Logic Pro User Guide
- Welcome
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- What is Logic Pro?
- Logic Pro project basics
- Use menu commands and key commands in Logic Pro
- Use the complete set of Logic Pro features
- Undo and redo edits
- Manage Logic Pro content
- How to get help
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- Projects overview
- Create projects
- Open projects
- Save projects
- Delete projects
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- Play a project
- Set the playhead position
- Control playback with the transport buttons
- Use transport shortcut menus
- Use transport key commands
- Customize the control bar
- Change the LCD display mode in Logic Pro
- Monitor and reset MIDI events
- Use the cycle area
- Use the Chase Events function
- Use Apple Remote to control Logic Pro
- Use Logic Remote to control Logic Pro projects
- Preview projects in the Finder
- Close projects
- View project information
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- Overview
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- Before recording software instruments
- Play software instruments
- Record software instruments
- Record additional software instrument takes
- Overdub software instrument recordings
- Spot erase software instrument recordings
- Use Note Repeat
- Record to multiple software instrument tracks
- Replace software instrument recordings
- Record multiple MIDI devices to multiple tracks
- Record software instruments and audio simultaneously
- Use step input recording techniques
- Use the metronome
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- Arranging overview
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- Regions overview
- Select regions
- Select parts of regions
- Cut, copy, and paste regions
- Move regions
- Add or remove gaps
- Delay region playback
- Loop regions
- Repeat regions
- Resize regions
- Mute and solo regions
- Time stretch regions
- Reverse audio regions
- Split regions
- Demix MIDI regions
- Join regions
- Create regions in the Tracks area
- Change the gain of audio regions in the Tracks area in Logic Pro
- Normalize audio regions in the Tracks area
- Create aliases of MIDI regions
- Convert repeated MIDI regions to loops
- Change the color of regions
- Convert audio regions to samples for a sampler instrument
- Rename regions
- Delete regions
- Create groove templates
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- Overview
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- Add notes
- Select notes
- Snap items to the grid
- Move notes
- Copy notes
- Change the pitch of notes
- Resize notes
- Edit note velocity
- Quantize the timing of notes
- Quantize the pitch of notes
- Change note articulations
- Lock the position of events
- Mute notes
- Change note color
- View note labels
- Delete notes
- Time stretch notes
- View multiple MIDI regions
- Split chords
- Automation/MIDI area in the Piano Roll Editor
- Open other editors
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- Logic Pro advanced editors overview
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- Audio File Editor overview
- Play audio files in the Audio File Editor
- Navigate audio files in the Audio File Editor
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- Audio File Editor edit commands
- Edit audio files with transient markers
- Use the Audio File Editor Pencil tool
- Trim or silence audio files
- Remove DC offset
- Set audio file levels
- Normalize audio files
- Fade audio files
- Reverse audio and invert phase
- Audio File Editor Loop commands
- Undo Audio File Editor edits
- Backup audio files
- Use an external sample editor
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- Mixing overview
- Set channel strip input formats
- Set channel strip pan or balance positions
- Mute and solo channel strips
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- Plug-ins overview
- Add, remove, move, and copy plug-ins
- Insert a plug-in on a track using drag and drop
- Activate plug-ins on inactive channels
- Use the Channel EQ
- Work in the plug-in window
- Work with plug-in settings
- Work with plug-in latencies
- Work with Audio Units plug-ins in Logic Pro
- Support for ARA 2 compatible plug-ins
- Use MPE with software instruments
- Use the Plug-in Manager
- Work with channel strip settings
- Surround panning
- Use the I/O Labels window
- Undo and redo Mixer and plug-in adjustments
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- Smart Controls overview
- Show Smart Controls for master effects
- Choose a Smart Control layout
- Automatic MIDI controller assignment
- Map screen controls automatically
- Map screen controls
- Edit mapping parameters
- Use parameter mapping graphs
- Open the plug-in window for a screen control
- Rename a screen control
- Use articulation IDs to change articulations
- Assign hardware controls to screen controls
- Compare Smart Control edits with saved settings
- Use the Arpeggiator
- Automate screen control movements
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- Live Loops overview
- Start and stop cells
- Work with Live Loops cells
- Change loop settings for cells
- How the Live Loops grid and Tracks area interact
- Edit cells
- Edit scenes
- Work in the Cell Editor
- Bounce cells
- Record a Live Loops performance
- Change Live Loops grid settings
- Control Live Loops with other devices
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- Global changes overview
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- Tempo overview
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- Smart Tempo overview
- Use free tempo recording in Logic Pro
- Choose the Project Tempo mode
- Choose the Flex & Follow setting
- Use Smart Tempo with multitrack audio
- Work in the Smart Tempo Editor
- Improve the tempo analysis using hints in Logic Pro
- Correct tempo analysis results using beat markers in Logic Pro
- Protect Smart Tempo edits by locking a range
- Match audio recordings to the project tempo
- Match the tempo to an audio region
- Use audio file tempo information
- Record tempo changes
- Use the Tempo Interpreter
- Use the tempo fader
- Control project volume
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- Overview
- Add notes
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- Part box overview
- View score symbols
- Select score symbols
- Add notes and rests
- Add notes and symbols to multiple regions
- Add key and time signature changes
- Change the clef sign
- Add dynamic marks, slurs, and crescendi
- Change note heads
- Add symbols to notes
- Add trills, ornaments, and tremolo symbols
- Add sustain pedal markings
- Add chord symbols
- Add chord grids and tablature symbols
- Add bar lines, repeats, and coda signs
- Add page and line break symbols
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- Select notes
- Move and copy notes
- Change note pitch, duration, and velocity
- Change note articulations
- Quantize the timing of notes
- Restrict note input to the current key
- Control how ties are displayed
- Add and edit tuplets
- Override display quantization using tuplets
- Add grace notes and independent notes
- Delete notes
- Use automation in the Score Editor
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- Staff styles overview
- Assign staff styles to tracks
- Staff Style window
- Create and duplicate staff styles
- Edit staff styles
- Edit staff, voice, and assign parameters
- Add and delete staffs or voices in the Staff Style window in Logic Pro
- Copy staffs or voices in the Staff Style window in Logic Pro
- Copy staff styles between projects
- Delete staff styles
- Assign notes to voices and staffs
- Display polyphonic parts on separate staffs
- Change the staff assignment of score symbols
- Beam notes across staffs
- Use mapped staff styles for drum notation
- Predefined staff styles
- Share a score
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- Key commands overview
- Browse, import, and save key commands
- Assign key commands
- Copy and print key commands
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- Global Commands
- Global Control Surfaces Commands
- Various Windows
- Windows Showing Audio Files
- Main Window Tracks and Various Editors
- Various Editors
- Views Showing Time Ruler
- Views Showing Automation
- Main Window Tracks
- Live Loops Grid
- Mixer
- MIDI Environment
- Piano Roll
- Score Editor
- Event Editor
- Step Editor
- Step Sequencer
- Project Audio
- Audio File Editor
- Smart Tempo Editor
- Library
- Sampler
- Drum Machine Designer
- Step Input Keyboard
- Smart Controls
- Tool Menu
- Control Surface Install Window
- Touch Bar shortcuts
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- Working with your control surface
- Connect control surfaces
- Add a control surface to Logic Pro
- Automatic assignment for USB MIDI controllers
- Grouping control surfaces
- Control Surfaces settings overview
- Modal dialog display
- Tips for using your control surface
- Supported control surfaces
- Software and firmware for Logic Pro
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- Environment overview
- Common object parameters
- Customize the Environment
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- Fader objects overview
- Use fader objects
- Play back fader movements
- Work with object groups
- Fader styles
- Fader functions: MIDI events
- Fader functions: range, value as
- Fader functions: filter
- Vector fader
- Special faders overview
- Cable switchers
- Meta event faders
- SysEx faders
- Work with SysEx messages
- Special functions
- Ornament objects
- MMC record buttons
- Keyboard objects
- Monitor objects
- Channel splitter object
- Physical input objects
- Physical input objects
- MIDI click objects
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- Use MIDI plug-ins
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- Arpeggiator overview
- Arpeggiator control parameters
- Note order parameters overview
- Note order variations
- Note order inversions
- Arpeggiator pattern parameters overview
- Use Live mode
- Use Grid mode
- Arpeggiator options parameters
- Arpeggiator keyboard parameters
- Use keyboard parameters
- Assign controllers
- Modifier controls
- Note Repeater controls
- Randomizer controls
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- Use the Scripter
- Use the Script Editor
- Scripter API overview
- MIDI processing functions overview
- HandleMIDI function
- ProcessMIDI function
- GetParameter function
- SetParameter function
- ParameterChanged function
- Reset function
- JavaScript objects overview
- Use the JavaScript Event object
- Use the JavaScript TimingInfo object
- Use the Trace object
- Use the MIDI event beatPos property
- Use the JavaScript MIDI object
- Create Scripter controls
- Transposer MIDI plug-in controls
- Record MIDI to Track
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- Alchemy overview
- Alchemy interface overview
- Alchemy Name bar
- Alchemy file locations
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- Alchemy source overview
- Source master controls
- Import browser
- Source subpage controls
- Source filter controls
- Source filter use tips
- Source elements overview
- Additive element controls
- Additive element effects
- Spectral element controls
- Spectral element effects
- Pitch correction controls
- Formant filter controls
- Granular element controls
- Sampler element controls
- VA element controls
- Source modulations
- Morph controls
- Alchemy master voice section
- Alchemy Extended parameters
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- Sculpture overview
- Sculpture interface
- Global parameters
- Amplitude envelope parameters
- Use the Waveshaper
- Filter parameters
- Output parameters
- Use surround range and diversity
- Define MIDI controllers
- Extended parameters
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- Ultrabeat overview
- Ultrabeat interface
- Synthesizer section overview
- Filter section controls
- Distortion circuit controls
- Glossary
- Copyright
Overview of Step Sequencer in Logic Pro
Step Sequencer is inspired by classic hardware step sequencers that have rows of configurable switches or knobs used to generate repeating musical patterns. In Step Sequencer, you create patterns by editing multifunctional steps in the step grid. Each row controls either a sound (which can be a drum kit piece, a note on an instrument, or a range of notes) or an automation parameter (letting you create automation changes over time in the pattern). Each step represents a definable length of musical time–by default, steps are of equal length, but you can change the length for individual rows or steps. You can adjust a wide range of parameters for individual steps, including velocity, pitch, gate time, and more; and edit pattern and row settings including pattern length, row loop start and end points, playback position, and rotation.
Step Sequencer appears in the Editors working area below the Tracks area. The Step Sequencer interface includes the following:
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Step grid: The main working area where you turn steps on and off, and graphically edit step settings using edit modes. See Edit Step Sequencer steps.
Step Sequencer menu bar: Contains menus with various editing and view functions, buttons to show the Pattern Browser and the Step Sequencer inspector, MIDI In and MIDI Out buttons, a Mono mode button, an Edit Mode selector, a Live Pattern Recording button, a Preview button, and Zoom controls.
Pattern Browser: Access preset patterns and templates to use in your projects, and save custom patterns and templates. See Load and save patterns.
Step Sequencer inspector: Contains tabbed sets of controls providing a central location to view and edit pattern, row, and step settings. See Edit Step Sequencer pattern, row, and step settings.
Row headers: Each header contains a row icon, a disclosure arrow to show subrows, and a set of controls for the row, including Mute and Solo buttons, a Row Assignment pop-up menu, Rotate buttons, and Increment/Decrement Value buttons. See Modify Step Sequencer pattern playback and Edit Step Sequencer rows.
Pattern regions and pattern cells
Step Sequencer patterns are contained in pattern regions (in the Tracks area) and pattern cells (in the Live Loops grid). Pattern regions and cells are used primarily on MIDI-based (software instrument, external instrument, and Drummer) tracks. Pattern regions (but not pattern cells) can also be used on audio tracks to automate effect and channel strip parameters. A project can contain any number of pattern regions or cells.
Each pattern region or cell functions as an independent step sequencer, with its own pattern, configuration, and settings. You can copy and move pattern regions like other regions in the Tracks area. Pattern cells can be copied, moved, triggered, and queued like other Live Loops cells. You can modify pattern region and cell parameters in the Region inspector or Cell inspector, respectively.
All pattern, row, and step settings, as well as Step Sequencer view settings, are stored with the pattern. You can also save a pattern as a template, which contains all the current settings except for the step values, so you can use it as a starting point for creating new patterns.
Patterns can include two types of rows:
Note rows: Generate MIDI note events (for each active step). By default, all notes in a note row have the same pitch, but you can change the pitch for individual steps using the Note and Octave edit modes.
Automation rows: Generate stepped automation events for an automatable parameter. You can assign an automation row to any automatable parameter, including MIDI continuous controller (CC) parameters, channel strip controls, plug-in parameters, and Smart Controls.
Each row can have its own length, step rate, playback mode, start offset, and other settings. Patterns can be from 12 to 64 steps in length, allowing for different time signatures and multiple bar patterns.
You can add rows to a pattern manually or using Learn mode. When Learn mode is active, rows are added when you play notes for which no row exists, or when you manipulate an automation parameter for which no row exists. Using Learn (Assign) mode, you can reassign existing note rows to match incoming note events, or reassign automation rows to match automation parameters.
See Pattern creation basics and Work with Step Sequencer pattern length and step rate.
Edit modes
Using edit modes, you can control different attributes of the note or event triggered by a step. Some edit modes apply to only one row type, while others are common to both types. For note rows, you can change the velocity, pitch, gate time, number of note repetitions in a step, and other attributes. For automation rows, you can change the value of the automated parameter. Edit modes common to both row types include skipping and tying steps, changing the loop start and end point, and changing the step rate.
You select the edit mode for all rows in the pattern using the Edit Mode selector in the Step Sequencer menu bar. You can also view and edit multiple edit modes per row using subrows. Rows always match the edit mode selected in the Edit Mode selector, while you can choose any unused edit mode for a subrow. You can add and delete subrows as needed.
Download the guides:
Logic Pro User Guide: Apple Books | PDF
Logic Pro Instruments: Apple Books | PDF
Logic Pro Effects: Apple Books | PDF