-
Albert and David Maysles on Letterman, June 21, 1982
The Maysles brothers in their only appearance on Late Night, here promoting their documentary "The Beatles in America" and discussing their most successful film to date, "Gimme Shelter."
Clips from both films deleted due to copyright caution.
published: 07 Dec 2017
-
Salesman Albert Maysles, David Maysles & Charlotte Mitchell Zwerin, 1969 ✪ Classic Documentary Chann
We always have to keep in mind that a Documentary, after all, can tell lies and it can tell lies because it lays claim to a form of veracity which fiction doesn't. Some of the documentaries are made just to discredit some particular person, party, organization, system etc, but most of them here on TDF are non biased, without prejudice and worth watching.
published: 23 Mar 2017
-
Interview With Salesman Directors Albert and David Maysles, 1968
published: 29 Nov 2018
-
Albert Maysles – Getting started on Grey Gardens (69/97)
To listen to more of Albert Maysles’ stories, go to the playlist: https://www.youtube.com/watch?v=7tqxYdgVwtk&list=PLVV0r6CmEsFwINwqzgi8gYJPFHbxA_7tK
Albert Maysles (1926-2015) was known for his important documentaries on Muhammad Ali, Jimi Hendrix and The Beatles. He pioneered the documentary style known as Direct Cinema and helped create techniques still used in modern documentary production and in reality TV. [Listeners: Sara Maysles, Rebekah Maysles and Tamara Tracz; date recorded: 2004]
TRANSCRIPT: In 1978 we came out with "Grey Gardens" that film is another story, as to how we got to make the film. Peter Beard, the famous photographer who made his fame with his photographs of animals in, in Africa, he was a good friend of ours and he lived in the Hamptons and so when his girlfriend...
published: 25 Aug 2017
-
Albert Maysles – Grey Gardens: showing the film to the Beales (71/97)
To listen to more of Albert Maysles’ stories, go to the playlist: https://www.youtube.com/watch?v=7tqxYdgVwtk&list=PLVV0r6CmEsFwINwqzgi8gYJPFHbxA_7tK
Albert Maysles (1926-2015) was known for his important documentaries on Muhammad Ali, Jimi Hendrix and The Beatles. He pioneered the documentary style known as Direct Cinema and helped create techniques still used in modern documentary production and in reality TV. [Listeners: Sara Maysles, Rebekah Maysles and Tamara Tracz; date recorded: 2004]
TRANSCRIPT: Once we finished the film, we wanted the first people to see it, would be the mother and her daughter; so we brought the film to Grey Gardens with a projector, we showed it to them and there was a moment of silence and then Edie walked back and forth in the room and in an extremely loud v...
published: 25 Aug 2017
-
Albert et David Maysles « It's all in the film »
Bande annonce conçue par la Bibliothèque publique d'information pour le cycle de films documentaires des frères Albert et David Maysles.
published: 22 Mar 2019
-
Factual America | Salesman, Albert and David Maysles | Ft. Kevin Turley
In Factual America’s first podcast, American history will be discussed through the lens of the documentary film, Salesmen.
Subscribe for more from Factual America: http://bit.ly/AlamoPictures
Award-winning journalist, Kevin Turley, joins Factual America to discuss Albert and David Maysels’ seminal documentary Salesman. Kevin places Salesman in the context of 1960s America and traces the film’s influence on documentary filmmaking to this day. Along the way Kevin and host Matthew Sherwood discover that the film about hard-luck Bible salesmen is actually about so much more — namely the pursuit of the American Dream.
#Podcast #AmericanHistory #HistoryofUSA
▬▬ FACTUAL AMERICA PODCAST ▬▬
Factual America explores the themes that make America unique through the lens of documentaries about Ame...
published: 14 Jan 2020
-
Albert and David Maysles
An interview I shot with the Maysles brothers round about 1980 in their New York offices, one of a series I did with the greats of documentary making in the US. There is more material with them. I'm presently looking for a home for this archive.
published: 13 Apr 2015
-
Television in America: An Autobiography - Albert Maysles
Albert Maysles is widely recognized as a pioneer of the direct cinema style of documentary. With his late brother David, he earned critical, peer and audience acclaim as among the first filmmakers to make nonfiction features - films in which life's dramas unfold without traditional devices like scripts, sets or narration. Maysles films are imbued with integrity, great storytelling and superb artistic rendering. This episode features excerpts from Salesman, Grey Gardens and his work with Bob Drew on Primary (the story of JFK and Hubert Humphrey's 1960 campaign trip through Wisconsin).
Taped: 06-11-2001
published: 25 Nov 2016
-
From the Archives - 2002 - Lois Wright and Albert Maysles of Grey Gardens - UPDATED
Lois Wright interviews Albert Maysles, documentary filmmaker of Grey Gardens at his home in 2002. Lois was friends with the Beales, and in the movie during the birthday party. She had a public access television show for more than 30 years at LTV.
[email protected]
published: 09 Jul 2021
9:04
Albert and David Maysles on Letterman, June 21, 1982
The Maysles brothers in their only appearance on Late Night, here promoting their documentary "The Beatles in America" and discussing their most successful film...
The Maysles brothers in their only appearance on Late Night, here promoting their documentary "The Beatles in America" and discussing their most successful film to date, "Gimme Shelter."
Clips from both films deleted due to copyright caution.
https://wn.com/Albert_And_David_Maysles_On_Letterman,_June_21,_1982
The Maysles brothers in their only appearance on Late Night, here promoting their documentary "The Beatles in America" and discussing their most successful film to date, "Gimme Shelter."
Clips from both films deleted due to copyright caution.
- published: 07 Dec 2017
- views: 8382
1:31:19
Salesman Albert Maysles, David Maysles & Charlotte Mitchell Zwerin, 1969 ✪ Classic Documentary Chann
We always have to keep in mind that a Documentary, after all, can tell lies and it can tell lies because it lays claim to a form of veracity which fiction doesn...
We always have to keep in mind that a Documentary, after all, can tell lies and it can tell lies because it lays claim to a form of veracity which fiction doesn't. Some of the documentaries are made just to discredit some particular person, party, organization, system etc, but most of them here on TDF are non biased, without prejudice and worth watching.
https://wn.com/Salesman_Albert_Maysles,_David_Maysles_Charlotte_Mitchell_Zwerin,_1969_✪_Classic_Documentary_Chann
We always have to keep in mind that a Documentary, after all, can tell lies and it can tell lies because it lays claim to a form of veracity which fiction doesn't. Some of the documentaries are made just to discredit some particular person, party, organization, system etc, but most of them here on TDF are non biased, without prejudice and worth watching.
- published: 23 Mar 2017
- views: 137916
4:51
Albert Maysles – Getting started on Grey Gardens (69/97)
To listen to more of Albert Maysles’ stories, go to the playlist: https://www.youtube.com/watch?v=7tqxYdgVwtk&list=PLVV0r6CmEsFwINwqzgi8gYJPFHbxA_7tK
Albert Ma...
To listen to more of Albert Maysles’ stories, go to the playlist: https://www.youtube.com/watch?v=7tqxYdgVwtk&list=PLVV0r6CmEsFwINwqzgi8gYJPFHbxA_7tK
Albert Maysles (1926-2015) was known for his important documentaries on Muhammad Ali, Jimi Hendrix and The Beatles. He pioneered the documentary style known as Direct Cinema and helped create techniques still used in modern documentary production and in reality TV. [Listeners: Sara Maysles, Rebekah Maysles and Tamara Tracz; date recorded: 2004]
TRANSCRIPT: In 1978 we came out with "Grey Gardens" that film is another story, as to how we got to make the film. Peter Beard, the famous photographer who made his fame with his photographs of animals in, in Africa, he was a good friend of ours and he lived in the Hamptons and so when his girlfriend, Lee Radziwill, thought of first writing a book and then maybe making a documentary film of her childhood in the Hamptons, Peter said- well, if you're going to do that you should talk to the Maysles brothers. So she called us up and explained that she wanted to make this film. At first I thought- how come you're making a film of your childhood when- without- with it being a documentary when, when it all took place in the past? She said- no, no, this- I have a list of some 40 people and things going on right now that- that would be the film. And she said- come on over, let's talk about it. So we got the list. Item number 34, I believe it was, was as she described it briefly, her eccentric Aunt and cousin. And so we made a deal where she would pay for the, for the filming and we began making this film. One of the first things that we did was to go to the family cemetery lot and film both sides of, of her family and with her commenting on the various people that were buried there. But I remember as she spoke, suddenly there was the sound of a train whistle way off in the distance and it just froze her. And you could tell that it must have been something that would bring back all of her childhood experiences, where the family would go out for weekends to the Hamptons, right, by train, of course, and that was the best thing I ever shot of her. But it never got into a film because, because one day as we were about to embark on some more filming she got a call from Edie Beale, the daughter in "Grey Gardens" and the daughter was asking Lee to help out because she and her mother were having problems with the Board of Health I believe, because of the way the health standards were so low in the house that they were living in. And she said- I'm going over there to see what I can do, maybe you want to come along. So we said- yeah, sure. And so we went along with her and she said- do you think you should bring the camera. And we said- oh yeah. So the moment we arrived there, there was Edie just outside the house talking with, with Lee and we began filming right away without even asking. And the daughter seemed to, you know, be okay with it 100%. Anyway, another week went by when Lee said- let's take a look at what we've got. And so we screened maybe an hour of footage, some of it the footage of, of Edie. We hadn't even yet gotten into the house. And we could see from Lee's reaction to it that, that Edie was such a powerful figure and so interesting that Lee was beginning to lose interest in the project, being overwhelmed by the attractiveness of the photograph-ability of the, of the daughter. And anyway, things came to a, to a stop and then several months later with that project at an end my brother and I decided to venture into the house and make a film of the two women. And that's how we got started. So we were introduced to these two women by, by Lee Radziwill.
https://wn.com/Albert_Maysles_–_Getting_Started_On_Grey_Gardens_(69_97)
To listen to more of Albert Maysles’ stories, go to the playlist: https://www.youtube.com/watch?v=7tqxYdgVwtk&list=PLVV0r6CmEsFwINwqzgi8gYJPFHbxA_7tK
Albert Maysles (1926-2015) was known for his important documentaries on Muhammad Ali, Jimi Hendrix and The Beatles. He pioneered the documentary style known as Direct Cinema and helped create techniques still used in modern documentary production and in reality TV. [Listeners: Sara Maysles, Rebekah Maysles and Tamara Tracz; date recorded: 2004]
TRANSCRIPT: In 1978 we came out with "Grey Gardens" that film is another story, as to how we got to make the film. Peter Beard, the famous photographer who made his fame with his photographs of animals in, in Africa, he was a good friend of ours and he lived in the Hamptons and so when his girlfriend, Lee Radziwill, thought of first writing a book and then maybe making a documentary film of her childhood in the Hamptons, Peter said- well, if you're going to do that you should talk to the Maysles brothers. So she called us up and explained that she wanted to make this film. At first I thought- how come you're making a film of your childhood when- without- with it being a documentary when, when it all took place in the past? She said- no, no, this- I have a list of some 40 people and things going on right now that- that would be the film. And she said- come on over, let's talk about it. So we got the list. Item number 34, I believe it was, was as she described it briefly, her eccentric Aunt and cousin. And so we made a deal where she would pay for the, for the filming and we began making this film. One of the first things that we did was to go to the family cemetery lot and film both sides of, of her family and with her commenting on the various people that were buried there. But I remember as she spoke, suddenly there was the sound of a train whistle way off in the distance and it just froze her. And you could tell that it must have been something that would bring back all of her childhood experiences, where the family would go out for weekends to the Hamptons, right, by train, of course, and that was the best thing I ever shot of her. But it never got into a film because, because one day as we were about to embark on some more filming she got a call from Edie Beale, the daughter in "Grey Gardens" and the daughter was asking Lee to help out because she and her mother were having problems with the Board of Health I believe, because of the way the health standards were so low in the house that they were living in. And she said- I'm going over there to see what I can do, maybe you want to come along. So we said- yeah, sure. And so we went along with her and she said- do you think you should bring the camera. And we said- oh yeah. So the moment we arrived there, there was Edie just outside the house talking with, with Lee and we began filming right away without even asking. And the daughter seemed to, you know, be okay with it 100%. Anyway, another week went by when Lee said- let's take a look at what we've got. And so we screened maybe an hour of footage, some of it the footage of, of Edie. We hadn't even yet gotten into the house. And we could see from Lee's reaction to it that, that Edie was such a powerful figure and so interesting that Lee was beginning to lose interest in the project, being overwhelmed by the attractiveness of the photograph-ability of the, of the daughter. And anyway, things came to a, to a stop and then several months later with that project at an end my brother and I decided to venture into the house and make a film of the two women. And that's how we got started. So we were introduced to these two women by, by Lee Radziwill.
- published: 25 Aug 2017
- views: 2263
3:43
Albert Maysles – Grey Gardens: showing the film to the Beales (71/97)
To listen to more of Albert Maysles’ stories, go to the playlist: https://www.youtube.com/watch?v=7tqxYdgVwtk&list=PLVV0r6CmEsFwINwqzgi8gYJPFHbxA_7tK
Albert Ma...
To listen to more of Albert Maysles’ stories, go to the playlist: https://www.youtube.com/watch?v=7tqxYdgVwtk&list=PLVV0r6CmEsFwINwqzgi8gYJPFHbxA_7tK
Albert Maysles (1926-2015) was known for his important documentaries on Muhammad Ali, Jimi Hendrix and The Beatles. He pioneered the documentary style known as Direct Cinema and helped create techniques still used in modern documentary production and in reality TV. [Listeners: Sara Maysles, Rebekah Maysles and Tamara Tracz; date recorded: 2004]
TRANSCRIPT: Once we finished the film, we wanted the first people to see it, would be the mother and her daughter; so we brought the film to Grey Gardens with a projector, we showed it to them and there was a moment of silence and then Edie walked back and forth in the room and in an extremely loud voice shouted- the Maysles have created a classic! So we knew right away that the film was approved, and quite heartily. All of that being in great contrast to some of the reviews that we got where we were criticized for exploiting these women, whatever. Some people just don't understand the difference between getting to know somebody very intimately and somehow or other hurting them and exploiting them. There's an interesting word in this regard. It shows you how cockeyed this culture is with regard to people getting to know one another on an intimate level. The word is: vulnerability. And somehow when- when one speaks of another person candidly, exposing their inner thoughts to another person, whereas oh, their vulnerabilities. As if- as if through the process of being very open with another person you're going to get hurt. Because- because that's what the word vulnerable means. You're- you're exposing yourself to the possibility of getting hurt. Now, now why people choose that word rather than another word- I don't even know what that other word would be- but a word that expresses the notion that by opening your heart and soul to another person you're doing something healthful and beneficial- something that shows your strength and adds to your strength; which I think is the case of what happened with the Beale's. I think that their- their opportunity to be recognized as artists, as women of creative fashion, of, of an eccentric- an eccentricity that nevertheless was, was a love story- there was a genuine and beautiful love between these two women under odd circumstances. But people use this word vulnerable. I would like to find out what that word is or see a word invented that expresses the fact that people can be benefited in a very positive way by sharing their thoughts and emotions with other people. We seem to stress the fact- oh, you're going to be hurt if you- if you tell people who you really are. I don't go with that.
https://wn.com/Albert_Maysles_–_Grey_Gardens_Showing_The_Film_To_The_Beales_(71_97)
To listen to more of Albert Maysles’ stories, go to the playlist: https://www.youtube.com/watch?v=7tqxYdgVwtk&list=PLVV0r6CmEsFwINwqzgi8gYJPFHbxA_7tK
Albert Maysles (1926-2015) was known for his important documentaries on Muhammad Ali, Jimi Hendrix and The Beatles. He pioneered the documentary style known as Direct Cinema and helped create techniques still used in modern documentary production and in reality TV. [Listeners: Sara Maysles, Rebekah Maysles and Tamara Tracz; date recorded: 2004]
TRANSCRIPT: Once we finished the film, we wanted the first people to see it, would be the mother and her daughter; so we brought the film to Grey Gardens with a projector, we showed it to them and there was a moment of silence and then Edie walked back and forth in the room and in an extremely loud voice shouted- the Maysles have created a classic! So we knew right away that the film was approved, and quite heartily. All of that being in great contrast to some of the reviews that we got where we were criticized for exploiting these women, whatever. Some people just don't understand the difference between getting to know somebody very intimately and somehow or other hurting them and exploiting them. There's an interesting word in this regard. It shows you how cockeyed this culture is with regard to people getting to know one another on an intimate level. The word is: vulnerability. And somehow when- when one speaks of another person candidly, exposing their inner thoughts to another person, whereas oh, their vulnerabilities. As if- as if through the process of being very open with another person you're going to get hurt. Because- because that's what the word vulnerable means. You're- you're exposing yourself to the possibility of getting hurt. Now, now why people choose that word rather than another word- I don't even know what that other word would be- but a word that expresses the notion that by opening your heart and soul to another person you're doing something healthful and beneficial- something that shows your strength and adds to your strength; which I think is the case of what happened with the Beale's. I think that their- their opportunity to be recognized as artists, as women of creative fashion, of, of an eccentric- an eccentricity that nevertheless was, was a love story- there was a genuine and beautiful love between these two women under odd circumstances. But people use this word vulnerable. I would like to find out what that word is or see a word invented that expresses the fact that people can be benefited in a very positive way by sharing their thoughts and emotions with other people. We seem to stress the fact- oh, you're going to be hurt if you- if you tell people who you really are. I don't go with that.
- published: 25 Aug 2017
- views: 9307
1:25
Albert et David Maysles « It's all in the film »
Bande annonce conçue par la Bibliothèque publique d'information pour le cycle de films documentaires des frères Albert et David Maysles.
Bande annonce conçue par la Bibliothèque publique d'information pour le cycle de films documentaires des frères Albert et David Maysles.
https://wn.com/Albert_Et_David_Maysles_«_It's_All_In_The_Film_»
Bande annonce conçue par la Bibliothèque publique d'information pour le cycle de films documentaires des frères Albert et David Maysles.
- published: 22 Mar 2019
- views: 495
36:33
Factual America | Salesman, Albert and David Maysles | Ft. Kevin Turley
In Factual America’s first podcast, American history will be discussed through the lens of the documentary film, Salesmen.
Subscribe for more from Factual Ameri...
In Factual America’s first podcast, American history will be discussed through the lens of the documentary film, Salesmen.
Subscribe for more from Factual America: http://bit.ly/AlamoPictures
Award-winning journalist, Kevin Turley, joins Factual America to discuss Albert and David Maysels’ seminal documentary Salesman. Kevin places Salesman in the context of 1960s America and traces the film’s influence on documentary filmmaking to this day. Along the way Kevin and host Matthew Sherwood discover that the film about hard-luck Bible salesmen is actually about so much more — namely the pursuit of the American Dream.
#Podcast #AmericanHistory #HistoryofUSA
▬▬ FACTUAL AMERICA PODCAST ▬▬
Factual America explores the themes that make America unique through the lens of documentaries about America. Each episode a guest chooses a film and then discusses it with host, Matthew Sherwood. Guests include leading documentary filmmakers as well as experts on the American experience.
Matthew Sherwood was born and raised in Texas. He came to the UK in 2001 to work for The Economist. Matthew has worked in journalism and publishing and has a wealth of experience writing for publications, interviewing world leaders, and chairing conferences. Formally he spent his time helping diverse audiences understand the global trends impacting upon their lives.
Emmett Glynn is the producer of Factual America. Known to many in the broadcast world, Emmett is a London-based sound designer and producer who has delivered over 100hrs of TV documentaries for Channel 5, Channel 4 and the BBC. He produces three other podcasts and is developing documentaries alongside Alamo Pictures.
▬▬ ABOUT ALAMO PICTURES ▬▬
Alamo Pictures is a production company that makes US documentaries from a European perspective. Our goal is to create US documentaries for an international audience, remaining subjective by looking at American issues from a European point of view. This helps everyone to better understand America
▬▬ CONTACT ▬▬
Visit our Website: https://www.alamopictures.co.uk/
Follow us on Instagram: @AlamoPictures
Follow us on Twitter: @AlamoPictures
Like us on Facebook: https://www.facebook.com/alamopictures/
Like us on LinkedIn: https://www.linkedin.com/company/alamopictures/about/
https://wn.com/Factual_America_|_Salesman,_Albert_And_David_Maysles_|_Ft._Kevin_Turley
In Factual America’s first podcast, American history will be discussed through the lens of the documentary film, Salesmen.
Subscribe for more from Factual America: http://bit.ly/AlamoPictures
Award-winning journalist, Kevin Turley, joins Factual America to discuss Albert and David Maysels’ seminal documentary Salesman. Kevin places Salesman in the context of 1960s America and traces the film’s influence on documentary filmmaking to this day. Along the way Kevin and host Matthew Sherwood discover that the film about hard-luck Bible salesmen is actually about so much more — namely the pursuit of the American Dream.
#Podcast #AmericanHistory #HistoryofUSA
▬▬ FACTUAL AMERICA PODCAST ▬▬
Factual America explores the themes that make America unique through the lens of documentaries about America. Each episode a guest chooses a film and then discusses it with host, Matthew Sherwood. Guests include leading documentary filmmakers as well as experts on the American experience.
Matthew Sherwood was born and raised in Texas. He came to the UK in 2001 to work for The Economist. Matthew has worked in journalism and publishing and has a wealth of experience writing for publications, interviewing world leaders, and chairing conferences. Formally he spent his time helping diverse audiences understand the global trends impacting upon their lives.
Emmett Glynn is the producer of Factual America. Known to many in the broadcast world, Emmett is a London-based sound designer and producer who has delivered over 100hrs of TV documentaries for Channel 5, Channel 4 and the BBC. He produces three other podcasts and is developing documentaries alongside Alamo Pictures.
▬▬ ABOUT ALAMO PICTURES ▬▬
Alamo Pictures is a production company that makes US documentaries from a European perspective. Our goal is to create US documentaries for an international audience, remaining subjective by looking at American issues from a European point of view. This helps everyone to better understand America
▬▬ CONTACT ▬▬
Visit our Website: https://www.alamopictures.co.uk/
Follow us on Instagram: @AlamoPictures
Follow us on Twitter: @AlamoPictures
Like us on Facebook: https://www.facebook.com/alamopictures/
Like us on LinkedIn: https://www.linkedin.com/company/alamopictures/about/
- published: 14 Jan 2020
- views: 431
5:19
Albert and David Maysles
An interview I shot with the Maysles brothers round about 1980 in their New York offices, one of a series I did with the greats of documentary making in the US....
An interview I shot with the Maysles brothers round about 1980 in their New York offices, one of a series I did with the greats of documentary making in the US. There is more material with them. I'm presently looking for a home for this archive.
https://wn.com/Albert_And_David_Maysles
An interview I shot with the Maysles brothers round about 1980 in their New York offices, one of a series I did with the greats of documentary making in the US. There is more material with them. I'm presently looking for a home for this archive.
- published: 13 Apr 2015
- views: 3327
56:30
Television in America: An Autobiography - Albert Maysles
Albert Maysles is widely recognized as a pioneer of the direct cinema style of documentary. With his late brother David, he earned critical, peer and audience a...
Albert Maysles is widely recognized as a pioneer of the direct cinema style of documentary. With his late brother David, he earned critical, peer and audience acclaim as among the first filmmakers to make nonfiction features - films in which life's dramas unfold without traditional devices like scripts, sets or narration. Maysles films are imbued with integrity, great storytelling and superb artistic rendering. This episode features excerpts from Salesman, Grey Gardens and his work with Bob Drew on Primary (the story of JFK and Hubert Humphrey's 1960 campaign trip through Wisconsin).
Taped: 06-11-2001
https://wn.com/Television_In_America_An_Autobiography_Albert_Maysles
Albert Maysles is widely recognized as a pioneer of the direct cinema style of documentary. With his late brother David, he earned critical, peer and audience acclaim as among the first filmmakers to make nonfiction features - films in which life's dramas unfold without traditional devices like scripts, sets or narration. Maysles films are imbued with integrity, great storytelling and superb artistic rendering. This episode features excerpts from Salesman, Grey Gardens and his work with Bob Drew on Primary (the story of JFK and Hubert Humphrey's 1960 campaign trip through Wisconsin).
Taped: 06-11-2001
- published: 25 Nov 2016
- views: 1317
29:47
From the Archives - 2002 - Lois Wright and Albert Maysles of Grey Gardens - UPDATED
Lois Wright interviews Albert Maysles, documentary filmmaker of Grey Gardens at his home in 2002. Lois was friends with the Beales, and in the movie during the ...
Lois Wright interviews Albert Maysles, documentary filmmaker of Grey Gardens at his home in 2002. Lois was friends with the Beales, and in the movie during the birthday party. She had a public access television show for more than 30 years at LTV.
[email protected]
https://wn.com/From_The_Archives_2002_Lois_Wright_And_Albert_Maysles_Of_Grey_Gardens_Updated
Lois Wright interviews Albert Maysles, documentary filmmaker of Grey Gardens at his home in 2002. Lois was friends with the Beales, and in the movie during the birthday party. She had a public access television show for more than 30 years at LTV.
[email protected]
- published: 09 Jul 2021
- views: 10348