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Bach: The Art of Fugue, BWV 1080 (MacGregor)
For lyricism, warmth, and narrative intelligence I don’t think this recording of The Art of Fugue has been bettered. MacGregor’s concern is always to make each piece uplifting in its own way, and to give each its distinct character: C.1 and C.14 are taken at tempi which make them sing, C.4 is given lots of intimate articulative touches, and the stretti in C.5, usually dramatic, enter with a sense of quiet repose, making the piece luminously mysterious. C.2 and C.6 – the two dotted-rhythm fugues – swing away like there’s no tomorrow: C.2 in particularly is given a kind of jazzy casualness that’s really effective. C.7’s gentle murmuring is perfect prelude to the energetic C.8. C.12, usually dead-serious, has a pompous swagger about it (particularly in the inversus), emphasized by the clashin...
published: 07 Apr 2018
-
The Art of Fugue, BWV 1080: Contrapunctus I
Provided to YouTube by Believe SAS
The Art of Fugue, BWV 1080: Contrapunctus I · Joanna MacGregor · Johann Sebastian Bach · Joanna MacGregor
Bach: The Art of Fugue
℗ SoundCircus / Joanna MacGregor
Released on: 2015-07-20
Auto-generated by YouTube.
published: 21 Jul 2015
-
The Art of Fugue, BWV 1080: Contrapunctus XIV
Provided to YouTube by Believe SAS
The Art of Fugue, BWV 1080: Contrapunctus XIV · Joanna MacGregor · Johann Sebastian Bach · Joanna MacGregor
Bach: The Art of Fugue
℗ SoundCircus / Joanna MacGregor
Released on: 2015-07-20
Auto-generated by YouTube.
published: 21 Jul 2015
-
Bach - The Art of Fugue BWV 1080 - Sato | Netherlands Bach Society
Bach’s The Art of Fugue is shrouded in mystery. We don’t know whether Bach intended the music as material for practice or performance. The order of the 18 sections is unclear as well and we don’t know whether the piece was ever completed.
Shunske Sato made his own instrumentation for the Netherlands Bach Society. “I wanted to bring out the many colours of the work and of my ensemble. Every fugue has its own character. On the basis of the rhythm, time and chromatic lines, etc., you can determine which instrument is most suitable. I’ve studied each part very carefully, in order to decide which instruments are best to use. I wanted the whole Netherlands Bach Society to be heard, so the singers are taking part as well. They sing without words, to vowel sounds. When you introduce singers to th...
published: 15 Sep 2022
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Joanna MacGregor plays Bach's The Art of Fugue BWV 1080: Contrapunctus 1
published: 10 Apr 2016
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Daniil Trifonov – J.S. Bach: The Art Of Fugue, BWV 1080: Contrapunctus 9 alla Duodecima
@Daniil Trifonov explores the scientific, emotional and spiritual dimensions of Johann Sebastian Bach’s cosmos, his faith, family, and world. Centered around Bach’s late, mystical masterpiece, The Art of the Fugue, Trifonov’s project investigates the man behind the myth – a genius of humility and humour, whose family, loves, losses, and devotion inspired what Daniil Trifonov calls “some of humanity’s most emotionally rich and fascinatingly sophisticated expressions in music.” Because of Bach’s incomparable intellectual mastery of western music’s formal and harmonic possibilities, his art offers the most comprehensive synthesis of this purpose. As Trifonov puts it, “Bach’s music combines compelling logical depictions of the mechanics of nature with an intensity of human emotion unique for...
published: 16 Dec 2021
-
The Art of Fugue, BWV 1080: Contrapunctus XI
Provided to YouTube by Believe SAS
The Art of Fugue, BWV 1080: Contrapunctus XI · Joanna MacGregor · Johann Sebastian Bach · Joanna MacGregor
Bach: The Art of Fugue
℗ SoundCircus / Joanna MacGregor
Released on: 2015-07-20
Auto-generated by YouTube.
published: 21 Jul 2015
-
Daniil Trifonov – Bach: The Art Of Fugue, BWV 1080: Contrapunctus 1
@Daniil Trifonov is intrigued by Bach’s attempts to base the work on the Fibonacci sequence and the golden ratio, but observes that the result is “far more than a scientific experiment: as always with Bach, he managed to make music of indescribable beauty and emotion”. Trifonov’s imaginative interpretation captures the sense of the work as a cycle, treating it as a living, organic whole. This chimes with the inspiration he takes from spending time in nature, whether hiking or practising Qigong, a form of meditation that values the healing energy of trees. “And the tree is a good metaphor for The Art of Fugue’s overall structure,” he notes. “The theme is the trunk, the fugues are the branches, all the permutations within each fugue are the leaves…”
Following the success of his latest rele...
published: 05 Nov 2022
-
Bach The Art of Fugue BWV 1080 MacGregor #Classicalmusic #bach #relaxingmusic #
Bach's Playlist sheet music
#Bach
#Relaxingmusic
#Classicalmusic
published: 20 Jun 2022
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The Art of Fugue, BWV 1080: Canon alla ottava
Provided to YouTube by Believe SAS
The Art of Fugue, BWV 1080: Canon alla ottava · Joanna MacGregor · Johann Sebastian Bach · Joanna MacGregor
Bach: The Art of Fugue
℗ SoundCircus / Joanna MacGregor
Released on: 2015-07-20
Auto-generated by YouTube.
published: 21 Jul 2015
1:22:09
Bach: The Art of Fugue, BWV 1080 (MacGregor)
For lyricism, warmth, and narrative intelligence I don’t think this recording of The Art of Fugue has been bettered. MacGregor’s concern is always to make each ...
For lyricism, warmth, and narrative intelligence I don’t think this recording of The Art of Fugue has been bettered. MacGregor’s concern is always to make each piece uplifting in its own way, and to give each its distinct character: C.1 and C.14 are taken at tempi which make them sing, C.4 is given lots of intimate articulative touches, and the stretti in C.5, usually dramatic, enter with a sense of quiet repose, making the piece luminously mysterious. C.2 and C.6 – the two dotted-rhythm fugues – swing away like there’s no tomorrow: C.2 in particularly is given a kind of jazzy casualness that’s really effective. C.7’s gentle murmuring is perfect prelude to the energetic C.8. C.12, usually dead-serious, has a pompous swagger about it (particularly in the inversus), emphasized by the clashing notes created by the by crossing voices and the use of staccato in the scalar passages. In the 2-keyboard version of C.13 MacGregor opts not to tripletize the semiquavers, generating lots of lovely rhythmic variety. See also the long lines of the Canon at the twelfth, the carefully shaped subject in the Canon at the tenth, and the wonderful articulation in the Canon with following voice inverted and augmented. Another feature of the playing worth mentioning is its fantastic sense of (hard to find the right words for this) harmonic movement – the sequences are uniformly beautiful.
But if there is a single quality of the playing here that’s especially arresting, it’s the narrative drama MacGregor brings to the longer fugues. C.8 is given symphonic treatment, with stark pauses, huge dynamic changes, and expressive changes in tempo. C.11 starts quiet and unmoving and stays that way for a long while, even when the second subject enters – until at 36:10 a very gradual crescendo enters, gathering in strength until at 36:41 a climax is reached and the music fades back into dreaminess again. The whole piece, taken at a relatively slow pace, feels timeless and monumental – the dense chromaticism of the last section, instead of coming across as wild, has a sense of desperation or intense sadness, even as it builds into that heart-stopping climax at 42:40 (in general MacGregor’s got a great way of building into dramatic moments: 14:30, 17:50, 23:18, and so on). And C.14, often forlorn, is now hopeful, rapt.
00:00 – Contrapunctus 1
03:59 – Contrapunctus 2
06:10 – Contrapunctus 3
08:46 – Contrapunctus 4
11:30 – Contrapunctus 5
14:47 – Contrapunctus 6
18:30 – Contrapunctus 7
21:03 – Contrapunctus 8
26:00 – Contrapunctus 9
28:11 – Contrapunctus 10
33:52 – Contrapunctus 11
44:37 – Canon at the octave
48:24 – Canon at the tenth
53:32 – Canon at the twelfth
56:50 – Canon with following voice inverted and augmented
1:00:25 – Contrapunctus 12, rectus [inversus at 1:02:43]
1:05:03 – Contrapunctus 13, rectus [inversus at 1:07:19]
1:09:44 – Contrapunctus 14
1:17:40 – Mirror fugue for Two Keyboards, based on Contrapunctus 13, inversus [rectus at 1:19:54]
https://wn.com/Bach_The_Art_Of_Fugue,_Bwv_1080_(Macgregor)
For lyricism, warmth, and narrative intelligence I don’t think this recording of The Art of Fugue has been bettered. MacGregor’s concern is always to make each piece uplifting in its own way, and to give each its distinct character: C.1 and C.14 are taken at tempi which make them sing, C.4 is given lots of intimate articulative touches, and the stretti in C.5, usually dramatic, enter with a sense of quiet repose, making the piece luminously mysterious. C.2 and C.6 – the two dotted-rhythm fugues – swing away like there’s no tomorrow: C.2 in particularly is given a kind of jazzy casualness that’s really effective. C.7’s gentle murmuring is perfect prelude to the energetic C.8. C.12, usually dead-serious, has a pompous swagger about it (particularly in the inversus), emphasized by the clashing notes created by the by crossing voices and the use of staccato in the scalar passages. In the 2-keyboard version of C.13 MacGregor opts not to tripletize the semiquavers, generating lots of lovely rhythmic variety. See also the long lines of the Canon at the twelfth, the carefully shaped subject in the Canon at the tenth, and the wonderful articulation in the Canon with following voice inverted and augmented. Another feature of the playing worth mentioning is its fantastic sense of (hard to find the right words for this) harmonic movement – the sequences are uniformly beautiful.
But if there is a single quality of the playing here that’s especially arresting, it’s the narrative drama MacGregor brings to the longer fugues. C.8 is given symphonic treatment, with stark pauses, huge dynamic changes, and expressive changes in tempo. C.11 starts quiet and unmoving and stays that way for a long while, even when the second subject enters – until at 36:10 a very gradual crescendo enters, gathering in strength until at 36:41 a climax is reached and the music fades back into dreaminess again. The whole piece, taken at a relatively slow pace, feels timeless and monumental – the dense chromaticism of the last section, instead of coming across as wild, has a sense of desperation or intense sadness, even as it builds into that heart-stopping climax at 42:40 (in general MacGregor’s got a great way of building into dramatic moments: 14:30, 17:50, 23:18, and so on). And C.14, often forlorn, is now hopeful, rapt.
00:00 – Contrapunctus 1
03:59 – Contrapunctus 2
06:10 – Contrapunctus 3
08:46 – Contrapunctus 4
11:30 – Contrapunctus 5
14:47 – Contrapunctus 6
18:30 – Contrapunctus 7
21:03 – Contrapunctus 8
26:00 – Contrapunctus 9
28:11 – Contrapunctus 10
33:52 – Contrapunctus 11
44:37 – Canon at the octave
48:24 – Canon at the tenth
53:32 – Canon at the twelfth
56:50 – Canon with following voice inverted and augmented
1:00:25 – Contrapunctus 12, rectus [inversus at 1:02:43]
1:05:03 – Contrapunctus 13, rectus [inversus at 1:07:19]
1:09:44 – Contrapunctus 14
1:17:40 – Mirror fugue for Two Keyboards, based on Contrapunctus 13, inversus [rectus at 1:19:54]
- published: 07 Apr 2018
- views: 1767536
4:02
The Art of Fugue, BWV 1080: Contrapunctus I
Provided to YouTube by Believe SAS
The Art of Fugue, BWV 1080: Contrapunctus I · Joanna MacGregor · Johann Sebastian Bach · Joanna MacGregor
Bach: The Art of ...
Provided to YouTube by Believe SAS
The Art of Fugue, BWV 1080: Contrapunctus I · Joanna MacGregor · Johann Sebastian Bach · Joanna MacGregor
Bach: The Art of Fugue
℗ SoundCircus / Joanna MacGregor
Released on: 2015-07-20
Auto-generated by YouTube.
https://wn.com/The_Art_Of_Fugue,_Bwv_1080_Contrapunctus_I
Provided to YouTube by Believe SAS
The Art of Fugue, BWV 1080: Contrapunctus I · Joanna MacGregor · Johann Sebastian Bach · Joanna MacGregor
Bach: The Art of Fugue
℗ SoundCircus / Joanna MacGregor
Released on: 2015-07-20
Auto-generated by YouTube.
- published: 21 Jul 2015
- views: 3460
7:56
The Art of Fugue, BWV 1080: Contrapunctus XIV
Provided to YouTube by Believe SAS
The Art of Fugue, BWV 1080: Contrapunctus XIV · Joanna MacGregor · Johann Sebastian Bach · Joanna MacGregor
Bach: The Art o...
Provided to YouTube by Believe SAS
The Art of Fugue, BWV 1080: Contrapunctus XIV · Joanna MacGregor · Johann Sebastian Bach · Joanna MacGregor
Bach: The Art of Fugue
℗ SoundCircus / Joanna MacGregor
Released on: 2015-07-20
Auto-generated by YouTube.
https://wn.com/The_Art_Of_Fugue,_Bwv_1080_Contrapunctus_Xiv
Provided to YouTube by Believe SAS
The Art of Fugue, BWV 1080: Contrapunctus XIV · Joanna MacGregor · Johann Sebastian Bach · Joanna MacGregor
Bach: The Art of Fugue
℗ SoundCircus / Joanna MacGregor
Released on: 2015-07-20
Auto-generated by YouTube.
- published: 21 Jul 2015
- views: 1299
1:29:04
Bach - The Art of Fugue BWV 1080 - Sato | Netherlands Bach Society
Bach’s The Art of Fugue is shrouded in mystery. We don’t know whether Bach intended the music as material for practice or performance. The order of the 18 secti...
Bach’s The Art of Fugue is shrouded in mystery. We don’t know whether Bach intended the music as material for practice or performance. The order of the 18 sections is unclear as well and we don’t know whether the piece was ever completed.
Shunske Sato made his own instrumentation for the Netherlands Bach Society. “I wanted to bring out the many colours of the work and of my ensemble. Every fugue has its own character. On the basis of the rhythm, time and chromatic lines, etc., you can determine which instrument is most suitable. I’ve studied each part very carefully, in order to decide which instruments are best to use. I wanted the whole Netherlands Bach Society to be heard, so the singers are taking part as well. They sing without words, to vowel sounds. When you introduce singers to the Art of Fugue, you can hardly ignore the example of the Swingle Singers. The sung Contrapunctus 9 is intended as a tribute to their great recording."
For a more detailed explanation of this work and this particular performance go to: https://www.bachvereniging.nl/en/bwv/bwv-1080/
Recorded for the project All of Bach on 30 September and 1 October 2021 at the Grote Kerk, Veere. If you want to help us complete All of Bach, please subscribe to our channel https://bit.ly/2vhCeFB and consider donating https://bit.ly/3J5uprM.
For the interview with musicians on The Art of Fugue go to https://youtu.be/0jYtGgVwaRw
For more information on BWV 1080 and this production go to https://www.bachvereniging.nl/en/bwv/bwv-1080/
All of Bach is a project of the Netherlands Bach Society, offering high-quality film recordings of the works by Johann Sebastian Bach, performed by the Netherlands Bach Society and its guest musicians. Visit our free online treasury for more videos and background material on https://www.bachvereniging.nl/en/allofbach. For concert dates and tickets go to https://www.bachvereniging.nl/en/concerts.
Netherlands Bach Society
Shunske Sato, violin and direction
0:00 Contrapunctus 1
3:35 Contrapunctus 2
7:18 Contrapunctus 3
10:16 Contrapunctus 4
15:02 Chorale
15:46 Contrapunctus 5
19:23 Contrapunctus 6
23:27 Contrapunctus 7
27:13 Chorale
27:52 Contrapunctus 8
33:56 Contrapunctus 9
36:55 Contrapunctus 10
41:42 Contrapunctus 11
48:05 Chorale
48:47 Contrapunctus inversus a 4 (forma inversa)
50:42 Contrapunctus inversus a 4 (forma recta)
52:37 Contrapunctus inversus a 3 (forma recta)
55:00 Contrapunctus inversus a 3 (forma inversa)
57:23 Chorale
58:01 Canon alla Ottava
1:00:48 Canon alla Decima in Contrapunto alla Terza
1:05:40 Canon alla duodecima in contrapunto alla Quinta
1:08:17 Canon per Augmentationem in contrario motu
1:16:15 Chorale
1:17:37 Fuga a 3 soggetti (reconstruction Kees van Houten/Leo van Doeselaar)
https://wn.com/Bach_The_Art_Of_Fugue_Bwv_1080_Sato_|_Netherlands_Bach_Society
Bach’s The Art of Fugue is shrouded in mystery. We don’t know whether Bach intended the music as material for practice or performance. The order of the 18 sections is unclear as well and we don’t know whether the piece was ever completed.
Shunske Sato made his own instrumentation for the Netherlands Bach Society. “I wanted to bring out the many colours of the work and of my ensemble. Every fugue has its own character. On the basis of the rhythm, time and chromatic lines, etc., you can determine which instrument is most suitable. I’ve studied each part very carefully, in order to decide which instruments are best to use. I wanted the whole Netherlands Bach Society to be heard, so the singers are taking part as well. They sing without words, to vowel sounds. When you introduce singers to the Art of Fugue, you can hardly ignore the example of the Swingle Singers. The sung Contrapunctus 9 is intended as a tribute to their great recording."
For a more detailed explanation of this work and this particular performance go to: https://www.bachvereniging.nl/en/bwv/bwv-1080/
Recorded for the project All of Bach on 30 September and 1 October 2021 at the Grote Kerk, Veere. If you want to help us complete All of Bach, please subscribe to our channel https://bit.ly/2vhCeFB and consider donating https://bit.ly/3J5uprM.
For the interview with musicians on The Art of Fugue go to https://youtu.be/0jYtGgVwaRw
For more information on BWV 1080 and this production go to https://www.bachvereniging.nl/en/bwv/bwv-1080/
All of Bach is a project of the Netherlands Bach Society, offering high-quality film recordings of the works by Johann Sebastian Bach, performed by the Netherlands Bach Society and its guest musicians. Visit our free online treasury for more videos and background material on https://www.bachvereniging.nl/en/allofbach. For concert dates and tickets go to https://www.bachvereniging.nl/en/concerts.
Netherlands Bach Society
Shunske Sato, violin and direction
0:00 Contrapunctus 1
3:35 Contrapunctus 2
7:18 Contrapunctus 3
10:16 Contrapunctus 4
15:02 Chorale
15:46 Contrapunctus 5
19:23 Contrapunctus 6
23:27 Contrapunctus 7
27:13 Chorale
27:52 Contrapunctus 8
33:56 Contrapunctus 9
36:55 Contrapunctus 10
41:42 Contrapunctus 11
48:05 Chorale
48:47 Contrapunctus inversus a 4 (forma inversa)
50:42 Contrapunctus inversus a 4 (forma recta)
52:37 Contrapunctus inversus a 3 (forma recta)
55:00 Contrapunctus inversus a 3 (forma inversa)
57:23 Chorale
58:01 Canon alla Ottava
1:00:48 Canon alla Decima in Contrapunto alla Terza
1:05:40 Canon alla duodecima in contrapunto alla Quinta
1:08:17 Canon per Augmentationem in contrario motu
1:16:15 Chorale
1:17:37 Fuga a 3 soggetti (reconstruction Kees van Houten/Leo van Doeselaar)
- published: 15 Sep 2022
- views: 944735
2:28
Daniil Trifonov – J.S. Bach: The Art Of Fugue, BWV 1080: Contrapunctus 9 alla Duodecima
@Daniil Trifonov explores the scientific, emotional and spiritual dimensions of Johann Sebastian Bach’s cosmos, his faith, family, and world. Centered around ...
@Daniil Trifonov explores the scientific, emotional and spiritual dimensions of Johann Sebastian Bach’s cosmos, his faith, family, and world. Centered around Bach’s late, mystical masterpiece, The Art of the Fugue, Trifonov’s project investigates the man behind the myth – a genius of humility and humour, whose family, loves, losses, and devotion inspired what Daniil Trifonov calls “some of humanity’s most emotionally rich and fascinatingly sophisticated expressions in music.” Because of Bach’s incomparable intellectual mastery of western music’s formal and harmonic possibilities, his art offers the most comprehensive synthesis of this purpose. As Trifonov puts it, “Bach’s music combines compelling logical depictions of the mechanics of nature with an intensity of human emotion unique for his age.” The result provides a glimpse of a flesh-and-blood Bach, a timeless study in the Art of Life.
Daniil Trifonov – J.S. Bach: The Art Of Fugue, BWV 1080: Contrapunctus 9 alla Duodecima
Listen to 'Bach: The Art of Life': https://dgt.link/Trifonov-Bach
Subscribe here for more classical video clips – The Best Of Classical Music: http://bit.ly/Subscribe-DG
Discover full concert performances on DG Premium - registration and basic library are free: https://www.dg-premium.com
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#DaniilTrifonov #Bach #Piano
https://wn.com/Daniil_Trifonov_–_J.S._Bach_The_Art_Of_Fugue,_Bwv_1080_Contrapunctus_9_Alla_Duodecima
@Daniil Trifonov explores the scientific, emotional and spiritual dimensions of Johann Sebastian Bach’s cosmos, his faith, family, and world. Centered around Bach’s late, mystical masterpiece, The Art of the Fugue, Trifonov’s project investigates the man behind the myth – a genius of humility and humour, whose family, loves, losses, and devotion inspired what Daniil Trifonov calls “some of humanity’s most emotionally rich and fascinatingly sophisticated expressions in music.” Because of Bach’s incomparable intellectual mastery of western music’s formal and harmonic possibilities, his art offers the most comprehensive synthesis of this purpose. As Trifonov puts it, “Bach’s music combines compelling logical depictions of the mechanics of nature with an intensity of human emotion unique for his age.” The result provides a glimpse of a flesh-and-blood Bach, a timeless study in the Art of Life.
Daniil Trifonov – J.S. Bach: The Art Of Fugue, BWV 1080: Contrapunctus 9 alla Duodecima
Listen to 'Bach: The Art of Life': https://dgt.link/Trifonov-Bach
Subscribe here for more classical video clips – The Best Of Classical Music: http://bit.ly/Subscribe-DG
Discover full concert performances on DG Premium - registration and basic library are free: https://www.dg-premium.com
Get your front row ticket here for exclusive streams and world premieres with leading artists: https://www.dg-stage.com
_______________
Find Deutsche Grammophon Online
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最高のクラシック音楽―登録はこちら: http://bit.ly/Subscribe-DG
최고의 클래식음악을 구독하세요: http://bit.ly/Subscribe-DG
Подписаться на лучшую классическую музыку:: http://bit.ly/Subscribe-DG
La mejor música clásica - Suscríbase aquí: http://bit.ly/Subscribe-DG
#DaniilTrifonov #Bach #Piano
- published: 16 Dec 2021
- views: 69006
10:44
The Art of Fugue, BWV 1080: Contrapunctus XI
Provided to YouTube by Believe SAS
The Art of Fugue, BWV 1080: Contrapunctus XI · Joanna MacGregor · Johann Sebastian Bach · Joanna MacGregor
Bach: The Art of...
Provided to YouTube by Believe SAS
The Art of Fugue, BWV 1080: Contrapunctus XI · Joanna MacGregor · Johann Sebastian Bach · Joanna MacGregor
Bach: The Art of Fugue
℗ SoundCircus / Joanna MacGregor
Released on: 2015-07-20
Auto-generated by YouTube.
https://wn.com/The_Art_Of_Fugue,_Bwv_1080_Contrapunctus_Xi
Provided to YouTube by Believe SAS
The Art of Fugue, BWV 1080: Contrapunctus XI · Joanna MacGregor · Johann Sebastian Bach · Joanna MacGregor
Bach: The Art of Fugue
℗ SoundCircus / Joanna MacGregor
Released on: 2015-07-20
Auto-generated by YouTube.
- published: 21 Jul 2015
- views: 1683
3:07
Daniil Trifonov – Bach: The Art Of Fugue, BWV 1080: Contrapunctus 1
@Daniil Trifonov is intrigued by Bach’s attempts to base the work on the Fibonacci sequence and the golden ratio, but observes that the result is “far more than...
@Daniil Trifonov is intrigued by Bach’s attempts to base the work on the Fibonacci sequence and the golden ratio, but observes that the result is “far more than a scientific experiment: as always with Bach, he managed to make music of indescribable beauty and emotion”. Trifonov’s imaginative interpretation captures the sense of the work as a cycle, treating it as a living, organic whole. This chimes with the inspiration he takes from spending time in nature, whether hiking or practising Qigong, a form of meditation that values the healing energy of trees. “And the tree is a good metaphor for The Art of Fugue’s overall structure,” he notes. “The theme is the trunk, the fugues are the branches, all the permutations within each fugue are the leaves…”
Following the success of his latest release, “Bach: The Art of Life”, Deutsche Grammophon is proud to present the DELUXE EDITION featuring the full 2CD + 1BluRay Video & Audio
including the recital LIVE from the legendary Berlin Philharmonie in October 2021. This video is a snippet from the fantastic recital in Berlin.
Daniil Trifonov – Bach: The Art Of Fugue, BWV 1080: Contrapunctus 1
Subscribe here for more classical video clips – The Best Of Classical Music: http://bit.ly/Subscribe-DG
Discover full concert performances on DG Premium - registration and basic library are free: https://www.dg-premium.com
Get your front row ticket here for exclusive streams and world premieres with leading artists: https://www.dg-stage.com
_______________
Find Deutsche Grammophon Online
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Newsletter: https://deutschegrammophon.com/newsletter
_______________
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Le meilleur de la musique classique. Pour vous abonner cliquez ici: http://bit.ly/Subscribe-DG
最高のクラシック音楽―登録はこちら: http://bit.ly/Subscribe-DG
최고의 클래식음악을 구독하세요: http://bit.ly/Subscribe-DG
Подписаться на лучшую классическую музыку:: http://bit.ly/Subscribe-DG
La mejor música clásica - Suscríbase aquí: http://bit.ly/Subscribe-DG
#ClassicalMusic
https://wn.com/Daniil_Trifonov_–_Bach_The_Art_Of_Fugue,_Bwv_1080_Contrapunctus_1
@Daniil Trifonov is intrigued by Bach’s attempts to base the work on the Fibonacci sequence and the golden ratio, but observes that the result is “far more than a scientific experiment: as always with Bach, he managed to make music of indescribable beauty and emotion”. Trifonov’s imaginative interpretation captures the sense of the work as a cycle, treating it as a living, organic whole. This chimes with the inspiration he takes from spending time in nature, whether hiking or practising Qigong, a form of meditation that values the healing energy of trees. “And the tree is a good metaphor for The Art of Fugue’s overall structure,” he notes. “The theme is the trunk, the fugues are the branches, all the permutations within each fugue are the leaves…”
Following the success of his latest release, “Bach: The Art of Life”, Deutsche Grammophon is proud to present the DELUXE EDITION featuring the full 2CD + 1BluRay Video & Audio
including the recital LIVE from the legendary Berlin Philharmonie in October 2021. This video is a snippet from the fantastic recital in Berlin.
Daniil Trifonov – Bach: The Art Of Fugue, BWV 1080: Contrapunctus 1
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#ClassicalMusic
- published: 05 Nov 2022
- views: 73742
3:49
The Art of Fugue, BWV 1080: Canon alla ottava
Provided to YouTube by Believe SAS
The Art of Fugue, BWV 1080: Canon alla ottava · Joanna MacGregor · Johann Sebastian Bach · Joanna MacGregor
Bach: The Art o...
Provided to YouTube by Believe SAS
The Art of Fugue, BWV 1080: Canon alla ottava · Joanna MacGregor · Johann Sebastian Bach · Joanna MacGregor
Bach: The Art of Fugue
℗ SoundCircus / Joanna MacGregor
Released on: 2015-07-20
Auto-generated by YouTube.
https://wn.com/The_Art_Of_Fugue,_Bwv_1080_Canon_Alla_Ottava
Provided to YouTube by Believe SAS
The Art of Fugue, BWV 1080: Canon alla ottava · Joanna MacGregor · Johann Sebastian Bach · Joanna MacGregor
Bach: The Art of Fugue
℗ SoundCircus / Joanna MacGregor
Released on: 2015-07-20
Auto-generated by YouTube.
- published: 21 Jul 2015
- views: 845