Avtar Kishan Hangal (1 February 1914 – 26 August 2012), popularly known as A. K. Hangal, was an Indian freedom fighter from 1929–1947 and also stage actor from 1936–1965 and later became a character actor in Hindi language films from 1966–2005. His most notable roles are as Ram Shastri in Aaina (1977), as the Inder Sen in Shaukeen, as Bipinlal Pandey in Namak Haraam, as Imaam Saa'b in Sholay, as Anokhelal in Manzil and the antagonist in Prem Bandhan and the 16 films he did with Rajesh Khanna. He has acted in around 225 Hindi films in a career spanning from 1966 to 2005.
Early life
Born into a Kashmiri Pandit family, he spent his childhood and youth in Peshawar, where he had performed in theatre for some major roles.His family home was inside Reti Gate as mentioned in his memoirs. His father's name was Pandit Hari Kishan Hangal. However, his primary occupation for the early part of his life was that of a tailor. He was an active participant in the Indian freedom struggle from 1929–1947. He joined Shree Sangeet Priya Mandal, a theatre group in Peshawar in 1936 and continued to act in many plays in undivided India till 1946. Following his father's retirement, the family moved from Peshawar to Karachi. He moved to Bombay after the Partition of India in 1949 after 3 years in prison in Pakistan. He was involved with the theatre group IPTA along with Balraj Sahni and Kaifi Azmi, both of whom had Marxist leanings. He was jailed because he was a communist in Karachi for two years from 1947–1949 and after his release came to India and settled in Mumbai. He later acted in many plays in theatres in India from 1949–1965.
Aṣíkò (Ashiko) is a musical genre similar to sákárà music from Nigeria, West Africa. Aṣíkò was the Christian version of sákárà (Sakara). It developed originally as a type of
syncretic street drumming in port towns throughout Anglophone West Africa. By the 1920s it was also played by musicians inland in Yoruba towns like Abęokuta and Ibadan. Isaac O. Delano gives a detailed description of an aṣíkò ensemble in the 1930s:
"Another popular native dance is the "Ashiko". It is not a Yoruba dance in its origin, but was imported from Sierra Leone or somewhere that way. The "Ashiko" dance is chiefly performed by Christian people, and has only one kind of music, rather quicker than the "Sakara" . . . and resembles a fox-trot. No stringed instruments are employed, only drums and carpenter's saw, used occasionally to make a kind of noise on its sharp edge, as an embellishment to "Ashiko" drum music. Sometimes a bottle is also used, a nail beating time on it, for the same purpose. The drummers, five in number, all beat similar drums, and produce a continuous volume of music. The dancing is done by pairs, two ladies and two gentlemen facing each other. The drummers sing as in the "Sakara" dance with chorus boys, but no one else sings with them (Delano [1937] 1973:157)."
Armia Krajowa (Home Army), underground resistance in Nazi-occupied Poland during World War II
Media
A.K. (film), 1985 film directed by Chris Marker about the making of Akira Kurosawa's film Ran (1985)
AK (radio program), a weekly program produced by the Alaska Public Radio Network from 2003 to 2008, currently a weekly segment of the network's flagship program Alaska News Nightly
Medical
Applied kinesiology, a method using manual muscle testing that purportedly gives feedback on the functional status of the body
A.K. is a 1985 French documentary film directed by Chris Marker about the Japanese director Akira Kurosawa. Though it was filmed while Kurosawa was working on Ran, the film focuses more on Kurosawa's remote but polite personality than on the making of the film. The film is sometimes seen as being reflective of Marker's fascination with Japanese culture, which he also drew on for one of his best-known films, Sans Soleil. The film was screened in the Un Certain Regard section at the 1985 Cannes Film Festival.
Design work on the AK-47 began in the last year of World War II (1945). In 1946, the AK-47 was presented for official military trials, and in 1948, the fixed-stock version was introduced into active service with selected units of the Soviet Army. An early development of the design was the AKS (S—Skladnoy or "folding"), which was equipped with an underfolding metal shoulder stock. In 1949, the AK-47 was officially accepted by the Soviet Armed Forces and used by the majority of the member states of the Warsaw Pact.
Even after almost seven decades the model and its variants remain the most popular and widely used assault rifles in the world because of their substantial reliability under harsh conditions, low production costs compared to contemporary Western weapons, availability in virtually every geographic region and ease of use. The AK-47 has been manufactured in many countries and has seen service with armed forces as well as irregular forces worldwide, and was the basis for developing many other types of individual and crew-served firearms. As of 2004..."Of the estimated 500 million firearms worldwide, approximately 100 million belong to the Kalashnikov family, three-quarters of which are AK-47s".
(MENAFN - IANS) Haveri (Karnataka), March 8 (IANS) Karnataka Police have submitted a charge sheet in the sensational January 8 Hangal gang-rape case allegedly committed by moral vigilantes in Haveri ... .
(MENAFN - IANS) Haveri, Jan 22 (IANS) With the arrest of three more persons by the Karnataka police in connection with the Hangal alleged gang rape by moral police vigilantes, the number of arrests ... .
(MENAFN - IANS) Haveri, Jan 22 (IANS) With the arrest of three more persons by the Karnataka police in connection with the Hangal alleged gang rape by moral police vigilantes, the number of arrests ... .
