Josh Lewis’s review published on Letterboxd:
i think it's ultimately a bit too writerly (i was not surprised to see this was adapted from a play) but was still fairly impressed by the ease with which it adds code-switching and identity politics to the taut, gaslight thriller. the weaponization of ideological ambiguity and social dynamics into larger ideas of political/personal expectations is solid, the performances are a little more complicated than the writing is and it most impressively has very few illusions of grandeur. a couple of scenes reveal a bit too much of the game ("our lives didn't have to be a political statement") but the film ends appropriately on notes of confusion and ambivalence, offering very few answers to its many questions on racial stereotypes, cultural assimilation, and liberal respectability; only a slow ramping of unsettling contradictions.
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