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"The spy sub-genre frequently acts below its material. Gadgetry and the thrill of espionage — chases, gunfights, assassinations — is preferred to the slum of work, the intensity of mistrust, and the mundanity of keeping the world safe. The genre, at least, is unaware of the spy game's constant dangers. Tinker Tailor Soldier Spy, directed by Tomas Alfredson and gorgeously photographed by Hoyte Van Hoytema, is a revelation for committing to such banal trials and tribulations, enhancing the image of a sought-after file or an open window to a level of similar dynamism. Based on John le Carré’s novel of the same name, intelligence isn’t ignored or put aside in favor of visceral kicks; instead, it realigns to an older conception of what the ‘spy’ film can be, and it brings the viewer along for the mental ride, whether they understand it or not."
Pure coincidence that I'm singing Hoytema's praises for Dunkirk in the same week as I'm reflecting back on his previous triumphs. You owe it to yourself to see this movie.
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