Jump to content

Marius (1931 film)

From Wikipedia, the free encyclopedia

Marius
Directed byAlexander Korda
Written byMarcel Pagnol
Based onMarius
a 1929 play
by Marcel Pagnol
Produced byRobert Kane
Marcel Pagnol
StarringRaimu
Pierre Fresnay
Orane Demazis
Fernand Charpin
Alida Rouffe
*Paul Dullac [fr]
Alexandre Mihalesco
CinematographyTheodore J. Pahle
Edited byRoger Mercanton
Music byFrancis Gromon
Distributed byLes Films Paramount
Release date
  • 10 October 1931 (1931-10-10)
Running time
127 minutes
CountryFrance
LanguagesFrench and Occitan[1]

Marius is a 1931 French romantic drama film directed by Alexander Korda and starring Raimu, Pierre Fresnay, Orane Demazis, Fernand Charpin, and Alida Rouffe. Based on the 1929 play of the same name by Marcel Pagnol, it is the first part of the Marseille Trilogy, which also includes the films Fanny (1932) and César (1936). The film was made for the French subsidiary of Paramount Pictures. A separate Swedish-language version, titled Longing for the Sea and directed by John W. Brunius, was also released in 1931, and a German-language version, titled The Golden Anchor and also directed by Korda, was released the following year.

A restoration of the film was selected to be screened in the Cannes Classics section at the 2015 Cannes Film Festival.[2] The restored film was also given a limited re-release in the United States by Janus Films on 4 January 2017, first premiering at the Film Forum in New York City.[3]

Plot

[edit]

César has a waterfront bar in Marseille. His son, Marius, works for him, and Fanny, Marius' friend since childhood, sells cockles at a stall just outside the door. Marius loves Fanny, but he tries to hide his feelings because he secretly longs to travel to exotic places on one of the ships that depart from the nearby docks, and he does not want Fanny to have to live the live of the wife of a sailor.

Honoré Panisse, a wealthy middle-aged widower who is an old friend of César, proposes to Fanny, and Marius gets jealous. He tells Fanny about a job on a ship that he hopes to get, and Fanny admits her feelings for him. The job falls through, and Marius and Fanny secretly begin a relationship.

When Fanny's mother catches Marius and Fanny sleeping together, she talks with César about getting the pair married. It is understood that Marius and Fanny are engaged, but Marius receives an offer to work on a ship that is going on a five-year voyage. He refuses the opportunity, but Fanny, realizing he will not be truly happy staying at home, decides to encourage him to leave by letting him think that she would rather marry Panisse. While Marius sneaks away to the boat, Fanny listens to César talk about how he will rearrange the apartment above the bar for her and Marius to live there. Eventually, Fanny cannot take it any longer and faints.

Cast

[edit]

Cast recordings

[edit]

An audio cast recording of select scenes, with minor rewrites, was made at the studios Pelouze in Paris in March 1932 and on 2 and 14 December 1933 for Columbia Records by the main cast (Raimu, Fresnay, Demazis, Charpin, Dullac, Vattier) and Henri Vilbert. It was later re-issued on compact disc.[4]

No.TitleLength
1."La leçon de bistrot" (The Bartending Lesson)03:11
2."Le retour de M. Brun" (Monsieur Brun’s Return)03:15
3."Je sors" (I’m Going Out)02:58
4."Pauvre Félicité" (Poor Félicité)03:13
5."Je t’aime bien, Papa" (I Like You Very Much, Papa)06:33
6."La partie de cartes" (The Card Game)06:11
7."Le petit déjeuner et l’histoire de Zoé" (The Breakfast and Zoé’s Story)05:57

In 1960, Pagnol’s distribution company, the Compagnie méditerranéenne de films, released the film soundtrack on disc, interspersed with narrative comments and descriptions spoken by Pagnol. In complement came a reading of Pagnol's preface to the play, which was written for the publication of his complete works and was later collected in the 1981 volume Confidences, and of recollections about the production of the film, which were later published as part of the augmented edition of his 1934 essay French: Cinématurgie de Paris. The album was re-issued on CD by Frémeaux & Associés, in their “Librairie sonore” series.[5]

[edit]
  • Alice Waters, the famed restaurateur and founder of California cuisine, was so taken by the Marseille Trilogy that she named her Berkeley restaurant "Chez Panisse". The café upstairs from the restaurant is decorated with posters from the films Marius, Fanny, and César.[6]
  • The main characters of the Marseille Trilogy make a cameo appearance in the Asterix comic book Asterix and the Banquet. The card-playing scene in the comic book is a reference to a similar scene in Marius.[7][8]

See also

[edit]

References

[edit]
  1. ^ Atkinson, Michael (20 June 2017). "The Marseille Trilogy: Life Goes to the Movies". The Criterion Collection. Retrieved 9 November 2024.
  2. ^ "Cannes Classics 2015". Cannes Film Festival. 29 April 2015. Archived from the original on 18 May 2015. Retrieved 30 April 2015.
  3. ^ Srisavasdi, Greg (3 January 2017). "Marcel Pagnol's 'Marseille Trilogy' Hits The Film Forum". Hollywood Outbreak. Hollywood Outbreak. Retrieved 14 January 2017.
  4. ^ "Notice bibliographique — Le théâtre parisien de Sarah Bernhardt à Sacha Guitry". BnF Catalogue général (in French). Paris: Bibliothèque nationale de France. 1993. Retrieved 1 January 2024.
  5. ^ "Marius – Marcel Pagnol (préface sonore inédite)" (in French). Vincennes: Frémeaux & Associés. Retrieved 1 January 2024.
  6. ^ "Fanny (1932)". Retrieved 16 March 2018 – via www.imdb.com.
  7. ^ Rivière, Stéphane. "Les allusions dans Astérix : Marcel Pagnol". www.mage.fst.uha.fr. Retrieved 16 March 2018.
  8. ^ "Astérix – Page introuvable". www.asterix.com. Archived from the original on 27 September 2011. Retrieved 16 March 2018.
  9. ^ "Port of Seven Seas (1938) - IMDb". Akas.imdb.com. Archived from the original on 25 October 2012. Retrieved 16 September 2013.
[edit]