Sean Tayler’s review published on Letterboxd:
A real serve how this slots queerness into a giallo so well. I’m baffled at how good the visuals are, both dreamlike and vaguely sinister at once.
This drags a bit, but has one hell of ending!! Who knew some French twink would sit beside Margot Robbie (and the couple in Scream 2) in the best movie theatre entrance scenes.
Mandatory Dead by Daylight anecdote: the worstie that was left behind in the field didn’t even try to find the hatch.
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