Patrick D’s review published on Letterboxd:
A comic tragedy, or maybe a tragic comedy. Anora feels spiritually linked to Uncut Gems, and not just because both films take us on an anxiety tour of distinct cultural pockets of NYC and its outer boroughs, but because we’re ultimately presented with a bleak vision of the world and the forces that govern it (read: capital). Both movies play with the audience’s expectation that a resolution—likely involving some huge pile of cash—is awaiting the protagonist. I won’t give away how that expectation is eventually handled in Anora, but I will say that I left the theater stunned. Like Uncut Gems, this one will prove to have serious staying power.
Patrick D liked this review
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