- published: 23 Nov 2018
- views: 993
Antonis Mor
Sir Anthonis Mor, also known as Anthonis Mor van Dashorst and Antonio Moro (c. 1517 – 1577) was a Netherlandish portrait painter, much in demand by the courts of Europe. He has also been referred to as Antoon, Anthonius, Anthonis or Mor van Dashorst, and as Antonio Moro, Anthony More, etc., but signed most of his portraits as Anthonis Mor.
Early life and education
Mor was born in Utrecht, Netherlands, by some estimation between 1516 and 1520. Little is known about his early life, except that his artistic education commenced under Jan van Scorel. His earliest known work is a portrait which is currently in a collection in Stockholm, dated 1538.
Painting career
A group of Knights of St. John at Utrecht, supposed to have been painted about 1541; and a picture of two pilgrims at the Gemäldegalerie, Berlin, dated 1544; and the portrait of an unknown woman, in the Lille gallery, were probably among his earliest works, although their authenticity has not been proven.
Antwerp
In 1547, Anthonis Mor was received as a member of the Venerable Guild of St. Luke at Antwerp, and shortly afterwards (about 1548) he attracted the attention of Cardinal Granvelle, Bishop of Arras, who became his steady patron. Of the portraits executed during the early period of his career as Granvelle's protege, two are especially notable: one of the bishop himself (in the imperial gallery in Vienna), and one of the Duke of Alba, which now belongs to the Hispanic Society of New York. Between 1549 and 1550 Prince Philip II of Spain (1527–1598) traveled around the Netherlands to present himself as the future ruler. Anthonis Mor painted his portrait in Brussels in 1549. He probably visited Italy (when exactly is not known), where he copied some works by Titian, notably the Danaë.
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Antonis_Mor
Podcasts:
-
Anthonis Mor (1517-1577) A collection of paintings 4K Ultra HD
Sir Anthonis Mor(1517- 1577), was a Netherlandish portrait painter, much in demand by the courts of Europe. In 1547, aged Mor was received as a member of the Venerable Guild of St. Luke at Antwerp, and shortly afterwards (about 1548) he attracted the attention of Cardinal Granvelle, Bishop of Arras, who became his steady patron. In the middle of 1550 Mor left for Lisbon with a commission from Mary of Hungary to portray the Portuguese branch of the family. Mor probably traveled via Valladolid, where he painted the portraits of Maximilian II and his wife Maria of Austria, their daughter Anna and the son of Philip, Don Carlos. In Lisbon, Mor portrayed King João, Queen Catharina, Prince João and Philip’s future wife, Princess Maria of Portugal. Little more is known about Mor's stay in Portu...
published: 23 Nov 2018 -
Antonis Mor Artist
Antonis Mor, was a Netherlandish portrait painter. He developed a formal style for court portraits, largely based on Titian, that was extremely influential on court painters across Europe, especially in the Iberian Peninsula, where it created a tradition that led to Diego Velázquez.
published: 05 May 2022 -
Spotlight on "Mary Tudor, Queen of England" by Antonis Mor and Workshop (with Audio Description)
Learn about Antonis Mor and Workshop’s “Mary Tudor, Queen of England,” painted in 1554, through audio description. This painting is currently on view in the Dutch Room, on the second floor of the historic Palace at the Isabella Stewart Gardner Museum. Credits: Produced by the Isabella Stewart Gardner Museum, 2021 Video by Bearwalk Cinema With assistance from Solid Pink Productions and Prime Access Consulting Want more? Follow us on Instagram, Twitter or Facebook @gardnermuseum or visit our website at http://www.gardnermuseum.org/
published: 02 Jan 2023 -
ΤΟ ΠΙΟ ΑΤΑΚΤΟ ΠΑΙΔΙ ΣΤΟ ΣΧΟΛΕΙΟ [Bad Guys at School]
💵 Donate ➝ https://streamlabs.com/antonisx007gr1/tip 👔 Business Inquiries: ➝ [email protected] 🔴 Livestreams ➝ https://trovo.live/MrAntouon 📸 Instagram ➝ https://www.instagram.com/mr.antouon/ 📱 Tiktok ➝ https://www.tiktok.com/@mr.antouon 💩 Discord ➝ https://discord.gg/yvCgRwv #mrantouon 💩Γίνε μέλος εδώ https://www.youtube.com/antonisx007gr/join και κέρδισε: 1)Emoji memes του ατόσι όπως και σήμα της κουράδας δίπλα από το όνομα σας στο youtube! 2)Αναφορά/shoutout των ενεργών μελών στην περιγραφή!
published: 12 Sep 2022 -
Spotlight on "Mary Tudor, Queen of England" by Antonis Mor and Workshop (with ASL)
Learn about Antonis Mor and Workshop’s “Mary Tudor, Queen of England,” painted in 1554, featuring American Sign Language (ASL) interpretation. This painting is currently on view in the Dutch Room, on the second floor of the historic Palace at the Isabella Stewart Gardner Museum. Credits: Produced by the Isabella Stewart Gardner Museum, 2021 Video by Bearwalk Cinema With assistance from Solid Pink Productions and Prime Access Consulting ASL Interpretation: Jim Lipsky Additional ASL Interpretation: Joan Wattman Want more? Follow us on Instagram, Twitter or Facebook @gardnermuseum or visit our website at http://www.gardnermuseum.org/
published: 02 Jan 2023 -
Anthonis Mor van Dashorst - Portrait of a man
published: 19 Aug 2022 -
Anthonis Mor (Portrait of Sir H. Beuckeleer) | NFT art | Temporary Portrait № 35 (OLD VERSION)
The Temporary Portraits are a metaphor for the transitory, ephemeral nature of the web. While classic portraits once aimed to create an effigy of the person portrayed to leave to posterity, today, with new technological advances, portraits have been transformed into a commonplace, often banal practice (selfies are a prime example). Moreover, even the most noble of images, like a face portrayed by Raphael, loses its aura once it’s absorbed by the web. If we dig deep into that digital picture, we discover that it’s made of many pixels that are all equal and entirely interchangeable—the same pixels that conceptual artist Lawrence Weiner talked about in a 2012 interview: “In the digital world we live in, there is no pixel who thinks they're better than any other pixel.” Temporary Portraits (p...
published: 29 Aug 2022 -
Anthonis Mor (Portrait of Sir Huybrecht Beuckeleer) | Glitch Noise Portraits
DIGITAL ART IS ALL TEMPORARY Digital art is temporary because the internet is temporary. The splinternet is fragmenting the web. Global internet is an illusion; the splinternet is reality. Governments are dividing up cyberspace. Cyberwars of various types are putting an end to net neutrality. Countries like China, South Korea, Iran and Russia are aiming for digital “sovereignism.” Digital sovereignism is a powerful surveillance tool. That which remains of the free global internet is in the hands of web companies. The internet enters homes, cars and our bodies. Data overload creates infobesity and digital blackouts. Centralized networks and databases implode. DLTs and blockchains implode. The internet shuts down. Then starts up again. It shuts down, then starts up again. Maybe GLITCH NOIS...
published: 06 Jan 2023 -
Anthonis Mor (Portrait of Sir Thomas Gresham) | Glitch Noise Portraits
DIGITAL ART IS ALL TEMPORARY Digital art is temporary because the internet is temporary. The splinternet is fragmenting the web. Global internet is an illusion; the splinternet is reality. Governments are dividing up cyberspace. Cyberwars of various types are putting an end to net neutrality. Countries like China, South Korea, Iran and Russia are aiming for digital “sovereignism.” Digital sovereignism is a powerful surveillance tool. That which remains of the free global internet is in the hands of web companies. The internet enters homes, cars and our bodies. Data overload creates infobesity and digital blackouts. Centralized networks and databases implode. DLTs and blockchains implode. The internet shuts down. Then starts up again. It shuts down, then starts up again. Maybe GLITCH NOIS...
published: 22 Jan 2023 -
Anthonis Mor (Portrait of Sir Thomas Gresham) | Liquid Portrait № 44
The Liquid Portraits series is composed of three sets of 50 NFT clips each. The 1st set is a tribute to fifteenth and sixteenth-century portraiture (Italian and Flemish in particular). The 2nd and 3rd sets, on the other hand, celebrate the art of portraits from the seventeenth to twentieth century. Website: https://www.dadablob.com/liquid-portraits-series-01/ Buy: https://opensea.io/collection/liquid-portraits
published: 11 Sep 2022
developed with YouTube
17:30
Anthonis Mor (1517-1577) A collection of paintings 4K Ultra HD
- Order: Reorder
- Duration: 17:30
- Uploaded Date: 23 Nov 2018
- views: 993
Sir Anthonis Mor(1517- 1577), was a Netherlandish portrait painter, much in demand by the courts of Europe.
In 1547, aged Mor was received as a member of the V...
Sir Anthonis Mor(1517- 1577), was a Netherlandish portrait painter, much in demand by the courts of Europe.
In 1547, aged Mor was received as a member of the Venerable Guild of St. Luke at Antwerp, and shortly afterwards (about 1548) he attracted the attention of Cardinal Granvelle, Bishop of Arras, who became his steady patron.
In the middle of 1550 Mor left for Lisbon with a commission from Mary of Hungary to portray the Portuguese branch of the family. Mor probably traveled via Valladolid, where he painted the portraits of Maximilian II and his wife Maria of Austria, their daughter Anna and the son of Philip, Don Carlos. In Lisbon, Mor portrayed King João, Queen Catharina, Prince João and Philip’s future wife, Princess Maria of Portugal. Little more is known about Mor's stay in Portugal, but he was definitely back in Brussels by November 1553.
After the sudden death of the king of England, Edward VI, in July 1553, the Spanish king Charles V now saw the possibility of an alliance between Spain and England. The engagement between Philip and his Portuguese princess was broken and negotiations started for a marriage with the successor to the English throne, Mary Tudor. During these negotiations, Mor was sent to England to paint a portrait of Mary, but the exact date of the painting is unknown. This portrait was much appreciated in England and Mor made at least three versions, which became much the best-known likeness of the queen. On 20 December 1553, Philip officially appointed Mor as painter in his service.
Mor was very productive after Philip's ascension to the throne, and produced some of his most important portraits in this period, such as the portrait of Prince William I of Orange, the portrait of Alessandro Farnese and a new portrait of Philip II.
It seems likely that Mor accompanied King Philip on his return to Spain in 1559. That Mor stayed at the Spanish court is confirmed by the letters which Philip regularly sent to Mor after he had left again in 1561. In his letters, Philip requested Mor's return to court several times, but the painter never complied with his repeated requests. Among the works which Mor supposedly painted in Spain are the Portrait of Juana of Austria and the Portrait of Don Carlos.
A much-praised work from this period is the Portrait of Pejerón, the fool of the Earl of Benavente and the Duke of Alba. There has been extensive speculation about the reason for Mor's departure from the Spanish court. According to Carel van Mander, Mor became too confidential with the king and this aroused the suspicion of the Inquisition. He may also have been alarmed by the increasingly repressive Counter-Reformation tenor of the Spanish court. Mor's pupil Alonso Sánchez Coello continued to work in his master's style, and replaced him as the Spanish court painter.
On his return to the Netherlands, Mor probably traveled back and forth between Utrecht, Antwerp and Brussels. In this period he was in regular contact with Granvelle and also worked at the Dutch court, where he portrayed Margaretha of Parma. After his return, Mor focused on the portrayal of citizens, especially of traders and traders' wives in Antwerp. In addition to portraits like these.
These works are markedly different from the paintings Mor produced for the court, showing off another side of his talent. When Granvelle returned to France and the Netherlands fell prey to increasing social and political unrest, Mor experienced some financial hardship. His financial problems were partially solved when the Duke of Alba granted him commissions and favors. He is not know to have been in Utrecht after 24 July 1567 and from 1568 onwards Mor lived in Antwerp where, in 1572, he registered as a master with the Antwerp guild.
At Antwerp he pained a Venus and Adonis for the new Stadhuis. It is possible that he visited England once again in 1568, judging from the Portrait of a Nobleman with Dog and of the Portrait of Sir Henry Lee, which have been attributed to him. In 1559 and 1562 Mor painted two portraits of Margaretha of Parma. On her way to Spain, Anna of Austria spent some time in Antwerp, where she was painted by Mor in 1570. Mor's portrait of Anna is his last-known court painting, although he was still being referred to as Philip II's court painter in 1573.
Toward the end of his life, Mor focused on paintings of a religious and mythological nature, but in this field of work he would never equal his earlier success as a portrait painter.
He is believed to have been working on a Circumcision for Antwerp Cathedral when he died in 1576.
https://en.wikipedia.org/wiki/Antonis_Mor
Thank you, please subscribe for future videos
https://www.youtube.com/channel/UC0gMk3w9hw8BbtqoUpEMKeg?sub_confirmation=1
https://wn.com/Anthonis_Mor_(1517_1577)_A_Collection_Of_Paintings_4K_Ultra_Hd
Sir Anthonis Mor(1517- 1577), was a Netherlandish portrait painter, much in demand by the courts of Europe.
In 1547, aged Mor was received as a member of the Venerable Guild of St. Luke at Antwerp, and shortly afterwards (about 1548) he attracted the attention of Cardinal Granvelle, Bishop of Arras, who became his steady patron.
In the middle of 1550 Mor left for Lisbon with a commission from Mary of Hungary to portray the Portuguese branch of the family. Mor probably traveled via Valladolid, where he painted the portraits of Maximilian II and his wife Maria of Austria, their daughter Anna and the son of Philip, Don Carlos. In Lisbon, Mor portrayed King João, Queen Catharina, Prince João and Philip’s future wife, Princess Maria of Portugal. Little more is known about Mor's stay in Portugal, but he was definitely back in Brussels by November 1553.
After the sudden death of the king of England, Edward VI, in July 1553, the Spanish king Charles V now saw the possibility of an alliance between Spain and England. The engagement between Philip and his Portuguese princess was broken and negotiations started for a marriage with the successor to the English throne, Mary Tudor. During these negotiations, Mor was sent to England to paint a portrait of Mary, but the exact date of the painting is unknown. This portrait was much appreciated in England and Mor made at least three versions, which became much the best-known likeness of the queen. On 20 December 1553, Philip officially appointed Mor as painter in his service.
Mor was very productive after Philip's ascension to the throne, and produced some of his most important portraits in this period, such as the portrait of Prince William I of Orange, the portrait of Alessandro Farnese and a new portrait of Philip II.
It seems likely that Mor accompanied King Philip on his return to Spain in 1559. That Mor stayed at the Spanish court is confirmed by the letters which Philip regularly sent to Mor after he had left again in 1561. In his letters, Philip requested Mor's return to court several times, but the painter never complied with his repeated requests. Among the works which Mor supposedly painted in Spain are the Portrait of Juana of Austria and the Portrait of Don Carlos.
A much-praised work from this period is the Portrait of Pejerón, the fool of the Earl of Benavente and the Duke of Alba. There has been extensive speculation about the reason for Mor's departure from the Spanish court. According to Carel van Mander, Mor became too confidential with the king and this aroused the suspicion of the Inquisition. He may also have been alarmed by the increasingly repressive Counter-Reformation tenor of the Spanish court. Mor's pupil Alonso Sánchez Coello continued to work in his master's style, and replaced him as the Spanish court painter.
On his return to the Netherlands, Mor probably traveled back and forth between Utrecht, Antwerp and Brussels. In this period he was in regular contact with Granvelle and also worked at the Dutch court, where he portrayed Margaretha of Parma. After his return, Mor focused on the portrayal of citizens, especially of traders and traders' wives in Antwerp. In addition to portraits like these.
These works are markedly different from the paintings Mor produced for the court, showing off another side of his talent. When Granvelle returned to France and the Netherlands fell prey to increasing social and political unrest, Mor experienced some financial hardship. His financial problems were partially solved when the Duke of Alba granted him commissions and favors. He is not know to have been in Utrecht after 24 July 1567 and from 1568 onwards Mor lived in Antwerp where, in 1572, he registered as a master with the Antwerp guild.
At Antwerp he pained a Venus and Adonis for the new Stadhuis. It is possible that he visited England once again in 1568, judging from the Portrait of a Nobleman with Dog and of the Portrait of Sir Henry Lee, which have been attributed to him. In 1559 and 1562 Mor painted two portraits of Margaretha of Parma. On her way to Spain, Anna of Austria spent some time in Antwerp, where she was painted by Mor in 1570. Mor's portrait of Anna is his last-known court painting, although he was still being referred to as Philip II's court painter in 1573.
Toward the end of his life, Mor focused on paintings of a religious and mythological nature, but in this field of work he would never equal his earlier success as a portrait painter.
He is believed to have been working on a Circumcision for Antwerp Cathedral when he died in 1576.
https://en.wikipedia.org/wiki/Antonis_Mor
Thank you, please subscribe for future videos
https://www.youtube.com/channel/UC0gMk3w9hw8BbtqoUpEMKeg?sub_confirmation=1
3:02
Antonis Mor Artist
- Order: Reorder
- Duration: 3:02
- Uploaded Date: 05 May 2022
- views: 45
Antonis Mor, was a Netherlandish portrait painter. He developed a formal style for court portraits, largely based on Titian, that was extremely influential on c...
Antonis Mor, was a Netherlandish portrait painter. He developed a formal style for court portraits, largely based on Titian, that was extremely influential on court painters across Europe, especially in the Iberian Peninsula, where it created a tradition that led to Diego Velázquez.
https://wn.com/Antonis_Mor_Artist
Antonis Mor, was a Netherlandish portrait painter. He developed a formal style for court portraits, largely based on Titian, that was extremely influential on court painters across Europe, especially in the Iberian Peninsula, where it created a tradition that led to Diego Velázquez.
- published: 05 May 2022
- views: 45
7:04
Spotlight on "Mary Tudor, Queen of England" by Antonis Mor and Workshop (with Audio Description)
- Order: Reorder
- Duration: 7:04
- Uploaded Date: 02 Jan 2023
- views: 156
Learn about Antonis Mor and Workshop’s “Mary Tudor, Queen of England,” painted in 1554, through audio description. This painting is currently on view in the Dut...
Learn about Antonis Mor and Workshop’s “Mary Tudor, Queen of England,” painted in 1554, through audio description. This painting is currently on view in the Dutch Room, on the second floor of the historic Palace at the Isabella Stewart Gardner Museum.
Credits:
Produced by the Isabella Stewart Gardner Museum, 2021
Video by Bearwalk Cinema
With assistance from Solid Pink Productions and Prime Access Consulting
Want more? Follow us on Instagram, Twitter or Facebook @gardnermuseum or visit our website at http://www.gardnermuseum.org/
https://wn.com/Spotlight_On_Mary_Tudor,_Queen_Of_England_By_Antonis_Mor_And_Workshop_(With_Audio_Description)
Learn about Antonis Mor and Workshop’s “Mary Tudor, Queen of England,” painted in 1554, through audio description. This painting is currently on view in the Dutch Room, on the second floor of the historic Palace at the Isabella Stewart Gardner Museum.
Credits:
Produced by the Isabella Stewart Gardner Museum, 2021
Video by Bearwalk Cinema
With assistance from Solid Pink Productions and Prime Access Consulting
Want more? Follow us on Instagram, Twitter or Facebook @gardnermuseum or visit our website at http://www.gardnermuseum.org/
- published: 02 Jan 2023
- views: 156
10:14
ΤΟ ΠΙΟ ΑΤΑΚΤΟ ΠΑΙΔΙ ΣΤΟ ΣΧΟΛΕΙΟ [Bad Guys at School]
- Order: Reorder
- Duration: 10:14
- Uploaded Date: 12 Sep 2022
- views: 170567
💵 Donate ➝ https://streamlabs.com/antonisx007gr1/tip
👔 Business Inquiries: ➝ [email protected]
🔴 Livestreams ➝ https://trovo.live/MrAntouon
📸 I...
💵 Donate ➝ https://streamlabs.com/antonisx007gr1/tip
👔 Business Inquiries: ➝ [email protected]
🔴 Livestreams ➝ https://trovo.live/MrAntouon
📸 Instagram ➝ https://www.instagram.com/mr.antouon/
📱 Tiktok ➝ https://www.tiktok.com/@mr.antouon
💩 Discord ➝ https://discord.gg/yvCgRwv
#mrantouon
💩Γίνε μέλος εδώ https://www.youtube.com/antonisx007gr/join και κέρδισε:
1)Emoji memes του ατόσι όπως και σήμα της κουράδας δίπλα από το όνομα σας στο youtube!
2)Αναφορά/shoutout των ενεργών μελών στην περιγραφή!
https://wn.com/Το_Πιο_Ατακτο_Παιδι_Στο_Σχολειο_Bad_Guys_At_School
💵 Donate ➝ https://streamlabs.com/antonisx007gr1/tip
👔 Business Inquiries: ➝ [email protected]
🔴 Livestreams ➝ https://trovo.live/MrAntouon
📸 Instagram ➝ https://www.instagram.com/mr.antouon/
📱 Tiktok ➝ https://www.tiktok.com/@mr.antouon
💩 Discord ➝ https://discord.gg/yvCgRwv
#mrantouon
💩Γίνε μέλος εδώ https://www.youtube.com/antonisx007gr/join και κέρδισε:
1)Emoji memes του ατόσι όπως και σήμα της κουράδας δίπλα από το όνομα σας στο youtube!
2)Αναφορά/shoutout των ενεργών μελών στην περιγραφή!
- published: 12 Sep 2022
- views: 170567
9:24
Spotlight on "Mary Tudor, Queen of England" by Antonis Mor and Workshop (with ASL)
- Order: Reorder
- Duration: 9:24
- Uploaded Date: 02 Jan 2023
- views: 68
Learn about Antonis Mor and Workshop’s “Mary Tudor, Queen of England,” painted in 1554, featuring American Sign Language (ASL) interpretation. This painting is ...
Learn about Antonis Mor and Workshop’s “Mary Tudor, Queen of England,” painted in 1554, featuring American Sign Language (ASL) interpretation. This painting is currently on view in the Dutch Room, on the second floor of the historic Palace at the Isabella Stewart Gardner Museum.
Credits:
Produced by the Isabella Stewart Gardner Museum, 2021
Video by Bearwalk Cinema
With assistance from Solid Pink Productions and Prime Access Consulting
ASL Interpretation: Jim Lipsky
Additional ASL Interpretation: Joan Wattman
Want more? Follow us on Instagram, Twitter or Facebook @gardnermuseum or visit our website at http://www.gardnermuseum.org/
https://wn.com/Spotlight_On_Mary_Tudor,_Queen_Of_England_By_Antonis_Mor_And_Workshop_(With_Asl)
Learn about Antonis Mor and Workshop’s “Mary Tudor, Queen of England,” painted in 1554, featuring American Sign Language (ASL) interpretation. This painting is currently on view in the Dutch Room, on the second floor of the historic Palace at the Isabella Stewart Gardner Museum.
Credits:
Produced by the Isabella Stewart Gardner Museum, 2021
Video by Bearwalk Cinema
With assistance from Solid Pink Productions and Prime Access Consulting
ASL Interpretation: Jim Lipsky
Additional ASL Interpretation: Joan Wattman
Want more? Follow us on Instagram, Twitter or Facebook @gardnermuseum or visit our website at http://www.gardnermuseum.org/
- published: 02 Jan 2023
- views: 68
0:48
Anthonis Mor van Dashorst - Portrait of a man
- Order: Reorder
- Duration: 0:48
- Uploaded Date: 19 Aug 2022
- views: 11
- published: 19 Aug 2022
- views: 11
0:07
Anthonis Mor (Portrait of Sir H. Beuckeleer) | NFT art | Temporary Portrait № 35 (OLD VERSION)
- Order: Reorder
- Duration: 0:07
- Uploaded Date: 29 Aug 2022
- views: 2805
The Temporary Portraits are a metaphor for the transitory, ephemeral nature of the web.
While classic portraits once aimed to create an effigy of the person por...
The Temporary Portraits are a metaphor for the transitory, ephemeral nature of the web.
While classic portraits once aimed to create an effigy of the person portrayed to leave to posterity, today, with new technological advances, portraits have been transformed into a commonplace, often banal practice (selfies are a prime example).
Moreover, even the most noble of images, like a face portrayed by Raphael, loses its aura once it’s absorbed by the web.
If we dig deep into that digital picture, we discover that it’s made of many pixels that are all equal and entirely interchangeable—the same pixels that conceptual artist Lawrence Weiner talked about in a 2012 interview: “In the digital world we live in, there is no pixel who thinks they're better than any other pixel.”
Temporary Portraits (project)
The Temporary Portraits series is composed of three sets of 50 NFT clips each.
The 1st set is a tribute to fifteenth and sixteenth-century portraiture (Italian and Flemish in particular). The 2nd and 3rd sets, on the other hand, celebrate the art of portraits from the seventeenth to twentieth century.
Website: https://www.dadablob.com/temporary-portraits-series-01/
Buy: https://opensea.io/collection/temporary-portraits
https://wn.com/Anthonis_Mor_(Portrait_Of_Sir_H._Beuckeleer)_|_Nft_Art_|_Temporary_Portrait_№_35_(Old_Version)
The Temporary Portraits are a metaphor for the transitory, ephemeral nature of the web.
While classic portraits once aimed to create an effigy of the person portrayed to leave to posterity, today, with new technological advances, portraits have been transformed into a commonplace, often banal practice (selfies are a prime example).
Moreover, even the most noble of images, like a face portrayed by Raphael, loses its aura once it’s absorbed by the web.
If we dig deep into that digital picture, we discover that it’s made of many pixels that are all equal and entirely interchangeable—the same pixels that conceptual artist Lawrence Weiner talked about in a 2012 interview: “In the digital world we live in, there is no pixel who thinks they're better than any other pixel.”
Temporary Portraits (project)
The Temporary Portraits series is composed of three sets of 50 NFT clips each.
The 1st set is a tribute to fifteenth and sixteenth-century portraiture (Italian and Flemish in particular). The 2nd and 3rd sets, on the other hand, celebrate the art of portraits from the seventeenth to twentieth century.
Website: https://www.dadablob.com/temporary-portraits-series-01/
Buy: https://opensea.io/collection/temporary-portraits
- published: 29 Aug 2022
- views: 2805
0:11
Anthonis Mor (Portrait of Sir Huybrecht Beuckeleer) | Glitch Noise Portraits
- Order: Reorder
- Duration: 0:11
- Uploaded Date: 06 Jan 2023
- views: 93
DIGITAL ART IS ALL TEMPORARY
Digital art is temporary because the internet is temporary.
The splinternet is fragmenting the web.
Global internet is an illusion...
DIGITAL ART IS ALL TEMPORARY
Digital art is temporary because the internet is temporary.
The splinternet is fragmenting the web.
Global internet is an illusion; the splinternet is reality.
Governments are dividing up cyberspace.
Cyberwars of various types are putting an end to net neutrality.
Countries like China, South Korea, Iran and Russia are aiming for digital “sovereignism.”
Digital sovereignism is a powerful surveillance tool.
That which remains of the free global internet is in the hands of web companies.
The internet enters homes, cars and our bodies.
Data overload creates infobesity and digital blackouts.
Centralized networks and databases implode.
DLTs and blockchains implode.
The internet shuts down. Then starts up again.
It shuts down, then starts up again. Maybe
GLITCH NOISE PORTRAITS
The Glitch Noise Portraits series is a collection of NFT clips created from images - portraits and self-portraits in particular - that have been borrowed from historical works of art, photography and mass media.
The images are manipulated through computer graphics in order to highlight their flat, ephemeral digital nature.
If we dig deep into these images, we discover that they are made of many pixels, all of which are equal and interchangeable - the same pixels that conceptual artist Lawrence Weiner talked about in a 2012 interview: “In the digital world we live in, there is no pixel who thinks they’re better than any other pixel.”
The audio of the video clip is a short track created by using glitch/noise music as a base.
Each clip is 10 seconds long and has an aspect ratio of 9:16.
www.dadablob.com/digital-art-glitch-portraits/
https://wn.com/Anthonis_Mor_(Portrait_Of_Sir_Huybrecht_Beuckeleer)_|_Glitch_Noise_Portraits
DIGITAL ART IS ALL TEMPORARY
Digital art is temporary because the internet is temporary.
The splinternet is fragmenting the web.
Global internet is an illusion; the splinternet is reality.
Governments are dividing up cyberspace.
Cyberwars of various types are putting an end to net neutrality.
Countries like China, South Korea, Iran and Russia are aiming for digital “sovereignism.”
Digital sovereignism is a powerful surveillance tool.
That which remains of the free global internet is in the hands of web companies.
The internet enters homes, cars and our bodies.
Data overload creates infobesity and digital blackouts.
Centralized networks and databases implode.
DLTs and blockchains implode.
The internet shuts down. Then starts up again.
It shuts down, then starts up again. Maybe
GLITCH NOISE PORTRAITS
The Glitch Noise Portraits series is a collection of NFT clips created from images - portraits and self-portraits in particular - that have been borrowed from historical works of art, photography and mass media.
The images are manipulated through computer graphics in order to highlight their flat, ephemeral digital nature.
If we dig deep into these images, we discover that they are made of many pixels, all of which are equal and interchangeable - the same pixels that conceptual artist Lawrence Weiner talked about in a 2012 interview: “In the digital world we live in, there is no pixel who thinks they’re better than any other pixel.”
The audio of the video clip is a short track created by using glitch/noise music as a base.
Each clip is 10 seconds long and has an aspect ratio of 9:16.
www.dadablob.com/digital-art-glitch-portraits/
- published: 06 Jan 2023
- views: 93
0:11
Anthonis Mor (Portrait of Sir Thomas Gresham) | Glitch Noise Portraits
- Order: Reorder
- Duration: 0:11
- Uploaded Date: 22 Jan 2023
- views: 1681
DIGITAL ART IS ALL TEMPORARY
Digital art is temporary because the internet is temporary.
The splinternet is fragmenting the web.
Global internet is an illusion...
DIGITAL ART IS ALL TEMPORARY
Digital art is temporary because the internet is temporary.
The splinternet is fragmenting the web.
Global internet is an illusion; the splinternet is reality.
Governments are dividing up cyberspace.
Cyberwars of various types are putting an end to net neutrality.
Countries like China, South Korea, Iran and Russia are aiming for digital “sovereignism.”
Digital sovereignism is a powerful surveillance tool.
That which remains of the free global internet is in the hands of web companies.
The internet enters homes, cars and our bodies.
Data overload creates infobesity and digital blackouts.
Centralized networks and databases implode.
DLTs and blockchains implode.
The internet shuts down. Then starts up again.
It shuts down, then starts up again. Maybe
GLITCH NOISE PORTRAITS
The Glitch Noise Portraits series is a collection of NFT clips created from images - portraits and self-portraits in particular - that have been borrowed from historical works of art, photography and mass media.
The images are manipulated through computer graphics in order to highlight their flat, ephemeral digital nature.
If we dig deep into these images, we discover that they are made of many pixels, all of which are equal and interchangeable - the same pixels that conceptual artist Lawrence Weiner talked about in a 2012 interview: “In the digital world we live in, there is no pixel who thinks they’re better than any other pixel.”
The audio of the video clip is a short track created by using glitch/noise music as a base.
Each clip is 10 seconds long and has an aspect ratio of 9:16.
www.dadablob.com/digital-art-glitch-portraits/
https://wn.com/Anthonis_Mor_(Portrait_Of_Sir_Thomas_Gresham)_|_Glitch_Noise_Portraits
DIGITAL ART IS ALL TEMPORARY
Digital art is temporary because the internet is temporary.
The splinternet is fragmenting the web.
Global internet is an illusion; the splinternet is reality.
Governments are dividing up cyberspace.
Cyberwars of various types are putting an end to net neutrality.
Countries like China, South Korea, Iran and Russia are aiming for digital “sovereignism.”
Digital sovereignism is a powerful surveillance tool.
That which remains of the free global internet is in the hands of web companies.
The internet enters homes, cars and our bodies.
Data overload creates infobesity and digital blackouts.
Centralized networks and databases implode.
DLTs and blockchains implode.
The internet shuts down. Then starts up again.
It shuts down, then starts up again. Maybe
GLITCH NOISE PORTRAITS
The Glitch Noise Portraits series is a collection of NFT clips created from images - portraits and self-portraits in particular - that have been borrowed from historical works of art, photography and mass media.
The images are manipulated through computer graphics in order to highlight their flat, ephemeral digital nature.
If we dig deep into these images, we discover that they are made of many pixels, all of which are equal and interchangeable - the same pixels that conceptual artist Lawrence Weiner talked about in a 2012 interview: “In the digital world we live in, there is no pixel who thinks they’re better than any other pixel.”
The audio of the video clip is a short track created by using glitch/noise music as a base.
Each clip is 10 seconds long and has an aspect ratio of 9:16.
www.dadablob.com/digital-art-glitch-portraits/
- published: 22 Jan 2023
- views: 1681
0:11
Anthonis Mor (Portrait of Sir Thomas Gresham) | Liquid Portrait № 44
- Order: Reorder
- Duration: 0:11
- Uploaded Date: 11 Sep 2022
- views: 62
The Liquid Portraits series is composed of three sets of 50 NFT clips each.
The 1st set is a tribute to fifteenth and sixteenth-century portraiture (Italian an...
The Liquid Portraits series is composed of three sets of 50 NFT clips each.
The 1st set is a tribute to fifteenth and sixteenth-century portraiture (Italian and Flemish in particular). The 2nd and 3rd sets, on the other hand, celebrate the art of portraits from the seventeenth to twentieth century.
Website: https://www.dadablob.com/liquid-portraits-series-01/
Buy: https://opensea.io/collection/liquid-portraits
https://wn.com/Anthonis_Mor_(Portrait_Of_Sir_Thomas_Gresham)_|_Liquid_Portrait_№_44
The Liquid Portraits series is composed of three sets of 50 NFT clips each.
The 1st set is a tribute to fifteenth and sixteenth-century portraiture (Italian and Flemish in particular). The 2nd and 3rd sets, on the other hand, celebrate the art of portraits from the seventeenth to twentieth century.
Website: https://www.dadablob.com/liquid-portraits-series-01/
Buy: https://opensea.io/collection/liquid-portraits
- published: 11 Sep 2022
- views: 62
17:30
Anthonis Mor (1517-1577) A collection of paintings 4K Ultra HD
Sir Anthonis Mor(1517- 1577), was a Netherlandish portrait painter, much in demand by the ...
published: 23 Nov 2018
Anthonis Mor (1517-1577) A collection of paintings 4K Ultra HD
Anthonis Mor (1517-1577) A collection of paintings 4K Ultra HD
- Report rights infringement
- published: 23 Nov 2018
- views: 993
Sir Anthonis Mor(1517- 1577), was a Netherlandish portrait painter, much in demand by the courts of Europe.
In 1547, aged Mor was received as a member of the Venerable Guild of St. Luke at Antwerp, and shortly afterwards (about 1548) he attracted the attention of Cardinal Granvelle, Bishop of Arras, who became his steady patron.
In the middle of 1550 Mor left for Lisbon with a commission from Mary of Hungary to portray the Portuguese branch of the family. Mor probably traveled via Valladolid, where he painted the portraits of Maximilian II and his wife Maria of Austria, their daughter Anna and the son of Philip, Don Carlos. In Lisbon, Mor portrayed King João, Queen Catharina, Prince João and Philip’s future wife, Princess Maria of Portugal. Little more is known about Mor's stay in Portugal, but he was definitely back in Brussels by November 1553.
After the sudden death of the king of England, Edward VI, in July 1553, the Spanish king Charles V now saw the possibility of an alliance between Spain and England. The engagement between Philip and his Portuguese princess was broken and negotiations started for a marriage with the successor to the English throne, Mary Tudor. During these negotiations, Mor was sent to England to paint a portrait of Mary, but the exact date of the painting is unknown. This portrait was much appreciated in England and Mor made at least three versions, which became much the best-known likeness of the queen. On 20 December 1553, Philip officially appointed Mor as painter in his service.
Mor was very productive after Philip's ascension to the throne, and produced some of his most important portraits in this period, such as the portrait of Prince William I of Orange, the portrait of Alessandro Farnese and a new portrait of Philip II.
It seems likely that Mor accompanied King Philip on his return to Spain in 1559. That Mor stayed at the Spanish court is confirmed by the letters which Philip regularly sent to Mor after he had left again in 1561. In his letters, Philip requested Mor's return to court several times, but the painter never complied with his repeated requests. Among the works which Mor supposedly painted in Spain are the Portrait of Juana of Austria and the Portrait of Don Carlos.
A much-praised work from this period is the Portrait of Pejerón, the fool of the Earl of Benavente and the Duke of Alba. There has been extensive speculation about the reason for Mor's departure from the Spanish court. According to Carel van Mander, Mor became too confidential with the king and this aroused the suspicion of the Inquisition. He may also have been alarmed by the increasingly repressive Counter-Reformation tenor of the Spanish court. Mor's pupil Alonso Sánchez Coello continued to work in his master's style, and replaced him as the Spanish court painter.
On his return to the Netherlands, Mor probably traveled back and forth between Utrecht, Antwerp and Brussels. In this period he was in regular contact with Granvelle and also worked at the Dutch court, where he portrayed Margaretha of Parma. After his return, Mor focused on the portrayal of citizens, especially of traders and traders' wives in Antwerp. In addition to portraits like these.
These works are markedly different from the paintings Mor produced for the court, showing off another side of his talent. When Granvelle returned to France and the Netherlands fell prey to increasing social and political unrest, Mor experienced some financial hardship. His financial problems were partially solved when the Duke of Alba granted him commissions and favors. He is not know to have been in Utrecht after 24 July 1567 and from 1568 onwards Mor lived in Antwerp where, in 1572, he registered as a master with the Antwerp guild.
At Antwerp he pained a Venus and Adonis for the new Stadhuis. It is possible that he visited England once again in 1568, judging from the Portrait of a Nobleman with Dog and of the Portrait of Sir Henry Lee, which have been attributed to him. In 1559 and 1562 Mor painted two portraits of Margaretha of Parma. On her way to Spain, Anna of Austria spent some time in Antwerp, where she was painted by Mor in 1570. Mor's portrait of Anna is his last-known court painting, although he was still being referred to as Philip II's court painter in 1573.
Toward the end of his life, Mor focused on paintings of a religious and mythological nature, but in this field of work he would never equal his earlier success as a portrait painter.
He is believed to have been working on a Circumcision for Antwerp Cathedral when he died in 1576.
https://en.wikipedia.org/wiki/Antonis_Mor
Thank you, please subscribe for future videos
https://www.youtube.com/channel/UC0gMk3w9hw8BbtqoUpEMKeg?sub_confirmation=1
3:02
Antonis Mor Artist
Antonis Mor, was a Netherlandish portrait painter. He developed a formal style for court p...
published: 05 May 2022
Antonis Mor Artist
Antonis Mor Artist
- Report rights infringement
- published: 05 May 2022
- views: 45
Antonis Mor, was a Netherlandish portrait painter. He developed a formal style for court portraits, largely based on Titian, that was extremely influential on court painters across Europe, especially in the Iberian Peninsula, where it created a tradition that led to Diego Velázquez.
7:04
Spotlight on "Mary Tudor, Queen of England" by Antonis Mor and Workshop (with Audio Description)
Learn about Antonis Mor and Workshop’s “Mary Tudor, Queen of England,” painted in 1554, th...
published: 02 Jan 2023
Spotlight on "Mary Tudor, Queen of England" by Antonis Mor and Workshop (with Audio Description)
Spotlight on "Mary Tudor, Queen of England" by Antonis Mor and Workshop (with Audio Description)
- Report rights infringement
- published: 02 Jan 2023
- views: 156
Learn about Antonis Mor and Workshop’s “Mary Tudor, Queen of England,” painted in 1554, through audio description. This painting is currently on view in the Dutch Room, on the second floor of the historic Palace at the Isabella Stewart Gardner Museum.
Credits:
Produced by the Isabella Stewart Gardner Museum, 2021
Video by Bearwalk Cinema
With assistance from Solid Pink Productions and Prime Access Consulting
Want more? Follow us on Instagram, Twitter or Facebook @gardnermuseum or visit our website at http://www.gardnermuseum.org/
10:14
ΤΟ ΠΙΟ ΑΤΑΚΤΟ ΠΑΙΔΙ ΣΤΟ ΣΧΟΛΕΙΟ [Bad Guys at School]
💵 Donate ➝ https://streamlabs.com/antonisx007gr1/tip
👔 Business Inquiries: ➝ Antonis...
published: 12 Sep 2022
ΤΟ ΠΙΟ ΑΤΑΚΤΟ ΠΑΙΔΙ ΣΤΟ ΣΧΟΛΕΙΟ [Bad Guys at School]
ΤΟ ΠΙΟ ΑΤΑΚΤΟ ΠΑΙΔΙ ΣΤΟ ΣΧΟΛΕΙΟ [Bad Guys at School]
- Report rights infringement
- published: 12 Sep 2022
- views: 170567
💵 Donate ➝ https://streamlabs.com/antonisx007gr1/tip
👔 Business Inquiries: ➝ [email protected]
🔴 Livestreams ➝ https://trovo.live/MrAntouon
📸 Instagram ➝ https://www.instagram.com/mr.antouon/
📱 Tiktok ➝ https://www.tiktok.com/@mr.antouon
💩 Discord ➝ https://discord.gg/yvCgRwv
#mrantouon
💩Γίνε μέλος εδώ https://www.youtube.com/antonisx007gr/join και κέρδισε:
1)Emoji memes του ατόσι όπως και σήμα της κουράδας δίπλα από το όνομα σας στο youtube!
2)Αναφορά/shoutout των ενεργών μελών στην περιγραφή!
9:24
Spotlight on "Mary Tudor, Queen of England" by Antonis Mor and Workshop (with ASL)
Learn about Antonis Mor and Workshop’s “Mary Tudor, Queen of England,” painted in 1554, fe...
published: 02 Jan 2023
Spotlight on "Mary Tudor, Queen of England" by Antonis Mor and Workshop (with ASL)
Spotlight on "Mary Tudor, Queen of England" by Antonis Mor and Workshop (with ASL)
- Report rights infringement
- published: 02 Jan 2023
- views: 68
Learn about Antonis Mor and Workshop’s “Mary Tudor, Queen of England,” painted in 1554, featuring American Sign Language (ASL) interpretation. This painting is currently on view in the Dutch Room, on the second floor of the historic Palace at the Isabella Stewart Gardner Museum.
Credits:
Produced by the Isabella Stewart Gardner Museum, 2021
Video by Bearwalk Cinema
With assistance from Solid Pink Productions and Prime Access Consulting
ASL Interpretation: Jim Lipsky
Additional ASL Interpretation: Joan Wattman
Want more? Follow us on Instagram, Twitter or Facebook @gardnermuseum or visit our website at http://www.gardnermuseum.org/
0:48
Anthonis Mor van Dashorst - Portrait of a man
published: 19 Aug 2022
Anthonis Mor van Dashorst - Portrait of a man
Anthonis Mor van Dashorst - Portrait of a man
- Report rights infringement
- published: 19 Aug 2022
- views: 11
0:07
Anthonis Mor (Portrait of Sir H. Beuckeleer) | NFT art | Temporary Portrait № 35 (OLD VERSION)
The Temporary Portraits are a metaphor for the transitory, ephemeral nature of the web.
Wh...
published: 29 Aug 2022
Anthonis Mor (Portrait of Sir H. Beuckeleer) | NFT art | Temporary Portrait № 35 (OLD VERSION)
Anthonis Mor (Portrait of Sir H. Beuckeleer) | NFT art | Temporary Portrait № 35 (OLD VERSION)
- Report rights infringement
- published: 29 Aug 2022
- views: 2805
The Temporary Portraits are a metaphor for the transitory, ephemeral nature of the web.
While classic portraits once aimed to create an effigy of the person portrayed to leave to posterity, today, with new technological advances, portraits have been transformed into a commonplace, often banal practice (selfies are a prime example).
Moreover, even the most noble of images, like a face portrayed by Raphael, loses its aura once it’s absorbed by the web.
If we dig deep into that digital picture, we discover that it’s made of many pixels that are all equal and entirely interchangeable—the same pixels that conceptual artist Lawrence Weiner talked about in a 2012 interview: “In the digital world we live in, there is no pixel who thinks they're better than any other pixel.”
Temporary Portraits (project)
The Temporary Portraits series is composed of three sets of 50 NFT clips each.
The 1st set is a tribute to fifteenth and sixteenth-century portraiture (Italian and Flemish in particular). The 2nd and 3rd sets, on the other hand, celebrate the art of portraits from the seventeenth to twentieth century.
Website: https://www.dadablob.com/temporary-portraits-series-01/
Buy: https://opensea.io/collection/temporary-portraits
0:11
Anthonis Mor (Portrait of Sir Huybrecht Beuckeleer) | Glitch Noise Portraits
DIGITAL ART IS ALL TEMPORARY
Digital art is temporary because the internet is temporary.
...
published: 06 Jan 2023
Anthonis Mor (Portrait of Sir Huybrecht Beuckeleer) | Glitch Noise Portraits
Anthonis Mor (Portrait of Sir Huybrecht Beuckeleer) | Glitch Noise Portraits
- Report rights infringement
- published: 06 Jan 2023
- views: 93
DIGITAL ART IS ALL TEMPORARY
Digital art is temporary because the internet is temporary.
The splinternet is fragmenting the web.
Global internet is an illusion; the splinternet is reality.
Governments are dividing up cyberspace.
Cyberwars of various types are putting an end to net neutrality.
Countries like China, South Korea, Iran and Russia are aiming for digital “sovereignism.”
Digital sovereignism is a powerful surveillance tool.
That which remains of the free global internet is in the hands of web companies.
The internet enters homes, cars and our bodies.
Data overload creates infobesity and digital blackouts.
Centralized networks and databases implode.
DLTs and blockchains implode.
The internet shuts down. Then starts up again.
It shuts down, then starts up again. Maybe
GLITCH NOISE PORTRAITS
The Glitch Noise Portraits series is a collection of NFT clips created from images - portraits and self-portraits in particular - that have been borrowed from historical works of art, photography and mass media.
The images are manipulated through computer graphics in order to highlight their flat, ephemeral digital nature.
If we dig deep into these images, we discover that they are made of many pixels, all of which are equal and interchangeable - the same pixels that conceptual artist Lawrence Weiner talked about in a 2012 interview: “In the digital world we live in, there is no pixel who thinks they’re better than any other pixel.”
The audio of the video clip is a short track created by using glitch/noise music as a base.
Each clip is 10 seconds long and has an aspect ratio of 9:16.
www.dadablob.com/digital-art-glitch-portraits/
0:11
Anthonis Mor (Portrait of Sir Thomas Gresham) | Glitch Noise Portraits
DIGITAL ART IS ALL TEMPORARY
Digital art is temporary because the internet is temporary.
...
published: 22 Jan 2023
Anthonis Mor (Portrait of Sir Thomas Gresham) | Glitch Noise Portraits
Anthonis Mor (Portrait of Sir Thomas Gresham) | Glitch Noise Portraits
- Report rights infringement
- published: 22 Jan 2023
- views: 1681
DIGITAL ART IS ALL TEMPORARY
Digital art is temporary because the internet is temporary.
The splinternet is fragmenting the web.
Global internet is an illusion; the splinternet is reality.
Governments are dividing up cyberspace.
Cyberwars of various types are putting an end to net neutrality.
Countries like China, South Korea, Iran and Russia are aiming for digital “sovereignism.”
Digital sovereignism is a powerful surveillance tool.
That which remains of the free global internet is in the hands of web companies.
The internet enters homes, cars and our bodies.
Data overload creates infobesity and digital blackouts.
Centralized networks and databases implode.
DLTs and blockchains implode.
The internet shuts down. Then starts up again.
It shuts down, then starts up again. Maybe
GLITCH NOISE PORTRAITS
The Glitch Noise Portraits series is a collection of NFT clips created from images - portraits and self-portraits in particular - that have been borrowed from historical works of art, photography and mass media.
The images are manipulated through computer graphics in order to highlight their flat, ephemeral digital nature.
If we dig deep into these images, we discover that they are made of many pixels, all of which are equal and interchangeable - the same pixels that conceptual artist Lawrence Weiner talked about in a 2012 interview: “In the digital world we live in, there is no pixel who thinks they’re better than any other pixel.”
The audio of the video clip is a short track created by using glitch/noise music as a base.
Each clip is 10 seconds long and has an aspect ratio of 9:16.
www.dadablob.com/digital-art-glitch-portraits/
0:11
Anthonis Mor (Portrait of Sir Thomas Gresham) | Liquid Portrait № 44
The Liquid Portraits series is composed of three sets of 50 NFT clips each.
The 1st set i...
published: 11 Sep 2022
Anthonis Mor (Portrait of Sir Thomas Gresham) | Liquid Portrait № 44
Anthonis Mor (Portrait of Sir Thomas Gresham) | Liquid Portrait № 44
- Report rights infringement
- published: 11 Sep 2022
- views: 62
The Liquid Portraits series is composed of three sets of 50 NFT clips each.
The 1st set is a tribute to fifteenth and sixteenth-century portraiture (Italian and Flemish in particular). The 2nd and 3rd sets, on the other hand, celebrate the art of portraits from the seventeenth to twentieth century.
Website: https://www.dadablob.com/liquid-portraits-series-01/
Buy: https://opensea.io/collection/liquid-portraits
Antonis Mor
Sir Anthonis Mor, also known as Anthonis Mor van Dashorst and Antonio Moro (c. 1517 – 1577) was a Netherlandish portrait painter, much in demand by the courts of Europe. He has also been referred to as Antoon, Anthonius, Anthonis or Mor van Dashorst, and as Antonio Moro, Anthony More, etc., but signed most of his portraits as Anthonis Mor.
Early life and education
Mor was born in Utrecht, Netherlands, by some estimation between 1516 and 1520. Little is known about his early life, except that his artistic education commenced under Jan van Scorel. His earliest known work is a portrait which is currently in a collection in Stockholm, dated 1538.
Painting career
A group of Knights of St. John at Utrecht, supposed to have been painted about 1541; and a picture of two pilgrims at the Gemäldegalerie, Berlin, dated 1544; and the portrait of an unknown woman, in the Lille gallery, were probably among his earliest works, although their authenticity has not been proven.
Antwerp
In 1547, Anthonis Mor was received as a member of the Venerable Guild of St. Luke at Antwerp, and shortly afterwards (about 1548) he attracted the attention of Cardinal Granvelle, Bishop of Arras, who became his steady patron. Of the portraits executed during the early period of his career as Granvelle's protege, two are especially notable: one of the bishop himself (in the imperial gallery in Vienna), and one of the Duke of Alba, which now belongs to the Hispanic Society of New York. Between 1549 and 1550 Prince Philip II of Spain (1527–1598) traveled around the Netherlands to present himself as the future ruler. Anthonis Mor painted his portrait in Brussels in 1549. He probably visited Italy (when exactly is not known), where he copied some works by Titian, notably the Danaë.
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Antonis_Mor
Anthonis Mor (1517-1577) A collection of paintings...
Antonis Mor Artist...
Spotlight on "Mary Tudor, Queen of England" by Ant...
ΤΟ ΠΙΟ ΑΤΑΚΤΟ ΠΑΙΔΙ ΣΤΟ ΣΧΟΛΕΙΟ [Bad Guys at Schoo...
Spotlight on "Mary Tudor, Queen of England" by Ant...
Anthonis Mor van Dashorst - Portrait of a man...
Anthonis Mor (Portrait of Sir H. Beuckeleer) | NFT...
Anthonis Mor (Portrait of Sir Huybrecht Beuckeleer...
Anthonis Mor (Portrait of Sir Thomas Gresham) | Gl...
Anthonis Mor (Portrait of Sir Thomas Gresham) | Li...
Latest News for: antonis mor
Edit
After decades, tiny 500-year-old royal portrait is identified as Mary Tudor
It’s Mary Tudor – by a nose ... Just look at the noses of the two women, argues the art historian Emma Rutherford ... The best known of Mary, though as queen in the 1550s, are by Antonis Mor in the Prado museum, Madrid, and by Hans Eworth, also in the NPG ... .
Edit
Beauty, power, and beheadings: Cleveland Museum of Art explores art of the Tudor Dynasty in ...
Edit
Music in the Courtyard Returns to the Isabella Stewart Gardner Museum
The voices of the acclaimed New York Polyphony filled the courtyard of the Isabella Stewart Gardner Museum on Sunday, Sept ... 1576) ... The music could be heard from the museum’s Dutch Room, where Antonis Mor’s 1554 portrait of Queen Mary is displayed ... .
- 1