 2015
Strauss' Salome: Dance of the seven veils
Even without singing, soprano Malin Byström's Salome grabs attention. The famous 'Dance of the Seven Veils' was choreographed by none other than Wim Vandekeybus. Do you want to see the full opera? You can watch this production with the Koninklijk Concertgebouworkest in the pit on our YouTube channel up until Sunday June 14th. https://bit.ly/salome-stream
SUBSCRIBE to our channel for new video's every week: http://bit.ly/YoutubeNOB
Curious for more OPERA? Then you might also like:
Beautiful aria's and chorus pieces: http://bit.ly/operaCLIPS
Go behind the scenes to our artistic ateliers: http://bit.ly/operaBTS
Looking for something extra special? https://bit.ly/operaspecials
Ready for your first (online) opera? https://bit.ly/fulloperaritratto
Want more? Follow us on:
Facebook (ballet):...
published: 26 Jun 2017
Salome (Opera) : Darko Djordjevic as Herodes - 2nd part
Live Performance at the National Theatre in Belgrade, Serbia, March 2015
published: 15 Apr 2015
Salome (Opera) : Darko Djordjevic as Herodes - 3rd part
Live Performance at the National Theatre in Belgrade, Serbia, March 2015
published: 15 Apr 2015
SALOME
Salomé: Opéra de Gérard Massini d'après Oscar Wilde, créé par la Cie Kaleidos, dans une mise en scène de Leili Yahr.
Oriental-Vevey, 2018
Salomé: Sophie Chabert
Le Page-Hérodias: Marion Jacquemet
Yokanaan-Hérode: Yannis François
Contrebasse: Dominique Bettens
Marimba-Percussions: Didier Métrailler
Piano: Gérard Massini
Création lumière: Nicolas Mayoraz
Assistant lumières: Emile Schaer
Transformation et coiffure: Viviane Lima
Costumes: Mireille Dessingy
Assistante costumes: Samantha Landragin
Scénographie: Gilbert Maire
Mise en scène: Leili Yahr
Musique: Gérard Massini
Captation: Climage
Werke:
Antoine Mariotte
"Salomé"
Oper in einem Akt
Mitwirkende:
Balázs Kovalik, Inszenierung
Solisten der Bayerischen Theaterakademie August Everding:
Anna-Mar...
Werke:
Antoine Mariotte
"Salomé"
Oper in einem Akt
Mitwirkende:
Balázs Kovalik, Inszenierung
Solisten der Bayerischen Theaterakademie August Everding:
Anna-Maria Thoma, Mezzosopran - Salomé, Tochter der Hérodias
Idunnu Münch, Mezzosopran - Hérodias, die Frau des Tetrarchen
Nadja Steinhardt, Mezzosopran - Page der Hérodias
Eric Ander, Bass - Hérode, Tetrarch der Juden
Heeyun Choi, Bariton - Iokanaan, der Prophet
Ingyu Hwang, Tenor - Narraboth, ein junger Syrer
Benedikt Eder, Bariton - Erster Soldat
Jiaxuan Li, Tenor - Zweiter Soldat
Münchner Rundfunkorchester
Dirigent:
Ulf Schirmer
Werke:
Antoine Mariotte
"Salomé"
Oper in einem Akt
Mitwirkende:
Balázs Kovalik, Inszenierung
Solisten der Bayerischen Theaterakademie August Everding:
Anna-Maria Thoma, Mezzosopran - Salomé, Tochter der Hérodias
Idunnu Münch, Mezzosopran - Hérodias, die Frau des Tetrarchen
Nadja Steinhardt, Mezzosopran - Page der Hérodias
Eric Ander, Bass - Hérode, Tetrarch der Juden
Heeyun Choi, Bariton - Iokanaan, der Prophet
Ingyu Hwang, Tenor - Narraboth, ein junger Syrer
Benedikt Eder, Bariton - Erster Soldat
Jiaxuan Li, Tenor - Zweiter Soldat
Münchner Rundfunkorchester
Dirigent:
Ulf Schirmer
Even without singing, soprano Malin Byström's Salome grabs attention. The famous 'Dance of the Seven Veils' was choreographed by none other than Wim Vandekeybus...
Even without singing, soprano Malin Byström's Salome grabs attention. The famous 'Dance of the Seven Veils' was choreographed by none other than Wim Vandekeybus. Do you want to see the full opera? You can watch this production with the Koninklijk Concertgebouworkest in the pit on our YouTube channel up until Sunday June 14th. https://bit.ly/salome-stream
SUBSCRIBE to our channel for new video's every week: http://bit.ly/YoutubeNOB
Curious for more OPERA? Then you might also like:
Beautiful aria's and chorus pieces: http://bit.ly/operaCLIPS
Go behind the scenes to our artistic ateliers: http://bit.ly/operaBTS
Looking for something extra special? https://bit.ly/operaspecials
Ready for your first (online) opera? https://bit.ly/fulloperaritratto
Want more? Follow us on:
Facebook (ballet): http://www.facebook.com/HetNationaleBallet/
Facebook (opera): https://www.facebook.com/DeNationaleOpera/
Instagram: http://www.instagram.com/nationaleoperaballet/
Website: http://www.operaballet.nl/
Dutch National Opera & Ballet (Amsterdam) creates, produces and presents both traditional and innovative opera and ballet productions of the highest quality
Even without singing, soprano Malin Byström's Salome grabs attention. The famous 'Dance of the Seven Veils' was choreographed by none other than Wim Vandekeybus. Do you want to see the full opera? You can watch this production with the Koninklijk Concertgebouworkest in the pit on our YouTube channel up until Sunday June 14th. https://bit.ly/salome-stream
SUBSCRIBE to our channel for new video's every week: http://bit.ly/YoutubeNOB
Curious for more OPERA? Then you might also like:
Beautiful aria's and chorus pieces: http://bit.ly/operaCLIPS
Go behind the scenes to our artistic ateliers: http://bit.ly/operaBTS
Looking for something extra special? https://bit.ly/operaspecials
Ready for your first (online) opera? https://bit.ly/fulloperaritratto
Want more? Follow us on:
Facebook (ballet): http://www.facebook.com/HetNationaleBallet/
Facebook (opera): https://www.facebook.com/DeNationaleOpera/
Instagram: http://www.instagram.com/nationaleoperaballet/
Website: http://www.operaballet.nl/
Dutch National Opera & Ballet (Amsterdam) creates, produces and presents both traditional and innovative opera and ballet productions of the highest quality
Salomé: Opéra de Gérard Massini d'après Oscar Wilde, créé par la Cie Kaleidos, dans une mise en scène de Leili Yahr.
Oriental-Vevey, 2018
Salomé: Sophie Chabe...
Salomé: Opéra de Gérard Massini d'après Oscar Wilde, créé par la Cie Kaleidos, dans une mise en scène de Leili Yahr.
Oriental-Vevey, 2018
Salomé: Sophie Chabert
Le Page-Hérodias: Marion Jacquemet
Yokanaan-Hérode: Yannis François
Contrebasse: Dominique Bettens
Marimba-Percussions: Didier Métrailler
Piano: Gérard Massini
Création lumière: Nicolas Mayoraz
Assistant lumières: Emile Schaer
Transformation et coiffure: Viviane Lima
Costumes: Mireille Dessingy
Assistante costumes: Samantha Landragin
Scénographie: Gilbert Maire
Mise en scène: Leili Yahr
Musique: Gérard Massini
Captation: Climage
Salomé: Opéra de Gérard Massini d'après Oscar Wilde, créé par la Cie Kaleidos, dans une mise en scène de Leili Yahr.
Oriental-Vevey, 2018
Salomé: Sophie Chabert
Le Page-Hérodias: Marion Jacquemet
Yokanaan-Hérode: Yannis François
Contrebasse: Dominique Bettens
Marimba-Percussions: Didier Métrailler
Piano: Gérard Massini
Création lumière: Nicolas Mayoraz
Assistant lumières: Emile Schaer
Transformation et coiffure: Viviane Lima
Costumes: Mireille Dessingy
Assistante costumes: Samantha Landragin
Scénographie: Gilbert Maire
Mise en scène: Leili Yahr
Musique: Gérard Massini
Captation: Climage
Werke:
Antoine Mariotte
"Salomé"
Oper in einem Akt
Mitwirkende:
Balázs Kovalik, Inszenierung
Solisten der Bayerischen Theaterakademie August Everding:
Anna-Maria Thoma, Mezzosopran - Salomé, Tochter der Hérodias
Idunnu Münch, Mezzosopran - Hérodias, die Frau des Tetrarchen
Nadja Steinhardt, Mezzosopran - Page der Hérodias
Eric Ander, Bass - Hérode, Tetrarch der Juden
Heeyun Choi, Bariton - Iokanaan, der Prophet
Ingyu Hwang, Tenor - Narraboth, ein junger Syrer
Benedikt Eder, Bariton - Erster Soldat
Jiaxuan Li, Tenor - Zweiter Soldat
Münchner Rundfunkorchester
Dirigent:
Ulf Schirmer
Even without singing, soprano Malin Byström's Salome grabs attention. The famous 'Dance of the Seven Veils' was choreographed by none other than Wim Vandekeybus. Do you want to see the full opera? You can watch this production with the Koninklijk Concertgebouworkest in the pit on our YouTube channel up until Sunday June 14th. https://bit.ly/salome-stream
SUBSCRIBE to our channel for new video's every week: http://bit.ly/YoutubeNOB
Curious for more OPERA? Then you might also like:
Beautiful aria's and chorus pieces: http://bit.ly/operaCLIPS
Go behind the scenes to our artistic ateliers: http://bit.ly/operaBTS
Looking for something extra special? https://bit.ly/operaspecials
Ready for your first (online) opera? https://bit.ly/fulloperaritratto
Want more? Follow us on:
Facebook (ballet): http://www.facebook.com/HetNationaleBallet/
Facebook (opera): https://www.facebook.com/DeNationaleOpera/
Instagram: http://www.instagram.com/nationaleoperaballet/
Website: http://www.operaballet.nl/
Dutch National Opera & Ballet (Amsterdam) creates, produces and presents both traditional and innovative opera and ballet productions of the highest quality
Salomé: Opéra de Gérard Massini d'après Oscar Wilde, créé par la Cie Kaleidos, dans une mise en scène de Leili Yahr.
Oriental-Vevey, 2018
Salomé: Sophie Chabert
Le Page-Hérodias: Marion Jacquemet
Yokanaan-Hérode: Yannis François
Contrebasse: Dominique Bettens
Marimba-Percussions: Didier Métrailler
Piano: Gérard Massini
Création lumière: Nicolas Mayoraz
Assistant lumières: Emile Schaer
Transformation et coiffure: Viviane Lima
Costumes: Mireille Dessingy
Assistante costumes: Samantha Landragin
Scénographie: Gilbert Maire
Mise en scène: Leili Yahr
Musique: Gérard Massini
Captation: Climage
HIDDEN ERROR: Usage of "imagesize" is not recognized
Salome Mc (Persian: سالومه, born 1985), is a female Hip Hop and Multi-media artist from Iran. She is known for being Iran's first female rapper and Hip-Hop producer. Even though the topics expressed in her lyrics are a mixture of politics, social issues and personal matters, she defines herself as "apolitical" and her poetry being about "whatever occupies her mind."
Philosophy
Being questioned about being a female rapper in Iran, she mentioned in several interviews that she wouldn’t say she faced many challenges just because she was a female. "I might be the first female rapper to ever step in a studio in Iran, yes, but from people around me I mostly got courage after they got over the surprise. The other challenges that you might guess was there for my male counterparts too. Of course you get a certain amount of sexist comments from lack of common sense or education, but that is a global problem. " She also believes Hip-Hop can be a tool for empowerment, saying "it can be used to make people aware of their rights and their position, realize their own potential and at the end, empowerment, yes. But I am not one to speak big. I think change comes slowly and locally, so instead of talking big and throw slogans, I prefer to metaphorize my own experiences and hope that I inspire a person or two.