Small Things Like These

Small Things Like These

Ireland’s “Magdalene laundries”—the system of convents that turned unwed pregnant young women into de facto slave labor—have been the subject of several fiction and non-fiction films over the years, but this adaptation of Claire Keegan’s 2021 novel approaches the subject from a fresh and uniquely heartbreaking angle. It’s the story of Bill Furlong (Cillian Murphy), a family man running a fuel-coal delivery company in mid-1980s Ireland, one of whose clients is a local convent. There Bill encounters some of its young residents, and faces a crisis of conscience deciding how to respond to what he has seen. Director Tim Mielants and screenwriter Edna Walsh prove efficient at conveying the small-town atmosphere where ruffling the feathers of the Catholic Church could harm Bill’s livelihood, as well as showing the flashbacks to Bill’s own childhood with a single mother that shapes his response. And Murphy’s performance is a terrific display of internalized conflict, perhaps best in an awkward confrontation with the convent’s smug Mother Superior (Emily Watson). It’s much easier in text than on the screen to present a character study built around someone’s internal struggles, but Small Things Like These becomes a powerful example of how the most Christian thing one could do on a Christmas eve is consider giving shelter to a pregnant girl with nowhere else to go.

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