So Renée Zellweger’s face is our fault?

Not Renee ZellwegerAPPARENTLY it is our own laggard CONSENT that drives the manufacturing process –haha. I’m sorry, no question, the chicken came before the rotten egg. Go ahead, blame the victim. Shame on the public for balking at what Hollywood feeds us. The public rejects a red carpet trendsetter and apparently we’re showing insufficient sensitivity to the vehicle, herself a trafficked victim of the process. Yeah, no. Yes, Renée Zellweger is a casualty of artificial esthetic standards set by our culture industry, but that’s not the fault of its primary targets.

By the same logic, should blockbusters be excused for being idiotic because test screening reflect moviegoers to be vacuous? Do you accept that an entertainment industry’s role is to perpetuate empty headedness? I don’t want teachers resigning themselves to graduating dummies.

Zellweger defenders point to the spiraling abuse of plastic surgery. The term they use is “popularity” of plastic surgery, how cheeky! And how convenient it is to stand up for Zellweger in the vulnerable moment of her reveal –to peddle the industry’s chosen trope– rather than accept her audience’s perfectly natural reaction to vanity jumping the shark. Actresses are paid handsomely to set beauty standards, Zellweger for example has been tasked with aging. Those expected to follow are the real victims. We’re told the audience sets the standards. Here we see the audience in full gag reflex of those unnatural, unfair, unobtainable standards -out of reach for Ms. Zellweger too it turns out. The audience is in full gag reflex as the industry apologists say “swallow”.

We are aghast and saddened for two perfectly honorable reasons. First, because Ms. Zellweger’s face belonged to a common pantheon of iconic personages. “Bridget Jones” was paid for in full. Zellweger’s celebrity status is compensation for her obligation to stand-in, yes in perpetuity, whether or not her career becomes a “whatever happened to.” If Ms. Zellweger wants to reassert sole proprietorship of that face, to despoil as she pleases, she reaps the displeasure of her ticketholders.

Second, because we’ve been down the plasticized celebrity rabbit hole before.

Despite the “trend” -we’re told- toward surgical enhancement, the vast majority of people elect not to disfigure themselves, even if they can afford it. Plastic surgery isn’t like a tattoo, it is short-sighted disfigurement plain and simple. I don’t know what kind of a feminist champions negligent mutilation as a right.

This is not about ugliness being subjective. If we are to equate aging with ugly. An actor’s elective surgery does not rebel against standards of beauty, it submits to them. Whether male or female, celebrities hoping to forestall aging do not alter themselves to be ugly. But plastic surgery without fail cements that fate. Inexplicably it’s a lesson yet to gain traction in Hollywood. That is what I think is at the heart of the public’s incredulity, as untactfully as it is being expressed.

My profound sympathies are with Ms. Zellweger but I’m happy that her public’s OMG reaction is upstaging her star power to impress. The public’s horrified gasp is a teaching moment for impressionable stargazers. What she did is not okay.

Addict, pederast dies, much fanfare

But let’s look past the innuendo and unproven transgressions, to celebrate the man’s contribution to the cannon of Western popular music product. Please!

I hear celebrities dismiss the allegations of Michael Jackson’s pedophilia like too much water under the bridge, which would be true I suppose, if Jackson’s victims were more like John Wayne Gacy’s, buried under Neverland, instead of tucked into San Fernando Valley homes, divvying multimillion-dollar payoffs with their enterprising panderer parents. Will the confidentiality clauses stand between the public ever knowing which pederast was the more prolific? That innuended, I do concur those bottoms were small fry compared to Jackson’s true sick imprint on America.

The Michael Jackson TM projected a perversion of role models. Not even a cynical anti-hero, the self-crowned King of Pop was the nul-idol. Jackson rejected his skin color, his sexuality, even his place of belonging among mortals. Other than pathos for the sick dance-cyborg who never had a childhood, what humanity did Jackson share to communicate? To be fair, it wasn’t Jackson who kept the spotlight trained on his black/white Icarus act, foisting the unnatural deception that man can soar with a single glove.

Now dead, Jocko is heralded as among the greatest. But MJ was an internationally recognized poster child for enfeebled humanity, a glorified counter-renaissance man, resembling a human being like a drag queen pretends femininity. He may have channeled vinyl High Fructose Corn Syrup like no other, walking backward while dancing and such, but worth what legacy exactly? Jackson shares the ignobless of the Big Mac, the Lucky Strike cigarette, and DDT. Iconic and good riddance.

Michael Jackson did nothing for black emancipation, or acceptance of homosexuals, or the plight of the children of poverty. The vast majority of the world’s children are “robbed of their childhoods,” you narcissistic rich dumb-ass, and that didn’t stop you from amassing your vast fortune at their expense.

Jackson probably did more to amplify the phobia against pedophiles, the single minority he did incarnate, by denying the preponderance of indicators, by vilifying his accusers, instead of taking his riches to Dubai right from the start, to show the world into what true debauchers wet their willies.

He might even have championed sympathy for plastic surgery binge-purgers, but he lied about that worm-hole until his nose literally fell off. I remember when Jackson made public appearances in surgery masks, feeding the fiction that he was a germophobe. Meanwhile everyone in Hollywood knew from their own rhinoplasties about the actual face-saving purpose of those masks.

Perversely, it was Jackson’s least aberrant eccentricity that killed him. Drugs. Even as TV viewers watch Jackson’s body pass from helicopter to ambulance, over a red carpet no less, Big Pharma makes sure that the talking heads refer to Jackson’s narcotics as “pain-killers.” Jocko was in constant pain, apparently, like Rush Limbaugh and all overachievers etc, hence their susceptibility to addiction. You’d think the alibi would eventually defy credulity.

Prescription drugs circulate among the well-to-do, with the same ease with which the rich have access to good lawyers. The difference between street and medical drugs is that no one cares about the heroin or crack addict’s “pain.”

All the celebrities speaking in tribute to Michael Jackson want to minimize the ugliness Jacko paraded, even, and especially his drug habit. Some who profess to have been close friends express their utter shock at Jackson’s passing, at his frail condition and the magnitude of his drug use. How close could they have been?! Or how culpable are they still on Big Pharma’s not-yet-upped jig?

Jackson was the King of Sick Culture. His collaborator eulogizers are its second tier whores. What contemptible shills, who’ve got theirs, behind their Beverly Hills gates and their own golden narcotics tickets. Even at the premature passing of a unique creative soul, due without question to drug abuse, his peers don’t want to aggravate the corporate forces which continue to pervert the human social animal to beyond self-recognition.

Youth revisited

(Author’s note: this entry has been revised due to the offense taken at its initial publication. It was not intended to make fun of anyone in particular. This article is about the strange cultural pressure for women to look unnaturally young. Woman have always sought to look youthful, but modern medicine now allows them to try for bloomin’ youth, except of course around the edges. We need to dissuade women from this folly because plastic surgery has yet to sculpt a feature that can age with you.)
 
Tissue wrapped in a corn fieldNicole Richie. What is she selling with this dress? I’m asking because I just attended a society function and this look was everywhere. I don’t mean the unwrap- me-my-body-is-a-gift-to-you look. More the faded- beauty-but-I-feel-fresh-as-a-pop-tart- popped-tart look. What is that?
 
I can imagine these women think that they have to compete with teen porn on the internet. So how’re they doing?

Do they resemble anything in nature? Nicole’s not the gaudiest example, but she’s already flirting with recreating something she is not: in this picture, ripe corn. With her hairline and sallow eye sockets, indian corn would be more like it, and the dress would be the loosely affixed branches and twigs which frame it on your door. A welcoming semblance of bounty, pretty but plainly inedible.

Can any amount of skin cream, Botox and muscle sculpting refashion a woman to her teenage bloom? Surely their mirrors do not deceive them. Do they think that an ersatz bloom-of-youth is anything but monstrous, especially in the spookiness of twilight?

I shouldn’t begrudge Nicole the half-peeled banana look. She’s put a great deal into her physical appearance and she can maximize its exposure. I ran into the same phenomenon at the society fundraiser. A woman there, who it’s said is quite self-effacing about what she’s spent on her boobs, wore a dress which half revealed them. I don’t know if she meant to upstage herself with her breasts, but that was the effect. Very nice to look at certainly, but quite an effort to talk to her.

Perhaps these youth costumes are not intended for men anyway. The creams and oils and aromas and salts may be all about a virtual reality more sensual than a man’s imaginary visual-based surreality. If a woman can wear something that makes her feel like a spring chicken’s bare bottom delivered on a silver platter, who am I to complain? Outside of the privacy of their baths however, I wonder if both men and women are rather more interested in people who inhabit their age.

Revision 11/25
Why do I hold so tenaciously to this argument? Because when I beheld those many augmented women, I could not image what it was like for their husbands. I defy anyone to tell me, as years pass, they look at their spouse and say “my goodness she’s getting old!” She’s the only one thinking that and God Dammit where is that coming from?

A mate can exercise and recover his or her health, to perhaps some notice, but otherwise our eyes grow only fond and familiar. On the other hand, the person you love coming home from a clinic in bandages, to be unveiled as looking like a strange somebody else, could only be shocking, as welcome as a disfiguring accident I think, sad.

No matter how much a surgeon is an artiste, facial reconstruction is at best face-saving. It is no match for what nature gave us, and as we wither, it takes away. We may not all start as beautiful, but of all the physical traits that define beauty, two come with age: kindliness and grace. If you weren’t born with those you can get them.