Reactions visible to anyoneReactions visible to owner’s Close FriendsReactions only visible to youDraft entryVisible to anyone (with link)Visible to the member’s friends (with link)Only visible to you
Sing Sing is a film about incarceration, acting, and masculinity. It’s a film with immediate and sustained dramatic stakes. Watery eyes and a lumpy throat will persist for most of its runtime. If this description makes it sound sappy, or reaching, it’s not. It’s funny, tender, brutal—all of its characters feel complete, none of them reduced to devices to serve a plot.
The cast of Sing Sing is largely comprised of formerly incarcerated actors playing themselves, which lends an authenticity to a film that might not work otherwise. The two lead performances are excellent; as are all the supporting ones. Colman Domingo is a shoe-in for a Best Actor trophy. He has so many tools to communicate his character’s profound yearning for humanity: the tenor of his voice, the lined expressions on his face, the anguish in his eyes. It’s a performance without excess—every moment contributes to the story’s emotional and thematic core.
Go see this movie. If it doesn’t move the needle for you, I’m not sure what will.
Letterboxd is an independent service created by a small team, and we rely mostly on the support of our members to maintain our site and apps. Please consider upgrading to a Pro account—for less than a couple bucks a month, you’ll get cool additional features like all-time and annual stats pages (example), the ability to select (and filter by) your favorite streaming services, and no ads!