Josh Lewis’s review published on Letterboxd:
"nothing ever changes"
privatization as an uncanny, aggressive, postmodern chamber thriller. love anderson's deliberate, kinetic camera moves that imply an invisible danger just around the corner, and the focus on antiseptic production design filled with mutilated, mutated or reanimated bodies being watched by an unaffected corporate presence.
full discussion on episode 55 of my podcast SLEAZOIDS .
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