Rashid’s review published on Letterboxd:
"Across the Spider-Verse" is everything you want in a sequel bigger, bolder, and somehow more emotionally resonant than its predecessor. The animation continues to be revolutionary, pushing boundaries with each universe it introduces, yet it never feels overbearing. The design of each world is as unique as the Spider-People who inhabit it. From the textured, graffiti-inspired universe of Spider-Punk to the sleek, dystopian world of Miguel O'Hara (Oscar Isaac), the film crafts a visual experience that feels like the perfect marriage of art and storytelling.
But beyond the jaw-dropping visuals, it’s the characters that elevate this to a new level. Miles Morales (Shameik Moore) is even more of a fully realized protagonist, struggling with the weight of being a hero while navigating his personal identity. The emotional beats hit harder this time around, especially as his relationship with Gwen (Hailee Steinfeld) deepens and as he faces the unrelenting pressures of the multiverse. The introduction of Miguel O'Hara as a morally complex figure adds a level of tension that keeps the stakes high. There’s a real heart to the conflict between Miles and the Spider-Verse team, one that touches on themes of responsibility, identity, and sacrifice, all while never losing the humor and warmth that made the first film so great.
This isn’t just a superhero film, it’s an animated masterpiece that blends multiverse madness with deeply personal stakes, making it one of the most emotional and visually stunning films in recent years. The sense of urgency, personal struggle and connection makes it stand out not only as a comic book movie but as a cinematic achievement.
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